Growing up in Civil Rights Richmond: a Community Remembers

Growing up in Civil Rights Richmond: a Community Remembers

Growing Up in Civil Rights Richmond A COMMUNITY REMEMBERS Photographs by I BRIAN PALMER Growing Up in Civil Rights Richmond A COMMUNITY REMEMBERS II 1 Growing Up in Civil Rights Richmond A COMMUNITY REMEMBERS Zenoria Abdus-Salaam Rev. Josine C. Osborne Philip H. Brunson III Valerie R. Perkins Paige Lanier Chargois Mark Person John Dorman Royal Robinson Leonard L. Edloe Elizabeth Salim Glennys E. Fleming Myra Goodman Smith Reginald E. Gordon Deborah Taylor Robert J. Grey, Jr. Yolanda Burrell Taylor Woody Holton Mary White Thompson Virginia P. Jackson Loretta Tillman Mark R. Merhige Daisy E. Weaver Renee Fleming Mills Michael Paul Williams Yvonne A. Mimms-Evans Nell Draper Winston Rev. Robin D. Mines Rebecca S. Wooden Tab Mines Carol Y. Wray PHOTOGRAPHS Brian Palmer ESSAYS Elvatrice Belsches Laura Browder Ashley Kistler Michael Paul Williams UNIVERSITY OF RICHMOND MUSEUMS Brian Palmer, Untitled [20 February 2018, Virginia Civil Rights Memorial, Virginia State Capitol, Richmond], archival inkjet print on paper, 33.3 x 50 inches, lent courtesy of the artist 2 Published on the occasion of the exhibition TABLE OF CONTENTS Growing Up in Civil Rights Richmond: A Community Remembers Joel and Lila Harnett Museum of Art University of Richmond Museums January 17 to May 10, 2019 Organized by the University of Richmond Museums, the exhibition was developed by Ashley Kistler, independent curator, and Laura Browder, Tyler and Director’s Foreword Alice Haynes Professor of American Studies, University of Richmond. Richard Waller ................................................................................................................................................................................................................................. 7 The exhibition, related programs, and publication are made possible in part with funds from the Louis S. Booth Arts Fund and with support from the University’s Cultural Affairs Committee. Preface Myra Goodman Smith ................................................................................................................................................................................................................... 9 The printed exhibition catalogue was made possible in part with support from the Elizabeth Firestone Graham Foundation. RVA, Richmond, and the Geography of Memory Published by University of Richmond Museums, Laura Browder .................................................................................................................................................................................................................................11 Richmond, Virginia 23173 804-289-8276 Edited by N. Elizabeth Schlatter, University of Richmond Museums, PORTRAITS & INTErviEWS: Rev. Josine C. Osborne, Robert J. Grey, Jr., Deborah Taylor, and Ashley Kistler, independent curator Michael Paul Williams, Daisy E. Weaver, Paige Lanier Chargois, Reginald E. Gordon, Mary White Thompson, Virginia P. Jackson & Zenoria Abdus-Salaam .....................................................................................................................18 Designed by DELANO Creative, Richmond, Virginia Printed by Worth Higgins & Associates Inc., Richmond, Virginia At the Vanguard of the Roots of Resistance and the Quest for Literacy in 19th-Century Richmond, Virginia Elvatrice Belsches ........................................................................................................................................................................................................................39 Cover: Brian Palmer (American, born 1964), In Richmond, the Legacy of 1970 Casts a Shadow Over Our Civil Rights Movement Deborah Taylor, Franklin Military Academy (formerly East End High School), 2017, Michael Paul Williams .................................................................................................................................................................................................................45 archival inkjet print on paper, 30 x 40 inches, lent courtesy of the artist PORTRAITS & INTErviEWS: Yvonne A. Mimms-Evans, Valerie R. Perkins, Mark Person, Elizabeth Salim, Rebecca S. Wooden, Tab Mines, Rev. Robin D. Mines, Philip H. Brunson III, Carol Y. Wray, Royal Robinson................................................................................................................................................................................................ 50 All images © Brian Palmer excluding pages 38-42. Continuity and Community: The Role of Family Legacy and Portraiture in Brian Palmer’s Recent Work Essay “RVA, Richmond, and the Geography of Memory” © Laura Browder Ashley Kistler ..................................................................................................................................................................................................................................71 Essay “At the Vanguard of the Roots of Resistance and the Quest for Literacy in th 19 -Century Richmond, Virginia” © Elvatrice Belsches PORTRAITS & INTErviEWS: Leonard L. Edloe, Myra Goodman Smith, Mark R. Merhige, Essay “In Richmond, the Legacy of 1970 Casts a Shadow Over Our Civil Rights Movement” © Michael Paul Williams Yolanda Burrell Taylor, Woody Holton, Loretta Tillman, John Dorman, Essay “Continuity and Community: The Role of Family Legacy and Portraiture in Brian Palmer’s Recent Work” © Ashley Kistler Nell Draper Winston, Glennys E. Fleming & Renee Fleming Mills ............................................................................................................................. 80 Copyright © 2019, All rights reserved No part of this publication may be reproduced in any manner without prior written permission. Acknowledgments .....................................................................................................................................................................................................................100 Library of Congress Control Number: 2018961631 ISBN 978-0-9889000-6-6 Contributors ................................................................................................................................................................................................................................. 102 4 DIRECTOR’s FOREWORD RICHARD WALLER Executive Director, University of Richmond Museums o say this project has been a long time coming is an Meanwhile, the Growing Up in Civil Rights Richmond project itself understatement. The lives profiled in image and text has had various challenges, and several years have passed since the in Growing Up in Civil Rights Richmond: A Community exhibition curator Ashley Kistler began her work and Laura Browder Remembers, along with those of countless others who conducted the first interviews. However, the delays resulted in some T th engaged with civil rights in Richmond in the 20 century, are still significant opportunities: additional people were interviewed and being compiled and, to our knowledge, are not widely or cohesively their stories added to the rich tapestry of this important period in accessible in Richmond, much less internationally. Yet this history is Richmond’s history; Brian Palmer, an award-winning photojournalist, vital to the complex story of America, as well as to understanding came onto the project and provided the compelling images in the many of the issues that continue to face our nation today, particularly exhibition; and the University of Richmond Museums became in terms of racism, education, social justice, and income inequality. It a project partner. We are privileged to assist in organizing the is critical that these personal experiences continue to be captured exhibition and producing and publishing the catalogue. and shared, before memories fade. The successful realization of the project is due to the work of many Growing Up in Civil Rights Richmond, one of many contributions people. We are indebted first and foremost to the interviewees, to this effort, complements recent important projects and who so generously shared their time, memories, and emotions scholarship, such as University of Richmond Professor Julian regarding their experiences growing up in the civil rights era. The Maxwell Hayter’s book, The Dream is Lost: Voting Rights and the community benefitted then and continues benefitting now by their Politics of Race in Richmond, Virginia (2017); the reclamation of actions as well as those of their family members and friends. We East End and Evergreen Cemeteries, two long-neglected African hope this exhibition and catalogue provide an appropriate and American cemeteries of historical importance, being led at East End lasting tribute to their contributions. Cemetery by Brian Palmer (photographer for Growing Up) and his wife and collaborator, Erin Hollaway Palmer; the ongoing research We are grateful to Laura Browder, Tyler and Alice Haynes Professor and theatrical projects that Growing Up in Civil Rights Richmond of American Studies, University of Richmond, who shared her talents contributor Professor Laura Browder and her colleague Professor as an oral historian and her wisdom and expertise as a scholar and Patricia Herrera have produced with our University of Richmond author, and to Ashley Kistler, independent scholar and curator and students over the past nine years, addressing segregation in the city; former director of the Anderson Gallery, Virginia Commonwealth and the donation of the papers and archives of civil rights

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    55 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us