Campagne donjon et dragon pdf Continue This site uses cookies to provide the services. By using this site, you accept the use of cookies. Learn more 1 Build the plot. At the center of this are the conflicts you've been thinking about. For example, the plot can be defined as an action that will unfold no matter what the players do. These events will help players delve into history and take them to the heart of the story. An example of intrigue can be something like the murder of an important NSPCC, like a queen or a duke. Natural disasters are often used as a plot of conflict. They can also be associated with magical disturbances, such as the intervention of a dark wizard to create an even more interesting plot. Another issue that can help you is predicting the consequences of all players' actions, including the most unlikely. For example, if the player does not choose to complete the search, the kingdom can go after the hero by tracking him as a criminal [6]! 2 Draw the battlefield. This can range from a destroyed temple to an underground cave, anything is possible. Your drawing should not be a work of art, but using it as a reference will help coordinate the actions of players at the beginning of the fight Simple shapes and labels work perfectly when you make a battlefield. You can use squares to make boxes, green triangles for trees and, for example, rock circles, so you don't have to be an artist! Drawing on the battlefield can take some time. To make sure the game isn't interrupted along the way, you'll probably want to complete your card before you start the campaign! If some of your characters are struggling in different configurations, you'll probably need to build several battlefields for your campaign. In some cases, characters can have important actions to perform in a city or village. Drawing up a map for this kind of social struggle can help players visualize things better. In addition, most cities in D-D have at least one store, a mes house and a dormitory [7]. 3 Environmental development. In your environment, there may be objects, such as plants or animals, that can affect the action of the characters. For example, they can use a vineyard in the jungle to use a rope and climb the mountains. You do not need to develop an entire ecosystem, of course, but the characteristics of your own invention will Each one is different, but you may want to list all the details you think are needed. If there are violent or dangerous creatures active at night, such as wolves, bears, lions or similar creatures, it would be good for players to have night vision. Otherwise, the devastation can be terrible, for example with the loss of consumables that have been swallowed. You can establish your environment on a pre-existing ground, such as jungle, forest, desert or cave. You can also use a field that has already been developed in a game in which you have played. 4 Scattered traps, design dangerous terrain. Most of the places visited by players will be dangerous or in ruins. So you need to take this into account during your creative stage. For example, walking on a particular area can lead to the fall of downed soil that falls on pieces, or enemies can also set traps in front of unwanted visitors. Some examples of traps include traps, water tanks, arrow traps or falling rocks. Falling skirting boards, downed trees, poorly fixed rocks or slippery surfaces are examples of risky terrain [9]. 5 Set power levels. This is a number that establishes the difficulty with which heroes will be able to defeat their enemy. If the level of power is higher than the level of players, it becomes a terrible threat. For beginners, we prefer to play against monsters at a fairly low power level [10]. Information related to many monsters, beasts and other enemies can be found online. These superpowers provide details of power levels, basic statistics and some crunchy information about creatures in textual form. In some cases, you may find it difficult to establish statistics about a creature developed by you. In this situation, just give him the same characteristics as a pre- existing being in the game. 6 Set the enemy statistics. These include monsters, wild animals, enemy NPC, gods and much more according to your imagination. If you have enemies in your campaign, choose who they are, set your numbers correctly and set their power level. This will be crucial to determining the roll of the dice when these enemies face the players. Place enemies on the battlefield to get a complete picture of how the action unfolds once the battle begins. 7 Set the campaign starting point. You are Need a lot of charisma to be able to bring all the characters together in an original way from the beginning of the game. Sometimes the characters begin their adventure by simply meeting in a taverna or after a call from the NPC as king, ruler or duke. For example, a mysterious character can send a message to all players asking them to be outside the cave. This way you can connect a new aspect of the story to your story from the beginning! Role-playing tree This category includes the campaign sets for the Dungeons and Dragons role-playing games. Unlike most role-playing games, the basic books about dungeons and dragons do not describe the world of the campaign, which leads to the existence of different sets of campaigns based on these rules. This category includes the following 8 subcategories. Tools: Tree Graphic Counting Internal Search PetScan Tracking - Dark Sun - 1 P - 1 C - Eberron - 3 P - 1 C - Greyhawk - 46 P - 1 C - Lancedragon - 8 P - 3 C Mystara - 1 P - 1 C - Planescape - 5 P - 1 C - Ravenloft - 5 P - 1 C - Forgotten Kingdoms - 3 P - 9 C This category contains the following 21 pages. Tools: Tree Graphics Census Internal Studies PetScan Tracking of Al-Qadim Archipelagos (D20 System) Departure City-Franche of Faucongris Dark Sun Eberron World States Fakukonris Geography of Thera (Turu Geography Fauc Grimus Kingdoms The Calamar Lansdragon Midnight Oriental Adventures Mountain Landscape Garenloft Forgotten Kingdoms Spelling Turks Warcraft Balobod Lands (role play) This document comes from .. This is a list of the official adventures of role-playing game Dungeons and Dragons. published by TSR and then by Wizards on the Coast. This does not include adventures, Published as Extras: Officially Licensed Dungeons and Dragons Adventures, Licensed D20 System Adventures and other OGL System Adventures that can be compatible with Dungeons and Dragons. Adventures published before the third edition are often referred to as modules. The first edition of Dungeons and Dragons was The Temple of the Frog, published in the gadget Blackmoor in 1975. This module will later be developed to become an independent DA2 module - Temple of the Frog for the expert version of Dungeons and Dragons (TSR, 1986). Serie A Series A was created for the AD-D Open tournament at Gen Con XIII in 1980. The first two modules, as well as part of the third is the first part of the third round, and the second part of the third module is used for the semi-final, and the 4th module was the final event. English Title Authors(s) Publisher Publishing Date Frame A1 Slavepits of the Undercity Relentless 4-6 David Cook TSR 1980 Faucongris A2 Secret of the Slavers Stockade Relentless 4-6 Harold Johnson, Tom Moldwai TSR 1981 Faucongris A3 Assault of the Slaves Lords Untransformed 5-7 Alan Hamamak TSR 1981 Faucongris A4 In the Dungeons of Slave Lords Untransformed 5-7 Lawrence Schick 1981 Falcongris A1-4 Boredom of Slave Lords Unan informed 7 David Cook, Alan Hammock, Harold Johnson, Tom Molvey, Lawrence Schick, Edward Carmien TSR 1986 Faucongris Series AC Series wears the letters AC as ACcessoire because they are add-ons designed to help MJs present their parts. Some have elements of adventure, others are only add-ons. English Title Levels Authors(s) Publisher Publishing Date Frame AC1 Dubious Dragon Inn Relentless 1/3 Carl Smith TSR 1983 Generic Frame D-D AC2 Combat Shield and Mini-Adventure Uninterruped 4-7 David Zeb Cook T 1984 Generic Frame D-D AC3 The Abduction of Princess Arelina Relentless 2-5 Gary Spiegel TSR 1984 Generic Frame D-D AC4 The Book of Miracles Magic Uninterrupted - Gary Gigax , Frank Menzer TSR 1984 Generic Frame D-D AC5 Record Sheets Uninterrupted - TSR TSR 1984 Generic Frame D-D AC6 tachograph record sheets for player without intercept - TSR TSR 1985 Generic Frame D-D AC7 Master Screen - Bruce Nesmith TSR 1985 Generic Frame D-D AC8 Rusak's Revenge Uninterrupted 6-8 David Zeb Cook TSR 1985, Creature D-D AC9 Creature Untented Catalog 1-36 Jim Bhambra Phil Gallagher , Graphem Morris TSR 1986 generic frame D-D AC10 Bestirier of Dragons and Giants Relentless 1-36 Deborah Teramis Christian (ed.) TSR 1987 Generic Frame D-D AC11 The Book of Sensual Uncerupted Inventions - Bruce Chu TOR 1 987 Generic Framework of the Almanac of the Poor Wizard - Book of Facts Obstacleless - Aaron Allston TSR 1992 Generic Frame D-D AC1011 Poor Wizard Almanac - Book of Facts II Unhindered - Ann Dupuis TSR 1993 Generic Frame D-D B series B La series refers to letter B as Basic, because the modules in the series are written for the rules of Dungeons - Dragons Basic Set, as long as they are convertible into the AD-D rules.