page 40 page 12 Come and play at the CMA Author and Dessert Designer Caitlin Freeman Lecture and Demo Friday, January 23 Happy hour at 6:00 p.m. Lecture at 6:30 p.m. Then? Cake! Inspired to bake by the confectionary paintings of painter Wayne Thiebaud, Caitlin Freeman saw her chance to re-create those very cakes when Blue Bottle opened a café in the San Francisco Museum of Modern Art. Four years and many art-inspired desserts later, she wrote the book, Modern Art Desserts, to chronicle the desserts, inspiration, and adventures that happened when combining art and cake. $15 / $12 for members / $5 for students. Admission includes cake! Adult Art School 101 The Art School 101 series which offers participants the perfect opportunity to dabble in printmaking, photography, watercolor painting, and drawing while learning new techniques. Participants must be 18 or older. All classes are 6:00 - 8:00 p.m. Sign up for all 4 and receive a 20 % discount! $256 / $192 for members for the series. $80 / $60 for members per class. Printmaking 101 Drawing 101 Thursdays, January 15 and 22 Thursdays, February 26 and March 5 Join us for a two-part workshop with CMA instructor Jimmy Join us for a two-part workshop with CMA instructor Mike Hiller to explore basic procedures and styles in printmaking. Dwyer to explore basic techniques in drawing. Photography 101 Watercolor 101 Thursdays, February 5 and 12 Thursdays, March 19 and 26 Join us for a two-part workshop with instructor Gordon Join us for a two-part workshop with CMA instructor Connie Humphries to explore basic procedures and styles in Manley to explore basic techniques in watercolor. photography. 1515 Main Street at Hampton in Columbia, SC | 803-799-2810 | columbiamuseum.org CALL for SUBMISSIONS ʹͲͳͷ– Fall Lines – a literary convergence is a literary journal based in Columbia, SC and presented by Jasper Magazine in partnership with the University of South Carolina Press, Muddy Ford Press, Richland Library and One Columbia. With a single, annual publication, Fall Lines is distributed in lieu of Jasper Magazine’s regularly scheduled summer issue. Fall LinesZLOODFFHSWVXEPLVVLRQVRISUHYLRXVO\XQSXEOLVKHGSRHWU\HVVD\VVKRUW¿FWLRQ DQGÀDVK¿FWLRQIURP'HFHPEHUWKURXJK0DUFK:KLOHWKHHGLWRUVRIFall Lines hope to attract the work of writers and poets from the Carolinas and the Southeastern US, acceptance of work is not dependent upon residence. 3OHDVHOLPLWVKRUW¿FWLRQWRZRUGVRUOHVVÀDVK¿FWLRQWR±ZRUGVSHUVXEPLVVLRQHVVD\V WRZRUGVDQGSRHWU\WRWKUHHSDJHV 7LPHV1HZ5RPDQSW 6XEPLW\RXUZRUNWR-DVSHU0DJD]LQH¶V)DOO/LQHV±DOLWHUDU\FRQYHUJHQFHDW KWWSVMDVSHUPDJD]LQHVXEPLWWDEOHFRPVXEPLW :KLOH\RXDUHLQYLWHGWRHQWHUXSWR¿YHLWHPVHDFKLWHPVKRXOGEHVHQWLQGLYLGXDOO\DVDVLQJOHVXEPLV- VLRQ7KHUHLVDUHDGLQJIHHIRUHDFKVKRUWVWRU\IRUXSWRWKUHHSRHPVIRUXSWRWKUHHÀDVK¿FWLRQ VXEPLVVLRQVRUIRUHDFKHVVD\3UL]HVDUHVSRQVRUHGE\WKH)ULHQGVRIWKH5LFKODQG/LEUDU\DQGLQFOXGH WKH%URDG5LYHU3UL]HIRU3URVH DQGWKH6DOXGDULYHU3UL]HIRU3RHWU\ Publication in Fall LinesZLOOEHGHWHUPLQHGE\DSDQHORIMXGJHVDQGDFFHSWHGDXWKRUVZLOOEHQRWL¿HGLQ 0D\ZLWKDSXEOLFDWLRQGDWHLQ-XQH$FFHSWHGDXWKRUVZLOOUHFHLYHWZRFRSLHVRIWKHMRXUQDO The Columbia Fall Line is a natural junction, along which the Congaree River falls and rapids form, running parallel to the east coast of the country between the resilient rocks of the Appalachians and the softer, more gentle coastal plain. CENTERFOLD / J. SPENCER SHULL J. 5 A MESSAGE FROM THE EDITOR 6 FANCIES 8 ESSAY • By Will South 9 SPECIAL ANNOUNCEMENT • 1HZ&ROXPELD3RHW/DXUHDWH 12 SPECIAL • 0DVWHUVRI$UW 30 CENTERFOLD • J. Spencer Shull 34 LISTENS • Local Record Reviews 40 SPECIAL 12 SPECIAL 40 SPECIAL • 7KH%XUQLQJRI&ROXPELD 2015 MASTERS OF ART THE BURNING OF COLUMBIA 50 GAZES • 'DZQ+XQWHU JASPER IS 54 WATCHES Cynthia Boiter EDITOR-IN-CHIEF . W. Heyward Sims ART DIRECTOR • Curtain Up Forrest Clonts PHOTOGRAPHY EDITOR . Ed Madden LITERARY ARTS EDITOR Chris Robinson VISUAL ARTS EDITOR EMERITUS 56 READS Kara Gunter VISUAL ARTS EDITOR . $XJXVW.ULFNHOTHEATRE EDITOR Kyle Petersen MUSIC EDITOR-IN-CHIEF . 7RP'HPSVWHUASSITANT MUSIC EDITOR • Poem by Jonathan Butler 'DYLG/LJRQDANCE EDITOR . Bonnie Boiter-Jolley CONTRIBUTING DANCE EDITOR • 3RHPE\&XUWLV'HUULFN Perrin Hall Brunson NEW MEDIA EDITOR • The Ron Rash Reader Julia Elliott CONTRIBUTING EDITOR . Wade Sellers FILM EDITOR • By the Red Glare Rachel Haynie STAFF WRITER . Jonathan Butler STAFF WRITER Elizabeth Breen STAFF WRITER . Susan Levi Wallach STAFF WRITER • On Agate Hill Jonathan Sharpe STAFF PHOTOGRAPHER 62 SPECIAL 7KRPDV+DPPRQG STAFF PHOTOGRAPHER $OH[LV6FKZDOOLHU STAFF PHOTOGRAPHER • 7KH$UWRIWKH%UHZ $QQLH%RLWHU-ROOH\ OPERATIONS MANAGER 5REHUW%-ROOH\-U0' PUBLISHER 63 GUEST EDITORIAL • By John Sherrer CONTRIBUTORS Bob Ellis . &XUWLV'HUULFN . Woody Jones . Kirby Knowlton John Sherrer . Will South . Michael Spawn . 'DYLG6WULQJHU JASPER ONLINE jaspercolumbia.com jaspercolumbia.net/blog facebook.com/jaspercolumbia twitter.com/jasperadvises A MESSAGE FROM JASPER Dear Friends, ǡ ǡ ϐ Ǥ ǣ Ǧ ʹͲͳͷ Ǧ ǡ ʹͲͳͷǤ ϐ Ǧ Dzǡ Ǥ dzǯǤ ǡ ϐ Ǧ ǡǦ Ǥ ǡ Dzǯ ǡ ǡ Ǥ Ǧ Ǥ ǡ ǡ ǯ Ǥ ͳ͵Ͷͳ ǯ ǡ ǡǦ ϐ ǯǤ ǡǡ ǡ ǡǡDz Ǧ Ǥ ǡ ǡǦ dz Ǥ ͳͻ͸ͳ ǯǮ Ǣ ǡǡ Ǥ Dz dz Ǥǯdz ǯ ͳͻͻ͹Ǥ Ǧ Ǧ Love is the crowning grace ϐ of humanity, the holiest right ǤǦ ǡ of the soul, the golden link Ȅ which binds us to duty and Ȅ ǡ Ǧ truth, the redeeming princi- ǡ ǡ Ǥ ϔ ǡ heart to life, and is prophetic ǤȄǡ Five enemies of peace inhab- of eternal good. - Petrarch ǡȄǤ it with us — avarice, ambi- tion, envy, anger, and pride; Ǥ Ǥ There is no lighter burden, if these were to be banished, Ǥ Ǥ Ǥ Ǥ nor more agreeable, than a we should infallibly enjoy Ǥ pen. Other pleasures fail us or perpetual peace. – Petrarch wound us while they charm, ȋϐ Ǧ but the pen we take up rejoic- Ǧ ing and lay down with satis- Ȍ ͳͻͶ͵Ǥ faction, for it has the power ͶͶ Ǧ to advantage not only its lord Take care, and master, but many others ǡǡ as well, even though they Ǥ ǯ be far away — sometimes, ϐ indeed, though they be not ͳͻ͵Ͷͳͻ͹͵Ǥ born for thousands of years ϐ to come. - Petrarch ȀȀ ǡ ǡǦ Jasper Magazine Ȃ Ǥ Ǥ Ȃ ǡ ǡ Ǥ ǡ ǯ Ǥ ǡ ǡͳͲͲͻ ǡǡʹͻͲ͵͸Ǥ Ȁ ʹͲͳͷȀͲͲͶȀ ͲͲ͵ JASPER FANCIES OVERSOUND NASCENT LOCAL EDM SCENE FINDS SOME RADIO NICHES ǡ Oversoundǡ Ǥ ͺͲ Ǧ ǯ ǯ ǡ ǡ Ǧ ǡ Ǥ ǡ ϐ Ǧ ǤǦ ǡʹͲͲͻǦʹͲͳͳǡGulf CoastǡǦ ǡ ǡ ǦǦ ǤDz Ǥ ǡdzǡDzǦ ǡǡ Ǥdz Ǧ ʹͲͳʹǡ Ǧ Ǧ ǦǤ ǡ Ǧ ǯ ǡ ǦǦ Ǧ ǡ Oversound ǡ ǯ ʹǦ͵ Ǥ Ǥ Dz ǡdz ȋ ǡOversoundǡ ǯ Ȍ ǯDz Ǥ Dz ǯǤdz ǡdzǡ ǡǡǤDz Ǧ ǣ ϐ ǡ Ǧ ǡ ǡDzǯǡ ǡǦ ǤdzDzǯ ǡ Ǥdz ǡdz Dzǯ ǡdz Ǥ ǤDzǯ ǡ Dz ƬǡǦǡ ǡǤ Ǥdz ǡ Ǧ Ǧ Ǥdz Dz ǯ ǯǡdz ǣLike a Seaǡ ǡ ͸ǦͺǤ ǡ Dz The Hartford BookǤ Ǧǯ ǡ The New Yorkerǡ American Poetry ͻǤǯǦ Ǥdz ReviewǡPloughsharesǤǯ Dzǡ ǡdzǡDzǯ Boston ReviewǡColumbia Poetry ǡ ǯǡ Ǥdz Reviewǡǡ ǡ ǡ ǯ Ǥ Dz ǯǦ ǯ Ǧ Ǥ ǡ Ȅ ǡdz ǡ Oversound Ǧ Ǥ ǡ ʹͲͳͷǤ ϐ ǤDz ǯ Ǥ Ǧ Ǧ ǡ ȄͷͲȀͷͲ ǡ Ȅ Ȁ ǦȀ ǡ ǡǤ ϐȄ Oversound Ǧ Ǥ ǦʹͲ ǡ Ǧ Oversound ǡdzǤDz ǯ ǡ ǡ ǡ Ǥ-EM Ǧ Ǥ ǯ Ǥ Ǥdz-KK 6 . 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