UNIVERSITY OF HAWAI‘I PRESS University of Hawai‘i at Ma¯noa • 2840 Kolowalu Street • Honolulu, HI 96822-1888 Non Profit Org US Postage PAID Ripon, WI Permit #100 Follow us on Twitter Find us on Facebook Read our blog @uhpressnews facebook.com/uhpress uhpress.wordpress.com facebook.com/UniversityofHawaiiPress If you receive multiple copies of this catalog, please pass them on to your colleagues or librarian… www.uhpress.hawaii.edu UNIVERSITY OF HAWAI‘I PRESS SPRING 2015 Title Index Allegories of Time and Space 10 Governing Cambodia’s Forests 59 Partners in Print 2 Archives of Asian Art 63 The Growing Power of Japan 57 The Pearl Frontier 25 Art Worlds 4 The Halo of Golden Light 44 Performing the Great Peace 51 Articulating Rapa Nui 23 A Handbook of Korean Zen Practice 45 Philosophy East and West 65 Asian Perspectives 63 Hawai‘i’s Scenic Roads 20 Plants for the Tropical Xeriscape 14 Asian Theater Journal 63 Hawaii’s Story by Hawaii’s Queen Plants for Tropical Landscapes 14 At Home and in the Field 19 Liliuokalani 53 The Queen’s Songbook 53 Auspicious Designs 61 Hawaiian Journal of History 64 Queer/Tongzhi China 60 Azalea 63 Hawaiian Plant Life 15 A Reader’s Companion to the Confucian Being Political 26 Hekenukumai Busby 62 Analects 36 Biography 63 Hokusai’s Great Wave 1 Recruit to Revolution 60 Birth of a Monarch 61 Holy Ghosts 50 Rediscovering in the Roots of Chinese The Blind Writer 8 How to Grow Edibles in Containers 15 Thought 62 The Bodo of Assam 60 An Image of the Times 57 Remaking Chinese Cinema 47 Breaking the Silence 55 Imagining Exile in Heian Japan 31 Review of Japanese Culture and Soci- Britain and Japan 57 The Immortals 49 ety 66 Brunei 56 Indonesian Women and Local Politics 56 Rhythms, Rites and Rituals 57 Buddhist-Christian Studies 63 The International Minimum 38 Rising Worldwide Socialism and the Building a Heaven on Earth 40 Javaphilia 6 Taiwanese Peasant Movement, Cantankerous Essays 57 Journal of Korean Religions 64 1924-1951 58 The Capitalist Dilemma in China’s Cultural Journal of World History 64 Romancing Human Rights 32 Revolution 61 Kailua 54 Rubber Manufacturing in Malaysia 56 Catalogue of Korean Manuscripts and Rare Keka‘a 54 Sangaku Proofs 61 Books 59 Kia Ora Chief! 62 Sarong Kebaya 61 Catalogue of Japanese Manuscripts and Korean Studies 65 Sea of Opportunity 16 Rare Books 59 Language Documentation and The Small Food Garden 15 Changing Chinese Cities 11 Conservation 65 Small Trees for the Tropical Landscape 14 The Chaos and Cosmos of Kurosawa The Life We Longed For 58 A Study of Saisiyat Morphology 51 Tokiko 28 Līhu‘e 54 Tamils and the Haunting of Justice 25 China Review International 64 The Lost Territories 37 Tea in China 3 Conceiving the Indian Buddhist Patriarchs Luminous Depths 61 They Followed The Trade Winds, in China 46 Magnolia 57 revised edition 55 The Confessions of a Number One Son 19 The Making of Modern Chinese Medicine, Thinking Like an Island 18 The Contemporary Pacific 64 1850-1960 35 Time to Eat Lobster and Other Stories 58 Coping with Calamity 43 Mānoa 65 Trade and Society 56 Cross-Currents 64 Marathon Japan 12 Two Stories by Yi Chong-jun 58 Daoism Excavated 62 Miracles 58 U.S.-Japan Women’s Journal 66 Demonic Warfare 41 Mobile Citizens 59 Urbanizing China in War and Peace 34 The Divine Eye and the Diaspora 48 Modern Ink 4 Value and Values 27 Doing Fieldwork in China ... with Kids! 60 The Mongol Century 5 Vertical Cities Asia 56 Dubious Gastronomy 7 The Moving Fortress 58 Vietnamese Traditional Medicine 56 Dumont d’Urville 22 Nāna I Ke Kumu, Volumes I and II 52 Wahine Volleyball 21 DV-Made China 47 Oceanic Linguistics 65 The Watersmart Garden 14 Eating Korean in America 7 The Ornamental Edible Garden 15 Whispers and Vanities 62 Embodied Nation 13 Out of the Dust 9 The White Plum 43 A Faraway, Familiar Place 23 Out to Work 33 Women Pre-Scripted 30 Fragrant Orchid 29 The Pacific Festivals of Aotearoa Yangzhou, A Place in Literature 39 From King Cane to the Last Sugar Mill 17 New Zealand 24 Yearbook of the APCG 66 Gendered Entanglements 60 Pacific Science 65 Zhuangzi and the Happy Fish 42 Visit our new bookshop Monday–Friday, 9:00am–4:00pm Books can be ordered at our at Hamilton Library store for a 20% discount, plus free shipping in the US. 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Please order at www.uhpress.hawaii.edu or send your order with check, money order, original purchase or der, or VISA/MasterCard information to: University of Hawai‘i Press Order Department 2840 Kolowalu Street Honolulu, HI 96822-1888 FOR BOOKSELLERS All prices and discounts are subject to change without notice. Books with an “s” follow- ing their price are short discount; no “s” indicates trade discount. Payments by check must be in U.S. dollars, drawn on a U.S. bank. Institutions and libraries must en close a signed original purchase order. SHIPPING AND HANDLING Shipping and handling for individuals—U.S. surface: Add $5.00 for the first book, $1.00 for each additional. Allow 2–6 weeks for delivery. U.S. air: $7.00 for the first book, $4.00 for each additional. Allow 7 days for delivery. Canada and Mexico: Add $10.00 for the first book, $7.00 for each additional. Allow up to 4 weeks for delivery. Orders from Canada, add 5% GST. All other countries: Add $10.00 for the first book, $10.00 for each additional. Allow up to 4 weeks for delivery. EXAMINATION AND DESK COPIES For information and instructions, please go to: http://uhpress.wordpress.com/policies/examination-and-desk-copies/ www.uhpress.hawaii.edu Hokusai’s Great Wave Biography of a Global Icon CHRISTINE M. E. GUTH Hokusai’s “Great Wave,” as it is commonly known today, is arguably one of Japan’s most successful exports, its commanding cresting profile instantly recognizable no matter how different its representations in media and style. In this richly illustrated and highly original study, Guth examines the iconic wave from its first publication in 1831 through the remarkable range of its articula- tions, arguing that it has been a site where the tensions, contra- dictions, and, especially, the productive creativities of the local and the global have been negotiated and expressed. She follows the wave’s trajectory across geographies, linking its movements with larger political, economic, technological, and sociocultural January 2015 developments. Adopting a case study approach, Guth explores 272 pages, 70 color and 5 black & white issues that map the social life of the iconic wave across time and illustrations, 7 x 8.25 place, from the initial reception of the woodblock print in Japan, Cloth 978-0-8248-3959-8, $57.00s to the image’s adaptations as part of “international national- Paper 978-0-8248-3960-4, $20.00s ism,” its place in American perceptions of Japan, its commercial adoption for lifestyle branding, and finally to its identification as a tsunami, bringing not culture but disaster in its wake. Wide ranging in scope yet grounded in close readings of disparate iterations of the wave, multidisciplinary and theoretically informed in its approach, Hokusai’s Great Wave will change both how we look at this global icon and the way we study the circulation of Japanese prints. This accessible and engagingly written work moves beyond the standard hagiographical approach to recognize, as categories of analysis, historical and geographic contingency as well as visual and technical brilliance. It is a book that will interest students of Japan and its culture and more generally those seeking fresh perspectives on the dynamics of cultural globalization. CHRISTINE M. E. GUTH leads the Asian design and material culture specialism in the Royal College of Art and Victoria and Albert Museum postgraduate design history program. 1 Japan / visual culture / DESIGN Partners in Print Artistic Collaboration and the Ukiyo-e Market JULIE NELSON DavIS This compelling account of collaboration in the genre of ukiyo-e (pictures of the floating world) offers a new approach to under- standing the production and reception of print culture in early modern Japan. It provides a corrective to the perception that the ukiyo-e tradition was the product of the creative talents of individual artists, revealing instead the many identities that made and disseminated printed work. Julie Nelson Davis demonstrates by way of examples from the later eighteenth century that this popular genre was the result of an exchange among publishers, designers, writers, carvers, printers, patrons, buyers, and readers. By recasting these works as examples of a network of commer- cial and artistic cooperation, she offers a nuanced view of the January 2015 complexity of this tradition and expands our understanding of 264 pages, 101 color illustrations, 7.5 x 9.75 the dynamic processes of production, reception, and intention in Cloth 978-0-8248-3938-3, $50.00s floating world print culture.