Download Download

Download Download

Timo Kallinen REVEALING THE SECRETS OF OTHERS (ON YOUTUBE): NEW AND OLD IN THE PUBLIC REPRESENTATIONS OF GHANAIAN TRADITIONAL RELIGION abstract In the midst of the proliferation of Christianity and Islam, traditional religious movements struggle for recognition all over Africa. In order to reach nationwide and diasporic audiences, traditionalist movements have sought to assume a visible role in modern mass media. In Ghana, West Africa, the traditionalists have been at pains to challenge the dominance of Pentecostal-charismatic Christianity in the public sphere. Analysts have pointed out that traditional religion’s public role has been constrained by its emphasis on secrecy and limited access to spiritual powers, while Christianity’s public performances of revelations have been better suited for mass media. One of the major themes in the public representations of Pentecostalism has been the revealing of satanic influences working underneath the secrecy of traditional religion. By using examples from Ghana the article shows how the traditionalists have recently developed their own revelatory discourse, in which the dualism godly/satanic has been subverted. By publicly exposing Christian pastors as frauds in social media the traditionalists reemploy and redirect an age-old accusation of charlatanism previously targeted at themselves by both Christian and secularist commentators. More importantly, however, these statements should be understood as attempts to redefine Christianity from a non- Christian perspective. Keywords: secrecy, fakery, traditional religion, Christianity, Ghana, social media, mass media Introduction person is a liar.’ The man speaking is a Ghanaian traditional priest called Nana Kwaku Bonsam An agitated man in dreadlocks speaks forcefully and he is on YouTube talking about fake to the camera: ‘If any pastor says that Jesus pastors and false prophets.1 He mentions Christ tells me I see God, any pastor in this several instances, where Christian pastors have world… I’m throwing a challenge to all the embezzled money from their churches, cheated pastors who say they see God before. That on their wives, and sexually abused the female suomen antropologi | volume 44 issue 1 spring 2019 30 Timo Kallinen members of their congregations. What he is The current resurgence owes a great deal to most concerned about, however, is that the the introduction of social media platforms, such pastors claim to follow instructions personally as YouTube, during the 2000s. This has collapsed received from God. He goes on to describe some of the earlier hierarchies, in which the in an ironic tone how the pastors declare that traditionalists were often in a disadvantaged they have seen God, God has touched them, position. The first and most obvious one has to or spoken to them. He then quotes the Bible, do with the rich and the poor. Traditionalists Exodus 33:20, where God tells Moses ‘no man previously lacked the economic resources or shall see me and live’. This, according to Kwaku wealthy corporate sponsors that many Christian Bonsam, proves that any person who claims to groups were able to gather to pay for airtime in have seen God is a liar. After all, God himself broadcast media. Shooting videos and posting has decreed that he should not be seen by them on social media requires some investment humans. (e.g., in computers, smartphones, application This video by Kwaku Bonsam is an example software), but this is very modest if compared of a recent media phenomenon in Ghana, in to making a TV programme. Secondly, which self-acclaimed traditionalists criticize individual traditional practitioners are less Christians in broadcast and social media, and dependent on formal institutions that would what is more, they do it by publicly revealing represent them in the public. Traditionalists their secrets, exposing them as frauds.2 This enjoyed a short-lived media presence in the has not been entirely unexpected as traditional 1980s through a government sponsored neo- religion has been under attack in the media on traditional movement called Afrikania Mission, the part of the Christian churches, especially who published their own newspaper and had those belonging to the Pentecostal-charismatic a slot of airtime in the state regulated radio movement, for more than two decades. In (Gyanfosu 2002). In fact, at the time, they the 1990s, after a long period of military rule, were the only religious group in the country Ghana’s state-controlled media was liberalized that were allowed on the airwaves (De Witte and commercialized and Pentecostal churches 2004: 138). These days Afrikania, or any other managed to secure a prominent footing in this organization, can no longer act in the media as new media landscape. The churches were able the ‘official’ representative of traditional religion. to make considerable investments in TV and On the contrary, a simple YouTube search will radio work with money collected from their produce a number of traditional practitioners members and overseas donors (see e.g., Gifford creating their content independently. Not 2004; Meyer 2011). One popular theme in only are they free to post anything they want, Pentecostalist programming has been labelling but on a platform like YouTube their videos traditional religion as ‘satanic’. More generally, are not separated from those released by it has been asserted that indigenous forms more formal organizations. Nor is there any of religious beliefs and practices are being compartmentalization between ‘amateur’ and marginalized all over Africa (Hackett 2015), ‘professional’ productions (see Sumiala and and hence it is important to look into the Tikka 2013). Thirdly, the media strategy adopted different ways traditionalists are responding to by Afrikania has sought to make traditional this situation. religion attractive to urban Christian audiences suomen antropologi | volume 44 issue 1 spring 2019 31 Timo Kallinen and the reporters, editors, and other gatekeepers conditions on them that may contradict the of the conventional media by presenting it purposes of those who create them’. Thus in a ‘Christian format’. This has involved, for religions, no matter how spiritual they are instance, the introduction of Sunday services considered to be, cannot exist without some resembling Christian masses with a component sort of symbolic and material instantiations of ‘entertainment’ in the form of music and (e.g., books, buildings, songs, gestures), which dancing. At the same time, practices like animal always run the risk of getting decontextualized, sacrifices, which are considered distasteful by recontextualized, reinterpreted, and reapplied in many Christians, are publicly minimized. This unpredictable ways, which may lead to conflicts image of traditional religion has felt alien to and alterations. What these symbolic and many traditionalists on the ’grassroots level’ material instantiations are in any specific case, (see De Witte 2004; 2015). However, with the is not an arbitrary matter or simply a question introduction of social media platforms they are of practicality. One would rather presume that able to take the formerly downplayed aspects religious groups would adopt media and public out in the open. Fourthly, traditional religion, strategies that are in resonance with their which has been conventionally viewed as ‘local’ ideologies and practices. In this sense, modern in contrast to ‘international’ Christianity, is now mass media would not be different from the able to go global via the internet. Although more traditional ones. As pointed out by Patrick the traditionalists use the internet ‘locally’ (see Eisenlohr (2009: 279), different theological Postill 2011), that is, in communicating and assumptions about the nature of mediation ‘may competing over matters of local concern, many of have very different consequences of how people their postings are intended for the wider world, treat modern media technologies in religious which does not mean only Ghanaian diasporic settings and how they see such technologies communities but also foreign audiences. For contributing to their religious practices’. Thus, example, in a video titled ‘Traditional religion the concerns that religious practitioners have remove the ice’3 Kwaku Bonsam states that the about modern technology have to be discussed reason for his presence on the internet is that in a context of long-standing religious ideas that he wants ‘traditional religion to go around the pre-date the current ‘information age’ (ibid.: world’ and thereby offers his help to people 278). everywhere as well as a chance to learn about In the case of Ghana, scholars such as traditional religion. Birgit Meyer (2004; 2006; 2011; 2015) and However, the differences between Chris- Marleen de Witte (2004; 2015; 2018) have tianity and traditional religion cannot be maintained that Christianity as a ‘revelatory explained merely by referring to technological religion’ has found it rather effortless to change and economic and political power broadcast its message in electronic mass media, relations. To understand this, we have to go especially in audiovisual media. Ever since its back to basic questions about how religious introduction it presented itself as religion that traditions occur in society and endure in time. offered every person an access to God through As Webb Keane (2007: 86) points out, ‘high the medium of the Bible and the ability to ideals, doctrines, and ideologies cannot exist see the truth by him/herself. Later on, the socially

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    21 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us