AP Art History Chapter 24 Questions: The Baroque in Italy and Spain 1. Gianlorenzo Bernini was _____, _____, ______, _______, and stage designer. It was one of the most important and ______ artists of the _____ era in Italy. He had been the favorite sculpture of ____ who spent so much on art that he nearly bankrupted the Vatican treasury. (659) 2. Who were the patron and sculptor for the Fountain of Four Rivers? How did he win this commission?) (669) 3. What is typical of Baroque art? (670) 4. Describe how Santa Susanna stands as one of the earliest manifestation of Baroque artistic spirit? (670‐671) 5. Describe Bernini’s new design for Saint Peter’s (672) 6. How does Bernini’s baldacchino serve as function and symbolic purpose? It was created in the lost‐wax process. Define the lost wax process. (page 130) Define chasing. (673) 7. Compare Bernini’s David to Donatello’s, Michelangelo’s, and Verrocchio’s David. Discuss the similarities and differences. How is this typical of the Baroque style? (674) 8. How does Bernini incorporate architecture, sculpture, and painting in his Ecstasy of Saint Teresa in the Cornaro chapel? (675) 9. Describe Borromini innovative Baroque style in the façade of San Carol alle Quattro Fontane, Rome, Italy. (676) 10. Describe Borromini’s plan for the Chapel of Saint Ivo? (678) 11. What was the Bolognese academy and who established it? (679) 12. Describe how Carracci’s, Flight into Egypt, was an idealize landscape and idealize life? (679) 13. How were the patron and artist of the Loves of the Gods ceiling frescos? How does this compare to the ceiling of the Sistine Chapel by Michelangelo? (680) 14. Define the word “tenebroso” that is associate with the artist Caravaggio? (683) 15. In Caravaggio’s, Conversion of Saint Paul, what does he use to create a dramatic painting? (683) 16. In Gentileschi’s Judith Slaying Holofernes, how does her painting show influences of Caravaggio’s dramatic lighting? (683) 17. Who were the artist and patron of Triumph of Barberini, ceiling fresco in the Gran Salone, Palazzo Barberini, Rome, Italy. (685) 18. Compare thee the Triumph of Name of Jesus to the ceiling of Assumption of the Virgin by Correggio and ceiling of the Camera Picta by Mantegna. (686) 19. What was the subject of Juan Sanchez Cotan’s greatest artistic works? (687) 20. What artist influenced Jose De Ribera? (688) 21. Who was the foremost painter of the Baroque era? (689) 22. Describe the subject in Velasquez’s Las Meninas. What was the artist’s intention in painting this work? (691) .