09/25/21 FT2PTG: Popular Television Genres | University of Reading FT2PTG: Popular Television Genres View Online Agger, G., 2013a: The Killing: Urban topographies of a crime. Journal of Popular Television, 1. ——, 2013b: Emotion, gender and genre: Investigating The Killing. Northern Lights: Film and Media Studies Yearbook, 9. Allen, R. C., 1992: Channels of discourse reassembled: television and contemporary criticism. 2nd ed. Routledge,. Altman, R., 1999: Film/genre. British Film Institute,. Amore, L. M. D’, ed., 2014a: Smart chicks on screen: representing women’s intellect in film and television. Rowman & Littlefield,. ——, ed., 2014b: Smart chicks on screen: representing women’s intellect in film and television. Rowman & Littlefield,. Arvas, P., and A. Nestingen, 2011: Scandinavian crime fiction. University of Wales Press,. Bennett, T., and Open University, 1981: Popular television and film: a reader. BFI Publishing in association with the Open University Press,. Bentham, J., 1986: Doctor Who: the early years. W.H. Allen,. Bernardi, D., 1998: Star trek and history: race-ing toward a white future. Rutgers University Press,. Bignell, J., and A. O’Day, 2004: Terry Nation. Manchester University Press,. ——, and S. Lacey, 2005a: Popular television drama: critical perspectives. Manchester University Press, 76–92. ——, and ——, 2005b: Popular television drama: critical perspectives. Manchester University Press,. Biriotti, M., and N. Miller, 1993: What is an author? Manchester University Press,. Booker, M. K., 2004: Science fiction television. Praeger,. Bore, I.-L. K., 2011: Laughing Together?: TV Comedy Audiences and the Laugh Track. The Velvet Light Trap, 68, 24–34, https://doi.org/10.1353/vlt.2011.0011. 1/9 09/25/21 FT2PTG: Popular Television Genres | University of Reading Bould, M., 2009a: The Routledge companion to science fiction. Routledge,. ——, 2009b: The Routledge companion to science fiction. Routledge. ——, 2009c: The Routledge companion to science fiction. Routledge. ——, 2009d: The Routledge companion to science fiction. Routledge. Britton, P. D., and S. J. Barker, 2003: Reading between designs: visual imagery and the generation of meaning in The avengers, The prisoner, and Doctor Who. University of Texas Press,. Brunsdon, C., 2010: Bingeing on box-sets: the national and the digital in television crime drama. Relocating television: television in the digital context, Vol. Comedia of, Routledge, 63–75. ——, and L. Spigel, 2008: Feminist television criticism: a reader. 2nd ed. Open University Press,. Burke, S., 1995: Authorship: from Plato to the postmodern : a reader. Edinburgh University Press,. Butler, D., 2007a: Time and relative dissertations in space: critical perspectives on Doctor Who. Manchester University Press. ——, 2007b: Time and relative dissertations in space: critical perspectives on Doctor Who. Manchester University Press,. Butler, J. G., 2010: Television style. Routledge,. Caldwell, J. T., 2008: Production culture: industrial reflexivity and critical practice in film and television. Duke University Press,. Carson, B., and M. Llewellyn-Jones, 2000: Frames and fictions on television: the politics of identity within drama. Intellect,. Caughie, J., 1981: Theories of authorship: a reader. Routledge & Kegan Paul in association with the British Film Institute,. Chapman, J., 2006: Inside the Tardis: the worlds of Doctor Who : a cultural history. I.B. Tauris,. Clarke, M., and British Film Institute, 1987: Teaching popular television. Heinemann Educational in association with the British Film Institute,. Cook, J., 1982: Television sitcom. BFI,. Cook, J. R., and P. Wright, 2006a: British science fiction television: a hitchhiker’s guide. I.B. Tauris,. ——, and ——, 2006b: British science fiction television: a hitchhiker’s guide. I.B. Tauris. 2/9 09/25/21 FT2PTG: Popular Television Genres | University of Reading ——, and ——, 2006c: British science fiction television: a hitchhiker’s guide. I.B. Tauris. Corner, J., and S. Harvey, 1996: Television times: a reader. Arnold,. Coward, R., 1987: Dennis Potter and the question of the television author. Creeber, G., 2004: Serial killers: murder, masculinity and the reinvention of the crime genre. Serial television: big drama on the small screen, BFI, 78–112. ——, 2015: Killing us softly: Investigating the aesthetics, philosophy and influence of Nordic Noir television. The Journal of Popular Television, 3, 21–35, https://doi.org/10.1386/jptv.3.1.21_1. ——, and British Film Institute, 2006: Tele-visions: an introduction to studying television. BFI,. ——, T. Miller, and J. Tulloch, 2001a: The television genre book. British Film Institute,. ——, ——, and ——, 2001b: The television genre book. British Film Institute,. ——, ——, and ——, 2008: The television genre book. 2nd ed. BFI/Palgrave Macmillan,. Dalton, M. M., and L. R. Linder, 2005: The sitcom reader: America viewed and skewed. State University of New York Press,. Dima, V., ‘I Am Not Insane. My Mother Had Me Tested’: The Mothers of the Big Bang - Bright Lights Film Journal. http://brightlightsfilm.com/i-am-not-insane-my-mother-had-me-tested-the-mothers-of-the-b ig-bang/#.VaultNZGzwc. Dines, G., and J. M. Humez, 1995: Gender, race, and class in media: a text-reader. Sage,. Duguid, M., BFI Screenonline: Race and the Sitcom. http://www.screenonline.org.uk/tv/id/1108234/index.html. Edgerton, G. R., and B. G. Rose, 2005a: Thinking outside the box: a contemporary television genre reader. University Press of Kentucky,. ——, and ——, 2005b: Thinking outside the box: a contemporary television genre reader. University Press of Kentucky,. Esposito, J., 2009: What Does Race Have to Do with Ugly Betty?: An Analysis of Privilege and Postracial(?) Representations on a Television Sitcom. Television & New Media, 10, 521–535, https://doi.org/10.1177/1527476409340906. Farghaly, N., and E. Leone, eds., 2015: The sexy science of The big bang theory: essays on gender in the series. McFarland & Company, Inc., Publishers,. Feasey, R., 2008: Police and crime drama: investigating male authority. Masculinity and popular television, Edinburgh University Press, 80–93. Finney, G., 1994: Look who’s laughing: gender and comedy. Gordon and Breach,. 3/9 09/25/21 FT2PTG: Popular Television Genres | University of Reading Free, M., 2015: ‘Don’t Tell Me I’m Still on that Feckin' Island': Migration, Masculinity, British Television and Irish Identity in the Work of Graham Linehan. Critical Studies in Television: An International Journal of Television Studies, 10, 4–20, https://doi.org/10.7227/CST.10.2.2. Gibbs, J., 2012: Balancing act: exploring the tone of. New Review of Film and Television Studies, 10, 132–151, https://doi.org/10.1080/17400309.2011.635035. Goodwin, A., and G. Whannel, 1990: Understanding television. Routledge,. Hark, I. R., 2008: Star Trek. BFI,. Harrison, T., 1996: Enterprise zones: critical positions on Star trek. Westview Press,. Hendershot, H., Comedy is a Woman in Trouble | Flow. http://flowtv.org/2005/11/comedy-is-a-woman-in-trouble/. ——, On Stan Lee, Leonard Nimoy, and Coitus . Or, The Fleeting Pleasures of Televisual Nerdom | Antenna. http://blog.commarts.wisc.edu/2010/07/30/on-stan-lee-leonard-nimoy-and-coitus-or-the-fle eting-pleasures-of-televisual-nerdom/. Hilmes, M., 2014: Transnational TV: What Do We Mean by "Coproduction” Anymore? Media Industries, 1. Hord, M., ‘I Like Being Weird’: Eccentricity Embraced on the IT Crowd | In Media Res. http://mediacommons.futureofthebook.org/imr/2014/05/16/i-being-weird-eccentricity-embr aced-it-crowd. Hunt, L., 2013: Cult British TV comedy: from Reeves and Mortimer to Psychoville. Manchester University Press,. I, B., and R. EN, 2015: Breaking Borders: The International Success of Danish Television Drama. European Cinema and Television: Cultural Policy and Everyday Life, Palgrave Macmillan (Digital), 214–238. James McDowell, Notes on Quirky. Jensen, P. M., and A. M. Waade, 2013: Nordic Noir challenging ‘the language of advantage’: Setting, light and language as production values in Danish television series. The Journal of Popular Television, 1, 259–265, https://doi.org/10.1386/jptv.1.2.259_1. Jermyn, D., 2003: Women with a mission: Lynda La Plante, DCI Jane Tennison and the reconfiguration of TV crime drama. International Journal of Cultural Studies, 6. Johnson, C., 2005a: Telefantasy. BFI,. ——, 2005b: Telefantasy. BFI. Johnson-Smith, J., 2005: American science fiction tv: Star Trek, Stargate and beyond. I.B. Tauris,. 4/9 09/25/21 FT2PTG: Popular Television Genres | University of Reading Karlyn, K. R., 1995: The unruly woman: gender and the genres of laughter. University of Texas Press,. Klein, K. G., 1995: The woman detective: gender & genre. 2nd ed., Illini Books ed. University of Illinois Press,. Larman, A., BFI Screenonline: Linehan, Graham (1968-). http://www.screenonline.org.uk/people/id/1205698/index.html. Larson, S. G., 2006: Media & minorities: the politics of race in news and entertainment. Rowman & Littlefield,. Leverette, M., B. L. Ott, and C. L. Buckley, 2008: It’s not TV: watching HBO in the post-television era. Routledge,. Linehan, G., Why, That’s Delightful! | Graham Linehan's Hompendium of Dorithies. https://whythatsdelightful.wordpress.com/. Martin, A. L., 2011: Doing Double Duty: Toward a Theory of ‘Compound Otherness’ on Television. http://flowtv.org/2011/08/doing-double-duty/. Mastro, D. E., and B. S. Greenberg, 2000: The Portrayal of Racial Minorities on Prime Time Television. Journal of Broadcasting & Electronic Media, 44, 690–703, https://doi.org/10.1207/s15506878jobem4404_10. Mayer, V.,