Structural Systems Serpentine Gallery Art Pavilions, London, 2000-12

Structural Systems Serpentine Gallery Art Pavilions, London, 2000-12

Structural Systems Serpentine Gallery Art Pavilions (2000-12) STRUCTURAL SYSTEMS lecture Art Pavilions in Public Parks SERPENTINE GALLERY ART PAVILIONS, LONDON, 2000-12 [email protected] Structural Systems Serpentine Gallery Art Pavilions (2000-12) keyword: ART PAVILIONS IN PUBLIC PARKS 1811-17: Dulwich Picture Gallery, London (Sir John Soane) 1897-98: Secession Building, Vienna (Joseph Maria Olbrich) 1908-09: Jakopič Pavilion, Ljubljana (Maks Fabiani) 1895-1995: Bienalle National Pavilions, Venice 2000-12: Serpentine Gallery Pavilions, London 2007, 2009, 2011, 2013: Trimo Urban Crash Competition, Ljubljana Structural Systems Serpentine Gallery Art Pavilions (2000-12) http://dulwichgalleryfriends.files.wordpress.com/2008/09/quiz-plan-soane.jpg https://museuminsider.co.uk/wp-content/uploads/2009/02/dulwich-picture-gallery.jpg London, 1811-17: John Soane: first public art gallery; symmetrical ground floor plan; Dulwich Picture Gallery façade without windows; ground floor plan the sky lights illuminate the paintings indirectly; Structural Systems Serpentine Gallery Art Pavilions (2000-12) Latham, I., (1980): Joseph Maria Olbrich. Academy Editions, London: str 25. http://en.wikipedia.org/wiki/File:Secession_Vienna_June_2006_017.jpg Vienna, 1897-98: Joseph Maria Olbrich: public art gallery for Secession artists; symmetrical ground floor plan; Secession Building pure geometric forms; ground floor plan linear façade ornament; gold and white; Structural Systems Serpentine Gallery Art Pavilions (2000-12) Kos, J., (1993): Umetniški paviljon Riharda Jakopiča. V: Rihard Jakopič: To sem jaz, umetnik..., Plestenjak, B., (2003): Vsi Jakopičevi ateljeji. V: Art.si, jun 03: str.: 12. Knjižnica Narodne galerije, Ljubljana, str.: 94. Ljubljana, 1908-09: Maks Fabiani: first public art gallery in Ljubljana (now destroyed); façade without windows; Jakopič Pavilion the sky lights illuminate the paintings indirectly; study of the entrance façade linear façade ornament; Structural Systems Serpentine Gallery Art Pavilions (2000-12) Kurent, T., Marinko, J., (1985): Prostorske proporcije v Fabianijevi ljubljanski arhitekturi. Kos, J., (1993): Umetniški paviljon Riharda Jakopiča. V: Rihard Jakopič: To sem jaz, umetnik..., V: Zbornik ljubljanske šole za arhitekturo Knjižnica Narodne galerije, Ljubljana, str.: 98. Ljubljana, 1908-09: Maks Fabiani: symmetrical ground floor plan; pure geometric forms; Jakopič Pavilion ground floor plan, entrance façade, cross section, plan Structural Systems Serpentine Gallery Art Pavilions (2000-12) http://www.artinfo.com/media/image/24458/giardini_map.gif foto: L.S. Venice 1895-1995: Venice, 1955-56: Alvar Aalto: Giardini: National Pavilions Finland Pavilion plan prefabricated wood from Finnland; Structural Systems Serpentine Gallery Art Pavilions (2000-12) foto: L.S. foto: L.S. Venice, 1962: Sverre Fehn: Sverre Fehn: Nordic Pavilion Nordic Pavilion concrete; concrete; trees; trees; Structural Systems Serpentine Gallery Art Pavilions (2000-12) keyword: SERPENTINE GALLERY 1934: Tea Pavilion near Serpentine Lake, Kensington Gardens - (Hyde Park) London 1970: Serpentine Pavilion Gallery, notable international modern and contemporary artists: Henry Moore, Andy Warhol, Damien Hirst, Jeff Koons, … 2000: First Temporary Summer Art Pavilion Structural Systems Serpentine Gallery Art Pavilions (2000-12) SERPENITE SUMMER ART PAVILIONS architecture and structure: 2000 - 2011 Temporary structures that are erected next to the Gallery itself for a three-month period; a maximum of six months from invitation to the architect to finnish the construction. Zaha Hadid 2000, Daniel Libeskind 2001, Toyo Ito 2002, Oscar Niemeyer 2003, MVRDV 2004*, Álvaro Siza and Eduardo Souto de Moura 2005, Rem Koolhaas 2006, Frei Otto 2007*, Olafur Eliasson and Kjetil Thorsen 2007, Frank Gehry 2008, Kazuyo Sejima and Ryue Nishizawa / SANAA 2009, Jean Nouvel 2010, Peter Zumthor 2011, … … and biro Arup: Cecil Balmond Structural Systems Serpentine Gallery Art Pavilions (2000-12) http://www.serpentinegallery.org/Aerial-365.jpg http://www.serpentinegallery.org/NorthFace.jpg the Serpentine Gallery Pavilion commission architectural idea: is an ongoing programme of temporary structures similar to other works of choosen architect ; by internationally acclaimed architects and designers. functuion of architecture: The series is unique worldwide and presents the work of exhibitions, lectures, film screenings, talks, the BBC proms and café; an international architect or design team who has not completed no doors and no windows, ..; a building in England at the time of the Gallery’s invitation. up to 250,000 visitors each summer Structural Systems Serpentine Gallery Art Pavilions (2000-12) Eliasson, O., Thorsen, K., 2007: Serpentine Gallery Pavilion 2007. Serpentine Gallery in Lars Müller http://www.serpentinegallery.org/images/hadid.jpg Publishers, London in Baden, str.: 8 London, 2000: Zaha Hadid: the 30th anniversary of the gallery temporary summer pavilion; structure made with steel columns; Serpentine Pavilion 2000 textile fabric; architectural idea: tent triangular surface Structural Systems Serpentine Gallery Art Pavilions (2000-12) http://zahahadid.vm.bytemark.co.uk/wp-content/uploads/2008/04/serpentine_hb_7.JPG http://zahahadid.vm.bytemark.co.uk/wp-content/uploads/2008/04/serpentine_hb_4.JPG Zaha Hadid: Zaha Hadid, 2000: Serpentine Pavilion 2000 straight forms, but interweaved; the illusion of solidity; ground floor 25×25 m; different interior space 600 m2 - seats for 400 visitors; Structural Systems Serpentine Gallery Art Pavilions (2000-12) Eliasson, O., Thorsen, K., 2007: Serpentine Gallery Pavilion 2007. Serpentine Gallery in Lars Müller http://www.cork2005.ie/programme/strands/architecture/images/EighteenTurns2.jpg Publishers, London in Baden, str.: 8 London, 2001: Daniel Libeskind and Arup: flexible and dynamic form; structure as 18th surfaces - origami; Serpentine Pavilion 2001 architectural idea: origami - “Eighteen Turns” Structural Systems Serpentine Gallery Art Pavilions (2000-12) http://images.businessweek.com/ss/07/02/0207_balmond/image/24.jpg http://www.arcspace.com/kk_ann/2001_11/12.Libeskind.jpg Daniel Libeskind and Arup: construction dates: 21.5.2001 – wooden floors, Serpentine Pavilion 2001 4.6.2001 – aluminum panels, model of 18th turns; 9.6.2001 – build pavilion; length 35 m, width 18 m, high 7 m; Structural Systems Serpentine Gallery Art Pavilions (2000-12) http://www.linternaute.com/savoir/magazine/photo/les-pavillons-de-la-serpentine-gallery/image/8- http://static.guim.co.uk/Guardian/arts/gallery/2008/mar/26/architecture.art/PD1515843@The-new- pavillon-2001-savoir-magazine-252462.jpg temporary-Lib-3064.jpg Daniel Libeskind and Arup: explicit un-orthogonal form; architecture = structure; Serpentine Pavilion 2001 re-built in Cork, Ireland structure made of ribbed Aluminum elements; 1 mm thin Aluminum surface; Al from Norway Structural Systems Serpentine Gallery Art Pavilions (2000-12) Eliasson, O., Thorsen, K., 2007: Serpentine Gallery Pavilion 2007. Serpentine Gallery in Lars Müller http://www.serpentinegallery.org/images/toyoito.jpg Publishers, London in Baden, str.: 9 London, 2002: Toyo Ito and Arup: three-dimensional façade without columns; geometry of the façade: algorithm of spin of square; Serpentine Pavilion 2002 openings empty - full; architectural idea: structure without columns Structural Systems Serpentine Gallery Art Pavilions (2000-12) Eliasson, O., Thorsen, K., 2007: Serpentine Gallery Pavilion 2007. Serpentine Gallery in Lars Müller http://www.serpentinegallery.org/images/toyoito.jpg Publishers, London in Baden, str.: 9 Toyo Ito and Arup: diagonal columns and roof beams 5-10 tons; ply-wood floor; Serpentine Pavilion 2002 made in factory and composed in building site; typology of a box, high = 5.3 m; joints: screw and weld construction; walls 20 m × 4.5 m; 4 entrances; Structural Systems Serpentine Gallery Art Pavilions (2000-12) Eliasson, O., Thorsen, K., 2007: Serpentine Gallery Pavilion 2007. Serpentine Gallery in Lars Müller http://www.serpentinegallery.org/images/toyoito.jpg Publishers, London in Baden, str.: 9 Toyo Ito and Arup: profile: 12-50 mm, high 55 cm; 380 plates made by Al and glass; Serpentine Pavilion 2002 painted in white, steel structure: 3D wall; protection from overheated: ventilation Structural Systems Serpentine Gallery Art Pavilions (2000-12) http://www.serpentinegallery.org/High%20res%20Pavilion%20frontage.jpg http://www.serpentinegallery.org/images/niemeyer2.jpg London, 2003: Oscar Niemeyer: differently, emptiness cantilever platform; Serpentine Pavilion 2003 tent roof; architectural idea: tent and cantilever Structural Systems Serpentine Gallery Art Pavilions (2000-12) http://artnews.org/files/0000013000/0000012925.jpg http://static.guim.co.uk/Guardian/arts/gallery/2008/mar/26/architecture.art/NEWCNV00013-2496.jpg Oscar Niemeyer: structure made by concrete and steel; beauty instead structure logic; Serpentine Pavilion 2003 white structure – red accent – yellow furniture; float pavilion: 1 m above the grass; small building, small interior; Structural Systems Serpentine Gallery Art Pavilions (2000-12) http://www.arcspace.com/architects/Niemeyer/serpentine_gallery/Neimeier-Photo-3.jpg http://www.serpentinegallery.org/images/niemeyer2.jpg Oscar Niemeyer: window – enlargement of the interior space; sensual and sculptural; Serpentine Pavilion 2003 straight lines separates architecture from nature. idea of Niemeyer‘s architectural opus: use of concrete, some foundations and supports, and bearers

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    59 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us