The Zincali C O NT E NT S

The Zincali C O NT E NT S

r By the sa me Autho , T H E BI BL E I N S P A I N O R , T H E J O URNE YS , AD VE NT UR E S , AND IMPRIS O NM E NT S O F AN E NGLIS HMAN, I N AT T E M PT T O C I RC ULAT E T H E SC RI PT UR E S I N T HE P E NI NSULA . F ourth E dition 3 vols. ost vo 2 s , p 8 , 7 . T H E Z I N C A L I ; AN AC C O UNT O F T H E G YP S I E S O F S P AI N . W I T H A N O R I G I N A L C O L L E C T I O N O F T H E I R S O N GS T A N D P O E R Y , A N D I A C O P O US DI C T I O NARY O F T H E I R LANG UAG E . BY E GE G O R BO RR O W . wh ich is unclean b natur h F or that , y e , t ou canst entertain no h ope ; no ”— G s w h i . F n r w ash ing will turn th e yp y te ano us . I T W O V N O L U M E S . VOL. II . T HIRD E DIT ION . E CONTENTS OF VOLUM II . T HE ZI N C ALI . PART III . CHA P T E R I . The Poetry of the Giti nos C HAP T E R I I . Spurious Gypsy Poetry of Andalusia BrijindOpe The Deluge La Retreque— The Pestilence T HE PR AI SE or Bunnn . Metempsych osis oem re tin o th W rshi f the P , la g t e o p o Buddh O n the Language of the Gitanos Robber Language Vocabulary of the Language of the Zincali C O NT E NT S . MI SCE LLA NI E S I N T HE GIT A NO LAN G UA GE . ’ The Lord s Prayer ’ The Apostles C reed — O canajimia a la De bla Prayer to th e Virgin O r redo - th d T l the G sies f C e C ree . rans ate d by yp o C ordova “ 1 28 — 0 Rejelendres Proverbs 1 23 ’ O dores ye T iliche - The Lover s Jealousy — ‘ O r Persibararse sin C horo The E vils of Concubinage 1 32 Los C hores The Robbers “ 1 34 c t a aro S ecimen f the s l C otor ye Gabi o e M j p o Go pe . ’ From the Author s unpublished T ranslation of the New Testament T HE E NGLI S H DIA LEcT o r T II E RO M M A N Y ’ The Lord s Prayer The Belief Specimen of a Song in the Vulgar or Broken Rom THE ZINCALI ; A N ACCOUNT OF THE G PSIES OF SPAIN Y . PART 1 1 1 . VO L . I I . T HE ZI NC AL I . P A R T I I I . C HAPT E R I . T HE PO ETRY O F T HE GIT A NO S . E RE is n n io orl o v r alt T H o at n in the w d, h we e ex ed or o v r ra but is in o sion of ome h we e deg ded, p sses s uliar o r i it re its uliar pec p et y, by wh ch exp sses pec i as O f re li ion o ali i mann r de g r mor ty, dep cts the e of lif to hi it is a i or in i it em e w ch dd cted, wh ch i its radi i if an it o . If th e bod es t t on s, y p ssess C in H in oo h e Gr and P er h ese , the d s, t eeks, the ian o l n i n d r n o n rac av s s, th se sp e d d a e w ed es, h e ir moral la ir m olo i al i ir the ys, the yth g c ep cs, the r e i an d eir immor al lov on so al o t ag d es, th t e s gs, s av th e il an d ar aro u i of o u an h e w d b b s tr bes S d , and an rin E uimaux ir i i the w de g sq , the d tt es, hi o v r in i nifi an in om ari on i h w ch, h we e s g c t c p s w t om o i ion of f orm r n ion ill are the c p s t s the e at s, st entitled in ev ery ess ential point to the name of poetry ; if p o etry mean tho se creation s of the mind in which it seeks f or solace an d recreation f rom ar is r n d i i h the c es, d t esses, a anx eties to wh c mortali is u ty s bj ect . T H E ZI NCALI . Part I 4 ! II. f a of T h e Gypsies too have their poetry . O th t the R ussian Zigani we have al ready said some in and o on a f u ur o a ion to en th g, h pe t e cc s be l to sa m or f or ou r n ab ed y yet e ; , th gh the p ese t or is vo t th an i G i are w k de ted o e Sp sh yps es, we willing to conf ess that they aff ord a subject by n o mean s so exten sive an d in teresting as their b r r n of S clavonia to w om oul as eth e , h we sh d suredl av urn our a t n ion in r f r n y h e t ed t e t p e e e ce, h ad po sition an d circumstan ces brought us so much and so con tinually in contact with them as i Zin ali I h as al a w th the c O f Spain . t w ys b n our o inion an d li in i ee p , we be eve that th s w e are n o m an in ular t a in n o in can by e s s g , h t th g the character of a people be read with greater ow certainty an d exactn ess than in its son gs . H truly d o the warlike ballads of the N orthmen an d D an ir d ra as an d kiwm e visera i the es, the p p , dep ct th e character of the G oth ; an d h ow equally do on of Ar a ian r l i oma the s gs the b s, ep ete w th h ge “ t o on i un r a an d rn al G od th e the e h gh, c e ted, ete , ” ” f n of bl sin onl on u ror la ountai es g, the y c q e , y ar to us min of M o l m O f r b e the d the s e the dese t, o ran ara ri i is r li iou v n ra ion wh se g d ch cte st c e g s e e t , an d un c ompromisin g zeal f or the glory O f the r r C eato . T h e o r of h e i is in al p et y t Span ish Gyps es , m o v r r u as mi e to st e e y espect, s ch ght be expect d o ri ginate amon g people of their class ; a set of b T H E I R PO E T RY . 5 C . L] T u u i in b in an d villan of h gs, s bs st g y cheat g y every descriptio n ; hatin g the rest O f the human S i an d b oun to a o r an pec es, d e ch the by the b ds f o mmon ori i n l n o a ua an d ursui . Th c g , g ge, p ts e th emes o f this po etry are the various in ciden ts of Gi an o lif — at l - te alin ri on ad v n ur t e c t e s g, p s e t es, a sa sin a ion re v n i al lu ion to e s s t , e ge, w th s s the p f r cul iar customs o the race of R oma. H e e we ol a in runnin o n a ill allin to beh d sw e g d w h , c g the G to al him i he ill mo a sur l yp sy ste , wh ch w st s ed y — accomplis h by mean s of his intoxic atin g d rao a r lini n i on ri on oor be Gyp sy ec g s ck the p s fl , s eech e s his wif e to intercede with the alcayde f or the removal O f the chain who se weight is rs in hi s o — moon ari an d two bu t g b dy the ses, G i wh o are a ou to l a t d r iv yp s es, b t stee s ee , pe ce e m im a S an iar an in an l .

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    316 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us