CODA PARTICIPATING IN SYMBOLS OF DEATH Like Nicholas Love’s Mirror, The Somonyng of Everyman is adapted from a Continental text, in this case from the Dutch Elckerlijc. As reading matter designed to appeal to the merchant and artisan classes in an urban setting, Everyman invokes neither pastoral nor monastic contemplation but rather invites participation through an imaginative confrontation with Death and subsequent pilgrimage leading to entry into the grave. The study of Everyman in terms of participation in the symbols of death and dying can serve as an appropriate capstone to the present volume, hence originally intended to be a final chapter. The essay can be accessed at https://works.bepress.com/clifford_davidson/265. © The Author(s) 2017 111 C. Davidson, Studies in Late Medieval Wall Paintings, Manuscript Illuminations, and Texts, DOI 10.1007/978-3-319-47476-2 BIBLIOGRAPHY Alexander, Jennifer. “Coventry Holy Trinity Wall Painting.” EDAM Newsletter 11 no. 2 (1989): 37. Alkerton, Richard. [Easter Week sermon, 1406.] British Library, Add. MS. 37677. Allen, Hope Emily, ed. English Writings of Richard Rolle. 1931; reprint, Oxford: Clarendon (1963). ——— and Sanford Brown Meech, eds. The Book of Margery Kempe. EETS, o.s. 212. London: Oxford University Press (1940). Anderson, M. D. The Imagery of British Churches. London: John Murray (1955). Arbismann, Rudolph. “The Concept of ‘Christus Medicus’ in St. Augustine.” Traditio 10 (1954): 1–28. Ashley, Kathleen, and Pamela Sheingorn. Interpreting Cultural Symbols: Sainte Anne in Late Medieval Society. Athens: University of Georgia Press (1990). Aston, Margaret. England’s Iconoclasts I: Laws Against Images. Oxford: Clarendon Press (1988). Augustine of Hippo, St. The City of God, trans. Marcus Dods et al. New York: Random House (1968). ———. Confessions, trans. F. J. Sheed. Reprint, Indianapolis, IN: Hackett (2006). Ayres, Tim, ed. The History of British Art, 600–1600. London: Tate Britain (2008). Baddeley, W. St. Claire. “The Holy Blood of Hayles.” Transactions of the Bristol and Gloucestershire Archaeological Society 23 (1900): 276–84. Baker, Audrey. “Lewes Priory and the Early Group of Wall Paintings in Sussex.” Walpole Society 31 (1942–43): 1–44. Barb, A. A. “The Wound in Christ’s Side.” Journal of the Warburg and Courtauld Institutes 34 (1971): 320–21. Barker, Margaret. The Revelation of Jesus Christ. Edinburgh: T. and T. Clark (2000). © The Author(s) 2017 113 C. Davidson, Studies in Late Medieval Wall Paintings, Manuscript Illuminations, and Texts, DOI 10.1007/978-3-319-47476-2 114 BIBLIOGRAPHY Bazire, Joyce, and Eric Colledge, eds. The Chastising of God’s Children. Oxford: Basil Blackwell (1957). Beadle, Richard. “‘Devoute ymaginacioun’ and the Dramatic Sense in Love’s Mirror and the N- Town Plays,” 1–17. In Soichi Oguro, Richard Beadle, and Michael G. Sargent, eds. Nicholas Love at Waseda. Cambridge: D. S. Brewer, 1997. ———, ed. The York Plays: A Critical Edition of the York Corpus Christi Play. 2nd ed. EETS, s.s. 23–24. Oxford: Oxford University Press (2009–13). Becket, W. N. M. “Nicholas Love.” Oxford Dictionary of National Biography. Oxford: Oxford University Press (2004). http://www.oxforddnb.com. Beckwith, John. Ivory Carvings in Early Medieval England. London: Harvey Miller (1972). Beckwith, Sarah. Christ’s Body: Identity, Culture and Society in Late Medieval Writings. London: Routledge (1996). Bede. History of the English Church and People, trans. Leo Sherley-Price, revised by R. E. Latham. Harmondsworth: Penguin (1955). Belting, Hans. Likeness and Presence: A History of Art before the Era of Art, trans. Edmund Jephcott. Chicago: University of Chicago Press (1954). Bennett, J. A. W. Poetry of the Passion: Studies in Twelve Centuries of English Verse. Oxford: Clarendon Press (1982). Benson, George. An Account of the City and County of York. 3 vols. Wakefield: S. R. Publishers (1925). Benson, Robert, and Henry Hatcher. Old and New Sarum (N.p., 1843). Bertelli, Carlo. “The Image of Pity in San Croce in Gerusalleme,” 2:40–55. In Douglas Fraser et al., eds. Essays in the History of Art Presented to Rudolph Wittkower. 2 vols. London: Phaidon, 1967–69. Bestul, Thomas H. Texts of the Passion: Latin Devotional Literature and Medieval Society. Philadelphia: University of Pennsylvania Press (1996). Binski, Paul. Westminster Abbey and the Plantagenets: Kingship and the Representation of Power. New Haven, CT: Yale University Press (1995). Boethius. The Consolation of Philosophy, trans. Richard Green. Indianapolis, IN: Bobbs-Merrill (1962). Borenius, Tancred. St. Thomas Becket in Art. 1932; reprint, Port Washington, NY: Kennikat Press (n.d.). Brantley, Jessica. Reading in the Wilderness: Private Devotions and Public Performance in Late Medieval England. Chicago: University of Chicago Press (2007). Brigden, Susan. London and the Reformation. Oxford: Clarendon Press (1989). Brown, Carleton, ed. English Lyrics of the XIIIth Century. Oxford: Clarendon Press (1931). ———. Religious Lyrics of the XVth Century. 1939; reprint, Oxford: Clarendon Press (1967). BIBLIOGRAPHY 115 Brown, Michelle, ed. The Holkham Bible Picture Book: A Facsimile. British Library, Add. MS. 47680. London: British Library (2007). Burbidge, F. Bliss. Old Coventry and Lady Godiva. Birmingham: Cornish Brothers (n.d). Butler, Cuthbert. Western Mysticism: The Teaching of Augustine, Gregory and Bernard on Contemplation and the Contemplative Life. 1926; reprint, New York: Harper and Row (1966). Butterworth, Philip. Theatre of Fire: Special Effects in Early English and Scottish Theatre. London: Society for Theatre Research (1998). Bynum, Caroline Walker. Jesus as Mother: Studies in the Spirituality of the High Middle Ages. Berkeley: University of California Press (1982). ———. Wonderful Blood: Theology and Practice in Late Medieval Northern Germany and Beyond. Philadelphia: University of Pennsylvania Press (2007). Caie, Graham D. The Judgment Day Theme in Old English Poetry. Copenhagen: Nova (1976). Caiger-Smith, A. English Medieval Mural Paintings. Oxford: Clarendon Press (1963). Cames, Gérard. Allégories et symboles dans l’Hortus deliciarum. Leiden: E. J. Brill (1971). Carthusian Miscellany. British Library. Add. MS. 37049. Cheetham, Francis. Alabaster Images of Medieval England. Woodbridge: Boydell Press (2003). ———. English Medieval Alabasters. Oxford: Phaidon-Christie’s (1984). Cherry, John. “Made in Coventry? Seals from Coventry as Evidence of Local Craftsmanship,” 182–89. In Linda Monckton and Richard K. Morris, eds. Coventry: Medieval Art, Architecture and Archaeology in the City and Its Vicinity. British Archaeological Association Conference Transactions 33. Leeds: Maney, 2001. Clark, John P. H. “Walter Hilton and the Defense of the Religious Life and of the Veneration of Images.” Downside Review 103 (1985): 1–25. Clarkson, Petruska. The Bystander. London: Whurr Publishers (1996). Clay, William Keatinge, ed. Liturgies and Occasional Forms of Prayer Set Forth in the Reign of Queen Elizabeth. Cambridge: Cambridge University Press (1847). Cohen, Kathleen. Metamorphosis of a Death Symbol: The Transi Tomb in the Late Middle Ages and Renaissance. Berkeley: University of California Press (1973). Conway, Charles Abbott Jr. The Vita Christi of Ludolph of Saxony and Late Medieval Devotion Centred in the Incarnation. Analecta Cartusiana 34. Salzburg: Institut für Englische Sprach und Literatur, Universität Salzburg, (1976). Cooper, Lisa H., and Andrea Denny-Brown, eds. The Arma Christi in Medieval and Early Modern Material Culture. Farnham, Surrey: Ashgate (2014). Cooper, Trevor, ed. The Journal of William Dowsing: Iconoclasm in East Anglia during the Civil War. Woodbridge: Boydell Press (2001). 116 BIBLIOGRAPHY Coppack, Glyn, and Mick Aston. Christ’s Poor Men: The Carthusians in England. Stroud: Tempus (2002). Cross, F. L., and E. A. Livingstone, eds. The Oxford Dictionary of the Christian Church. 3rd ed. Oxford: Oxford University Press (1997). Dalton, O. M. Catalogue of the Finger Rings in the Museum. London: British Museum (1912). Daniélou, Jean. The Theology of Jewish Christianity. London: Darton, Longman, and Todd (1964). Davidson, Audrey Ekdahl. Aspects of Early Music and Performance. New York: AMS Press (2008). Davidson, Clifford. Corpus Christi Plays at York: A Context for Religious Drama. New York: AMS Press (2013). ———. Deliver Us from Evil: Essays on Symbolic Engagement in Early Drama. New York: AMS Press (2004). ———. Festivals and Plays in Late Medieval Britain. Aldershot, Hants.: Ashgate (2007). ———. The Guild Chapel Wall Paintings at Stratford-upon-Avon. New York: AMS Press (1988). ———. History, Religion, and Violence: Cultural Contexts for Medieval and Renaissance Drama. Aldershot, Hants.: Ashgate (2002). ———. On Tradition: Essays on the Use and Valuation of the Past. New York: AMS Press (1992). ———. Selected Studies in Drama and Renaissance Literature. New York: AMS Press (2006). ———, and Jennifer Alexander. The Early Art of Coventry, Stratford-upon-Avon, Warwick, and Lesser Sites in Warwickshire. Kalamazoo, MI: Medieval Institute Publications (1985). ———, and Ann Eljenholm Nichols, eds. Iconoclasm Vs. Art and Drama. Kalamazoo, MI: Medieval Institute Publications (1989). ———, and Thomas Seiler, eds. The Iconography of Hell. Kalamazoo, MI: Medieval Institute Publications (1992). Dodgson, Campbell. “English Devotional Woodcuts of the Late Fifteenth Century with Special Reference to Those in the Bodleian Library.” Walpole Society 17 (1929): 95–108. Doty, Brant I. “An Edition of British Museum MS. Additional 37049.”