UvA-DARE (Digital Academic Repository) Shame and desire. Intersubjectivity in Finnish visual culture Laine, T.K. Publication date 2004 Link to publication Citation for published version (APA): Laine, T. K. (2004). Shame and desire. Intersubjectivity in Finnish visual culture. ASCA. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:23 Sep 2021 172 2 Bibliography y Fredd C. Alford, (1989) Melanie Klein and Critical Social Theory: An AccountAccount of Politics, Art, and Reason Based on Her Psychoanalytic Theory.Theory. (New Haven: Yale University Press, 1989). Richardd Allen, Projecting Illusion: Film Spectatorship and the Impression ofof Reality, (Cambridge: Cambridge University Press, 1995). Louiss Althusser, "Ideology and Ideological State Apparatuses (Notes towardd an Investigation)". In Lenin and Philosophy and Other Essays.Essays. Trans. Ben Brewster. (New York: Monthly Review Press,, 1971). Dudleyy Andrew, Concepts in Film Theory. (New York: Oxford Universityy Press, 1984). Satuu Apo, "Alcohol and Cultural Emotions." In Anna-Leena Siikala (ed.)) Myth and Mentality: Studies in Folklore and Popular Thought.Thought. (Helsinki: Finnish Literature Society, 2002). Ronaldd Aronson, Jean-Paid Sartre: Philosophy in the World. (London: Neww Left Books, 1980). Hazell Barnes, "Translator's Introduction." In Jean-Paul Sartre, Being andand Nothingness: An essay on Phenomenological Ontology. (New York:: Washington Square Press, 1957). Hazell Barnes, Sartre. (London: Quarter Books, 1974). Jean-Louiss Baudry, "Ideological Effects of the Basic Cinematographic Apparatus".. Trans, Alan Williams. In Rosen (ed.) Narrative, Apparatus,Apparatus, Ideology. (New York: Columbia University Press, 1985). Simonee de Beauvoir, The Second Sex. (New York: Vintage, 1997). Jessicaa Benjamin, Shadow of the Other: Intersubjectivity and Gender in Psychoanalysis.Psychoanalysis. (London: Routledge, 1998). Daniell Birnbaum, "Crystals of Time: Eija-Liisa Ahtila's Extended Cinema."" In Eija-Liisa Ahtila: Fantasized Persons and Taped Conversations.Conversations. (Helsinki: Crystal Eye/Kiasma Museum of Contemporaryy Art, 2002). Giulianaa Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film. (Neww York: Verso, 2002). Judithh Butler, Bodies that Matter: On the Discursive Limits of 'Sex'. (London:: Routledge, 1993). Joycee Canaan, "Why a 'Slut' is a 'Slut': Cautionary Tales of Middle- Classs Teenage Girls' Morality." In Hervé Varenne (ed.) SymbolizingSymbolizing America. (Lincoln: University of Nebraska Press, 1986). Bettyy Cannon, Sartre and Psychoanalysis: An Existentialist Challenge to ClinicalClinical Metatheory. (Lawrence: University Press of Kansas, 1991). Noëll Carroll, The Philosophy of Horror or Paradoxes of the Heart. (New York:: Routledge, 1990). 173 3 Noëll Carroll, "Art, Narrative and Emotion." In Mette Hjort and Sue Laverr (eds) Emotion and the Arts. (New York: Oxford Universityy Press, 1997). Allann Casebier, Film and Phenomenology: Toward a Realist Theory of CinematicCinematic Representation. (Cambridge: Cambridge University Press). Tinaa Chanter, "Viewing Abjection: Film and Social Justice." http://www.women.it/4thfemconf/workshops/spectacles2 2 // tinachanter.htm 19.6.2003. Michell Chion, Les lumières de la ville. (Paris: Nathan, 1989). Nancyy J. Chodorow, The Power of Feelings. (New Haven: Yale Universityy Press, 1999). Elizabethh Cowie, "Underworld USA: Psychoanalysis and Film Theory inn the 1980s." In James Donald (ed.) Psychoanalysis and CulturalCultural Studies: Thresholds. (London: Macmillan, 1991). Stephenn Crofts, "Concepts of National Cinema." In John Hill and Pamelaa Church (eds) The Oxford Guide to Filmstudies. (Oxford:: Oxford University Press, 1999). Arthurr C. Danto, Sartre. (London: Fontana Press, 1985). Daniell Dayan, "The Tutor-Code of Classical Cinema". In Bill Nichols (ed.)) Movies and Methods.Vol. 11. (Berkeley: University of Californiaa Press, 1985). Maryy Ann Doane, Femmes Fatales: Feminism, Film Theory, Psychoanalysis.Psychoanalysis. (London: Routledge, 1991). Jamess Donald, "On the Threshold: Psychoanalysis and Cultural Studies."" In James Donald (ed.) Psychoanalysis and Cultural Theory.Theory. (London: Macmillan, 1991). Taruu Elfving, "The Girl." In Eija-Liisa Ahtila: Fantasized Persons and TapedTaped Conversations. (Helsinki: Crystal Eye/Kiasma Museum off Contemporary Art, 2002). Norbertt Elias, The Germans. Ed. Michael Schroter. Trans. Eric Dunningg and Stephen Mennell. (New York: Columbia Universityy Press, 1998). Thomass Elsaesser, "The Cinema of Irony." Monogram 5,1973. Thomass Elsaesser, "Primary Identification and the Historical Subject: Fassbinderr and Germany." In Phil Rosen (ed.) Narrative, Apparatus,Apparatus, Ideology. (New York: Columbia University Press, 1986). Thomass Elsaesser, Fassbinder's Germany: History, Identity, Subject. (Amsterdam:: Amsterdam University Press, 1996). J.P.. Fell, Emotion in the Thought of Sartre. (New York: Columbia Universityy Press, 1965). Nikk Farrell Fox, The New Sartre. (London: Continuum, 2003). Susann Feagin, "Time and Timing." In Carl Plantinga and Smith PassionatePassionate Vieios: Film, Cognition, and Emotion. (Baltimore: Thee Johns Hopkins University Press, 1999). 174 4 Michell Foucault, Discipline and Punish: The Birth of the Prison. Trans. Alann Sheridan. (Harmondsworth: Penguin, 1975). Sigmundd Freud, "Three Essays on the Theory of Sexuality." Standard Edition,Edition, Vol. 7. Ed. James Strachey. Trans. Joan Riviere. (London:: Hogarth Press, 1953). Sigmundd Freud, The Ego and the Id. Standard Edition, Vol. 19. Ed. James Strachey.. Trans. Joan Riviere. (London: Hogarth Press, 1961). Ernestt Gellner, Nations and Nationalism. (Ithaca, NY: Cornell Universityy Press, 1983). Torbenn Grodal, Moving Pictures: A New Theory of Film Genres, Feelings andand Cognition. (New York: Oxford University Press, 1997). Stuartt Hall, "New Ethnicities." In David Morley and Kuan-Hsing Chenn (eds) Stuart Hall: Critical Discourses in Cultural Studies. (London:: Routledge, 1996). Stuartt Hall, "Cultural Identity and Diaspora." In Kathryn Woodward (ed.)) Identity and Difference. (London: Sage, 1997). Stephenn Heath, "Notes on Suture." In Screen 18: 4, 1977/1978. Andreww Higson, "The Limiting Imagination of National Cinema." In Mettee Hjort and Scott MacKenzie (eds), Cinema and Nation. (London:: Routledge 2000), p. 63-74. Axell Honneth, "Personal Identity and Disrespect." In Steven Seidman andd Jeffrey C. Alexander (eds) The New Social Theory Reader. (London:: Routledge, 2001). Arii Honka-Hallila, "Elokuvakulttuuria luomassa." In Ari Honka- Hallila,, Kimmo Laine, and Mervi Pantti (eds), Markan tdhden: YliYli sata mwtta suomalaista elokuvahistoriaa. (Turku: Turun yliopistonn taydennyskoulutuskeskus, 1995). Christinaa Howells (ed.), The Cambridge Companion to Sartre. (Cambridge:: Cambridge University Press, 1992). Frederickk Jameson, Marxism and Form: Twentieth-Century Dialectical TheoriesTheories of Literature. (Princeton, NJ: Princeton University Press,, 1971). Jackk Katz, How Emotions Work. (Chicago: The University of Chicago Press,, 1999). Melaniee Klein, Envy and Gratitude and Other Works 1946-1963. (London:: Hogarth Press, 1979). Evee Kosofsky Sedgwick and Adam Frank, Shame and Its Sisters: A SilvanSilvan Tomkins Reader. (Durham: Duke University Press, 1996). Juliaa Kristeva, Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez.. (New York: Columbia University Press, 1982). Annettee Kuhn, Family Secrets. Acts of Memory and Imagination. (London:: Verso, 1995). Milann Kundera, The Unbearable Lightness of Being. Trans. Michael Henryy Heim. (New York: Harper and Row, 1984). Jacquess Lacan, Ecrits: A Selection. Ed. Jacques-Alain Miller. Trans. Alann Sheridan. (New York: Norton, 1977). 175 5 Jacquess Lacan, The Four Fundamental Concepts of Psycho-Analysis. Ed. Jacques-Alainn Miller. Trans. Alan Sheridan. (London: Penguin,, 1994). Jacquess Lacan, The Seminar of Jacques Lacan, Book 1: Freud's Papers on TechniqueTechnique 1953-1954. Edited by Jacques-Alain Miller. Translatedd by John Forrester. (New York: Norton, 1998). Teresaa de Lauretis, Technologies of Gender: Essaus on Theory, Film, and Fiction.Fiction. (Houndmills: Macmillan, 1989). Einoo Leino, Olli Suurpaa. (Helsinki: Otava, 1908). Claudee Lévi-Strauss, The Savage Mind. (London: Weindenfield and Nicolson,, 1966). Michaell Lewis, Shame: The Exposed Self. (New York: The Free Press, 1995). Ilkkaa Liikanen, Fennomania ja kansa: Joukkojdrjestdytymisen lapimurto ja SuomalaisenSuomalaisen puolueen synty. (Helsinki: Suomen historiallinen seura,, 1995). Deborahh Lupton, The Emotional Self. (London: Sage, 1998). Colinn MacCabe, "Introduction to Christian Metz's 'The Imaginary