i  TheImaginedandRealJerusaleminArtandArchitecture Goudeauetal.,2015 | doi10.1163/9789004270855_001 © -This is an open access chapter distributed under the terms of the Creative Commons Attribution .Noncommercial3.0Unported(CC-BY-NC3.0)License  ii Radboud Studies in Humanities Series Editor (SophieLevie(RadboudUniversity Editorial Board (PaulBakker(RadboudUniversity (AndréLardinois(RadboudUniversity (DanielaMüller(RadboudUniversity (GlennMost(ScuolaNormaleSuperiore,Pisa (PeterRaedts(RadboudUniversity (JohanTollebeek(KULeuven (MarcSlors(RadboudUniversity (ClaudiaSwan(NorthwesternUniversityEvanston VOLUME2 Thetitlespublishedinthisseriesarelistedat brill.com/rsh iii The Imagined and Real Jerusalem in Art and Architecture Edited by JeroenGoudeau MariëtteVerhoeven WouterWeijers LEIDEN|BOSTON  iv -ThisisanopenaccesstitledistributedunderthetermsoftheCreativeCommonsAttribution -Noncommercial3.0Unported(CC-BY-NC3.0)License,whichpermitsanynon-commer (cialuse,distribution,andreproductioninanymedium,providedtheoriginalauthor(s .andsourcearecredited Coverillustration:AviewfromtheoldcitywallofJerusalemtotheareaoutside.Photo:Mariëtte Verhoeven. LibraryofCongressCataloging-in-PublicationData ,TheimaginedandrealJerusaleminartandarchitecture/editedbyJeroenGoudeau,MariëtteVerhoeven .WouterWeijers (pagescm.--(Radboudstudiesinhumanities;volume2 .Includesbibliographicalreferencesandindex .ISBN978-90-04-27082-4(hardback:alk.paper)--ISBN978-90-04-27085-5(e-book)1.Jerusalem--Inart .Jerusalem--Symbolicrepresentation.3.Symbolisminarchitecture.I.Goudeau,Jeroen,editor.II.2 .Verhoeven,Mariëtte,1963-editor.III.Weijers,Wouter,editor N8214.5.J4I432014 499569442--dc23’704.9 2014029482 Thispublicationhasbeentypesetinthemultilingual“Brill”typeface.Withover5,100characterscovering .Latin,ipa,Greek,andCyrillic,thistypefaceisespeciallysuitableforuseinthehumanities .Formoreinformation,pleaseseebrill.com/brill-typeface issn2213-9729 (isbn978-90-04-27082-4(hardback (isbn978-90-04-27085-5(e-book .Copyright2014bytheEditorsandAuthors .ThisworkispublishedbyKoninklijkeBrillNV,Leiden,TheNetherlands .KoninklijkeBrillNVincorporatestheimprintsBrill,BrillNijhoff,GlobalOrientalandHoteiPublishing KoninklijkeBrillNVreservestherighttoprotectthepublicationagainstunauthorizeduseandto ,authorizedisseminationbymeansofoffprints,legitimatephotocopies,microformeditions,reprints translations,andsecondaryinformationsources,suchasabstractingandindexingservicesincluding databases.Requestsforcommercialre-use,useofpartsofthepublication,and/ortranslationsmustbe .addressedtoKoninklijkeBrillNV .Thisbookisprintedonacid-freepaper Contents Contents v Contents Acknowledgements vii List of Illustrations viii List of Contributors xiiiXIV Introduction – Recollection in Patches 1 Part1 Competing Memories and Contrasting Meanings 1 Sites and Senses Mapping Palestinian Territories in Mona Hatoum’s Sculpture Present Tense 11 Anneke Schulenberg 2 The Green Line Potency, Absurdity, and Disruption of Dichotomy in Francis Alÿs’s Intervention in Jerusalem 33 Mette Gieskes 3 Jerusalem as Trauerarbeit On Two Paintings by Anselm Kiefer and Gerhard Richter 59 Wouter Weijers 4 Ezekiel for Solomon The Temple of Jerusalem in Seventeenth-century Leiden and the Case of Cocceius 88 Jeroen Goudeau 5 Jerusalem as Palimpsest The Architectural Footprint of the Crusaders in the Contemporary City 114 Mariëtte Verhoeven 6 Translations of the Sacred City between Jerusalem and Rome 136 Sible de Blaauw vi Contents Part2 Imitation and Translocation 7 The Reconquered Jerusalem Represented Tradition and Renewal on Pilgrimage Ampullae from the Crusader Period 169 Katja Boertjes 8 ‘As if they had physically visited the holy places’ Two Sixteenth-century Manuscripts Guide a Mental Journey through Jerusalem (Radboud University Library, Mss 205 and 233) 190 Hanneke van Asperen 9 Jerusalem in Renaissance Italy The Holy Sepulchre on the Sacro Monte of Varallo 215 Bram de Klerck 10 Overdetermination of a Heavenly Jerusalem Contemporary Windows by Gérard Garouste and Jean-Michel Alberola 237 Daan Van Speybroeck 11 ‘You want to take us to Jerusalem …’ Medinat Weimar: A Second Jerusalem in Contemporary Visual Arts and Klezmer Songs 254 Rudie van Leeuwen Index 279 289 Contents v ListofIllustrations vii Introduction–RecollectioninPatches 1 part1 CompetingMemories 9 andContrastingMeanings 9 Chapter1 11 SitesandSenses 11 MappingPalestinianTerritoriesinMonaHatoum’sSculpturePresent Tense 11 AnnekeSchulenberg 11 Chapter2 33 The Green Line Potency,Absurdity,andDisruptionofDichotomyinFrancisAlÿs’sInterventioninJerusalem 33 MetteGieskes 33 Chapter3 59 JerusalemasTrauerarbeit OnTwoPaintingsbyAnselmKieferandGerhardRichter 59 WouterWeijers 59 Chapter4 88 EzekielforSolomon TheTempleofJerusaleminSeventeenth-centuryLeidenandtheCaseofCocceius 88 Jeroen Goudeau 88 Chapter5 114 JerusalemasPalimpsest TheArchitecturalFootprintoftheCrusadersintheContemporaryCity 114 MariëtteVerhoeven 114 Chapter6 136 TranslationsoftheSacredCitybetweenJerusalemandRome 136 SibledeBlaauw 136 part2 167 ImitationandTranslocation 167 167 ∵ Chapter7 169 TheReconqueredJerusalemRepresented TraditionandRenewalonPilgrimageAmpullaefromtheCrusaderPeriod 169 KatjaBoertjes 169 Chapter8 190 ’Asiftheyhadphysicallyvisitedtheholyplaces‘ TwoSixteenth-centuryManuscriptsGuidetoaMentalJourneythroughJerusalem(RadboudUniversityLibrary,Mss205and233) 190 HannekevanAsperen 190 Chapter9 215 JerusaleminRenaissanceItaly TheHolySepulchreontheSacroMonteofVarallo 215 BramdeKlerck 215 Chapter10 237 TheOverdeterminationoftheHeavenlyJerusalem ContemporaryWindowsbyGérardGarousteandJean-MichelAlberola 237 DaanVanSpeybroeck 237 Chapter11 254 ’…YouwanttotakeustoJerusalem‘ MedinatWeimar:ASecondJerusaleminContemporaryVisualArtsandKlezmerSongs 254 RudievanLeeuwen 254 Index 279 Acknowledgements vii Acknowledgements Funding:DepartmentofArtHistory,RadboudUniversityNijmegen • InterfacultythemegroupCulture,ReligionandMemory(CRM),Radboud • UniversityNijmegen ,(Imageeditor:CentrumvoorKunsthistorischeDocumentatie(CKD • RadboudUniversityNijmegen TranslationofthecontributionsofKatjaBoertjes,DaanVanSpeybroek • andWouterWeijersbyPoortLanguageServices EnglishtextrevisionsbyClereStory • viii List of Illustrations ListOfIllustrations List of Illustrations ×MonaHatoum,Present Tense,1996,soapandglassbeads,4.5×241 1.1 299cm,installationatAnadielGallery,Jerusalem 12 MonaHatoum,Present Tense(detail),1996,soapandglassbeads,4.5×241 1.2 299cm,installationatAnadielGallery,Jerusalem 12× MonaHatoum,Light Sentence,1992,wiremeshlockers,slow-moving 1.3 motorizedlightbulb,198×185×490cm,Paris:CentrePompidou 17 MonaHatoum,Map,1999,14mmclearglassmarbles,installation 1.4 dimensionsvariable.InstallationatCasino,Luxembourg 20 ,CarlAndre,144 Magnesium Square,1969,magnesium,1×365.8×365.8cm 1.5 London:TateCollection 25 MonaHatoum,The Light at the End,1989,Angleironframe,sixelectric 1.6 heatingelements,166×162.5×5cm 26 FrancisAlÿs,The Green Line, Jerusalem2004,Videodocumentationofan 2.1 action 34 FrancisAlÿs,The Green Line,Jerusalem2004,Ephemera 35 2.2 FrancisAlÿs, View of Aboudis,Jerusalem,June2004,Photographfeaturing 2.3 Untitled (2004) 38 MarleneDumas,Figure in a Landscape,2010,oiloncanvas,180×300 2.4 cm 43 FrancisAlÿs,Bridge(Snails),Brussels1992,Installation 51 2.5 ,FrancisAlÿs,Snakes and Ladders,2008,oilandencausticoncanvas 2.6 22cm 52×28.7 AnselmKiefer,Jerusalem,1986,acrylic,emulsion,shellac,goldleaf,on 3.1 -canvas(intwoparts)withsteelandlead,380×560cm,Chicago:Collec tionSusanandLewisManilow 60 -GerhardRichter,Jerusalem,1995,oiloncanvas,126×92.3cm,Baden 3.2 Baden:MuseumFriederBurda 61 AnselmKiefer,Bilder-Streit,1980,oil,emulsion,shellac,sandonaphoto 3.3 withwoodcuts,290×400cm,Rotterdam:MuseumBoymans-van Beuningen 63 :AnselmKiefer,Nero malt,1974,oiloncanvas,220×300cm,Munich 3.4 StaatsgalerieModernerKunst 66 AnselmKiefer,Sulamith,1983,oil,acrylic,emulsion,shellac,strawand 3.5 -ashesoncanvaswithwoodcuts,290×370cm,London:SaatchiCollec tion 68 AnselmKiefer,Eisen-Steig,1986,emulsion,acrylic,goldleafoncanvas 3.6 ,withtwowroughtclimbingirons,olivebranchesandlead,220×380cm ListOfIllustrations ix formerlyPhiladelpia:ThePincusCollection,currentwhereabouts unknown 71 GerhardRichter,Landschaft bei Hubbelrath,1969,oiloncanvas,100×140 3.7 cm,Aachen:LudwigForumfürInternationaleKunst 74 GerhardRichter,Onkel Rudi,1965,oiloncanvas,87×50cm,Prague:The 3.8 CzechMuseumofFineArts,Lidicecollection 78 ,GerhardRichter,Tante Marianne,1965,oiloncanvas,120×130cm 3.9 Taiwan:YageoFoundation 79 GerhardRichter,Atlas,panels19and20,‘PhotosfromBooks’,1967