Bibliography

Bibliography

Bibliography COPYRIGHTED MATERIAL 26_Meggs6_Backmatter_p622-684_final2.indd 622 4/21/16 8:55 PM General Surveys Bartram, Alan. Five Hundred Years of Book Bouwman, André, Berry Dongelmans, Ades, Dawn. The 20th Century Poster: Design. New Haven, CT: Yale Univ. Press, Paul Hoftijzer, Ed Van Der Vlist, and Design of the Avant-Garde. New York: 2001. Christaan Vogelaar. Stad Van Boeken: Abbeville, 1984. Handschrift en Druk in Leiden, 1260–2000. ———. Typeforms: A History. London: Leiden, Neth.: Primavera Pers, 2008. Altman, Rochelle. Absent Voices: The Story of British Library, 2007. Writing Systems in the West. New Castle, Breathnach, Teresa, and Brenda Dermody. DE: Oak Knoll, 2004. Bayley, Stephen, and Terence Conran. New Retro: Classic Graphics, Today’s Design Intelligence Made Visible. Designs. New York: Thames & Hudson, 2009. Ambrose, Gavin, and Paul Harris. The Visual New York: Firefly Books, 2007. Dictionary of Graphic Design. New York: Briggs, Asa, and Peter Burke. A Social History AVA Publishing, 2006. Bennett, Audrey. Design Studies: Theory of the Media: From Gutenberg to the Inter- and Research in Graphic Design. New York: net. 3rd ed. Cambridge, UK: Polity, 2009. Anderson, Donald M. The Art of Written Princeton Architectural Press, 2006. Forms: The Theory and Practice of Cal- Burke, Peter. A Social History of Knowledge: ligraphy. New York: Holt, Rinehart and Bernstein, William J. Masters of the Word: From Gutenberg to Diderot, Based on the Winston, 1969. How Media Shaped History from the First Series of Vonhoff Lectures Given at Alphabet to the Internet. New York: the University of Groningen (Netherlands). Appel, Alfred, Jr. Jazz Modernism: Grove, 2013. Cambridge, UK: Polity, 2000. From Ellington and Armstrong to Matisse and Joyce. New York: Knopf, 2002. Bettley, James, ed. The Art of the Book: Byers, Mel. The Design Encyclopedia. From Medieval Manuscript to Graphic New York: Museum of Modern Art, 2004. Arnason, H. H., and Marla F. Prather. History Novel. London: V&A, 2001. of Modern Art. New York: Abrams, 1998. Capelleveen, Paul van, and Clemens de Bierut, Michael, William Drenttel, and Steven Wolf. The Ideal Book: Private Presses in Arvin, Leila. Scribes, Scripts, and Books: Heller. Looking Closer 4: Critical Writings on the Netherlands, 1910–2010. The Hague: The Book Arts from Antiquity to the Graphic Design. New York: Allworth, 2002. Koninklijke Bibliotheek, 2010. Renaissance. Chicago: American Library Association, 1991. Birkerts, Sven. The Gutenberg Elegies: Carter, Rob, Libby Meggs, and Sandra The Fate of Reading in an Electronic Age. Wheeler, eds. Meggs: Making Graphic Baines, Phil, and Andrew Haslam. New York: Faber and Faber, 2006. Design History. Hoboken, NJ: Wiley, 2008. Type & Typography. New York: Watson- Guptill, 2002. Blumenthal, Joseph. The Printed Book in Carter, Rob, Philip B. Meggs, Ben Day, America. Boston: Trustees of Dartmouth Sandra Maxa, and Mark Sanders. Typo- Barker, Nicolas, and the Curatorial Staff of College, 1977. graphic Design: Form and Communication. the British Library. Treasures of the British 6th ed. Hoboken, NJ: Wiley, 2015. Library. London: British Library, 2005. ———. Typographic Years: A Printer’s Journey through a Half Century, 1925– Claeys, Gregory, Lyman Tower Sargent, Barnicoat, John. A Concise History of the 1975. New York: Frederic C. Beil, 1982. and Roland Schaer. Utopia. New York: Poster. London: Thames & Hudson, 1972. Oxford Univ. Press, 2000. Bondt, Sara De, and Catherine de Smet, Barthes, Roland. Image, Music, Text. eds. Graphic Design: History in the Writing Clifford, John. Graphic Icons: Visionaries New York: Hill and Wang, 1977. (1983–2011). London: Occasional Papers, Who Shaped Modern Graphic Design. 2012. San Francisco: Peachpit, 2014. 623 26_Meggs6_Backmatter_p622-684_final2.indd 623 4/21/16 8:55 PM Cohen, Elaine Lustig, and Ellen Lupton. Flood, Catherine. British Posters: Advertising, ———. The Education of a Typographer. Letters from the Avant Garde: Modern Art and Activism. London: V&A, 2012. New York: Allworth, 2004. Graphic Design. New York: Princeton Architectural Press, 1996. Gallo, Max. The Poster in History. New York: Heller, Steven, and Seymour Chwast. Norton, 2001. Graphic Style. New York: Abrams, 1988. Craig, Miller. U.S. Design, 1975–2000. New York: Prestel, 2002. Garfield, Simon. Just My Type: A Book about Heller, Steven, and Louise Fili. Style Pedia: Fonts. New York: Gotham, 2012. A Guide to Graphic Design Mannerisms, Cramsie, Patrick. The Story of Graphic Quirks, and Conceits. San Francisco: Design. London: British Library, 2010. Garrigan, John, Margaret Cogswell, Milton Chronicle, 2006. Glaser, Dore Ashton, and Alan Gowans. Crisp, Denise Gonzales, and William F. Temple. Images of an Era: The American Poster, Heller, Steven, and Mirko Ilic. The Anatomy Typography. London: Thames & Hudson, 1945–75. Washington, DC: National of Design: Uncovering the Influences and 2012. Collection of Fine Art, 1975. Inspirations in Modern Graphic Design. Beverly, MA: Rockport, 2007. Danchev, Alex. 100 Artist’s Manifestos: Gay, Peter. Modernism: The Lure of Heresy, From the Futurists to the Stuckists. from Baudelaire to Beckett and Beyond. ———. Genius Moves: 100 Icons of Graphic New York: Penguin, 2011. New York: Norton, 2008. Design. Cincinnati: North Light, 2001. Davis, Meredith. Graphic Design Theory. Gnanadesikan, Amalia E. The Writing Revolu- Heller, Steven, and Elinor Pettit. Graphic London: Thames & Hudson, 2012. tion: Cuneiform to the Internet. Malden, Design Time Line: A Century of Design MA: Wiley-Blackwell, 2009. Milestones. New York: Allworth, 2000. Denman, Frank. The Shaping of Our Alpha- bet: A Study of Changing Type Styles. Gomez-Palacio, Bryony, and Armin Vit. Heller, Steven, and Lita Talarico. Graphic: New York: Knopf, 1955. Graphic Design, Referenced: A Visual Inside the Sketchbooks of the World’s Guide to the Language, Applications, Great Graphic Designers. New York: Dewey, John. Art as Experience. New York: and History of Graphic Design. Beverly, Monacelli, 2010. Berkley, 2005. MA: Rockport, 2009. Heskett, John. Design: A Very Short Introduc- Dodd, Robin. From Gutenberg to Opentype. Gottschall, Edward M. Typographic tion. New York: Oxford Univ. Press, 2002. Vancouver: Hartley & Marks, 2006. Communications Today. Cambridge, MA: MIT Press, 1989. Howard, Nicole. The Book: The Life Story of Drew, Ned, and Paul Sternberger. By Its a Technology. Westport, CT: Greenwood Cover: Modern American Book Cover Gress, Edmund G. The Art and Practice of Press, 2005. Design. New York: Princeton Architectural Typography. New York: Oswald, 1917. Press, 2005. Hughes, Robert. Things I Didn’t Know: Günther, Jörn, and Robert O’Neill. The Art A Memoir. New York: Knopf, 2006. Drucker, Johanna, and Emily McVarish. of the Book from the Early Middle Ages Graphic Design History. 2nd Ed. New York: to the Renaissance: A Journey Through Janssen, Frans A. Technique and Design in Pearson, 2013. a Thousand Years. Hamburg: Dr. Jörn the History of Printing. Leiden: Bill Hes & Günther Antiquariat, 2000. De Graff, 2004. Eskilson, Stephen J. Graphic Design: A New History. New Haven, CT: Yale Univ. Press, Haley, Allan. Typographic Milestones. Jubert, Roxane. Typography and Graphic 2007. New York: Van Nostrand Reinhold, 1992. Design: From Antiquity to the Present. Paris: Flammarion, 2006. Fawcett-Tang, Roger. New Typographic Hamilton, Frederick W. A Brief History Design. New Haven, CT: Yale Univ. Press, of Printing in England: A Short History Kinross, Robin. Modern Typography: An 2007. of Printing in England from Caxton to Essay in Critical History. London: Hyphen the Present Time. Chicago: United Press, 2004. Febvre, Lucien, and Henri-Jean Martin. Typothetae of America, 1918. The Coming of the Book. New York: Knight, Stan. Historical Types: From Guten- Verso, 1997. Heller, Steven. Design Literacy (Continued): berg to Ashendene. New Castle, DE: Oak Understanding Graphic Design. New York: Knoll, 2012. Fischer, Steven Roger. A History of Writing. Allworth, 1999. London: Reaktion, 2005. Knuttel, Gerhardus Wzn. De Letter Als Kunst- werk. Amsterdam: N.V Lettergieterij, 1951. 624 Bibliography 26_Meggs6_Backmatter_p622-684_final2.indd 624 4/21/16 8:55 PM Kovarik, Bill. Revolutions in Communication: Margolin, Victor, Ira Brichta, and Vivian Pearson, David. Books as History: Media History from Gutenberg to the Brichta. The Promise and the Product: The Importance of Books beyond Their Digital Age. New York: Continuum, 2011. 200 Years of American Advertising Posters. Texts. London: British Library, 2008. New York: Macmillan, 1979. Kramer, Hilton. The Triumph of Modernism: Petrucci, Armando. Public Lettering: Script, The Art World, 1985–2005. Chicago: McLean, Ruari. How Typography Happens. Power, and Culture. Chicago: Univ. of Ivan R. Dee, 2006. New Castle, DE: Oak Knoll, 2000. Chicago Press, 1993. Lawson, Alexander S. Anatomy of a Typeface. McMurtrie, Douglas C. The Book: The Story Pevsner, Nikolaus. Pioneers of Modern Design. Boston: Godine, 1990. of Printing & Bookmaking. New York: New Haven, CT: Yale Univ. Press, 2005. Oxford Univ. Press, 1943. ———. Printing Types: An Introduction. Pflughaupt, Laurent. Letter by Letter: An Boston: Beacon Press, 1971. Middendorp, Jan. Dutch Type. Rotterdam, Alphabetical Miscellany. New York: Neth.: 0l0 Publishers, 2004. Princeton Architectural Press, 2007. Levarie, Norma. The Art and History of Books. London: British Library, 1995. Miller, R. Craig. Introduction to U.S. Design, Poe, Marshall T. A History of Communica- 1975–2000. New York: Prestel-Verlag, 2001.

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