“GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing. Victor Dănilă PhD Carmen Antochi www.artes-Iași.ro © 2021 Editura Artes Str. Costache Negruzzi, nr. 7-9, 700126, România Tel.: 0040-232.212.549 Fax: 0040-232.212.551 e-mail: artes@arteIași.ro The rights on the present issue belong to Editura Artes. Any partial or whole reproduction of the text or the examples will be punished according to the legislation in force. Editorial The current volume Artes. Journal of musicology (joining issues 23-24) continues and develops the established themes of study, profiled onto historical research, musical analyis, intepretation – psychology – pedagogy in various connexions and along specialised investigations in the area of Byzantinology. Most of the titles were presented in the Conference with international participation “Art and Research – contemporary challenges”, organised by the doctoral school on 6-7 November 2020 – a scientific event which produced a lively dialogue between maestros and disciples, established musicologists and young researchers. Reflecting the emulation of the conference, the volume associates fundamental research signed by seniors of musicology – Gheorghe Duțică, Carmen Chelaru, Elena Chircev, Alex Vasiliu, Laura-Otilia Vasiliu – with rigorous scientific studies elaborated by specialists from the younger generations – Leonard Dumitriu, Zamfira Dănilă, Adrian Sîrbu, Mihaela Balan, Consuela Radu-Țaga & Dumitriana Condurache, Rosina Filimon a.o. – and with debut works, written by Ph.D. candidates of the “George Enescu” National University of Arts, of the “Transylvania” University from Brașov, of the “Gheorghe Dima” National Academy of Music from Cluj-Napoca and of the “Al. I. Cuza” University from Iași. The readers of the journal can benefit from the thematic plurality, from the ideas offered by rich bibliographic references, from learned or professional musical analyses, from stimulating cultural connexions for the current musicological thinking, from widely interesting pieces of research. Out of these, we recommend the interdisciplinary study History – Culture – Music in the Romanian Eighteenth Century, a thorough reconstruction of the Phanariote century, joined by the comparative analysis of the Romanian and European reality, Ion Baciu – a musician who needs to be rediscovered – a documented piece of research of the peak artistic achievements and of the conducting style, upon celebrating 90 years from his birth, Voices of Edification. Oratorio „Calls for Salvation (Pilgrims to Saint Parascheva)” by Viorel Munteanu – a iii hermeneutic and compositional analysis of a unique work in contemporary music, Tradition and Characteristics in the Approach to Psaltic Music Theory in Romania – the 20th Century – the investigation of the configuration and evolution of the local Byzantine musicology, „Noi istorii ale muzicilor românești” [New histories of Romanian types of music] – The most important editorial publication in the Romanian musicology of recent years – an extensive analytical review of fundamental volumes for the revelation of national sound art. The recommendations could continue, but I shall allow readers to discover the articles that interest them, which inspire their reflection and writing, which stimulate their own research. Laura-Otilia Vasiliu, Professor PhD Editor-in-chief iv Content STUDIES A. Music history. New directions in the interpretation of the artistic past History – Culture – Music in the Romanian Eighteenth Century CARMEN CHELARU “George Enescu” National University of Arts, Iași, Romania ......................................... 1 Ancestrality – a fundamental concept in the creation of the composer Tudor Chiriac ALIONA PACIURCA “George Enescu” National University of Arts, Iași, Romania ....................................... 41 Aspects of Translating Musical Instruments in Foreign Travellers Through the Romanian Principalities, I-X Series of Volumes EDUARD RUSU “Alexandru Ioan Cuza” University of Iași, Romania .................................................. 51 Ion Baciu – a musician who needs to be rediscovered ALEX VASILIU “George Enescu” National University of Arts, Iași, Romania ....................................... 67 B. Analytical views of modern and contemporary musical works Voices of Edification. Oratorio Calls for Salvation (Pilgrims to Saint Parascheva) by Viorel Munteanu GHEORGHE DUȚICĂ “George Enescu” National University of Arts, Iași, Romania ....................................... 97 Syntaxes and metro-rhythmic categories in Viorel Munteanu’s Concerto for flute and string orchestra LEONARD DUMITRIU “George Enescu” National University of Arts, Iași, Romania ...................................... 133 Polystylism in the context of Postmodern Music. Alfred Schnittke’s Concerti Grossi MIHAELA-GEORGIANA BALAN “George Enescu” National University of Arts, Iași, Romania ...................................... 148 v Discovering music cryptograms in the works of Viorel Munteanu through computer aided methods MIHAELA RUSU, CIPRIAN COSTIN “George Enescu” National University of Arts, Iași, Romania ...................................... 165 C. Current musical performance Childhood as a musical theme – affectivity and instrumental expressiveness in the works of Schumann, Debussy and Enescu CRISTINA-NICOLETA ȘOITU “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania ........................... 174 German Musical Baroque, a mini European Union avant la lettre. The bassoon concerto LAURENȚIU DARIE “Transilvania” University, Brașov, Romania ............................................................ 187 Verdian lyric theatre. Hermeneutics of the performance and contemporary challenges EDITH GEORGIANA ADETU “Transilvania” University, Brașov, Romania ............................................................ 196 A Subjective Approach of the Performance of Edvard Grieg’s Piano Concerto in A minor, Op. 16 CRISTINA RĂDUCANU “George Enescu” National University of Arts, Iași, Romania ...................................... 207 D. From the psychology of the reception to the pedagogy of music Aspects related to the interconnection between music and the human brain. Scientific discoveries and contemporary challenges ROSINA CATERINA FILIMON “George Enescu” National University of Arts, Iași, Romania ...................................... 224 Voices in Space or the Contemporary Realism in the Pedagogy of the Future Opera Singer CONSUELA RADU-ȚAGA, DUMITRIANA CONDURACHE “George Enescu” National University of Arts, Iași, Romania ...................................... 242 Interdisciplinary aspects in organizing the Music Education lessons ALEXANDRA-IOANA HOMONE “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania ........................... 252 vi Emotional and spiritual intelligence – aesthetical and semantic implications PETRUȚA-MARIA COROIU “Transilvania” University, Brașov, Romania ............................................................ 262 E. Sacred music Tradition and Characteristics in the Approach to Psaltic Music Theory in Romania – the 20th Century ELENA CHIRCEV “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania ........................... 269 Romanian-Greek manuscript inventory number 27 – Anthology – An Account of the activity of the copyist Chiril Monahul from Bisericani Monastery (Neamt County) IRINA ZAMFIRA DĂNILĂ “George Enescu” National University of Arts, Iași, Romania ...................................... 300 “Style” or “yphos” in Psaltic Art? ADRIAN SÎRBU “George Enescu” National University of Arts, Iași, Romania ...................................... 321 BOOK REVIEWS Noi istorii ale muzicii românești [New histories of Romanian types of music] – the most