
UvA-DARE (Digital Academic Repository) Sounding stereotypes: Construction of place and reproduction of metaphors in the music of Goran Bregović Marković, A. Publication date 2013 Link to publication Citation for published version (APA): Marković, A. (2013). Sounding stereotypes: Construction of place and reproduction of metaphors in the music of Goran Bregović. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 References Aleksić, Tatjana. 2002. “Benevolent Racism: Can the Other Represent Itself?” Facta universitatis (Series: Linguistics and Literature) 2,9:349-57. Alempijević, Dragan. 2002. “Goran Bregović otvoreno o muzici, svojim životnim i umetničkim raskršćima: Ne želim da budem zvezda.” [Goran Bregovic Openly About Music, His Life and Artistic Crossroads: I Do Not Want to Be a Star.] Glas javnosti, October 23. Accessed March 26 2013. http://arhiva.glas-javnosti.rs/ arhiva/2002/10/23/srpski/A02102201.shtml. Appadurai, Arjun. 1996. Modernity at Large: Cultural Dimensions of Globalization. Minessota: University of Minnesota Press. Austern, Linda Phyllis. 1998. “‘Forreine Conceites and Wandring Devises’: The Exotic, the Erotic, and the Feminine.” In The Exotic in Western Music, edited by Jonathan Bellman, 26-42. Lebanon: Northeastern University Press. Baker, Catherine. 2008. “When Seve Met Bregovic: Folklore, Turbofolk and the Boundaries of Croatian Musical Identity.” Nationalities Papers 36,4:741-64. Bakić-Hayden, Milica and Robert M. Hayden. 1992. “Orientalist Variations on the Theme ‘Balkans’: Symbolic Geography in Recent Yugoslav Cultural Politics.” Slavic Review 51,1:1-15. Bakić-Hayden, Milica. 1995. “Nesting Orientalisms: The Case of Former Yugoslavia.” Slavic Review 54,4:917-31. Bal, Mieke. 2002. Travelling Concepts In the Humanities: A Rough Guide. Toronto: University of Toronto Press. Balalovska, Kristina. 2003. “Between ‘the Balkans’ and ‘Europe’: A Study of the Contemporary Transformation of Macedonian Identity, 1991-2002.” New Balkan Politics 6. Accessed March 26 2013. http://www.newbalkanpolitics.org.mk/ OldSite/Issue_6/balalovska.beetween.eng.asp. Balkanopithecus. 2008. “Goran Bregovic - Alkohol: Sljivovica & Champag.” Accessed May 1 2013. http://nnm.ru/blogs/balkanopithecus/ goran_bregovi263_alkohol_352ljivovica_champagne/. Barber-Kersovan, Alenka. 2009. “How Balkan Rock Went West: Political Implications of an Ethno-Wave.” In Music in Motion: Diversity and Dialogue in Europe, edited by Bernd Clausen, Ursula Hemetek, and Eva Saether, 233-51. Bielefeld: Transcript Verlag. Barthes, Roland. 1977. Image, Music, Text. London: Fontana Press. Baudrillard, Jean. 1983 [1981]. Simulations. New York City: Semiotext(e). Accessed March 26 2013. http://staff.ee.sun.ac.za/~hgibson/docs/html/ Simulacra-and-Simulation.html. 239 Baudrillard, Jean. 1994 [1981]. Simulacra and Simulation. Michigan: The University of Michigan Press. Bednarz, Thorsten. 1999. “Musik kennt keinen Nationalismus.” Folker! Das Musikmagazin, May. Accessed March 26 2013. http://www.folker.de/9905/ gb.htm. Bellman, Jonathan. 1993. The Style Hongrois in the Music of Western Europe. Lebanon: Northeastern University Press. Bellman, Jonathan. 1998a. “Introduction.” In The Exotic in Western Music, edited by Jonathan Bellman, IX-XIII. Lebanon: Northeastern University Press. Bellman, Jonathan. 1998b. “The Hungarian Gypsies and the Poetics of Exclusion.” In The Exotic in Western Music, edited by Jonathan Bellman, 74-103. Lebanon: Northeastern University Press. Bhabha, Homi K. 1994. The Location of Culture. Abingdon: Routledge. “Biografia Gorana Bregowic-a.” N.d. Accessed September 15 2010. http:// abc.wp.pl/archiwum/gorankrawczyk/gor.html. Bjelić, Dušan I. 2005. “Introduction: Blowing Up the ‘Bridge.’” In Balkan as Metaphor: Between Globalization and Fragmentation, edited by Dušan I. Bjelić and Obrad Savić, 1-22. Cambridge MA: The MIT Press. Blackmore, Susan. 1999. The Meme Machine. Oxford: Oxford University Press. Bohlman, Philip V. 2000. “Composing the Cantorate: Westernizing Europe’s Other Within.” In Western Music and its Others: Difference, Representation, and Appropriation in Music, edited by Georgina Born and David Hesmondhalgh, 187-212. Berkeley and Los Angeles: University of California Press. Bohlman, Philip V. 2005. “Music as Representation.” Journal of Musicological Research 24:205-26. Born, Georgina and David Hesmondhalgh. 2000. “Introduction: Difference, Representation, and Appropriation in Music.” In Western Music and its Others: Difference, Representation, and Appropriation in Music, edited by Georgina Born and David Hesmondhalgh, 1-58. Berkeley and Los Angeles: University of California Press. Braidotti, Rosi. 1994. Nomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory. New York: Columbia University Press. Bregović Homepage (new). Accessed March 26 2013. www.goranbregovic.rs. Bregović Homepage (old). Biography. Accessed November 21 2008. www.goranbregovic.co.yu/biography-england.htm. Bregović Homepage (old). Music for movies. Accessed November 21 2008. www.goranbregovic.co.yu/film-england.htm. 240 Bregović Homepage (old). Press in English. Accessed November 21 2008. www.goranbregovic.co.yu/press.htm. Bregović Homepage (old). Press in French. Accessed November 21 2008. www.goranbregovic.co.yu/press-france.htm. Bregović Homepage (old). Press in Italian. Accessed November 21 2008. www.goranbregovic.co.yu/press-italy.htm. “Bregović spasava Balkan.” [Bregović is Saving the Balkans.] 2001. Glas javnosti, May 5. Accessed March 26 2013. http://arhiva.glas-javnosti.rs/arhiva/ 2001/05/06/srpski/K01050503.shtml. Brown, Julie. 2000. “Bartók, the Gypsies, and Hybridity.” In Western Music and its Others: Difference, Representation, and Appropriation in Music, edited by Georgina Born and David Hesmondhalgh, 119-42. Berkeley and Los Angeles: University of California Press. Bruner, Edward M. 1994. “Abraham Lincoln as Authentic Reproduction: A Critique of Postmodernism.” American Anthropologist, New Series 96,2:397-415. Buchanan, Donna A. 1997. “Review: Review Essay: Bulgaria's Magical Mystère Tour: Postmodernism, World Music Marketing, and Political Change in Eastern Europe.” Ethnomusicology 41,1:131-57. Buchanan, Donna A. 2006. Performing Democracy: Bulgarian Music and Musicians in Transition. The University of Chicago Press. Buchanan, Donna A, ed. 2007. Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse. Lanham: The Scarecrow Press. Buchanan, Donna A. 2007a. “Preface and Acknowledgement.” In Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse, edited by Donna A. Buchanan, XVII-XXVIII. Lanham: The Scarecrow Press. Buchanan, Donna A. 2007b. “‘Oh, Those Turks’! Music, Politics, and Interculturality in the Balkans and Beyond.” In Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse, edited by Donna A. Buchanan, 3-54. Lanham: The Scarecrow Press. Buchanan, Donna A. 2007c. “Bulgarian Ethnopop along the Old Via Militaris: Ottomanism, Orientalism, or Balkan Cosmopolitanism?” In Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse, edited by Donna A. Buchanan, 225-67. Lanham: The Scarecrow Press. Buhre, Jakob. 2001. “Goran Bregovic. Für die Filmindustrie bin ich zu schlecht.” Planet Interview – Portal für Interviews, 6 July. Accessed March 26 2013. http:// www.planet-interview.de/goran-bregovic-06072001.html. Burkholder, Peter J. 1994. “The Uses of Existing Music: Musical Borrowing as a Field.” Notes, Second Series 50,3:851-70. 241 Burkholder, Peter J. 2006. “A Simple Model for Associative Musical Meaning.” In Approaches to Meaning in Music, edited by Byron Almen and Edward Pearsall, 76-106. Bloomington: Indiana University Press. Butler, Christopher. 2002. Postmodernism: A Very Short Introduction. Oxford University Press. Byrne, Richard. 2002. “Rock ‘N’ Romany.” The Globalist: The Power of Global Ideas, September 28. Accessed March 26 2013. http://www.theglobalist.com/ StoryId.aspx?StoryId=2754. Carmen Score. 1873-1874. Excerpt from Georges Bizet’s Carmen (pages 79 and 80 from orchestral score). Public domain. Accessed March 26 2013. http:// imslp.org/wiki/Image:PMLP15769-Bizet_Carmen_Choudens_1.Act_fs.pdf. Carrier, James G. 1995. “Introduction.” In Occidentalism: Images of the West, edited by James G. Carrier, 1-32. Oxford: Oxford University Press. Cartwright, Garth. 2005. Princes Amongst Men: Journeys With Gypsy Musicians. London: Profile Books. Cioroianu, Adrian. 2005. “The Impossible Escape: Romanians and the Balkans.” In Balkan as Metaphor: Between Globalization and Fragmentation, edited by Dušan
Details
-
File Typepdf
-
Upload Time-
-
Content LanguagesEnglish
-
Upload UserAnonymous/Not logged-in
-
File Pages22 Page
-
File Size-