Uva-DARE (Digital Academic Repository)

Uva-DARE (Digital Academic Repository)

UvA-DARE (Digital Academic Repository) Welcome to Paradise Island: The rise of Jamaica’s cine-tourist image, 1891- 1951 Martens, E.S. Publication date 2013 Link to publication Citation for published version (APA): Martens, E. S. (2013). Welcome to Paradise Island: The rise of Jamaica’s cine-tourist image, 1891-1951. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 Martens_PROEFSCHRIFT (all).ps Back - 148 T1 - Black CyanMagentaYellow REFERENCES Abel, Richard. “The ‘Culture War’ of Sensational Melodrama, 1910-14.” In Action and Adventure Cinema, edited by Yvonne Tasker. London and New York: Routledge, 2004. 31-51. Accaria-Zavala, Diane. “Breaking the Spell of Our Hallucinated Lucidity: Surveying the Caribbean Self within Hollywood Cinema.” In The Cultures of the Hispanic Caribbean, edited by Conrad James and John Perivolaris. Gainesville: University Press of Florida, 2000. 226-240. Adams, Paul. Geographies of Media and Communication. Malden, Oxford and Chichester: Wiley-Blackwell, 2009. Aitchison, Cara, Nicola Macleod, and Stephen Shaw. Leisure and Tourism Landscapes: Social and Cultural Geographies. London: Routledge, 2000. Anderson, Mark Cronlund. Cowboy Imperialism and Hollywood Film. New York: Peter Lang Publishing, 2007. Anglo-American Caribbean Commission. Caribbean Tourist Trade: A Regional Approach. Port of Spain: Guardian Commercial Printery, 1945. Ahmed, Sara. Strange Encounters: Embodied Others in Post-Coloniality. London: Routledge Books, 2000. Allen, Jeanne Thomas. “Film History: A Revisionist Perspective.” Journal of the University Film and Video Association 35.4 (Fall 1983): 5-9. Altman, Rick. Silent Film Sound. New York: Columbia University Press, 2004. Aparicio, Frances, and Susana Chávez-Silverman. “Introduction.” In Tropicalizations: Transcultural Representations of Latinidad, edited by Frances Aparicio and Susana Chávez-Silverman. Hanover and London: University Press of New England, 1997. 1-20. Aravamudan, Srinivas. Tropicopolitans: Colonialism and Agency, 1688-1804. Durham and London: Duke University Press, 1999. -----. “Introduction.” In Obi; or, The History of Three-Fingered Jack, originally written by William Earle and published in 1800. Peterborough, Plymouth and Sydney: Broadview, 2005. 7-52. Armes, Roy. Third World Film Making and the West. Berkeley, Los Angeles and London: University of California Press, 1987. Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. The Empire Writes Back: Post-Colonial Literatures, Theory & Practice. London: Routledge, 1989. Aylmer, Kevin. “Towering Babble and Glimpses of Zion: Recent Depictions of Rastafari in Cinema.” In Chanting Down Babylon: The Rastafari Reader, edited by Nathaniel Murell, William Spencer and Adrian McFarlane. Philadelphia: Temple University Press, 1998. 284-310. Babington, Bruce. A History of the New Zealand Fiction Feature Film. Manchester and New York: Manchester University Press, 2008. Bacon, Edgar Mayhew, and Eugene Murray. The New Jamaica: Describing the Island, Explaining its Conditions of Life and Growth and Discussing its Mercantile Relations and Potential Importance; Adding Somewhat in Relation to Those Matters Which Directly Interest the Tourist and the Health Seeker. New York and Kingston: Walbridge & Co and Aston W. Gardner & Co, 1890. Martens_PROEFSCHRIFT (all).ps Front - 149 T1 - Black CyanMagentaYellow References Bakic´-Hayden, Milica. “Nesting Orientalism: the Case of Former Yugoslavia.” Slavic Review 54.4 (1995): 917-931. Bakker, Gerben. “The Decline and Fall of the European Film Industry: Sunk Costs, Market Size and Market Structure, 1890-1927.” Working Paper. Department of Economic History. London School of Economics (February 2003): 1-76. Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise 1930-1939. Berkeley, Los Angeles and London: University of California Press, 1993. Barclay, Barry. “Fourth Cinema.” Paper presented at the Auckland University Film and Media Studies Department, 2002. -----. “Celebrating Fourth Cinema.” Illusions 35 (2003a) 7-11. -----. “Exploring Fourth Cinema: A Talk Given in Hawaii as Part of Summer School Lectures.’ In Re-imagining Indigenous cultures: The Pacific Islands. Honolulu: National Endowment for the Humanities, 2003b. 9 May 2013. http://kainani. hpu.edu/hwood/HawPacFilm/BarclayExploringFourthCinema2003.doc. Barger, Susan, and William Whit. The Daguerreotype: Nineteenth-Century Technology and Modern Science. Washington: Smithsonian Institution Press, 1991. Baroco, Molly M. “Imagining Haiti: Representations of Haiti in the American Press during the U.S. Occupation, 1915-1935.” History Theses 43 (2011): 1-92. Batson-Savage, Tanya. “Through the Eyes of Hollywood: Reading Representations of Jamaicans in American Cinema.” Small Axe 14.2 (2010): 42-55. Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939. Berkeley, Los Angeles and London: University of California Press, 1995. Barrow, Steve, and Peter Dalton. Reggae: The Rough Guide. London: Rough Guides, 1997. Barry, Tom, Beth Wood, and Deb Preusch. The Other Side of Paradise: Foreign Control in the Caribbean. Albuquerque: The Resource Center, 1984. Barton, Susan. Healthy Living in the Alps: the Origins of Winter Tourism in Switzerland, 1860-1914. Manchester: Manchester University Press, 2008. Baver, Sherrie, and Barbara Lynch (eds.). Beyond Sun and Sand: Caribbean Environmentalisms. New Brunswick, New Jersey and London: Rutgers University Press, 2006. Bean, Jennifer. “‘Trauma Thrills’: Notes on Early Action Cinema.” In Action and Adventure Cinema, edited by Yvonne Tasker. London and New York: Routledge, 2004. 17-31. Beeton, Sue. Film-Induced Tourism. Clevedon: Channel View, 2005. Bell, Hesketh. Obeah: Witchcraft in the West Indies. London: S. Low, Marston, Searle & Rivington, 1889. Beller, Jonathan. The Cinematic Mode of Production: Attention Economy and the Society of Spectacle. Lebanon: University Press of New England, 2006. Bernstein, Matthew, and Gaylyn Studlar (eds.). Vision of the East: Orientalism in Film. New Brunswick: Rutgers University Press, 1997. Best, Lloyd. “A Model of Pure Plantation Economy.” In The Caribbean Economy: A Reader, edited by Dennis Pantin. Kingston and Miami: Ian Randle Publishers, 2005. 44-57. Billson, Anne. “The Serpent and the Rainbow.” Monthly Film Bulletin 56.664 (1989): 131-132. Birch-Baley. “Terror in Horror Genres: The Global Media and the Millennial Zombie.” The Journal of Popular Culture 45.6 (2012): 1137-1151. Bishop, Kyle. “The Sub-Subaltern Monster: Imperialist Hegemony and the Cinematic Voodoo Zombie.” The Journal of American Culture 31.2 (June 2008): 141-152. -----. “Dead Man Still Walking.” Journal of Popular Film and Television 37.1 (2009): 16- 25. 291 Martens_PROEFSCHRIFT (all).ps Back - 149 T1 - Black CyanMagentaYellow References Bishop, Matthey. “Tourism as a Small-State Development Strategy: Pier Pressure in the Eastern Caribbean?” Progress in Development Studies 10.2 (April 2010): 99- 114. Black, Clinton. The History of Jamaica. Second edition. Essex, Kingston and San Juan. Longman Caribbean, 1991. Blythe, Martin. Naming the Other: Images of the Maori in New Zealand Film and Television. Metuchen, New York and London: The Scarecrow Press, 1994. Boggs, Carl and Tom Pollard. The Hollywood War Machine: U.S. Militarism and Popular Culture. Boulder: Paradigm Publishers, 2007. Bogle, Donald. Toms, Coons, Mulattoes, Mammies & Bucks: An Interpretive History of Blacks in American Films. New York: Viking Press, 1973. Boluk, Stephanie, and Wylie Lenz. “Infection, Media, and Capitalism: From Early Modern Plagues to Postmodern Zombies.” Journal for Early Modern Cultural Studies 10.2 (Fall/Winter 2010): 126-47. Booth, Karen. “When Jamaica Welcomed the World: The Great Exhibition of 1891.” Jamaica Journal 18.3 (1985): 39-51. Bordwell, David, Janet Staiger and Kristin Thompson. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press, 1985. Boskin, Joseph. Sambo: The Rise and Demise of an American Jester. Oxford et al. : Oxford University Press, 1986. Bowser, Eileen. The Transformation of Cinema, 1907-1915. Berkeley, Los Angeles and London: University of California Press, 1994. Branston, Gill. Cinema and Cultural Modernity. Buckingham and Philadelphia: Open University Press, 2000. Brandon, Piers. The Decline and Fall of the British Empire, 1781-1997. London: Vintage Books, 2008. Branston, Gill. Cinema and Cultural Modernity. Buckingham and Philidelphia: Open University Press, 2000. Brantlinger, Patrick. “Imperial Gothic: Atavism and the Occult in the British Adventure Novel, 1880, 1914.” English Literature in Transition, 1880-1920 28.3 (1985):

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    22 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us