Index Page numbers for figures are in italics Abe no Yoshihira, 172n25 Akiyama Kenzō, 9n12 Abutsu-ni (Nun Abutsu), 25n2 Amayo danshō (Notes on the Rainy affective history, 3–4. See also affective Night’s Discussion) (Sōgi), 217n21 language; fiction/history oscillation; Amida halls, 88, 89, 90, 92 monogatari Andō Tameakira, 49–50, 53 affective language: and female voice, Angen onga no ki (Record of the 13–14; and figural genealogies, 96; Angen-era celebrations) (Fujiwara no in four princes narrative, 130, 131; Takafusa), 255n8 and gossip, 98; and history/memory Anna Incident (969), 56n79, 115 oscillation, 13–14, 110; and limitations Ariwara no Narihira, 26, 135 of male courtier diaries, 82; and Armstrong, Paul B., 11n16, 86n25 Middle Regent’s family narrative, Arntzen, Sonja, 32n20, 39 77–78, 81, 96, 98; and mono no aware, art, awase in, 247–48, 249, 250 66; and narrator as medium, 16–17, 98; Asao Hiroyoshi, 27, 28n10 in nikki, 66; as prosthetic memory, 81; assemblage. See multiple perspectives in Sanbōe, 38; and spirit possession, Assmann, Jan, 20, 48, 154 192; and tamaya interments, 73 Atsuakira (prince) (Koichijōin) (retired Akashi novice (Akashi no nyūdō) emperor): abdication of, 131–33; and (Genji), 97–98 Akimitsu, 179, 181; baby’s death, Akazome Emon: and death of Michi- 188–89; as crown prince, 131, 171, 181, naga, 68–69; and feminine comport- 184; genealogical charts, 116, 133, 180, ment ideals, 59; historical neglect of, 262, 265; marriages of, 132, 179, 184, 75–76. See also Eiga monogatari 185–86, 188; profile of, 261; and Seishi’s attribution to Akazome Emon tamaya interment, 112. See also four Akazome Emon Eiga monogatari princes narrative; Koichijōin family (Chikamatsu), 49–50 narrative Takeshi Watanabe - 9781684176090 Downloaded from Brill.com10/01/2021 02:49:30PM via free access 288 Index Atsuhira (crown prince; Emperor Buddhism: and cyclical history, 61, Go- Ichijō): as crown prince, 128, 145; 130–31, 153; and death, 69, 71, 90; and genealogical charts, 72, 133, 260, 262, death as isolating, 156; and Eiga 266; Ichijō’s love for, 129; Michinaga’s monogatari attribution to Akazome love for, 169, 231; profiles of, 259, 261; Emon, 51; and exorcism, 14n22, 165, and spirit possession, 177; and 173, 191–92; and father- daughter ushiromi, 128, 129. See also four princes relationships, 176; and funeral narrative; Go- Ichijō traditions, 87–88, 89, 90, 91, 92, 150; Atsunaga (crown prince; Emperor and Ichijō’s funeral, 105; on illness, Go- Suzaku), 132, 133, 190, 193, 194, 261, 159n2; and Kishi’s ill health, 83–84; on 262, 266. See also four princes mappō, 236–37; and Middle Regent’s narrative; Go- Suzaku family narrative, 95, 96–97; and Atsuyasu (prince): genealogical charts, monogatari, 38; and nonverbal 72, 133, 204, 260, 262, 266; profiles of, communication, 47; and priestesses, 259, 261; and ushiromi, 127–28, 129–30, 221n26, 227; and spirit possession, 165, 132–33. See also four princes narrative; 175; and tamaya interments, 71, 73, 88, Middle Regent’s family narrative 90, 150; and testing of faith, 143–44, authorship: zokuhen, 207–13. See also 174, 192. See also specific temples Eiga monogatari attribution to Butler, Judith, 4n6, 18 Akazome Emon Buyandelger, Manduhai, 65n103, 118n6 awase (matching), 18, 245; and art, Byōdōin, 70 247–48, 249, 250; and conciliation, 6, 201, 206–7, 230, 235–36; and deaths of Chikahito (crown prince), 190. See also Fujiwara no Michiyori and Michifusa, Go- Reizei 235–36; and Eiga monogatari relation- Chikamatsu Monzaemon, 49–50 ship to Genji, 208–9; and fiction/ Chūnagon (attendant to Seishi), 140 history oscillation, 256; and figural Chūsonji. See Konjikidō genealogies, 202–3, 220; and future, Cohn, Dorrit, 101 237–38; as Heian aesthetic, 245–47; community- building. See conciliation and history, 245, 255; and Koichijōin conciliation, 5–6, 18–19, 251; adoption as family narrative, 124; and lower- class strategy of, 203, 226; and ambivalent folk, 239; and Minamoto no Kishi, relations, 19–20; and awase, 6, 201, 232; as per for mance, 205–6; and 206–7, 230, 235–36; and death, 158; and priestesses, 223; and seihen- zokuhen female voice, 18; and fiction/history relationship, 220, 255; and spectacle, oscillation, 10, 155, 178–79; and figural 214, 216, 218–19; and spirit possession, genealogies, 8, 114, 154, 158; and 167; and zokuhen authorship, 208, 211, funeral traditions, 86; in Genji, 62–63; 212–13; and zokuhen historical setting, and gossip, 100, 115, 197–98, 256; and 203–5 history, 246; in Koichijōin family Azuma Hiroshi, 121n9 narrative, 125, 140; and memory, 15–16, 29; in Middle Regent’s family Bai Juyi, 5, 95–96n49 narrative, 74, 77, 94–95, 98; and Bargen, Doris, 9n12, 163, 175 multiple perspectives, 56, 63; and Bialock, David, 117n5 Nagaie’s wives narrative, 151–52; and Bowring, Richard, 5n7, 55 narrator as medium, 14–15, 158–60, Takeshi Watanabe - 9781684176090 Downloaded from Brill.com10/01/2021 02:49:30PM via free access Index 289 168–69, 256–57; and nature, 205–6, 47–48, 203–5, 228–29; as Japan’s first 234; in opening of Eiga monogatari, 6; chronicle, 3; kanbun texts in, 4, 50–51, and poetry, 31, 56, 186, 234, 246n43; 55n75, 141; monogatari influence on, 54, and po liti cal centrality of women, 150; nikki incorporation in, 53–54, 9n12; and priestesses, 223, 226; and 55, 177; nikki influence on, 42, 54; readers’ collaboration, 155; and plurality in, 2, 210; and readers’ scholarly inattention to Eiga monoga- collaboration, 11; scholarly inattention tari, 7; and shamanic practices, 65n103; to, 7–8; seihen- zokuhen relationship in, and spectral/omniscient narrator, 98; 4, 55, 220, 255; sources for, 3, 18, 41–42, and spirit possession, 97, 167–68, 53, 55–56, 147, 207; as successor to 184–85, 196, 197; and tamaya inter- national histories, 58–60, 254; time in, ments, 92, 158 40, 186; vernacular in, 4, 13–14; and Coplan, Amy, 16n26 wakan konkōbun, 50–51n61. See also courtier diaries. See male courtier diaries; Eiga monogatari attribution to nikki Akazome Emon; Eiga monogatari relationship to Genji; zokuhen Daigo (emperor), 232, 233 Eiga monogatari attribution to Akazome daisaku uta (surrogate verses; proxy Emon, 3, 48–56; early references, 49; compositions), 34, 52 and intertextuality, 50, 52–53; and death: and Buddhism, 69, 71, 90; and kanbun texts in Eiga monogatari, conciliation, 158; Eiga monogatari on, 50–51, 141; and lack of authorial 64, 111; and figural genealogies, 86; and presence, 50, 51–55; Meiji- era discus- history/memory oscillation, 109; as sions, 50–51; and nikki incorporation, isolating, 156; snow as symbol of, 104. 53–54; seventeenth- century ac cep- See also funeral traditions; specific people tance, 49–50 Deleuze, Gilles, 31n15, 101 Eiga monogatari relationship to Genji: Dengaku, Great (1096), 239 and ambiguous attribution, 55; and diaries. See male courtier diaries; nikki awase, 203–4; and death, 93n48; and disembodied narrator. See spectral/ fiction/history oscillation, 11; and omniscient narrator figural genealogies, 152–53, 202, 209; Dohi Tsunehira, 58 and four princes narrative, 132; and Fujiwara interlineal competition, 6; Earlier Nine Years’ War (1051–63), 205 and intertextuality, 55; and memory, Ebersole, Gary, 87n27 110n78; and Middle Regent’s family Eiga monogatari (A Tale [or Tales] of narrative, 78–79, 93n48, 96, 97–98; Flowering Fortunes), 2–3; as affective and monogatari discourse, 2–3; and history, 3–4; alternate title of, 49; narrator as medium, 43–44; and ambiguity in, 18; centrality of death in, national histories, 57–58; and spirit 64, 111; contrasted with male courtier possession, 163, 164; and zokuhen diaries, 74–75, 76–77n12, 78, 79–80, authorship, 208–9 81–82; critique of court society in, Eighth Prince (Genji), 162n9 123–24; detail in, 7–8; epistolary emotive expression. See affective strategies in, 146–47; and feminine language comportment ideals, 59; on Fujiwara empathy, 16–17, 100, 119. See also clan, 63, 95; historical setting of, 6, conciliation Takeshi Watanabe - 9781684176090 Downloaded from Brill.com10/01/2021 02:49:30PM via free access 290 Index Engi reforms (902), 27n8 in Koichijōin family narrative, 121–22; En’yū (emperor), 167n19, 252, 262 and monogatari, 10, 42–43, 60–61, epistolary strategies, 52, 146–47 66–67; and nikki, 37–39, 42–43, 44; Erll, Astrid, 153–54 and readers’ collaboration, 10, 11, 26; exorcism through narratives. See narrator and spirit possession, 162–63, 178–79 as medium Field, Norma, 30n13 figural genealogies, 245; and affective fall of fortunes: and figural genealogies, language, 96; and awase, 202–3, 220; 137; Koichijōin family, 115, 117, 119, and conciliation, 8, 114, 154, 158; and 123–24, 125, 229n32; Middle Regent’s death, 86; and Eiga monogatari family, 74, 76–77, 168; and Minamoto relationship to Genji, 152–53, 202, 209; no Kishi, 230; Motokata’s family, 165; and fall of fortunes, 137; and and spirit possession, 184–85; and father- daughter relationships, 8, 114, tamaya interments, 93. See also 137, 147–48, 150–52, 162, 187, 195, 227; Fujiwara interlineal competition and four princes narrative, 127, 130; famines (876), 27n8 and Fujiwara interlineal competition, father- daughter relationships: and 123–24; in Genji, 152–53; and Genshi, conciliation, 168–69, 184–85; and Eiga 134; and gossip, 126, 135; and history, monogatari relationship to Genji, 153–54; and Koichijōin family 97–98; and fiction/history oscillation, narrative, 113, 114, 121, 122, 124, 126, 162–63; and figural genealogies, 8, 114, 141; and Middle Regent’s family 137, 147–48, 150–52, 162, 187, 195, 227; narrative, 86, 96, 100, 121, 122,