1 List of Illustrations Please Note: all illustrations are oil on canvas unless otherwise stated. 1. Gustave Courbet, The Stonebreakers , 1849, formerly Staatliche Gemäldegalerie, Dresden – destroyed. (165 x 238cm.) 2. Wilhelm von Lindenschmit, Ulrich von Hutten, 1516, 1869. Medium, size, location, unknown. 3. Erik Werenskiold, Study of a Woman, Semi-Nude, 1877, Bergen Kunstmuseum, 88 x 64.5cm. 4. Hans Heyerdahl, The Expulsion of Adam and Eve from Paradise,1877, Norwegian National Museum of Art, Architecture and Design, Oslo. (Hereinafter referred to as “The Norwegian National Gallery”), 257 x 183cm. 5. Wilhelm Leibl Politicising Farmers (Die Dorfpolitiker), 1877, Museum Oskar Reinhart am Stadtgarten, Winterthur, Switzerland. Oil on wood. 76 x 97cm. 6. Adolph Tidemand, Politicising Farmers (Politiserende bønder), 1849, sold by Grev Wedels Plass, Oslo, 27 November 2007, Lot No. 23. 67 x 85cm. 7. Erik Werenskiold, Berrypickers (Kinderscherze), 1878, private collection. 81 x 97cm. 8. Jean-Baptiste-Camille Corot, Saint-Nicholas-les Arras: Willows on the Bank of the Scarpe, 1871-2, private collection, 38 x 47cm. 9. Charles-François Daubigny, On the Banks of the Oise, 1859, Musée des Beaux-arts, Bordeaux, 90 x 182cm. 10. Charles-François Daubigny, Moonrise, 1877, sold at Christies, London, 26 June 2007, Lot No. 209, 134 x 227cm. 11. Mihály Munkácsy, The blind Milton dictating “Paradise Lost” to his Daughters, 1878, New York public library. 12. Jules Breton, The Gleaner, 1877, Musée des Beaux-arts, Arras, ex Musée d’Orsay, Paris, 230 x 125cm. 13. Erik Werenskiold, A Confession, 1879, private collection, 97 x 82cm. 14. Camille Pissarro, La Sente du Choux en Mars (Pathway at Choux in March), 1878, Musée des Beaux-arts, Douai (detail). 15. Erik Werenskiold, Peasant Burial (En Bondebegravelse), 1883-5, Norwegian National Gallery, Oslo (detail). 2 16. James Guthrie, A Funeral Service in the Highlands, 1881-2, Kelvingrove Art Gallery, Glasgow (detail). 17. P. S Krøyer, Italian Village Hatters (Italienske Landsbyhattemagere), 1880, Hirschsprung Collection, Copenhagen, 135.3 x 107cm. 18. Erik Werenskiold, Herders at Tåtoy I, 1882, private collection, 40 x 60cm. 19. Erik Werenskiold, Herders at Tåtøy II, 1883, Norwegian National Gallery, Oslo. 59 x 65.5cm. 20. Erik Werenskiold, Girls from Telemark (Telemarksjenter) (Also known as From Telemark/Frå Telemark) 1883, Norwegian National Gallery, Oslo, 80 x 98cm. 21. Erik Werenskiold. Rustic Funeral (En Bondebegravelse), 1878. Norwegian National Gallery, Oslo. Drawing. Title as per Østby (1977) pp. 14, 284 and 291. 22. Erik Werenskiold A Poor Burial in a Norwegian Mountain Hamlet. 1878. (En fattig Begravelse i en Norsk Fjældbygd) as published in Ude og Hjemme (Copenhagen) 22/6/1879. Drawing. See Østby (1977), p. 15 and p. 291, who entitles the same drawing En Bondebegravelse (Rustic Funeral). 23. Erik Werenskiold, The Charcoal Burner and The King (1879), Norwegian National Gallery, Oslo. Drawing. See Marit Werenskiold (1999), p. 89. 24. Erik Werenskiold, detail of fig. 22 (above), “The Klokker”. 25. Erik Werenskiold, The Ash Lad and the Princess (Askeladden og Prinsessen, 1878). Norwegian National Gallery, Oslo. See Svedfelt, p. 1 of Tegninger, and Marit Werenskiold (1999), p. 89, where it is entitled The Lad and the Princess. 26. Erik Werenskiold, detail of fig. 22 (above). “The Proud Young Mourner”. 27. Vågå Stave Church (c.1150 & 1625-30). Photograph. 28. Erik Werenskiold, detail of fig. 19 (above). 29. Lom Stave Church (12th/17th Century). Photograph. 30. Erik Werenskiold, detail of fig. 22 (above). 31. Johannes Flintoe, Stave Church at Hitterdal ,1828. Location, size, unknown. 32. Map: Stave Churches of Norway. 33. Adolph Tidemand and Hans Gude, Bridal Journey in Hardanger (Brudeferd i Hardanger), 1848, Norwegian National Gallery, Oslo. 93 x 103cm. 3 34. Diagram. Rural Structure in Norway c.1845. 35. Graph. Births and Deaths in Norway 1801-1899. 36. Graph. Population Growth in Norway (Births minus Deaths 1850-1899, ‘000s) and Migration from Norway (1850-1899, ‘000s). 37. Table. Crops sown in Seljord, Telemark 1835-1875. 38. Adolph Tidemand, The Youngest Son’s Farewell (Den Yngste Sønns Avskjed), 1867. Sold Grev Wedels Plass, Oslo, 25/5/2000, No. 19. 39. Erik Werenskiold, A Poor Burial in a Norwegian Mountain Hamlet. 1878. (En fattig Begravelse i en Norsk Fjældbygd) as published in Ude og Hjemme (Copenhagen) 22/6/1879 (extraneous surrounds removed). 40. James Guthrie, A Funeral Service in the Highlands, 1881-2, Kelvingrove Art Gallery, Glasgow. 129.5 x 193cm. 41. Detail of figure 40 above. 42. Detail of figure 39 above. 43. Detail of figure 40 above. 44. Detail of figure 39 above. 45. Detail of figure 40 above. 46. Detail of figure 39 above. 47. James Guthrie, A Highland Funeral as published in Magazine of Art, May 1883, frontispiece, p. 309. Engraving. 48. Erik Werenskiold, Peasant Burial (En Bondebegravelse), 1883-5, Norwegian National Gallery, Oslo, 102.5 x 150.5cm. 49. Gustave Courbet, Burial at Ornans (Enterrement d’Ornans), 1849-50, Louvre, Paris. 314 x 665cm. 49a. Jules Bastien-Lepage, Les Foins, (The Haymakers), 1877, Musée d’Orsay, Paris. 160 x 195cm. 50. Gustav Wentzel, A Carpenter’s Workshop (Et Snekkerverksted), 1881, Norwegian National Gallery. 53 x 68cm. 51. W Y Macgregor, A Joiner’s Shop, 1881, private collection. 60 x 92cm. 52. George Harvey, A Highland Funeral, 1844. Engraved version. 53. Hugh Cameron, The Funeral of a Little Girl on the Riviera or A Childs Funeral on the Riviera, 1881, Mcmanus Art Gallery, Dundee. 124 x 210cm. 54. Albert Edelfelt, Conveying the Child’s Coffin (Convoi d’un enfant (Golfe de Finlande)), 1879, Ateneum Art Museum, Helsinki. 120 x 204cm. 4 55. Albert Edelfelt, Divine Service in Uusimaa Archipelago (Service Divin au bord de la Mer), 1881, Préfecture du Haut-Rhin, Colmar, ex Musée d’Orsay, Paris. 122 x 178cm. 56. Christian Skredsvig, A Farm at Venoix (Une Ferme à Venoix), 1881, Caen, Musée de Normandie. 200 x 300cm. 57. Christian Skredsvig’s Une Ferme à Venoix in situ at the Paris Salon of 1881. 58. Detail of figure 39 above. 59. Detail of figure 47 above. 60. Detail of figure 48 above. 61. Detail of figure 39 above. 62. Detail of figure 47 above. 63. Detail of figure 48 above. 63a. Constantin Hansen, Interior of the Old Hammer Mill at Heelebæk, 1859, Statens Museum for Kunst, Copenhagen, 60 x 68cm. 64. P. S. Krøyer, The Smithy at Hornbæk, 1875, Hirschsprung Collection, Copenhagen. 91 x 118.7cm. 65. P. S. Krøyer, Three Smiths at Hornbæk, 1876, Grohmann Collection, Milwaukee. 94 x 117cm. 66. James McArdell (ca. 1728-1765) after a painting by Adriaen Brouwer (1605/06-1638), Untitled [A Blacksmith’s Forge], between 1740 and 1765. Mezzotint. Princeton University Library. 67. Joseph Wright of Derby, A Blacksmith’s Shop, 1771, Yale Center for British Art. 128.2 x 104.1cm. 68. Joseph Wright of Derby, A Blacksmith’s Shop, 1771, Derby Museums.128.2 x 104.1cm. 69. Rembrandt van Rijn, The Adoration of the Shepherds, 1646, Alte Pinakothek, Munich. 97 x 71cm. 70. Gerrit van Honthorst, The Dentist, 1622, Gemäldegalerie, Dresden. 147 x 219cm. 71. Diego Velázquez, Las Hilanderas c.1657, Prado, Madrid. 167 x 252cm. 72. P S Krøyer, A Sardine curing and packing Factory in Concarneau, 1879, Statens Museum for Kunst, Copenhagen. 101 x 140cm. 73. Mihály Munkácsy The Lint Makers 1871, Hungarian National Gallery.141 x 196cm. 74. Max Liebermann, Women Plucking Geese, 1872, Staatliche Museen zu Berlin. 118 x 172cm. 5 75. Luca Giordano, Vulcan’s Forge, c.1660, Hermitage, St. Petersburg. 192.5 x 151.5cm. 76. P. S. Krøyer in his studio, 1883. Photograph. 77. P. S. Krøyer, Portrait of the Architect F. Meldahl, 1882, Statens Museum for Kunst, Copenhagen. 195 x 113cm. 78. Léon Bonnat, Portrait of Jules Grévy, 1880, Musée d’Orsay, 152 x 116cm. 79. P S Krøyer, At the Victuallers when there is no fishing, 1882, The Hirschsprung Collection, Copenhagen. 79 x 110cm. 80. Carl Bloch, Fishermen’s families awaiting their return in an approaching storm. From the west coast of Jutland, 1858, Hirschsprung Collection, Copenhagen. 116 x 186cm. 81. P. S. Krøyer, Morning at Hornbæk. The fishermen come ashore, 1875, Hirschsprung Collection, Copenhagen. 102.7 x 161.5cm. 82. P. S. Krøyer, Hornbæk Fishermen catching Herring, 1877, private collection. 100 x 132cm. 83. Michael Ancher, Will he clear the point?, 1879, Amalienborg Palace, Copenhagen. 101 x 142cm. 84. Oscar Björck, The Boat is Launched. Skagen. 1884, Skagens Museum. 192 x 222cm. 85. P. S. Krøyer, Fishermen hauling in their Nets, Skagen North Beach, 1882-83, Skagens Museum. 135 x 190cm. 86. P. S. Krøyer, Skagen men going out fishing at night. Late Summer Evening, 1884, Musée d’Orsay, Paris.160 x 245cm. 87. P. S. Krøyer, Morning at Hornbæk. The fishermen come ashore, 1875, detail of fig. 81. 88. Frederik Vermehren, A Jutland Shepherd on the Heath (1855) detail. Statens Museum for Kunst, Copenhagen. 89. Carl Bloch, Fishermen’s families awaiting their return in an approaching storm.From the west coast of Jutland. (detail),1858,(detail of fig. 80). 90. Michael Ancher, A lay preacher holding a service at Skagen Sønderstrand (detail), 1877, Skagens Museum. Dimensions unknown. 91. Michael Ancher, Will he clear the point? (detail),1879, (detail of fig. 83). 92. Carl Neumann Fishermen hauling a net at Skagen North Beach, 1870. Statens Museum for Kunst, Copenhagen. 130 x 198.5cm. 93. Alexander Harrison, Crépuscule , c.1884, formerly St. Louis Art Museum. Current whereabouts unknown. 94. P. S. Krøyer, Artists’ luncheon at Brøndum’s Hotel, 1883, Skagens Museum. 82 x 61 cm. 95. Pierre-Auguste Renoir,The Luncheon of the Boating Party, 1880-81, Phillips Collection, Washington D. C. 129.9 x 142.7cm. 6 96. P. S. Krøyer, Artists at the Breakfast Table in Grez, 1884, Prins Eugens Waldemarsudde.