Philip-Lorca diCorcia Bibliographie / Bibliography Monographien und Ausstellungskataloge / Monographs and exhibition catalogues 2014 Bussard, Katherine A., ‘Unfamiliar Streets: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca Dicorcia’, Yale University Press, New Haven and London, US and UK. Davies, L., ‘What’s the Story?’, Telegraph Magazine, London, UK. 2013 Di Corcia, Philip Lorca: ‘Hustlers’, Steidldangin, Göttingen, DE Dohn, Katharina: ‘Philip-Lorca diCorcia’, Kerber Verlag, Berline, DE. ‘Philip-Lorca di Corcia’, Schirn Kunsthalle Frankfurt (exh.cat.) ‘The Polaroid Years: Instant Photography and Experimentation’, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York (exh.cat.) 2012 MARTa Herford (hrsg.): ‘Atelier + Küche : Labore der Sinne’, Ostfildern : Hatje Cantz. ‘Man and His Objects. Photographic Collection’. Edition Folkwang, Essen, DE and Steidl, Göttingen, DE ‘Edward Hopper’, Réunion des Musées Nationaux, Paris, FR 2011 Freedman, Dennis (ed.): ‘Philip-Lorca diCorcia: ELEVEN’, Freedman Damiani, Bologna, IT Erf, G / Hirsch, R (eds.): ‘Exploring Color Photography: From Film to Pixels’, Focal Press, Oxford, GB Nemmers, Laura / Pfaff, Tracy / Steuber, Jason (eds.): ‘Samuel P. Harn Museum of Art at Twenty Years’, University Press of Florida, Gainesville, FL ‘The Truth is Not in the Mirror: Photography and a Constructed Identity’, Haggerty Museum of Art, Milwaukee, Wisconsin, USA 2010 Ditner, Judy / Gioni, Massimiliano (eds.): ‘8th Gwangju Biennale: 10,000 Lives’, Gwangju Biennale Foundation, KR Harrison, Colin: ‘American Culture in the 1990s’, Edinburgh University Press, GB Nuez, Iván de la: ‘Atopia: Art and the City in the 21st Century’, Centre de Cultura Contemporània de Barcelona, ES ‘Birmingham Museum of Art: Handbook of the Collection’, Birmingham Museum of Art, Alabama, USA Phillips, Sandra S (ed.): ‘Exposed: Voyeurism, Surveillance, and the Camera since 1870’, Yale University Press, New Haven, Connecticut and San Francisco Museum of Modern Art, USA Golden, Reuel (ed.): ‘New York: Portrait of a City’, Taschen, Cologne, DE Lange, Christiane / Ohlsen, Nils (eds.): ‘Realism - The Adventure of Reality’, Hirmer Verlag, Munich, DE Moore, Kevin: ‘Starburst: Color Photography in America 1970-1980’, Cincinnati Art Museum, Ohio, USA ‘The Whitney Biennial: 2010’, Whitney Museum of American Art, New York, USA 2009 Segade, Manuel (ed.): ‘Familiar Feelings: On the Boston Group’, Centro Galego de Arte Contemporánea, Santiago de Compostela, ES Petrova, Anna (ed.): ‘Festival International de Moscou: La Mode et le style dans la photographie 2009’, 6th International Festival, Moscow, RU Respini, Eva: ‘Into the Sunset: Photography's Image of the American West’, The Museum of Modern Art, New York, USA Muzzarelli, Federica: ‘L'immagine del desiderio: Fotografia di moda tra arte e comunicazione’, Bruno Mondadori, Milan, IT Gefter, Philip: ‘Photography After Frank’, Aperture Foundation, New York, USA ‘Qu’est-ce que la photographie aujourd’hui?’, Beaux-Arts/TTM Éditions, Paris, FR Solana, Guillermo: ‘Tears of Eros/Lágrimas de Eros’, Museo Thyssen-Bornemisza, Madrid, ES 2008 ‘Anywhere, nowhere’, d'art la Panera, Lleida, and Museo de Arte Contemporánea de Vigo, Vigo, ES Heartney, Eleanor: ‘Art & Today’, Phaidon Press, London, GB Erp, Hedy Van / Sikking, Iris (eds.): ‘BABY: Picturing the Ideal Human 1840-Now’, Veenman Publishers, New York, USA ‘BESart: Banco Espírito Santo Collection / The Present: An Infinite Dimension’, Banco Espírito Santo and Museu Colecção Berardo, Lisbon, PR Ruf, Beatrix (ed.): ‘Blasted Allegories: Works from the Ringier Collection’, JRP|Ringier, Zürich, DE Stahel, Urs (ed.): ‘Darkside I: Photographic Desire and Sexuality Photographed’, Steidl, Göttingen, DE and Fotomuseum Winterthur, CH Eskildsen, Ute / Martín, Alberto (eds.): ‘De lo humano. Fotographia Internacional 1950- 2000/On the Human Being’, International Photography 1950-2000’, Turner Libros, Madrid, ES Beatrice, Luca: ‘Join the crowd’, Ronchini Arte Contemporanea, Terni, IT ‘Mexico: Expected/Unexpected’, BnM uitgevers, Druten, and Stedelijk Museum Schiedam, Schiedam, NL Ebner, Florian / Eskildsen, Ute / Kaufmann, Bettina (eds.): ‘Street & Studio: An Urban History of Photography’, Tate Publishing, London, GB ‘Western Motel: Edward Hopper and Contemporary Art’, Kunsthalle Wien, Vienna, AT and Verlag für moderne Kunst Nürnberg, Nuremberg, DE Fried, Michael: ‘Why Photography Matters as Art as Never Before’, Yale University Press, New Haven, Connecticut, USA 2007 ‘Philip-Lorca diCorcia’, Institute of Contemporary Art, Boston and Steidl, Göttingen, DE ‘Philip-Lorca diCorcia: Thousand’, Steidldangin, New York, USA and Göttingen, DE 2006 Grundberg, Andy / Riley, Terence: ‘Modern Photographs: The Machine, the Body and the City - Selections from the Charles Cowles Collection’, Miami Art Museum, USA ‘The Office: In and Out of the Box’, Dorsky Gallery, Long Island City, New York, USA Bussard, Katherine A: ‘So the Story Goes: Photographs by Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, Larry Sultan’, The Art Institute of Chicago and Yale University Press, New Haven, Connecticut, USA ‘Sus ojos les delatan: Colección de Lola Garrido’, Fundación Foto Colectania, Barcelona, ES Barnes, Martin: ‘Twilight: Photography in the Magic Hour’, Victoria & Albert Museum and Merrell Publishers, London, GB Hollein, Max / Ulrich, Matthias (eds.): ‘The Youth of Today’, Verlag der Buchhandlung Walther König, Cologne, DE 2005 Bright, Susan (ed.): ‘Art Photography Now’, Aperture, New York, USA Richardson, Nan (ed.): ‘Conversations with Contemporary Photographers’, Umbrage Editions, New York, USA Ariel Chammah, Ronald / Toubiana, Serge (eds.): ‘Isabelle Huppert: Woman of Many Faces’, Harry N. Abrams, New York, USA 2004 ‘A Storybook Life: Philip-Lorca diCorcia’, Twin Palms Publishers, Santa Fe, NM Hoptman, Laura: ‘54th Carnegie International’, Carnegie Museum of Art, Pittsburgh, USA Blazwick, Iwona / Christov-Bakargiev, Carolyn (eds.): ‘Faces in the Crowd: Picturing Modern Life from Manet to Today’, Skira Editore, Milan, IT Kismaric, Susan / Respini, Eva: ‘Fashioning Fiction in Photography since 1990’, The Museum of Modern Art, New York, USA Cotton, Charlotte: ‘The Photograph as Contemporary Art’, Thames & Hudson, London, GB 2003 George, Adrian (ed.): ‘Art, Lies and Videotape: Exposing Performance’, Tate Publishing, London, GB Dexter, Emma / Weski, Thomas (eds.): ‘Cruel and Tender’, Hatje Cantz Verlag, Ostfildern, DE Ørskou, Gitte / Anderberg, Birgitte: ‘Home Sweet Home’, Aarhus Kunstmuseum, DK ‘Strangers: The First ICP Triennial of Photography and Video’, International Center of Photography, New York, USA and Steidl, Göttingen, DE 2002 Lehmann, Ulrich / Morgan, Jessica: ‘Chic Clicks: Creativity and Commerce in Contemporary Fashion Photography’, Hatje Cantz Verlag, Ostfildern, DE Fox, Dan: ‘The Citigroup Private Bank Photography Prize’, The Photographers' Gallery, London, GB 2001 ‘Philip-Lorca diCorcia: heads’ Steidl Pace/MacGill, Göttingen, DE and New York,USA ‘Rencontres 6: Philip-Lorca diCorcia’, Images Modernes, Paris, F Brougher, Kerry / Ferguson, Russell: ‘Open City: Street Photographs since 1950’, Hatje Cantz Verlag, Ostfildern, DE ‘Settings and Players: Theatrical Ambiguity in American Photography’, White Cube, London, GB 2000 ‘Philip-Lorca diCorcia: Streetwork’, Sprengel Museum, Hannover, DE 1998 diCorcia, Philip-Lorca: ‘Philip-Lorca diCorcia: Streetwork, 1993-1997’, Centro de Fotografía and Ediciones Universidad de Salamanca, Salamanca, ES ‘Face On: Photography as Social Exchange’, Black Dog Publishing, London, GB Varnedoe, Kirk: ‘Modern Contemporary: Art at MoMA Since 1980’, The Museum of Modern Art, New York, USA 1998 Gundlach, F.C (ed.): ‘Emotions & Relations: Nan Goldin, David Armstrong, Mark Morrisroe, Jack Pierson, Philip Lorca diCorcia’, Taschen, Cologne, DE ‘Hungry Ghosts’, Hyde Gallery, Dublin, UK 1997 Neri, Louise / Phillips, Lisa (ed.): ‘1997 Whitney Biennial’, Whitney Museum of American Art, New York, USA Sante, Luc: ‘Making it Real’, Independent Curators International, New York, USA 1995 Galassi, Peter: ‘Philip-Lorca diCorcia’, The Museum of Modern Art, New York, USA Duganne, Erina / Edwards, Holly / Reinhardt, Mark (eds.): ‘Beautiful Suffering: Photography and the Traffic in Pain’, Williams College Museum of Art, Williamstown, Massachusetts and University of Chicago Press, USA Roberts, Rebecca (ed.): ‘MOMA: Highlights Since 1980’, The Museum of Modern Art, New York, USA Hoffer, Andreas / Köpf, Silvia / Oberhollenzer, Günther (eds.): ‘Passion for Art: 35th Anniversary of the Essl Collection’, Edition Sammlung, Vienna, AT 1994 Bruce, Chris: ‘After Art: Rethinking 150 Years of Photography’, University of Washington Press, Seattle, Washington, USA 1993 Tolan, William / Wilner Stack, Trudy: ‘Family Matters: An Exhibition of Works by Sally Mann, Vince Leo, Melissa Shook and Philip Lorca diCorcia’, Arizona State University Press, Tempe, Arizona, USA 1992 ‘Flesh and Blood: Photographers’ Images of their Own Families’, Picture Project, Inc., New York, USA 1991 Galassi, Peter: ‘Pleasures and Terrors of Domestic Comfort’, The Museum of Modern Art, New York, USA 1988 Laster, Paul / Riccardo, Renee (eds.): ‘Acceptable Entertainment’, Independent Curators, International, New York, USA Artikel und Rezensionen / Articles and reviews 2015 Gopnik, Blake: ‘At David Zwirner, Philip-Lorca diCorcia Goes West in Stye’, Artnet News, online, 22 April 2015. Rosenberg, Karen: ‘Philip-Lorca diCorcia on Capturing the Inequality