Presents A Serendipity Point Film CLARA In Theaters and On Demand May 3, 2019 Starring: Patrick J. Adams (“Suits”), Troian Bellisario (“Pretty Little Liars”), Ennis Esmer (“Blindspot”), Kristen Hager (Aliens vs. Predator: Requiem, Wanted) Written & Directed by: Akash Sherman (The Rocket List) RT: 105 Minutes *2018 Toronto International Film Festival* *Narrative Feature Jury Award – 2018 Austin Film Festival* *2019 Canada Now* Facebook | Twitter | Instagram Publicity Contacts Falco Ink. | 212-445-7100 Dominique McDonald, [email protected] Adrianna Valentin, [email protected] Director's Statement Over three years ago, I set out to write a story about space - that large, shapeless forever that hangs above and around us. I always stare up a little too long on a clear night, thinking about which stars might have other worlds with life. That cosmic pondering always sparks the same, unbelievable thought for me... "we exist". Just the mere thought of it is pretty crazy, right? Pinch yourself, it's real. And then suddenly, just like that, my existence was shaken. I lost someone very close to me, without warning. Someone who if they hadn't existed - I wouldn't have either. I felt a gaping void that truly felt larger than outer space, and upon pinching myself, I knew it was very real. The story I originally set out to write evolved into something much more. Although the wonder of the cosmos, my love for science, and the discovery of life elsewhere are still very much intact in the film, at its core this film is about love and loss. Death and life. Connection. Those to me are universal concepts that we aren't nearly done exploring. CLARA isn't about the search for life, it is about two lost people who find each other while searching for it. - Akash Sherman SYNOPSIS CLARA tells the story of Isaac Bruno (Patrick J. Adams), an astronomer consumed by the search for life beyond Earth. Convinced that the universe is a dark and lonely place, Isaac meets Clara (Troian Bellisario), an artist who shares his fascination for the wonders of space. Their unlikely collaboration leads to a deep connection, and a profound astronomical discovery. The real-life NASA proJects and tools that are featured in the film and how relevant they are in the real world One of CLARA’s most notable features is the way filmmaker Akash Sherman has infused the story with relevant, newsworthy, and accurate depictions of astronomy and the real-life efforts currently being made to find evidence of life beyond our solar system. In the real world, we have entered a new era of planet hunting with NASA's recently launched mission the TESS telescope, and NASA’s upcoming launch of the James Webb Space Telescope (JWST). It is theorized by experts that these two instruments will become the primary tools used in solving the ultimate mystery and answering one of humanity’s most fundamental questions: Are we alone? Does life exist elsewhere in the universe? Those who are familiar with the capabilities of TESS and JWST have posited that we will know the answer to these questions within the next decade. The TESS telescope launched on April 18, 2018 as a survey mission to gather light data from hundreds of thousands of nearby stars, for the purpose of identifying systems which contain potentially habitable planets. The TESS is prominently featured throughout the film as the main characters, Isaac (Patrick J. Adams) and Clara (Troian Bellisario), utilize the data it provides to find habitable planet candidates. The $10 billion James Webb Space Telescope is set to launch in the Spring of 2021, and will become the most powerful instrument ever used in the search for interstellar life. The JWST will follow up on TESS's new planetary discoveries, and will use its high-powered instruments to examine fine details of these planets such as their atmospheres and temperature. The JWST will study potentially habitable planets for things like bio-signature gasses which could only be produced by the presence of life. The film CLARA covers all of this, and more, making it stand apart as not so much a film about “science- fiction”, but rather one about the inevitable “science-reality”. When the JWST launches, it is entirely possible that real-life will imitate art in this case, and CLARA may be viewed, by some, as quite prophetic. The secret construct to making CLARA: Q&A with Writer/Director, Akash Sherman Q: In your own words, what is the film, CLARA, about? AS: The film is about connection. That’s the one word I went off of in creating this story - the connection between people, ones we love, ones we lost. The connection between atoms, and how everything came to be. And our connection to what might be beyond us. CLARA is a very human story about two people and the search for life, and it’s framed in a very cosmic way. Q: Can you tell us how the idea of the script came to you? AS: The idea for the film came to me while I was bored in an art history lecture. I just wanted to create something then and there. So, I left the lecture, went for a walk, listened to music, and started thinking about space - because, hey, sometimes I like to think about space. What else is out there? Thinking that big got me thinking small, about us - people. I went to my dorm, wrote for 7 hours straight, and came out with a rough concept for a film rooted by love, loss, life, death, space and discovery. Q: Why did you want to tell this story? AS: I initially wanted to tell this story purely because of my unshakeable fascination with space and our scientific pursuit for life beyond Earth. However, as I was writing the script I lost someone very close to me - my grandfather who was a huge presence in my life. I was so wrapped up in the idea of life being somewhere else, I decided to also focus on how precious life is here. My journey with loss has deepened the story in such a personal way that I have dedicated the film to my grandfather’s memory. Q: What was your knowledge on astronomy prior to starting to work on this film? To what extent, personally, did you do research to verify the authenticity? AS: My knowledge of astronomy at the beginning of this project was embarrassingly basic. I’ve always loved space, but it’s been more of an unshakeable fascination for me rather than a field of study. My first priority was the story. After we had the story, it was about specificity. So, we hit the books! I began a large phase of research with co-story writer, James Ewasiuk, and became more familiar with the field of astronomy and where the world is at right now with the search for habitable planets. We were excited by the upcoming TESS and James Webb Space Telescopes. Total game-changers. We took the accuracy as far as we personally could, and once I finished the first draft, we had several science advisors help take it further. We weren’t actually too far off overall, but the experts really helped make everything more specific, and even plausible. Q: Let’s discuss the script development. How long did it take to complete; what was the process? AS: After Serendipity Point Films picked up the story, it took me about two months to complete the first draft during development. I’m a night owl, so many long nights writing and re-writing, pacing in my underwear, and listening to music. One of the most crucial parts of my process is bouncing ideas off of close creative friends, it helps conquer any creative blocks. After sharing it with our producer, Ari Lantos, we felt we were heading in a really good direction - we were even ready to go to cast and distributors with it. It was all happening so fast at that point, you can imagine how excited I was! And later the script would evolve so much more after including Patrick J. Adams and Troian Bellisario in the creative conversations. Q: Did you have any creative inspirations when writing CLARA? AS: I had quite a few creative inspirations at the time of writing CLARA. Movies like Interstellar got me thinking about space again - it encouraged me to look up! And then there’s films like The Imitation Game and Good Will Hunting about exceptional, broken individuals with very human struggles, and the potential to make breakthroughs. Watching films like those and listening to their soundtracks gave me a cocktail of inspiration comprised of scientific discovery and a deeper exploration into being human. Q: Were you ever concerned some of the scientific dialogue would be too challenging for general audiences to follow? AS: There is quite a bit of scientific dialog in the film, but it was never a concern of mine that it would be too challenging for audiences to follow. What’s most important is that the audience trusts that the character’s voice is real - if they’re an expert they should talk like experts. Audiences can still follow complex topics based on how characters react and their body language. We all speak body language. I am confident viewers will grasp a surface level knowledge of the topics discussed in the film. Q: Tell us how you met producer, Ari Lantos; and the process of getting the script greenlit to go to camera? AS: I met Ari, our producer, in 2013 at the Banff World Media Festival.