Curriculum Vitae

Curriculum Vitae

Curriculum vitae Scott D. Carpenter Department of French & Francophone Studies 602 Prairie St. Carleton College Northfield, MN 55057 Northfield, MN 55057 (507) 645-8501 (507) 222-4235 CURRENT POSITION Marjorie Crabb Garbish Professor of French and the Liberal Arts, Department of French and Francophone Studies, Carleton College; Director of the Center for Global and Regional Studies; Director of Cross-Cultural Studies; frequent director of Carleton’s Paris term abroad. EDUCATION University of Wisconsin-Madison: Ph.D., French, 1987. Areas of concentration: eighteenth- and nineteenth-century literature. Dissertation: “Discourses of Madness; A Study of Selected Texts in the Nineteenth Century.” Minor: Related Fields (English, History of Science). University of Minnesota: B.A. (1980) Majors: French, English, Latin Classics. M.A. (1983), French; Minor: Related Fields (German, History, Comparative Literature). Study Abroad: L’Université de Pau et des pays de l’Adour, Pau, France, 1983-84. Rheinische Friedrich-Wilhelms-Universität, Bonn, Germany: Sommerkurs, 1983. Lancaster University, Lancaster, England, 1978-79. AWARDS AND GRANTS • Minnesota State Arts Board Grant for work on fiction projects. • Co-author of institutional grant application to the Mellon Foundation for Global Engagement implementation (funded in the sum of $800,000), 2013. • Carleton College “Targeted Opportunities” grant for writing project (awarded in 2010 for Winter 2012). • Co-author of institutional grant application (funded) to the Mellon Foundation for Global Engagement ($53,000), 2010. • Associated Colleges of the Midwest FaCE Project grant, 2007. • Carleton College “Targeted Opportunities” grant (Mellon, Smith and Wallin faculty development funds) for European Studies Project (awarded in 2003 for 2004). • Carleton College European Studies (UISFL Grant), for language study in German, summer 2003. • Carleton College “Targeted Opportunities” grant for supplemental leave, 2000-2001. Carpenter c.v., page 1 • Mellon Foundation Grant for use of technology in the teaching of language (administered by the Mellon Language/Technology Committee, Carleton and Macalester Colleges), winter 1997. • Mellon Foundation Grant for curricular use of new technologies (administered by Academic Computing and Networking Services) Carleton College (fall 1995) • Curricular Research and Development grant (with the Department of Romance Langs. and Lits.) Carleton College (summer 1994) • Curricular Research and Development grant (with the Department of Romance Langs. and Lits.) Carleton College (summer 1993) • Joyce and Knight Foundation Faculty Development Grant, Carleton College (1992) • Joyce and Knight Foundation Faculty Development Grant, Carleton College (1991) • American Council of Learned Societies Fellowship, (1990) • Summer Research Grant, Carleton College (1990) • Faculty Development Grant, Trinity University (1988) • Graduate School Computer Research Grant (Madison, 1987) • Knapp Dissertation Fellowship (Madison, 1986-87) • Vilas Travel Fellowship (Madison, 1986) PUBLICATIONS Creative Writing: Books: Theory of Remainders: A Novel, Winter Goose Publishing (2013). This Jealous Earth: Stories, MG Press (2013). Paris: Some Assembly Required (submitted) Mister Bovary: A Novel (in progress) Stories, Creative Essays: “Full-scale and Faithful” (submitted) “The Acute and the Grave,” Lowestoft Chronicle, Sept. 2017. “La Modification,” JMWW, Aug. 15, 2017, August, 2017. “A Meer-Kin in Paris,” The Rumpus, February 21 2017. “Leviathan,” South Dakota Review (Vol. 51: September 2015). “Deaf in Venice,” Silk Road, July, 2015. “Danish as She is Spoke” Lowestoft Annual Anthology, June, 2015. “Danish as She is Spoke” Lowestoft Chronicle, December 2014. “The Plimsoll Line,” Gravel (November 2014) “Out of Office” Defenestration, Nov. 12, 2014. Carpenter c.v., page 2 “Sincerely Yours” (reprint) in Carleton Voice (Spring, 2013). “The Bait,” in Grey Sparrow Journal (Winter, 2013). “Riddles,” in the anthology Best Indie Lit New England (2010-12), Black Key Press, 2013. “Thrift,” in Chamber Four (October 2012, issue 3). “Donny, Donny,” in Midwestern Gothic (October 2012, issue 7; special “Nostalgia” issue). “The Spirit of the Dog,” in The MacGuffin (Spring/Summer issue, 2012. “The Painting Boy,” in The Atticus Review (March 20, 2012) “The Birthday List,” (reprint) in Eunoia Review (February, 2012). “The Birthday List,” (reprint) in Carleton Voice (February, 2012) “The Parasite,” in Subtle Fiction (January 16, 2012). “Thursday,” in Subtle Fiction (January 16, 2012). “Inheritance,” in Midwestern Gothic (Issue 4, Winter, 2012). “Riddles,” in Anomalous, Issue 4 (Dec. 15, 2011). “The Phrasebook,” in Red Ochre Press (Dec., 2011). “The Visit,” in Spilling Ink, Issue 7 (Dec., 2011). “Future Perfect,” in Short Fiction Collective (Nov. 7, 2011). “Foundering,” in Prime Number, Issue 13.2 (October, 2011). “Ke C Bo,” Amis de George Sand (September, 2011). “The Birthday List,” in Every Writer Resource Short Stories (Sept. 20, 2011). “Donny,” in Ducts, Issue 24 (Winter 2010). “Sincerely Yours,” in Ducts, Issue 20 (Winter 2008). “General Relativity,” published as an audiocast at Lit-Cast (www.lit-cast.com, also available as a free download in iTunes), November, 2007. Scholarly Work: Books: Integrating Worlds: Liberal Arts and Study Abroad (in press with Stylus Publishing). The Aesthetics of Fraudulence in Nineteenth-Century France: Frauds, Hoaxes, and Counterfeits. Farnham, Surrey: Ashgate Publications, 2009. Reading Lessons: An Introduction to Theory. Upper Saddle River, NJ: Prentice Hall, 2000. Carpenter c.v., page 3 Acts of Fiction: Resistance and Resolution from Sade to Baudelaire. University Park: The Pennsylvania State University Press, 1996. Vagabondages littéraires (co-editor with the members of the French Section at Carleton) New York: McGraw-Hill, 1996. Articles, Essays, Entries: “Prose Poems & Allegory,” in Approaches to Teaching Baudelaire’s Prose Poems, ed. Cheryl Krueger, The Modern Language Association of America, 2017. With Andrea Lanoux, “On the Power and Limits of Faculty-led Internationalization” in IEENetworker (publication of the Institute of International Education), Spring 2016, 28-9. Articles “Fiction” and “Humor” in Travel Writing: 100 Keywords, Anthem Press, forthcoming. With Louis Newman, Nathan Grawe, Susan Jaret-McKinstry, “Creating a Culture Conducive to Integrative Learning,” in Peer Review, a publication of the AAC&U, Fall 2014/Winter 2015, 14-15. “Entendre, s’entendre dans Le Spleen de Paris,” in the volume agrégatif prepared by the Presses Universitaires de Rennes, 2014. “Mystification et esthétique littéraire” in Romantisme. Summer, 2012. “Le degré zéro de la parole mériméenne” in Cahiers Mérimée, 2012, 4. “Vampirisme et production littéraire : se nourrir du sang des autres,” in Écritures XIX 6: Prosper Mérimée, Antonia Fonyi, ed. (Caen: Lettres Modernes Mindard, 2010), 23-32. “Prosper Mérimée’s Short Stories,” The Literary Encyclopedia (http://www.litencyc.com/) 2010. “Les Petits poëmes en prose, Charles Baudelaire,” The Literary Encyclopedia (http://www.litencyc.com/) 2008. “La Généalogie du faux : vers « La fausse monnaie » in Mélire : Lecture et Mystification, Nathalie Preiss, ed. (Paris: Editions L’improviste, 2006.) “Entre rue et boulevard : Les chemins de l’allégorie chez Baudelaire,” in Romantisme, 136, December 2006, 55-65. (with the Group Moo), “Et La Marquise resta pensive : Illusion et idéalisme dans La Marquise et Sarrasine,” French Review, 79, 4 (March 2006), 749-59. “Diversions in Reading: Aesthetics and Mérimées’s ‘La chambre bleue,’ in Short Story Criticism, Vol. 77, Gale Publishing, 2004; reprinted from French Forum, 14, 3 (Sept. 1989), 303-10. “Charles Baudelaire,” Johns Hopkins Guide to Literary Criticism, 2nd. Edition (Johns Hopkins University Press, 2004). Carpenter c.v., page 4 “La Logique de la digression,” in Maldoror hier et aujourd’hui : du romantisme à la modernité, Cahiers Lautréamont (Paris: Du Lérot: 2003). “Supercherie et violence: Mérimée, ou le texte piégé,” in Romantisme (2002, vol. 116), pp. 49-57. “L’Education sentimentale of 1845,” in A Gustave Flaubert Encyclopedia, Laurence Porter, ed. (Westport, Connecticut: Greenwood Press, 2001). “Maxime du Camp,” in A Gustave Flaubert Encyclopedia, Laurence Porter, ed. (Westport, Connecticut: Greenwood Press, 2001). “Achille Flaubert,” in A Gustave Flaubert Encyclopedia, Laurence Porter, ed. (Westport, Connecticut: Greenwood Press, 2001). “Achille-Cléophas Flaubert,” in A Gustave Flaubert Encyclopedia, Laurence Porter, ed. (Westport, Connecticut: Greenwood Press, 2001). “Caroline Hamard,” in A Gustave Flaubert Encyclopedia, Laurence Porter, ed. (Westport, Connecticut: Greenwood Press, 2001). “Les Faux Démétrius: Les ratés de l’histoire,” in Prosper Mérimée : Écrivain, Archéologue, Historien, Antonia Fonyi, ed. (Genève: Droz, 1999), pp. 63-74. “Of False Napoleons and Other Political Prostheses: Writing Oppositionally from the Second Empire” Nineteenth Century French Studies, Vol. 25, No. 3-4 (Spring-Summer, 1997), 302-319. “Effigies et contrefaçons nationales: Pauvre Belgique! de Baudelaire,” in L’Oeuvre d’identité: Essais sur le romantisme de Nodier à Baudelaire (Montreal: Paragraphes, 1996), pp. 75-86. “Prosper Mérimée.” Dictionary of Literary Biography, vol. 119: Nineteenth-century French Fiction writers: Romanticism and Realism, 1800-1860. Detroit and London: Bruccoli Clark Layman, 1992, pp. 193-205. “Sade and the Problem of Closure: Keeping Philosophy in the Bedroom,” Neophilologus, 75 (1991)

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