Martha Bayles Curriculum Vitae February 2018 331

Martha Bayles Curriculum Vitae February 2018 331

1 MARTHA BAYLES CURRICULUM VITAE FEBRUARY 2018 331 Kenrick St. Boston College Newton, MA 02458 140 Commonwealth Ave. 857-231-6277 Chestnut Hill, MA 02467 [email protected] 617-552-3141 EDUCATION * Ed.M., Graduate School of Education, University of Pennsylvania. * B.A., Harvard University; art history, cum laude. EMPLOYMENT * Senior Lecturer in Humanities, Boston College (2003-present). * Consultant and Editor, Legatum Institute, London (2011-2012). * Lecturer, Claremont McKenna College (1997-2003). * Visiting Faculty, Colorado College (spring 2002). * Arts correspondent, Religion & Ethics News Weekly, PBS (1997-2000). * Literary Editor, Wilson Quarterly (1995-1997). * Scriptwriter and producer, New River Media (1993-1997). * Television and arts critic, Wall Street Journal (1982-1990). FELLOWSHIPS, GRANTS, AWARDS * Smith Richardson Foundation Grant, project on global media freedom (2013-present). * National Endowment for the Humanities Grant, course development grant (2015-2017). * Earhart Foundation Grant, research for Through a Screen Darkly (2010). * Smith Richardson Foundation Grant, research for Through a Screen Darkly (2006-2008). * Fulbright Senior Specialist Grant, lectureship in Poland (May 2006). * Visiting Scholar, Getty Research Institute (1998) * George C. S. Benson Fellowship, Gould Center, Claremont McKenna College (1997, 2001). * Smith Richardson Foundation Grant, research for Hole in Our Soul (1985-1987). SELECTED PUBLICATIONS Books * Through a Screen Darkly: Popular Culture, Public Diplomacy, and America’s Image Abroad (Yale University Press, 2014). * Ain't That a Shame? Censorship and the Culture of Transgression (Institute of United States Studies, University of London, 1996). * Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music (Free Press, 1994; paperback, University of Chicago Press, 1996). 2 Columns and Blogs * Monthly column on global media culture, American Interest (2016-present). * “Shadow Play,” film and television column, Claremont Review of Books (2006-present). * “Hearts and Minds,” culture and foreign affairs blog, World Affairs (2010-2011). * “Serious Popcorn,” film blog, ArtsJournal.com (2004-2011). * "Television," weekly television column, Wall Street Journal (1983-1990). * "The Talkies," monthly film column, American Spectator (1982-1984). * "Nonfiction in Brief," book review column, New York Times Book Review (1981-1983). Book Chapters * “Popular Culture,” in Understanding America, edited by Peter H. Schuck and James Q. Wilson (Public Affairs, 2008). * “Exporting the Wrong Picture,” in International Relations (Longman, 2006) [originally published in Washington Post (August 28, 2005)]. * “None So Deaf: Toward a New Pedagogy of Popular Music,” in Bridging the Gap: Popular Music and Music Education, edited by Carlos Rodriquez (National Association for Music Education, 2004). * “We Are All Sopranos,” in Annual Editions: Race and Ethnic Relations (McGraw Hill, 2004) [originally published in Chronicle of Higher Education (6 December, 2002)]. * “Miles Davis and the Double Audience,” Essays on Miles Davis, edited by Gerald Early (Missouri Historical Society, 2001). * "Popular Culture," entry in The Oxford Companion to United States History (Oxford University Press, 2001). Selected Op-Eds, Essays, and Articles * “Good for the Media, Bad for America,” American Interest (July 6, 2016). * “America's Voice Must Be Heard,” with Jeffrey Gedmin, Politico Magazine (November 16, 2015). * “How the World Perceives the New American Dream,” Atlantic (October 10, 2015). * “Putin’s Propaganda Highlights Need for Public Diplomacy,” Boston Globe (July 28, 2014). * “CIA Should Pledge Ban on Recruiting Journalists” (with Jeffrey Gedmin), Boston Globe (January 4, 2015). * “Kick the Chicken, Kowtow to the Monkey (with Jeffrey Gedmin), American Interest (December 26, 2014). * “The Decline of America’s Image Abroad,” Aus Politik und Zeitgesichte (December 8, 2014). * “Putin Propaganda Highlights Need for Public Diplomacy,” Boston Globe (July 28, 2014). * “The Struggle for Hearts and Minds: America’s Culture War and the Decline of US Public Diplomacy,” Hedgehog Review (Spring 2014). * “America’s Misguided Gender Missionaries,” American Interest (February-March 2014). * “‘The Wolf of Wall Street’: Martin Scorsese’s Cynical Global Ploy,” Boston Globe (January 27, 2014). * "Subdued by the Tube," Boston Globe (January 20, 2013). * “The Marketing of a Global Blockbuster,” Boston Globe (January 2, 2010). * “Both a Dream and a Nightmare,” Wall Street Journal (August 14, 2009). * “The Struggle for Hearts and Minds: America's Culture War and the Decline of US Public Diplomacy,” Hedgehog Review (Spring 2014) 3 * "Subdued by the Tube," Boston Globe (January 20, 2013). * “The Marketing of a Global Blockbuster,” Boston Globe (January 2, 2010). * “Paint By Numbers: New Deal art and the problems of public patronage,” Weekly Standard (November 16, 2009). * “Both a Dream and a Nightmare,” Wall Street Journal (August 14, 2009). * “When the Revolution Isn’t Broadcast,” Boston Globe (June 28, 2009) [reprinted in International Herald Tribune]. * “The Legacy of Michael Jackson,” Radio Free Europe/Radio Liberty website (June 27, 2009). * “The Return of Cultural Diplomacy,” Newsweek “Special Edition: Issues 2009" (December 2008- February 2009). * “The Art of Global Public Relations,” Wall Street Journal (July 24, 2008). * “Strangers in a Foreign Land,” Wall Street Journal (August 1, 2008). * “Risky Business for Hollywood,” Boston Globe (May 6, 2008) [reprinted in International Herald Tribune]. * “Public Diplomacy, TV-Style,” Wall Street Journal (February 16, 2007). * “Innocents Abroad,” Wall Street Journal (May 5, 2006). * “Now Showing: The Good, the Bad and the Ugly Americans,” Washington Post Outlook (August 28, 2005). * “Goodwill Hunting,” Wilson Quarterly (Summer 2005). * “Some of Rap’s Fathers Start Taking Responsibility,” Wall Street Journal (July 6, 2005). * “Attacks on Rap Now Come from Within,” Wall Street Journal (April 28, 2005). * “The Strange Career of Folk Music,” Michigan Quarterly Review (Spring 2005). * “Cultural Aftershocks: Closing the Curtain on ‘Perverse Modernism’,” Chronicle of Higher Education (October 26, 2001). SELECTED RECENT LECTURES * George C. Marshall European Center for Security Studies; Garmisch-Partenkirchen, Germany; February 20-21, 2018. * Keynote Address, Salzburg Global Seminar organized around Through a Screen Darkly; Salzburg, Austria; September 23-28, 2016. * Presentation on US response to Russian, ISIS, and Chinese media offensives, National Endowment for Democracy Board of Directors meeting, Washington, DC; September 9, 2016. * Keynote Address, Technische Universität, Dortmund, Germany; November 6, 2015. * North American Studies and Cultural Studies, Universität Bonn, Germany; November 4, 2015. * Marian Miner Cook Athenaeum, Claremont Colleges; October 12, 2015. * James Madison Program in American Ideals and Institutions, Princeton University; May 18-19, 2015. * Center for the Study of Democracy, Kenyon College; April 2, 2015. * Center for the History of Liberty, University of Oklahoma; March 26-27, 2015. * Hillsdale College, conference in Naples, FL; February 18-19, 2015. * Ashbrook Center, Ashland University; October 24, 2014. * Speaking Tour of Germany sponsored by US Embassy Berlin; September 28-October 3, 2014. * Hudson Institute, Washington, DC; May 9, 2014. * American Foreign Service Association, Washington, DC; May 5, 2014. * Belfer Center for Science and International Affairs, John F. Kennedy School of Government, Harvard University; April 8, 2014. 4 * Institute for Advanced Studies in Culture, University of Virginia; March 5, 2014. * Institute for Liberal Arts, Boston College; February 20, 2014. * Political Science Department, Boston College; January 29, 2014. * Bradley Lecture, American Enterprise Institute, Washington, DC; March 18, 2013. * James Madison Program, Princeton University; April 28-29, 2010. * International School for the Humanities in Europe, University of Warsaw, Kolegium Artes Liberales; May 29, 2009. * US Institute of International Education and Higher Colleges of Technology, Abu Dhabi; New York, NY; October 20-21, 2008. * Humanity in Action American Core Fellowship Program; New York, NY; July 15, 2008. * Public Diplomacy Council summit; George Washington University; April 25, 2008. * Panel on Understanding America, edited by Peter Schuck and James Q. Wilson; American Enterprise Institute; Washington, DC; April 22, 2008. * Young Arab Leaders Forum, sponsored by Business for Diplomatic Action and the Global Action Forum; New York, NY; March 13-15, 2008. * Chilton Club, Boston, MA; February 7, 2008. * Cosmos Club, Washington, DC; November 20, 2007. * Institute on Culture, Religion, and World Affairs, Boston University; October 31, 2007. * Council for Women at Boston College; October 18, 2007. * Conference on United States International Broadcasting, McCormick Tribune Foundation and Hudson Institute Center for Future Security Strategies, Wheaton, Illinois; April 25-27, 2007. * Film in Trade Roundtable, Washington, DC; May 7, 2007. * Vision 2047 Foundation, Hong Kong Club; April 20, 2007. * Hong Kong Forum, Foreign Correspondents’ Club; April 20, 2007. * Department of Politics and Public Administration, University of Hong Kong; April 19, 2007. * Beijing International Studies University; April 17, 2007. * Beijing Foreign Studies University, Beijing, PRC; April 16, 2007. * Shanghai Foreign Studies University; April 12, 2007. * Fudan University, Shanghai;

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    5 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us