HA3C4: East Meets West: the Visual Arts in Colonial and Post Colonial India | University of Warwick

HA3C4: East Meets West: the Visual Arts in Colonial and Post Colonial India | University of Warwick

09/30/21 HA3C4: East meets West: The Visual Arts in Colonial and Post Colonial India | University of Warwick HA3C4: East meets West: The Visual Arts View Online in Colonial and Post Colonial India (2016/17) Alavi, S. (2002) The eighteenth century in India. New Delhi: Oxford University Press. Alcalá, L. E. and Philadelphia Museum of Art (2013) Journeys to new worlds: Spanish and Portuguese colonial art in the Roberta and Richard Huber collection. Edited by S. L. Stratton-Pruitt and M. A. Castro. Philadephia, Pennsylvania: Philadelphia Museum of Art. Allen, B. (no date) ‘“The indian Mutiny and British Painting”’, Apollo, 132, pp. 152–158. De Almeida, H. and Gilpin, G. H. (2005a) Indian Renaissance: British romantic art and the prospect of India. Aldershot, England: Ashgate. De Almeida, H. and Gilpin, G. H. (2005b) Indian Renaissance: British romantic art and the prospect of India. Aldershot, England: Ashgate. 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(2010a) The alternate nation of Abanindranath Tagore. New Delhi: SAGE. Banerji, D. (2010b) The alternate nation of Abanindranath Tagore. Delhi: SAGE. Available at: http://0-sk.sagepub.com.pugwash.lib.warwick.ac.uk/books/the-alternate-nation-of-abanindr anath-tagore. Barringer, T. J., Quilley, G. and Fordham, D. (2007) Art and the British Empire. Manchester, UK: Manchester University Press. BBC Radio 4 - In Our Time, The Indian Mutiny (no date). Available at: http://www.bbc.co.uk/programmes/b00qprnj. Bean, S. S., Bhabha, H. K. and Peabody Essex Museum (2013) Midnight to the boom: painting in India after independence : from the Peabody Essex Museum’s Herwitz Collection. New York, New York: Peabody Essex Museum in association with Thames & Hudson. ‘"Beyond the Self: Pushpamala N”’ (14AD). Available at: https://www.youtube.com/watch?v=sNvAqktHl_I. Bhupen khakhar: you can’t please all (2016). [Place of publication not identified]: Univ Of Washington Press. Bose, B. and Bhattacharyya, S. (2006) The phobic and the erotic: the politics of sexualities in contemporary India. London: Seagull. Bridge, G. and Watson, S. (2010) The Blackwell city reader. 2nd ed. Chichester, West Sussex, U.K.: Wiley-Blackwell. Brook, D. (2013) A history of future cities. First Edition. New York: W. W. Norton & Company. Brosius, C. and Wenzlhuemer, R. (no date) Transcultural turbulences: towards a multi-sited reading of image flows. Berlin: Springer. Available at: http://0-link.springer.com.pugwash.lib.warwick.ac.uk/10.1007/978-3-642-18393-5. Brown, R. M. (2009a) Art for a modern India, 1947-1980. Durham: Duke University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2488242. Brown, R. M. (2009b) Art for a modern India, 1947-1980. Durham: Duke University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2488242. 2/18 09/30/21 HA3C4: East meets West: The Visual Arts in Colonial and Post Colonial India | University of Warwick Brown, R. M. and Hutton, D. S. (2006) Asian art. Malden, MA: Blackwell Pub. Available at: http://catdir.loc.gov/catdir/toc/ecip067/2006001997.html. Burnage, S. (2010) ‘Commemorating Cornwallis: Sculpture in India 1792–1813’, Visual Culture in Britain, 11(2), pp. 173–194. doi: 10.1080/14714781003784249. Byrd, A. I. et al. (2013) Art cities of the future: 21st century avant-gardes. London: Phaidon Press Limited. Carol A. Breckenridge (1989) ‘The Aesthetics and Politics of Colonial Collecting: India at World Fairs’, Comparative Studies in Society and History, 31(2), pp. 195–216. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/178806?seq=1#page_scan_tab_c ontents. Catṭọpādhyāẏa, P. and Centre for Studies in Social Sciences (1995) Texts of power: emerging disciplines in colonial Bengal. Minneapolis, Minn: University of Minnesota Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2908112. Chambers, I. et al. (eds) (2014) The postcolonial museum: the arts of memory and the pressures of history. Farnham, Surrey, England: Ashgate. Available at: https://contentstore.cla.co.uk/secure/link?id=e1cdf9b4-a243-e611-80bd-0cc47a6bddeb. Chatterjee, A. (1998a) Representations of India, 1740-1840: the creation of India in the colonial imagination. Basingstoke: Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2592924. Chatterjee, A. (1998b) Representations of India, 1740-1840: the creation of India in the colonial imagination. Basingstoke: Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2592924. Chattopadhyay, S. (2000) ‘Blurring Boundaries: The Limits of “White Town” in Colonial Calcutta’, Journal of the Society of Architectural Historians, 59(2), pp. 154–179. doi: 10.2307/991588. Chattopadhyay, S. (2005) Representing Calcutta: modernity, nationalism, and the colonial uncanny. London: Routledge. 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(no date) Contemporary art in Asia: a critical reader. Cambridge, Mass: MIT Press. Ciotti, M. (2012) ‘Post-colonial Renaissance: “Indianness”, contemporary art and the market in the age of neoliberal capital’, Third World Quarterly, 33(4), pp. 637–655. doi: 10.1080/01436597.2012.657422. Clare Anderson (2009) ‘Oscar Mallitte’s Andaman Photographs, 1857-8’, History Workshop Journal, (67), pp. 152–172. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/40646217?seq=1#page_scan_tab _contents. Codell, J. F. (2012a) Power and resistance: the Delhi coronation durbars, 1877, 1903, 1911. [New Delhi?]: The Alkazi Collection of Photography in association with Mapin Publishing. Codell, J. F. (2012b) Power and resistance: the Delhi coronation durbars, 1877, 1903, 1911. [New Delhi?]: The Alkazi Collection of Photography in association with Mapin Publishing. Codell, J. F. (2012c) Transculturation in British art, 1770-1930. Farnham, Surrey, England: Ashgate. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3225295. Cohn, B. S. (1996a) Colonialism and its forms of knowledge: the British in India. Princeton, N.J.: Princeton University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756425. Cohn, B. S. (1996b) Colonialism and its forms of knowledge: the British in India. Princeton, N.J.: Princeton University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756425. Corbridge, S., Harriss, J. and Jeffrey, C. (2013) India today: economy, politics and society. Cambridge, UK: Polity Press. Coutu, J. M. (2006) Persuasion and propaganda: monuments and the eighteenth-century British Empire. Montreal: McGill-Queen’s University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=286708&entityid=https://idp.warwick.a c.uk/idp/shibboleth. Crowley, J. E. (2011) Imperial landscapes: Britain’s global visual culture, 1745-1820. 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