DOCSLIB.ORG

Using Reality Television As a Tooi for Popular Education by Bonnie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Using Reality Television As a Tooi for Popular Education by Bonnie Emotionai Awareness: Using Reality Television as a Tooi for Popular Education by Bonnie Maureen Bamett A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts Department of Integrated Studies in Education Culture and Values in Education Mc Gill University Montreal, Canada August 2005 © Bonnie Maureen Bamett 2005 Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 978-0-494-24847-8 Our file Notre référence ISBN: 978-0-494-24847-8 NOTICE: AVIS: The author has granted a non­ L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell th es es le monde, à des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation. reproduced without the author's permission. ln compliance with the Canadian Conformément à la loi canadienne Privacy Act some supporting sur la protection de la vie privée, forms may have been removed quelques formulaires secondaires from this thesis. ont été enlevés de cette thèse. While these forms may be included Bien que ces formulaires in the document page count, aient inclus dans la pagination, their removal does not represent il n'y aura aucun contenu manquant. any loss of content from the thesis. ••• Canada ABSTRACT Despite being dismissed as low brow, nonsensical and a cheap form of entertainment, the present cultural phenomenon of reality television reveals a shared space where people are exposing more personalized, emotional aspects of themselves than typically seen in other genres of television programming or areas of contemporary public life. This recent trend of reality TV is both heightening and challenging many of the long-standing ethical debates over the boundaries between public and private, individual and collective as well as rational and emotional experience and needs to be considered within a pedagogical context. This study will explore reality television's position as a means of popular education, while attending to a broader social context of changing media and corresponding cultural shifts. A McLuhanesque study, this thesis will investigate what socio-cultural changes are occurring in our media environment as a result of our experiences within new media technologies. RÉSUMÉ Malgré son indifférence comme une fonne de divertissement vulgaire, peu intellectuel et absurde, le phénomène culturel actuel de la télévision réalité indique un espace partagé où les gens exposent des aspects plus personnalisés et émotifs d'eux­ mêmes que typiquement vus dans d'autres genres d'émissions télévisées ou secteurs de la vie publique contemporaine. Cette tendance récente de la télévision réalité intensifie et ranime plusieurs des débats moraux de longue date concernant les frontières entre les domaines public et privé, individuel et collectif aussi bien que de l'expérience rationnelle et émotive. Elle doit être considérée dans un contexte pédagogique. Cette thèse explorera la position de la télévision réalité en tant que moyen d'éducation populaire, tout en examinant un plus large contexte social des médias changeants et des décalages culturels correspondants. Cette étude McLuhanesque quels changements socioculturels se produisent dans notre environnement médiatique en raison de nos expériences avec ces nouvelles technologies des médias. ACKNOWLEDGEMENTS 1 would like to thank my mum for her intellectual curiosity and love of life, and my sister, Brigid for her invaluable support and caring. Thank you to the precious support of Ralia Koutsogianopoulos, Naoko Takahatake, Vander Caballero and Anjali Choksi; 1 am grateful for your every word and hug. Special thanks to the DISE department for providing a great space to explore and grow in. With thanks to the professors whose paths 1 crossed; Elizabeth Wood, Claudia Mitchell, Ron Morris and Dean Roger SIee, 1 learned a lot from your genuine care and inspiring energy! Most notably, 1 would like to thank my supervisor Michael Hoechsmann for your encouragement. 1 appreciated your opinions and interesting suggestions. 1 leamed a lot from you! Thank you © TABLE OF CONTENTS TABLE OF CONTENTS .............................................................................................................................. 1 CHAPTER 1 - INTRODUCTION ............................................................................................................... 3 1.1 AN OVERVIEW .................................................................................................................................... .3 1.2 DEFINITION OF REALITY TV .............................................................................................................. .4 1.3 THE POPULARITY OF REALITY TV .................................................................................................... .5 1.4 Focus OF THE STUDY: OVER-ARCHING QUESTIONS EXPLORED ...................................................... 6 1.5 OVERVIEW OF THE THESIS .................................................................................................................. 7 CHAPTER 2 - LITERA TURE REVIEW ••..•.•.••.•.•.•••••.•.•.•..•••.•••••••.••.•.••••..••...•.••.•..•..•.•..•.•.•.•...•.•.••••••••.•••• 8 2.1 CHAPTER Focus .................................................................................................................................. 8 2.2 HUMANIZING TECHNOLOGY: AN OVERVIEW OF WHERE IT's AT .................................................... 9 2.2.1. Donald Norman: Emotional Design ............................................................................................ 9 2.2.2. McLuhan 's Three Technological Phases ................................................................................... 11 2.3 LAUGH OR CRY: A TIMELINE OF REALITY TV ................................................................................ 13 2.3.1. Television History Changed Forever: 01/11173 ......................................................................... 15 2.4 NEW MEDIA: Do YOU FEEL IT? ........................................................................................................ 18 2.4.1. What is "new media"? .............................................................................................................. 18 2.5 REALITY TV: THE LUKEWARM MEDIUM ......................................................................................... 20 2.5.1 TV.Com ....................................................................................................................................... 23 2.6 THE FEAR FACTOR: WHY BEING MEDIA LITERATE IS so SCARY! ................................................. 25 2.7 PEDAGOGY OF DISCOMFORT: THE "DIRTY LITTLE SECRET" ........................................................ .30 2.8 CHAPTER SUMMARY ......................................................................................................................... .33 CHAPTER 3 - METHODOLOGY: INTRODUCING THE TETRAD ..•.•....••.•••.••••••••••..•••••.••••••••••••.•• 34 3.1 CHAPTER Focus ................................................................................................................................ 34 3.2 GENERAL ApPROACH ....................................................................................................................... .34 3.3 FRAMEWORK ..................................................................................................................................... .36 3.4 ANALYSIS ........................................................................................................................................... 36 3.5 PROCEDURE ...................................................................................................................................... .37 3.5.1 How to Read a Tetrad ................................................................................................................. 40 3.5.2. Key Tetrad Questions ................................................................................................................. 41 Enhancement.................. ...................................................................................................................... 41 Obsolescence ....................................................................................................................................... 41 Retrieval.. ............................................................................................................................................
Load more

Recommended publications
  • Hawaiian Music Takes Center Court at L.A. Clippers Hawaii Night
    For Immediate Release: March 11, 2019 HTA Release (19-03) Hawaiian Music Takes Center Court at L.A. Clippers Hawai‘i Night HONOLULU – All eyes were on Nā Hōkū Hanohano Award-winning recording artist Josh Tatofi tonight at the Staples Center in Los Angeles as he brought his upbeat sounds of the Hawaiian Islands to L.A. Clippers and Boston Celtics fans during a special halftime show. Tatofi performed his new single titled “Melia” released today as part of the L.A. Clippers “Hawai‘i Night” celebration. Through the support of Hawai‘i’s tourism industry, the performance gave those in attendance an opportunity to experience the Islands’ unique culture and aloha spirit. To kick off Hawai‘i Night at the Staples Center, hula dancers from three Los Angeles-based hula hālau performed in the promenade as fans arrived. Hawai‘i’s own Jasmine Trias, former American Idol star, performed the National Anthem prior to tip-off. The first 5,000 fans to enter the arena also received a Hawaiian Shirt Rally Towel, which featured a white floral print on a blue background. As timing would have it, the University of Hawai‘i Rainbow Warriors men’s basketball team was also in attendance and received a warm welcome as they were recognized on the Jumbotron. The team is on its way to the Big West Tournament in Anaheim, California where they will play Long Beach State on Thursday. ### Media Note: Hawai‘i Night b-roll provided courtesy of the L.A. Clippers. B-roll of Josh Tatofi: Halftime Performance 2:16 mark - Hula Performance https://bit.ly/2XOxZOZ B-roll of Jasmine Trias: National Anthem https://bit.ly/2O0o9VJ Media Contact: Erin Khan (o) (808) 539-3428 (m) (808) 349-3746 [email protected] .
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
    [Show full text]
  • DEC 2016 1 Song Title No
    TKR-304P/305P/345P/355P NEW SONG DEC 2016 1 Song Title No. Popularized By Song Title No. Popularized By Planes 37119 Yuna DEC 2016 Playing God 37120 Paramore All In My Head 37038 Fifth Harmony Ft. Fetty Wap Rise 37123 Katy Perry And I Love You 37039 Toni Braxton Sandy 37125 The Carpenters Bacon 37043 Nick Jonas Ft. Ty Dolla $ign Send Me An Angel 37126 Scorpions Candyman 37022 Zedd Ft. Aloe Blacc Singing In The Rain 37127 Simple Plan Ft. R.City Chainsaw 37049 Nick Jonas Sino Ba Ako Sa'yo 3552 Erik Santos Don't Forget About Us 37055 Mariah Carey Somewhere In The Night 37129 Barry Manilow Don't Threaten Me With A Good Time 37057 Panic! At The Disco Stay 3546 Daryl Ong Fill Me In 37024 Craig David Summer Time Love 3554 Juan Karlos Labajo Fixing A Hole 37059 The Beatles That Girl 37131 NSYNC Get Down (You're The One For Me) 37061 Backstreet Boys The River Of Dreams 37133 Billy Joel Getting Closer 37062 Paul McCartney Treat You Better 37028 Shawn Mendes Sarah Geronimo Giving You The Best That I Got 37065 Anita Baker Twin Hearts 3544 Ft. Devotion Good Luck Charm 37070 Elvis Presley We've Got It Goin' On 37029 Backstreet Boys Good To Be Back 37071 Natalie Cole What Dreams Are Made Of 37067 Hilary Duff Troye Sivan Goodnight Kiss 37072 Randy Houser Wild 37141 Ft. Alessia Cara Got To Get You Into My Life 37074 The Beatles Hold Me 'Til The Morning Comes 37078 Paul Anka & Peter Cetera How That Taste 37079 Kehlani I Only Have Eyes For You 37082 Art Garfunkel If You Were My Girl 37084 A1 Lady In Black 37090 Uriah Heep Lahat 3549 Jason Dy Let Me Be The One 37091 The Carpenters Limbo Rock 37095 Chubby Checker Love Ko 'To 3539 Jasmine Trias Loving Arms 37098 Dixie Chicks Make Me 37099 Britney Spears Ft.
    [Show full text]
  • February 19, 2011 October 26, 2013
    oCtoBer 26, 2013 Hawaii FiliPino CHroniCle 1 ♦♦ FEBRUARYOCTOBER 26, 19, 20132011 ♦♦ Farmer’s photo (top) is courtesy of Hawaii State Archives COMMENTARY PHILIPPINE NEWS LEGAL NOTES How BrigHt will red Cross, FigHt For Your Future Be BoHol maYor in immigration reForm iF You Can't retire? standoFF gains momentum PRESORTED HAWAII FILIPINO CHRONICLE STANDARD 94-356 WAIPAHU DEPOT RD., 2ND FLR. U.S. POSTAGE WAIPAHU, HI 96797 PAID HONOLULU, HI PERMIT NO. 9661 2 Hawaii FiliPino CHroniCle oCtoBer 26, 2013 EDITORIALS FROM THE PUBLISHER Publisher & Executive Editor f you’re concerned about same Charlie Y. Sonido, M.D. Celebrating Filipino- sex marriages and want to weigh Publisher & Managing Editor in on the debate, then head on Chona A. Montesines-Sonido American History Month over to the State Legislature on Associate Editors Monday, October 28. The Senate s the old cliché goes, you can’t know where you I Dennis Galolo are going unless you know where you’ve been. will convene a special session Edwin Quinabo beginning at 10:30 am. Testimony will be This holds especially true for Hawaii’s Filipino Creative Designer community which is celebrating Filipino-Ameri- heard by the Senate’s Judiciary and Labor Junggoi Peralta can History Month all throughout October. committee, which is chaired by Sen. Clayton Hee. In order to Design Consultant A Randall Shiroma As an ethnic group, we Filipinos have made accommodate everyone who wishes to address lawmakers, tes- tremendous progress in many fields—politics, government, timony will be limited to two minutes per person. With so Photography entertainment, sports…you name it, Filipinos have excelled.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Hip-hop, Streetdance, and the Remaking of the Global Filipino Permalink https://escholarship.org/uc/item/16q5z7gp Author Perillo, Jeffrey Lorenzo Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Hip-hop, Streetdance, and the Remaking of the Global Filipino A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Jeffrey Lorenzo Perillo 2013 © Copyright by Jeffrey Lorenzo Perillo 2013 ! ABSTRACT OF THE DISSERTATION Hip-hop, Streetdance, and the Remaking of the Global Filipino by Jeffrey Lorenzo Perillo Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2013 Professor Susan Leigh Foster, Committee Co-Chair Professor Victor Bascara, Committee Co-Chair New York-based African American, Latino, and Caribbean immigrant youth of the 1960s and early 1970s gave life to one of the world's major contemporary cultural movements: Hip-hop. Initially misunderstood as a faddish form of Black male musical expression, Hip-hop's cultural resistance practices were quickly recognized as four core elements (emceeing, turntablism, graffiti art, and b-boying/b-girling). In the global context, Hip-hop has generated scholarly discourse that points to either the cultural globalization of American Blackness or a "global village." My project interrupts this conversation and focuses on the unique, multi-site cultural history of Filipino identity as constituted through practitioners of Hip-Hop dance. My work argues that a community of Filipinos, situated in different geo-political loci—Berkeley, California, Honolulu, Hawai‘i, and Manila, Philippines—configure prevailing concepts of Hip-hop while remaking conditions of ! ii dispossession and displacement in the late twentieth and early twenty-first centuries.
    [Show full text]
  • February 28, 2009 Hawaii Filipino Chronicle 1
    FEBRUARY 28, 2009 HAWAII FILIPINO CHRONICLE 1 ♦ FEBRUARY 28, 2009 ♦ Photography by TIM LLENA HAWAII-FILIPINO NEWS PHILIPPINE NEWS LEGAL NOTES INAUGURAL FILIPINO PHILIPPINES ACCEPTS CENTRALIZED FILM FESTIVAL SET NEPALESE DOCTORS PROCESSING FOR FOR APRIL AMID SHORTAGE NATURALIZATION HAWAII FILIPINO CHRONICLE PRESORTED STANDARD 94-356 WAIPAHU DEPOT RD., 2ND FLR. U.S. POSTAGE WAIPAHU, HI 96797 PAID HONOLULU, HI PERMIT NO. 9661 2 HAWAII FILIPINO CHRONICLE FEBRUARY 28, 2009 EDITORIAL FROM THE PUBLISHER elcome to another issue of Publisher & Executive Editor Lessons Learned From Charlie Y. Sonido, M.D. the Hawaii Filipino Chroni- Ben Cayetano cle! A bill to legalize gay Publisher & Managing Editor marriages has again made Chona A. Montesines-Sonido enjamin Jerome Cayetano is back in the spotlight headlines and stirred rau- W Associate Editors with the release of his new, 560-page autobiography. cous debate at the State Leg- We’re familiar with Cayetano’s rags-to-riches story. Dennis Galolo How he—a poor Kalihi boy—rose through the islature. Filipinos seem Edwin Quinabo divided as well. Some sympathizers, espe- B ranks to become the nation’s first governor of Fil- Creative Designer ipino ancestry. We should be inspired by his accom- cially those who have faced discrimination or know of other Junggoi Peralta minorities who have been discriminated against, believe it plishments, which broke barriers and opened doors Design Consultant for people of all races, not just Filipinos, to achieve their dreams. all boils down to basic civil rights. However, it’s safe to say Randall Shiroma Cayetano’s enduring legacy is that he will perhaps be most that most Filipinos take the position of the Catholic Church, which opposes same sex marriages.
    [Show full text]
  • CONGRESSIONAL RECORD— Extensions Of
    March 24, 2004 CONGRESSIONAL RECORD — Extensions of Remarks E447 PERSONAL EXPLANATION these communities still face and the opportuni- issues which I believe Congress must address ties we have to address them. for both Filipino veterans and our Filipino- HON. BEN CHANDLER First let us remember that the relationship American community at large. One is vet- between the Philippines and our United States OF KENTUCKY erans’ benefits and the other is immigration. has never been stronger. Our modern-day VETERANS BENEFITS IN THE HOUSE OF REPRESENTATIVES bond began after the 1898 Spanish American We know that in 1941, President Franklin Wednesday, March 24, 2004 War, continued through the commonwealth Delano Roosevelt made a promise to the Mr. CHANDLER. Mr. Speaker, on rollcall period into 1946, and strengthened when the members of the Philippine Army and the Phil- Vote No. 75, on the motion to suspend the independent Republic of the Philippines came ippine Scouts who had fought and would fight rules and pass, as amended, the Cowlitz In- into existence on July 4th of that year. For for the Allies in World War II. Because they dian Tribe Distribution of Judgment Funds Act, nearly 40 years, from 1907 to 1946, the Phil- had made and would make the same sac- I placed my card in the machine and for some ippines in fact was represented in the U.S. rifices as U.S. servicemembers, President reason my vote was not registered. Had my Congress through nearly 15 different resident Roosevelt promised that they would receive vote been recorded, I would have voted ‘‘yes.’’ commissioners.
    [Show full text]
  • The Filipino Century in Hawaii: out of the Crucible
    From: Filipino Centennial Souvenir Program (Honolulu: Filipino Centennial Celebration Commission, December 10, 2(05). The Filipino Century in Hawaii: Out of the Crucible By Belinda A. Aquino Centerfor Philippine Studies University ofHawaii at Manoa How does one capture the essence of a hundred years? We are reminded of Gabriel Garcia Marquez's Nobel Prize-winning, Cien Afios de Soledad: A Hundred Years of Solitude. Using his signature literary style called "magical realism," Marquez crafts a brilliant epic story of love, loss, death and renewal in the mythical village of Macondo, covering a hundred years of the original protagonist, Jose Arcadio Buendia, and his descendants. It is highly comic but at the same time deeply tragic. Solitude or not, it isn't just another story. It's a story that engages our sense of human survival. It is about the indestructibility of the human spirit, the enduring theme of all great literature. The world of the plantation in Hawaii wasn't so mythical as Macondo. It was starkly real. For the first 15 bewildered Filipino sakadas (migrant workers) who got off the S.S. Doric on December 20,1906, amid stares of curious onlookers, the world before them was one of foreboding. The feudal plantation system and its oppressive need for abundant cheap labor was already entrenched when they arrived. Life for them would be much more than solitude. It would be more like a crucible serving up the severest of tests for human endurance. Ten to 12­ hour days of backbreaking work in the canefields under a searing sun, a miserable dollar- a ­ day wage, homelessness, rootlessness, isolation, loneliness, vulnerability to the luna's wrath, suffering and other human hardships would be the essence of their existence.
    [Show full text]
  • Jo Peter Lewis
    JO PETER LEWIS BIO “A little less conversation, a little more action,” the King sagely recommended in 1968. Jon Peter Lewis echoed the sentiment in 2004 via his star-making turn on American Idol , and four years later, he’s more than heeding the advice. Having honed his songcraft both in the studio and on the road with an all-star cast of collaborators, JPL is primed for a big-time breakthrough courtesy of sophomore full-length Break the Silence . Emotionally charged and overflowing with brainy pop hooks, Silence is a decided change of pace from his 2006 debut, Stories From Hollywood . It finds a more seasoned Lewis balancing his trademark “sitting in my bedroom all alone” melancholia with the inviting, offbeat wit that put him on the short list of not only Idol cult favorites, but alumni with the most potential. And that potential, as Lewis wryly acknowledges, applies to the heartbreaker column as well. “I played a show recently and there were probably 150 girls in the audience and 10 guys,” he recalls with a chuckle. “I was reflecting on that and I’m thinking, ‘and that is why I’m doing a record on relationships.’ I don’t want to say [the album is] mellow, though, ’cause there’s a lot of fun on it.” Indeed, while there’s no shortage of addictive someday-singles on Silence , Lewis considers writing more involved, personal “album tracks” his forte. Hinging on a delicate, forlorn piano melody, “No Fire” is his favorite, a bittersweet remembrance of an ex-flame that finds the vocalist lamenting, “No spark, no warmth, no fire.” And yet, the record offers almost a polar opposite in “Winning Streak,” an upbeat, “cautiously optimistic” testament to happiness in love.
    [Show full text]
  • Subzero Artist List 2019
    Subzero Artist List 2019 ARTIST SONG MF CODE 10000 Maniacs Because The Night JTG069 10000 Maniacs Candy Everybody Wants DK82 101 Dalmations Cruella De Vil DISVOL3 10cc Donna SF090 10cc Dreadlock Holiday MRH100 10cc I'm Mandy SF079 10cc I'm Not In Love DK82 10cc Rubber Bullets SF071 10cc Things We Do For Love SFMW832 10cc Wall Street Shuffle SFMW814 12 Stones We Are One PHM1008 1910 Fruitgum Company Simon Says STTW1760 1910 Fruitgum Factory Simon Says DK34 1927 That's When I Think Of You SFID009 1975 Chocolate MRH105 1975 City SF329 1975 Love Me SF358 1975 Robbers SF341 1975 Somebody Else SF367 1975 Sound SF361 1975 The City MRH106 1975 Tootimetootimetootime SF390 1975 Ugh SF360 2 Evisa Oh La La La SF114 2 Pac California Love SF049 2 Play Feat Thomas Jules And Careless Whisper MRH015-2 2 Unlimited No Limits FLY027 21st Century Girls 21st Century Girls SF140 2k Fierce Sweet Love SF159 3 Doors Down Duck And Run SC3244 3 Doors Down Every Time You Go PHM1108 3 Doors Down Here Without You SC3385 3 Doors Down Kryptonite SC7585 3 Doors Down Let Me Go SC8946 3 Doors Down Road I'm On SC3360 3 Doors Down When I'm Gone SPC020 3 Doors Down When You're Young PHM1105 3 S L Take It Easy SF191 30 Seconds To Mars Closer To The Edge SFKK48 30 Seconds To Mars Kings And Queens SFKK40 30 Seconds To Mars Rescue Me SF388 30 Seconds To Mars Up In The Air MRH105 30h 3 Feat Katy Perry Starstrukk EKI46 3oh3 Don't Trust Me MRH059 3oh3 Double Vision PHM1012 3oh3 Feat Ke$ha Blah Blah Blah FTX1019 3oh3 Feat Ke$ha My First Kiss EKI52 3oh3 Feat Neon Hitch Follow Me Down
    [Show full text]
  • America's Idol?
    Quadrivium: A Journal of Multidisciplinary Scholarship Volume 4 Issue 1 Issue 4, Spring 2012 Article 6 4-27-2012 America’s Idol? How the Contestant Most Voted for Doesn’t Always Win Jason Gershman Nova Southeastern University, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/quadrivium Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Gershman, Jason (2012) "America’s Idol? How the Contestant Most Voted for Doesn’t Always Win," Quadrivium: A Journal of Multidisciplinary Scholarship: Vol. 4 : Iss. 1 , Article 6. Available at: https://nsuworks.nova.edu/quadrivium/vol4/iss1/6 This Article is brought to you for free and open access by the CAHSS Journals at NSUWorks. It has been accepted for inclusion in Quadrivium: A Journal of Multidisciplinary Scholarship by an authorized editor of NSUWorks. For more information, please contact [email protected]. Gershman: America’s Idol? How the Contestant Most Voted for Doesn’t Always About the Author Jason Gershman, Ph.D., associate professor and coordinator of mathematics at the college, earned his Ph.D. in Statistics from Rice University in 2008. His research has recently been published in the proceedings of the Joint Statistics Meetings of the American Statistical Association and the International Conference on Bioinformatics and Computational Biology. His work on analyzing data from reality-television shows including American Idol has been featured in the Washington Post, Sun-Sentinel, Vancouver Sun, and Montreal Gazette. Gershman also has been featured on South Florida's Local 10 (ABC affiliate) and WSVN 7News (FOX affiliate) to talk about his research work in this area and provide expert commentary and predictions.
    [Show full text]
  • How American Idol Constructs Celebrity, Collective Identity, and American Discourses
    AMERICAN IDEAL: HOW AMERICAN IDOL CONSTRUCTS CELEBRITY, COLLECTIVE IDENTITY, AND AMERICAN DISCOURSES A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Amanda Scheiner McClain May, 2010 i © Copyright 2010 by Amanda Scheiner McClain All Rights Reserved ii ABSTRACT This dissertation is a three-pronged study examining American themes, celebrity, and collective identity associated with the television program American Idol. The study includes discourse analyses of the first seven seasons of the program, of the season seven official American Idol message boards, and of the 2002 and 2008 show press coverage. The American themes included a rags-to-riches narrative, archetypes, and celebrity. The discourse-formed archetypes indicate which archetypes people of varied races may inhabit, who may be sexual, and what kinds of sexuality are permitted. On the show emotional exhibitions, archetypal resonance, and talent create a seemingly authentic celebrity while discourse positioning confirms this celebrity. The show also fostered a complication-free national American collective identity through the show discourse, while the online message boards facilitated the formation of two types of collective identities: a large group of American Idol fans and smaller contestant-affiliated fan groups. Finally, the press coverage study found two overtones present in the 2002 coverage, derision and awe, which were absent in the 2008 coverage. The primary reasons for this absence may be reluctance to criticize an immensely popular show and that the American Idol success was no longer surprising by 2008. By 2008, American Idol was so ingrained within American culture that to deride it was to critique America itself.
    [Show full text]