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Orienting: Ian Fairweather in Western Australian Collections LIST of WORKS

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Orienting: Ian Fairweather in Western Australian Collections LIST of WORKS ORIENTing: Ian Fairweather in Western Australian Collections LIST OF WORKS Ian Fairweather, Mother and Child, 1935, Ian Fairweather, Head, 1946 (cast 1986), Ian Fairweather, Figure Group in the Rain, c. Ian Fairweather, (Street in Soochow), 1948, oil and pencil on paper on hardboard, 62.5 bronze, 40 x 17 x 12.8 cm. State Art 1961, oil on board, 106 x 76 cm gouache, 19 x 19.5 cm x 50 cm Collection, Art Gallery of Western Australia. Janet Holmes à Court Collection Collection of Joy Halleen, Perth The University of Western Australia Art Gift of Mrs Lina Bryans, 1992 Collection, Joe and Rose Skinner Bequest Ian Fairweather, The Water Buffalo, c. 1960, Ian Fairweather, (Tombs at Peking), c. 1936, Ian Fairweather, Mother and Child, 1933, mixed media on board, 38 x 55.5 cm gouache, 38 x 36.5 cm Ian Fairweather, Houseyard, Peking, 1935, oil and charcoal on paper laid down on Janet Holmes à Court Collection Collection of Joy Halleen, Perth oil and pencil on paper on hardboard, 55.5 cardboard, 38.8 x 37.2 cm x 56 cm Kerry Stokes Collection, Perth Ian Fairweather, Head, c. 1934, oil and pencil Ian Fairweather, Outside the Walls of Peking, The University of Western Australia Art on cardboard, 43.8 x 37.4 cm 1935, oil and pencil on cardboard, 49.5 x Collection, Joe and Rose Skinner Bequest Ian Fairweather, (Bathers), 1933, oil and Collection of Joy Halleen, Perth 58 cm gouache on paper, 35.5 x 43 cm Private Collection, Perth Ian Fairweather, Tethered Horses outside Kerry Stokes Collection, Perth Ian Fairweather, Cornsifting, Soochow, Gate, Peking, 1936, oil on paper on 1945-47, gouache and pencil on paper, 35.2 Ian Fairweather, Boys Playing, 1955, cardboard, 76.5 x 77.5 cm Ian Fairweather, Smiling Girl, 1926, oil on x 29.5 cm gouache on cardboard, 36.8 x 49.5 cm The University of Western Australia Art canvas, 37 x 32 cm Collection of Joy Halleen, Perth Private Collection, Perth Janet Holmes à Court Collection Collection, Joe and Rose Skinner Bequest Ian Fairweather, (Landscape, Soochow), Ian Fairweather, Painting I, 1960, synthetic Ian Fairweather, Landscape with Mountains, Ian Fairweather, Landscape, China, 1933, oil 1945-47, gouache on paper, 21 x 19.5 cm polymer paint and gouache on cardboard, 1936, oil and pencil on paper on cardboard, on cardboard, 38 x 49 cm Collection of Joy Halleen, Perth 68.9 x 86.3 cm Janet Holmes à Court Collection Private Collection, Perth 49 x 55.5 cm Ian Fairweather, (Canal, Foochow), 1945-47, The University of Western Australia Art Ian Fairweather, Foochow Canal, 1945-1949, gouache on paper, 36.4 x 38 cm Ian Fairweather, Painting VIII, 1960, synthetic Collection, Joe and Rose Skinner Bequest gouache on paper on plywood, 38 x 42 cm Collection of Joy Halleen, Perth polymer paint and gouache on cardboard, Ian Fairweather, Market, Foochow, 1945- Janet Holmes à Court Collection 72.4 x 94 cm Ian Fairweather, Walls of Foochow, 1945-47, Private Collection, Perth 1947, gouache, 38.1 x 43.2 cm Ian Fairweather, Drawing, c. 1963, synthetic gouache, 34.6 x 43 cm State Art Collection, Art Gallery of Western polymer paint on cardboard, 104 x 132 cm Collection of Joy Halleen, Perth Australia. Purchased 1955 Janet Holmes à Court Collection ORIENTing: With or Without You LIST OF WORKS John Young, Drawing in Ten Parts #7, 1981, John Young, Through the Eyes of the Wolf: A Newell Harry, Untitled (Words and Pictures), Phaptawan Suwannakudt, Not for Sure #3, pencil on paper, 140.7 x 240.7 cm Traveler’s Mind Rinsed, 2012, digital print on 2012, dual-screen presentation of text and 2012, drafting paper, paper with vegetal Courtesy the artist photographic paper and chalk on blackboard images with sound fibres, ink, bitumen, gold leaf, dye and paint on paper, 72.6 x 102.4 cm (each) Courtesy the artist and Roslyn Oxley9 pigment, 80 x 120 x 35. Courtesy the artist John Young, Drawing in Ten Parts #9, 1981, Courtesy the artist and Philip Bacon Gallery, Sydney pencil on paper, 140.7 x 240.7 cm Galleries, Brisbane Phaptawan Suwannakudt, Not for Sure #4, Courtesy the artist Newell Harry, Reverse Missionary (Geist), 2012, drafting paper, paper with vegetal John Young, Through the Eyes of the 1996-2009, Quarter cast Green River Valley fibres, ink, bitumen, gold leaf, dye and John Young, Through the Eyes of the Wolf: Wolf: Dark Waters II, 2013, digital print on House-shield (maker unknown, Western pigment, 40 x 60 x 25 cm. Courtesy the artist Ancient Waters, 2012, digital print on photographic paper and chalk on blackboard Sepik region, Papua New Guinea) photographic paper and chalk on blackboard paint on paper, 72.6 x 102.4 cm (each) 150 x 75 x 5 cm. Courtesy the artist and Roy Wiggan, Sandbar & Hairbelt, 2003, paint on paper, 72.6 x 102.4 cm (each) Courtesy the artist and Philip Bacon Roslyn Oxley9 Gallery, Sydney acrylic on plywood, cotton wool Courtesy the artist and Philip Bacon Galleries, Brisbane Courtesy the artist and Short Street Gallery, Galleries, Brisbane Tom Nicholson, Drawings and Broome John Young, Through the Eyes of the Wolf: correspondence 4, 2011, Willow charcoal, John Young, Through the Eyes of the Wolf: Drunken Buddha, 2013, digital print on compressed charcoal and white pastel on Tintin Wulia, Nous ne notons pas les fleurs, Awakening, 2012 photographic paper and chalk on blackboard paper, 118 x 100 cm each (2 pieces) Jakarta, 2010, video octaptych (eight- digital print on photographic paper and paint on paper, 72.6 x 102.4 cm (each) Courtesy the artist and Milani Gallery, channel video unsynchronised) of game- chalk on blackboard paint on paper, 72.6 x Courtesy the artist and Philip Bacon Brisbane performances and installation with video, 102.4 cm (each) Galleries, Brisbane colour, stereo, various durations, loop. Courtesy the artist and Philip Bacon Phaptawan Suwannakudt, Not for Sure #1, Courtesy the artist, Potato Head and Osage Galleries, Brisbane Newell Harry, Untitled (More Mumbo Jumbo: 2012, drafting paper, paper with vegetal Gallery Crackpots ‘n’ Poems for Ishmael Reed), fibres, ink, bitumen, gold leaf, dye and John Young, Through the Eyes of the 2010-2012, eight screen prints on hand- pigment, 40 x 60 x 25 cm. Courtesy the artist Wolf: Deep Solitude, 2012, digital print on beaten Tongan Ngatu (bark cloth), ink. photographic paper and chalk on blackboard 265 x 100 cm (each). Phaptawan Suwannakudt, Not for Sure #2, paint on paper, 72.6 x 102.4 cm (each) Collection of Amanda Love 2012, drafting paper, paper with vegetal Courtesy the artist and Philip Bacon fibres, ink, bitumen, gold leaf, dye and Galleries, Brisbane pigment, 60 x 120 x 20. Courtesy the artist ORIENTing ORIENTing CAMPUS PARTNERS CURATOR ACKNOWLEDGEMENTS IAN FAIRWEATHER IN WESTERN AUSTRALIAN COLLECTIONS Lawrence Wilson Art Gallery would like to acknowledge its two campus partners for ORIENTing. WITH OR WITHOUT YOU Thank you to the artists Newell Harry, Tom Nicholson, Phaptawan Suwannakudt, WITH OR WITHOUT YOU CONFUCIUS INSTITUTE Roy Wiggan, Tintin Wulia and John Young; the lenders Amanda Love and Mary The Confucius Institute at UWA is a community outreach endeavour, jointly Nicholson. governed by The University of Western Australia and Zhejiang University, To artists’ representatives who have assisted with aspects of the background China. Confucius is one of China’s most revered philosopher-intellectuals, research and securing artwork loans: Roslyn Oxley9 Gallery, Sydney; Milani LAWRENCE WILSON ART GALLERY and central to his thinking was the importance of empathy: the active Gallery, Brisbane; Arc One Gallery, Melbourne; 100 Tonson Gallery, Bangkok; understanding of others. The role of the Institute is to sponsor cross- Short Street Gallery, Broome; Osage Gallery, Hong Kong and Philip Bacon 4 MAY - 13 JULY 2013 cultural understanding in three broad areas: community teaching of Chinese Galleries, Brisbane. Thanks also to Monique O’Neil, Manager, Short Street and Chinese cultural forms, from calligraphy to tai-chi; assistance to the Gallery, Broome. Chinese teaching programs in the school sector; and the provision of cultural awareness training to the corporate sector. IAN FAIRWEATHER IN WESTERN AUSTRALIAN COLLECTIONS Thank you to the lenders: Art Gallery of Western Australia, Janet Holmes à Court ASIAN STUDIES Collection, Kerry Stokes Collection, Perth, Mrs Joy Halleen, Perth, and Private Since its inception in 1993, Asian Studies at UWA has had the goal of equipping Collection, Perth. We acknowledge the generosity of the Joe and Rose Skinner students with a sound knowledge and understanding of the contemporary Bequest, The University of Western Australia Art Collection. societies and cultures of the Asian region. Asian Studies combines the insights Murray Bail for his support and advice. of politics, economics, geography, anthropology, history, cultural studies Veronica Fury for permission to screen Fairweather Man (Fury Productions, and language to encourage thinking across boundaries - whether cultural, 2009) during the exhibition. academic or linguistic. The programs in Asian Studies take seriously the Professor Ian Saunders, Acting Director, Confucius Institute at The University of University’s goal of building ‘cultural competence’ and a ‘global outlook’. Western Australia and Associate Dean, International, Faculty of Arts, and to our Besides teaching, staff contribute to furthering knowledge of the Asian Campus Partners for ORIENTing, Asian Studies, School of Social Sciences, and region and global interconnectedness through research and international Confucius Institute, The University of Western Australia. collaborations on issues such as popular culture, gender studies, state- society relations, media studies, governance, social change, education, the Published by the Lawrence Wilson Art Gallery at The University of Western family, sexuality, national, ethnic and cultural identities, history, globalisation Australia, 2013. All rights reserved. and issues of social justice.
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