1940 2807 House of Representatives
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bibliographie Der Sozialethik
ARTHUR UTZ BRIGITTA VON GALEN • PETER PAUL MÜLLER-SCHMID BIBLIOGRAPHIE DER SOZIALETHIK GRUNDSATZFRAGEN DES ÖFFENTLICHEN LEBENS RECHT, GESELLSCHAFT, WIRTSCHAFT, STAAT PRINCIPES DE LA VIE SOCIALE ET POLITIQUE DROIT, SOCIÉTÉ, ÉCONOMIE ET POLITIQUE BASES FOR SOCIAL LIVING EMBRACING LAW, SOCIETY, ECONOMICS, AND POLITICS CUESTIONES FUNDAMENTALES DE LA VIDA POLITICA Y SOCIAL DERECHO, SOCIEDAD, ECONOMIA Y POLITICA X (1975- 1977) UNTER MITWIRKUNG VON AVEC LA COLLABORATION DE IN COLLABORATION WITH CON LA COLABORACION DE W. OCKENFELS • R. DUQUE HERDER - FREIBURG VALORES - FRIBOURG Veröffentlichung der UNION DE FRIBOURG : Internationales Institut für Sozial- und Politikwissenschaften, Freiburg/Schweiz Publication de l’UNION DE FRIBOURG: Institut international des sciences sociales et politiques, Fribourg/ Suisse ■ Publication of UNION DE FRIBOURG: International Institute of Social and Political Sciences, Fribourg/Switzerland Publicación de UNION DE FRIBOURG: Instituto Internacional de Ciencias Sociales y Políticas, Friburgo/Suiza Alle Rechte Vorbehalten ©Verlag Herder KG, Freiburg im Breisgau • Editions Valores, Fribourg/Suisse 1978 Herstellung: wico grafik, St, Augustin 1/Bonn ISBN 3-451-18284-X VORWORT Wir haben auch in diesem Band wie bereits von Bd. IV an in die systema tische Ordnung jeweils den ganzen bibliographischen Titel aufgenommen. Um aber zu vermeiden, daß eine mehrmals vorkommende Veröffentlichung mit ihrem ganzen Titel mehrmals aufgefiihrt werden muß, ist an der zweit- bzw. drittrangigen Stelle auf die erstrangige verwiesen. Wer einen bestimmten Autor sucht, kann das Personenverzeichnis am Schluß des Bandes konsultieren. Der hinter den bibliographischen Angaben stehende Stern besagt, daß das betref fende Buch oder der betreffende Artikel besprochen worden ist. Bücher, deren frühere Auflage oder Übersetzung bereits in Band I, II usw. besprochen worden ist, sind durch* und Ziffer I, II, usw. -
Curtis C. Chen Clarion West Write-A-Thon 2020
2020-07-14 Curtis C. Chen Clarion West Write-a-thon 2020 “Yo, who the F is this?” 1 2020-07-14 “a hyperactive, wisecracking hero” – Library Journal https://waypointkangaroo.com “as smart and sassy as its title character” – Publishers Weekly (starred review) https://kangaroo2.com https://twitter.com/pennjillette/status/1111114779504971777 2 2020-07-14 WHAT MAKES GOOD DIALOGUE? Writer’s Edit “5 Golden Rules For Writing Authentic Dialogue” 1.Aim For Speech That’s Realistic – But Not Too Realistic 2.Use Dialogue Tags And Actions Effectively 3.Use Different Dialogue Styles To Distinguish Characters 4.Pay Attention To Punctuation 5.Create A Balance Between Dialogue And Narration https://writersedit.com/fiction-writing/5-golden-rules-for-writing-authentic-dialogue/ 3 2020-07-14 Writer’s Edit “5 Golden Rules For Writing Authentic Dialogue” 1.Aim For Speech That’s Realistic – But Not Too Realistic 2.Use Dialogue Tags And Actions Effectively 3.Use Different Dialogue Styles To Distinguish Characters 4.Pay Attention To Punctuation 5.Create A Balance Between Dialogue And Narration 4 2020-07-14 EXERCISE: WHO TALKS LIKE THAT? “I think it’s the best thing to do. But I don’t want you to do it if you don’t really want to.” “And if I do it you’ll be happy and things will be like they were and you’ll love me?” “I love you now. You know I love you.” “I know. But if I do it, then it will be nice again if I say things are like white elephants, and you’ll like it?” “I’ll love it. -
Cassette Books, CMLS,P.O
DOCUMENT RESUME ED 319 210 EC 230 900 TITLE Cassette ,looks. INSTITUTION Library of Congress, Washington, D.C. National Library Service for the Blind and Physically Handicapped. PUB DATE 8E) NOTE 422p. AVAILABLE FROMCassette Books, CMLS,P.O. Box 9150, M(tabourne, FL 32902-9150. PUB TYPE Reference Materials Directories/Catalogs (132) --- Reference Materials Bibliographies (131) EDRS PRICE MF01/PC17 Plus Postage. DESCRIPTORS Adults; *Audiotape Recordings; *Blindness; Books; *Physical Disabilities; Secondary Education; *Talking Books ABSTRACT This catalog lists cassette books produced by the National Library Service for the Blind and Physically Handicapped during 1989. Books are listed alphabetically within subject categories ander nonfiction and fiction headings. Nonfiction categories include: animals and wildlife, the arts, bestsellers, biography, blindness and physical handicaps, business andeconomics, career and job training, communication arts, consumerism, cooking and food, crime, diet and nutrition, education, government and politics, hobbies, humor, journalism and the media, literature, marriage and family, medicine and health, music, occult, philosophy, poetry, psychology, religion and inspiration, science and technology, social science, space, sports and recreation, stage and screen, traveland adventure, United States history, war, the West, women, and world history. Fiction categories includer adventure, bestsellers, classics, contemporary fiction, detective and mystery, espionage, family, fantasy, gothic, historical fiction, -
Adapting the Graphic Novel Format for Undergraduate Level Textbooks
ADAPTING THE GRAPHIC NOVEL FORMAT FOR UNDERGRADUATE LEVEL TEXTBOOKS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian M. Kane, M.A. Graduate Program in Arts Administration, Education, and Policy The Ohio State University 2013 Dissertation Committee: Professor Candace Stout, Advisor Professor Clayton Funk Professor Shari Savage Professor Arthur Efland Copyright by Brian M. Kane 2013 i ABSTRACT This dissertation explores ways in which the graphic narrative (graphic novel) format for storytelling, known as sequential art, can be adapted for undergraduate-level introductory textbooks across disciplines. Currently, very few graphic textbooks exist, and many of them lack the academic rigor needed to give them credibility. My goal in this dissertation is to examine critically both the strengths and weaknesses of this art form and formulate a set of standards and procedures necessary for developing new graphic textbooks that are scholastically viable for use in college-level instruction across disciplines. To the ends of establishing these standards, I have developed a four-pronged information-gathering approach. First I read as much pre factum qualitative and quantitative data from books, articles, and Internet sources as possible in order to establish my base of inquiry. Second, I created a twelve-part dissertation blog (graphictextbooks.blogspot.com) where I was able to post my findings and establish my integrity for my research among potential interviewees. Third, I interviewed 16 professional graphic novel/graphic textbook publishers, editors, writers, artists, and scholars as well as college professors and librarians. Finally, I sent out an online survey consisting of a sample chapter of an existing graphic textbook to college professors and asked if the content of the source material was potentially effective for their own instruction in undergraduate teaching. -
Catalog Sixty-Nine Royalbooks C Atalog Sixty-Nine Royal Books the CELLULOID PAPER TRAIL
catalog catalog sixty-nine royal books Royalc Booksatalog sixty-nine THE CELLULOID PAPER TRAIL Oak Knoll Press is pleased to announce the publication of Terms and Conditions Kevin R. Johnson’s The Celluloid All books are first editions unless indicated otherwise. Paper Trail. The first book All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected ever published on film script by new archival covers. Single, unframed photographs identification and description, housed in new, archival mats. lavishly illustrated and detailed. In many cases, more detailed physical descriptions for archives, manuscripts, film scripts, and other ephemeral Designed for any book scholar, items can be found on our website. including collectors, archivists, Any item is returnable within 30 days for a full refund. librarians, and dealers. Books may be reserved by telephone, or email, and are subject to prior sale. Payment can be made by credit card Available now at royalbooks.com or, if preferred, by check or money order with an invoice. or by calling 410.366.7329. Libraries and institutions may be billed according to preference. Reciprocal courtesies extended to dealers. Please feel free to let us know if you would like your copy signed or inscribed by the author. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter. -
How Lust Was Lost: Genre, Identity and the Neglect of a Pioneering Comics Publication
Portland State University PDXScholar Student Research Symposium Student Research Symposium 2016 May 4th, 10:00 AM - 11:30 AM How Lust Was Lost: Genre, Identity and the Neglect of a Pioneering Comics Publication Robert Hulshof-Schmidt Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/studentsymposium Part of the English Language and Literature Commons, and the Other History Commons Let us know how access to this document benefits ou.y Hulshof-Schmidt, Robert, "How Lust Was Lost: Genre, Identity and the Neglect of a Pioneering Comics Publication" (2016). Student Research Symposium. 6. https://pdxscholar.library.pdx.edu/studentsymposium/2016/Presentations/6 This Oral Presentation is brought to you for free and open access. It has been accepted for inclusion in Student Research Symposium by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Hulshof-Schmidt 1 Robert Hulshof-Schmidt How Lust Was Lost: Genre, Identity, and the Neglect of a Pioneering Comics Publication In 1950, comic book publisher St. John released a self-proclaimed “Picture Novel” titled It Rhymes With Lust, a 128-page digest sized book written by the pseudonymous Drake Waller (in fact the team of Arthur Drake and Leslie Waller). Their story blended the romance and crime genres popular in comics of the day and featured art by St. John stalwarts Matt Baker (pencils) and Ray Osrin (inks). An unusual publishing experiment, It Rhymes With Lust can arguably be considered the first graphic novel, but is seldom recognized as such. In this paper I will explore the novel’s overlooked place in comics history, and examine key reasons for this omission. -
Les Sources Du Graphic Novel: Des Romanssans Paroles De Lynd Ward À It Rhymes with Lust D'arnold Drake Et Matt Baker
Les sources du graphic novel: des romanssans paroles de Lynd Ward à it rhymes with lust d'Arnold Drake et Matt Baker Jean-Paul Gabilliet Université Michel de Montaigne — Bordeaux 3 (França) Resumo Este artigo examina as formas primitivas que os americanos batizaram de “graphic novels” (romance gráfico) a partir dos anos 70. Dos “romances” sob a forma de gravuras em madeira produzidas pelo artista americano Lynd Ward nos anos 30 e 40 ao “picture novel” It Rhymes With Lust em formato de livro de bolso publicado em 1950 pelo editor popular St. John, passando por diversas experiências “sérias” ou “populares”, assiste-se no meio do século XX nos Estados Unidos a tentativas dispersas de fazer narrativa com imagens em formatos próximos do desenho em quadrinhos sem o ser de fato. Daí uma possibilidade de reflexão sobre onde começa e onde termina a forma “desenho em quadrinhos” e uma interrogação sobre as condições de legitimidade e de ilegitimidade cultural das histórias com imagens na América do meio do século XX. Palavras-chave: desenho em quadrinho artístico; romance gráfico; narração gráfica; Estados Unidos. This paper looks into the early forms of what Americans have called "graphic novel" as of the 1970s. From fine artist Lynd Ward's 1930s and 40s woodcut novels to the film noir pastiche It Rhymes With Lust released in 1950 by pulp publisher St John, via a number of drawn narratives released by both popular and highbrow companies in-between, a number of disparate graphic story-telling experiments in comic strip- like or quasi-comic strip formats appeared in the United States in the mid-20th century. -
Spionaggio E Graphic Novel
FUMETTO Spionaggio e graphic novel GIUSEPPE POLLICELLI Un graphic novel è un fumetto abbastanza lungo nello sviluppo narrativo, tale da poter essere accostato a un romanzo. Qualunque altra definizione va respinta poiché inesatta e, spesso, ingiustamente penalizzante nei confronti del linguaggio fumettistico. Un romanzo grafico, non diversamente da uno in prosa, può frequentare qualsiasi segmento dell’immaginario e, dunque, non mancano quelli di genere spionistico. L’autore di fumetti che si è maggiormente distinto uando si parla di fumetti capita con sempre maggiore frequenza, soprattutto sui nell’abbinare la formula del romanzo grafico media, di imbattersi nella locuzione in lingua inglese graphic novel, che tradotta allo spionaggio è l’americano Matt Kindt che, Qletteralmente in italiano significa «romanzo grafico». Il diffondersi di questa de- tra il 2004 e il 2010, ha sfornato ben tre opere finizione ha prodotto un sovrappiù di confusione intorno a una materia – il fumetto, ap- (tutte gratificate da una lusinghiera accoglienza punto, e le sue peculiarità come linguaggio – che necessiterebbe invece di quanta più sia da parte della critica che del pubblico) chiarezza possibile. Si può intanto premettere che v’è incertezza, in Italia, anche su quale dedicate al mondo dell’intelligence. La seconda di queste, Super Spy, sia il genere da attribuire a graphic novel, se maschile o femminile. L’assonanza del ter- uscita negli Stati Uniti nel 2007 e ambientata mine novel con il nostro «novella» ha fatto sì che, fino a oggi, abbia prevalso il femminile, durante la Seconda guerra mondiale, dunque la graphic novel. La traduzione, però, di novel è «romanzo», per cui gli studiosi è stata tradotta anche nel nostro Paese, sono unanimi nel ritenere preferibile il genere maschile, che adotteremo anche noi. -
Graphic Novels: a Brief History and Overview for Library Managers
Graphic Novels: A Brief History and Overview for Library Managers Janet Pinkley and Kaela Casey Abstract Graphic novels have long fought to gain literary recognition; however, as the struggle has unfolded, graphic novels have not only achieved this, but have also been recognized for their uses and applications within other disciplines as well. These books have overcome the medium’s criticisms of violence, sexual situations, and stereotypes of male power, and have earned their place in our society, and in libraries. As more libraries, both public and academic, integrate graphic novels into their collections, the potential for criticism and censorship attempts increases. Graphic novels deserve the same recognition and consideration for inclusion in libraries as other literary formats; therefore, library managers must have a basic understanding of the format in order to defend their inclusion in collections to critics. Introduction Twenty years ago Keith R.A. DeCandido, in his article “Picture This: Graphic Novels in Libraries,” indicated that both libraries and The American Heritage Dictionary had yet to discover graphic novels.1 Since then, graphic novels have not only appeared in libraries and bookstores, but have become an integral part of popular culture and a vital aspect of the literary community. After spending decades struggling for recognition, educators are now praising graphic novels, libraries are ordering them, and bookstores are selling them. Despite enduring criticism and scrutiny, graphic novels are finally being recognized