Health Effects of Exposure to Ultrasound and Infrasound Report of the Independent Advisory Group on Non-Ionising Radiation
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Underwater Acoustics: Webinar Series for the International Regulatory Community
Underwater Acoustics: Webinar Series for the International Regulatory Community Webinar Outline: Marine Animal Sound Production and Reception Thursday, December 3, 2015 at 12:00pm (US East Coast Time) Sound production and reception in teleost fish (M. Clara P. Amorim, Ispa – Instituto Universitário) • Teleost fish are likely the largest vocal vertebrate group. Sounds made by fish can be an important part of marine soundscapes. • Fish possess the most diversified sonic mechanisms among vertebrates, which include the vibration of the swim bladder through intrinsic or extrinsic sonic muscles, as well as the rubbing of bony elements. • Fish sounds are usually pulsed (each sonic muscle contraction corresponds to a sound pulse), short (typically shorter than 1 s) and broadband (with most energy below 1 kHz), although some fish produce tonal sounds. Sounds generated by bony elements are often higher frequency (up to a few kHz). • In contrast with terrestrial vertebrates, fish have no external or middle ear. Fish detect sounds with the inner ear, which comprises three semicircular canals and three otolithic end organs, the utricle, the saccule and the lagena. Fish mostly detect particle motion and hear up to 1 kHz. Some species have evolved accessory auditory structures that serve as pressures transducers and present enhanced hearing sensitivity and increased frequency detection up to several kHz. Fish hearing seems to have evolved independently of sound production and is important to detect the ‘auditory scene’. • Acoustic signals are produced during social interactions or during distress situations as in insects or other vertebrates. Sounds are important in mate attraction, courtship and spawning or to defend a territory and gain access to food. -
Ultrasound Induced Cavitation and Resonance Amplification Using Adaptive Feedback Control System
Master's Thesis Electrical Engineering Ultrasound induced cavitation and resonance amplification using adaptive feedback Control System Vipul. Vijigiri Taraka Rama Krishna Pamidi This thesis is presented as part of Degree of Master of Science in Electrical Engineering with Emphasis on Signal Processing Blekinge Institute of Technology (BTH) September 2014 Blekinge Institute of Technology, Sweden School of Engineering Department of Electrical Engineering (AET) Supervisor: Dr. Torbjörn Löfqvist, PhD, LTU Co- Supervisor: Dr. Örjan Johansson, PhD, LTU Shadow Supervisor/Examiner: Dr. Sven Johansson, PhD, BTH Ultrasound induced cavitation and resonance amplification using adaptive feedback Control System Master`s thesis Vipul, Taraka, 2014 Performed in Electrical Engineering, EISlab, Dep’t of Computer Science, Electrical and Space Engineering, Acoustics Lab, dep’t of Acoustics at Lulea University of Technology ii | Page This thesis is submitted to the Department of Applied signal processing at Blekinge Institute of Technology in partial fulfilment of the requirements for the degree of Master of Science in Electrical Engineering with emphasis on Signal Processing. Contact Information: Authors: Vipul Vijigiri Taraka Rama Krishna Pamidi Dept. of Applied signal processing Blekinge Institute of Technology (BTH), Sweden E-mail: [email protected],[email protected] E-mail: [email protected], [email protected] External Advisors: Dr. Torbjörn Löfqvist Department of Computer Science, Electrical and Space Engineering Internet: www.ltu.se Luleå University of technology (LTU), Sweden Phone: +46 (0)920-491777 E-mail: [email protected] Co-Advisor: Dr. Örjan Johansson Internet: www.ltu.se Department of the built environment and natural resources- Phone: +46 (0)920-491386 -Operation, maintenance and acoustics Luleå University of technology (LTU), Sweden E-mail: [email protected] University Advisor/Examiner: Dr. -
Acoustics & Ultrasonics
Dr.R.Vasuki Associate professor & Head Department of Physics Thiagarajar College of Engineering Madurai-625015 Science of sound that deals with origin, propagation and auditory sensation of sound. Sound production Propagation by human beings/machines Reception Classification of Sound waves Infrasonic audible ultrasonic Inaudible Inaudible < 20 Hz 20 Hz to 20,000 Hz ˃20,000 Hz Music – The sound which produces rhythmic sensation on the ears Noise-The sound which produces jarring & unpleasant effect To differentiate sound & noise Regularity of vibration Degree of damping Ability of ear to recognize the components Sound is a form of energy Sound is produced by the vibration of the body Sound requires a material medium for its propagation. When sound is conveyed from one medium to another medium there is no bodily motion of the medium Sound can be transmitted through solids, liquids and gases. Velocity of sound is higher in solids and lower in gases. Sound travels with velocity less than the velocity 8 of light. c= 3x 10 V0 =330 m/s at 0° degree Lightning comes first than thunder VT= V0+0.6 T Sound may be reflected, refracted or scattered. It undergoes diffraction and interference. Pitch or frequency Quality or timbre Intensity or Loudness Pitch is defined as the no of vibrations/sec. Frequency is a physical quantity but pitch is a physiological quantity. Mosquito- high pitch Lion- low pitch Quality or timbre is the one which helps to distinguish between the musical notes emitted by the different instruments or voices even though they have the same pitch. Intensity or loudness It is the average rate of flow of acoustic energy (Q) per unit area(A) situated normally to the direction of propagation of sound waves. -
Acoustic Textiles - the Case of Wall Panels for Home Environment
Acoustic Textiles - The case of wall panels for home environment Bachelor Thesis Work Bachelor of Science in Engineering in Textile Technology Spring 2013 The Swedish school of Textiles, Borås, Sweden Report number: 2013.2.4 Written by: Louise Wintzell, Ti10, [email protected] Abstract Noise has become an increasing public health problem and has become serious environment pollution in our daily life. This indicates that it is in time to control and reduce noise from traffic and installations in homes and houses. Today a plethora of products are available for business, but none for the private market. The project describes a start up of development of a sound absorbing wall panel for the private market. It will examine whether it is possible to make a wall panel that can lower the sound pressure level with 3 dB, or reach 0.3 s in reverberation time, in a normally furnished bedroom and still follow the demands of price and environmental awareness. To start the project a limitation was made to use the textiles available per meter within the range of IKEA. The test were made according to applicable standards and calculation of reverberation time and sound pressure level using Sabine’s formula and a formula for sound pressure equals sound effect. During the project, tests were made whether it was possible to achieve a sound classification C on a A-E grade scale according to ISO 11654, where A is the best, with only textiles or if a classic sound absorbing mineral wool had to be used. To reach a sound classification C, a weighted sound absorption coefficient (αw) of 0.6 as a minimum must be reached. -
Advance and Unedited Reporting Material (English Only)
13 March 2018 (corr.) Advance and unedited reporting material (English only) Seventy-third session Oceans and the law of the sea Report of the Secretary-General Summary In paragraph 339 of its resolution 71/257, as reiterated in paragraph 354 of resolution 72/73, the General Assembly decided that the United Nations Open-ended Informal Consultative Process on Oceans and the Law of the Sea would focus its discussions at its nineteenth meeting on the topic “Anthropogenic underwater noise”. The present report was prepared pursuant to paragraph 366 of General Assembly resolution 72/73 with a view to facilitating discussions on the topic of focus. It is being submitted for consideration by the General Assembly and also to the States parties to the United Nations Convention on the Law of the Sea, pursuant to article 319 of the Convention. Contents Page I. Introduction ............................................................... II. Nature and sources of anthropogenic underwater noise III. Environmental and socioeconomic aspects IV. Current activities and further needs with regard to cooperation and coordination in addressing anthropogenic underwater noise V. Conclusions ............................................................... 2 I. Introduction 1. The marine environment is subject to a wide array of human-made noise. Many human activities with socioeconomic significance introduce sound into the marine environment either intentionally for a specific purpose (e.g., seismic surveys) or unintentionally as a by-product of their activities (e.g., shipping). In addition, there is a range of natural sound sources from physical and biological origins such as wind, waves, swell patterns, currents, earthquakes, precipitation and ice, as well as the sounds produced by marine animals for communication, orientation, navigation and foraging. -
Infrasound and Low Frequency Noise of a Wind Turbine
Vibrations in Physical Systems Vol.26 (2014) Infrasound and Low Frequency Noise of a Wind TurBine Malgorzata WOJSZNIS Institute of Applied Mechanics, Poznan University of Technology 3 Piotrowo Street, 60-965 Poznań [email protected] Jacek SZULCZYK Environmental Acoustics Laboratory EKO – POMIAR 4 Sloneczna Street, 64-600 Oborniki [email protected] ABstract The paper presents noise evaluation for a 2 MW wind turbine. The obtained results have been analyzed with regard to infrasound and low frequency noise generated during work of the wind turbine. The evaluation was based on standards and decrees binding in Poland. The paper presents also current literature data on the influ- ence of the infrasound and low frequency noise on a human being. It has been concluded, that the permissible levels of infrasound for the investigated wind turbine were not exceeded. Keywords: low frequency noise, infrasound, wind turbine 1. Introduction Research that has been conducted in the world for many years shows that noise can be described as sound below and above so called hearing threshold . It can be assumed that the infrasound , which cannot be heard by a human being, concerns frequencies below 20 Hz, and the ultrasound concerns frequencies above 20 kHz [1]. We receive it as me- chanical vibrations of the medium it passes through, transferring energy from the source in the form of acoustic waves. Puzyna in [1] describes infrasound as infraaccoustic vi- brations . Some investigations show that for some people the hearing level begins already at 16Hz, and sometimes even at 4Hz. Such a phenomenon occurs at appropriate condi- tions and at a high level of sound pressure [2]. -
Auditory and Visual System White Matter Is Differentially Impacted by Normative Aging in Macaques
The Journal of Neuroscience, November 11, 2020 • 40(46):8913–8923 • 8913 Behavioral/Cognitive Auditory and Visual System White Matter Is Differentially Impacted by Normative Aging in Macaques Daniel T. Gray,1,2 Nicole M. De La Peña,1,2 Lavanya Umapathy,3 Sara N. Burke,4 James R. Engle,1,2 Theodore P. Trouard,2,5 and Carol A. Barnes1,2,6 1Division of Neural System, Memory and Aging, University of Arizona, Tucson, Arizona 85724, 2Evelyn F. McKnight Brain Institute, University of Arizona, Tucson, Arizona 85724, 3Electrical and Computer Engineering, University of Arizona, Tucson, Arizona 85724, 4Evelyn F. McKnight Brain Institute, University of Florida, Gainesville, Florida 32609, 5Department of Biomedical Engineering, University of Arizona, Tucson, Arizona 85724, and 6Departments of Psychology, Neurology and Neuroscience, University of Arizona, Tucson, Arizona 85724 Deficits in auditory and visual processing are commonly encountered by older individuals. In addition to the relatively well described age-associated pathologies that reduce sensory processing at the level of the cochlea and eye, multiple changes occur along the ascending auditory and visual pathways that further reduce sensory function in each domain. One fundamen- tal question that remains to be directly addressed is whether the structure and function of the central auditory and visual systems follow similar trajectories across the lifespan or sustain the impacts of brain aging independently. The present study used diffusion magnetic resonance imaging and electrophysiological assessments of auditory and visual system function in adult and aged macaques to better understand how age-related changes in white matter connectivity at multiple levels of each sensory system might impact auditory and visual function. -
Large Scale Sound Installation Design: Psychoacoustic Stimulation
LARGE SCALE SOUND INSTALLATION DESIGN: PSYCHOACOUSTIC STIMULATION An Interactive Qualifying Project Report submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science by Taylor H. Andrews, CS 2012 Mark E. Hayden, ECE 2012 Date: 16 December 2010 Professor Frederick W. Bianchi, Advisor Abstract The brain performs a vast amount of processing to translate the raw frequency content of incoming acoustic stimuli into the perceptual equivalent. Psychoacoustic processing can result in pitches and beats being “heard” that do not physically exist in the medium. These psychoac- oustic effects were researched and then applied in a large scale sound design. The constructed installations and acoustic stimuli were designed specifically to combat sensory atrophy by exer- cising and reinforcing the listeners’ perceptual skills. i Table of Contents Abstract ............................................................................................................................................ i Table of Contents ............................................................................................................................ ii Table of Figures ............................................................................................................................. iii Table of Tables .............................................................................................................................. iv Chapter 1: Introduction ................................................................................................................. -
The Audiogram
Recently,Recently, I’veI’ve been trying to orga- evaluations, and they are truly im- nize some of the columns and articles pressive, the information and insights RI’veI’ve written overover the past ten years.years. provided by the simple audiogram As I was looking through them, it be- can still provide the most pertinent came apparent that I’ve neglected to information to explain the behavioral discuss what is perhaps the implications of a hearing loss. most important hearing di- Perhaps the most important in- mension of all, the simple sight of all is an appreciation of how The audiogram. specifi c audiograms impact upon the In reality, however, perception of certain speech sounds. the “simple” audiogram, Without including speech in the Audiogram: and particularly its im- equation, it is simply not possible to Audiogram: plications, is not quite so intelligibly discuss the audiogram. simple. Even though just This, after all, is the signal we are about everybody who re- most interested in hearing (not to Explanation ceives a hearing aid has his minimize the specifi c needs of certain or her hearing tested with groups of people for other types of a pure-tone audiometer, sounds, such as musicians). and not everybody receives a comprehensive explanation Figure One Audiogram — of exactly what the results The “Speech Banana” Signifi cance mean and what the impli- cations are for them. The audiogram of a fairly typical And even for those who audiogram can be seen in Figure 1. do, at a time when prospec- (My thanks to Brad Ingrao for creat- By Mark Ross tive hearing aid purchasers ing these fi gures for me.) Let’s fi rst go are being inundated with through the fundamentals. -
Infrasound and Ultrasound
Infrasound and Ultrasound Exposure and Protection Ranges Classical range of audible frequencies is 20-20,000 Hz <20 Hz is infrasound >20,000 Hz is ultrasound HOWEVER, sounds of sufficient intensity can be aurally detected in the range of both infrasound and ultrasound Infrasound Can be generated by natural events • Thunder • Winds • Volcanic activity • Large waterfalls • Impact of ocean waves • Earthquakes Infrasound Whales and elephants use infrasound to communicate Infrasound Can be generated by man-made events • High powered aircraft • Rocket propulsion systems • Explosions • Sonic booms • Bridge vibrations • Ships • Air compressors • Washing machines • Air heating and cooling systems • Automobiles, trucks, watercraft and rail traffic Infrasound At very specific pitch, can explode matter • Stained glass windows have been known to rupture from the organ’s basso profunda Can incapacitate and kill • Sea creatures use this power to stun and kill prey Infrasound Infrasound can be heard provided it is strong enough. The threshold of hearing is determined at least down to 4 Hz Infrasound is usually not perceived as a tonal sound but rather as a pulsating sensation, pressure on the ears or chest, or other less specific phenomena. Infrasound Produces various physiological sensations Begin as vague “irritations” At certain pitch, can be perceived as physical pressure At low intensity, can produce fear and disorientation Effects can produce extreme nausea (seasickness) Infrasound: Effects on humans Changes in blood pressure, respiratory rate, and balance. These effects occurred after exposures to infrasound at levels generally above 110 dB. Physical damage to the ear or some loss of hearing has been found in humans and/or animals at levels above 140 dB. -
Determination of Speed of Sound in the Air Using Kundt's Tube. the Exercise Aims to Determine the Speed of Sound in the Air with Kundt's Pipe's Application
Determination of speed of sound in the air using Kundt's tube. The exercise aims to determine the speed of sound in the air with Kundt's pipe's application. 1. Theory Waves could be divided into three main types: 1. Mechanical waves – waves propagate as an oscillation of the medium, for example, sea waves, sound waves and seismic waves. They are propagating consistent with classical physics laws and can exist only in water, air or solid-state. 2. Electromagnetic waves – waves propagate as continuous changes of electric and magnetic fields. This kind of waves doesn't require a medium, and it can propagate in a vacuum. Light, radio waves, TV waves, microwaves, X-rays are examples of electromagnetic waves. They propagate with the speed of light. 3. Matter waves – waves related to all objects in motion. The wavelength of matter waves is given by ℎ ℎ de Broglie formula λ = = . It is easier to detect matter waves of particles (e.g. electrons) than 푚푣 푝 heavy objects like a human. The waves can be divided into two types depending on the oscillation medium's direction with respect to wave propagation direction. If the oscillation direction is perpendicular to the propagation's direction, this kind of wave is called the transverse wave. If the oscillation direction is parallel to the propagation's direction, this kind of wave is called a longitudinal wave. A following formula is used to describe the propagation of the harmonic wave : 푦(푥, 푡) = 퐴 푠푖푛(푘푥 − ω푡), where: 푦(푥, 푡, ) – displacement as a function of position x and time t, A – amplitude of the wave, k – wavenumber equal to 2π/λ, where λ is a wavelength (distance between to minimum or maximum of the wave) ω – circular frequency equal to 2π/T, where T means oscillation period (kx-ωt) – phase of the wave. -
XTRACT - Standardised Protocols for Automated Tractography in the Human and Macaque Brain”
Supplementary Materials for “XTRACT - Standardised protocols for automated tractography in the human and macaque brain” Warrington S1, Bryant KL2,3, Khrapitchev AA4, Sallet J5, Charquero-Ballester M6, Douaud G3, Jbabdi S3*, Mars RB2,3*, Sotiropoulos SN1,3,7* 1Sir Peter Mansfield Imaging Centre, School of Medicine, University of Nottingham, UK 2Donders Institute for Brain, Cognition, & Behaviour, Radboud University NiJmegen, NiJmegen, Netherlands 3FMRIB, Wellcome Centre for Integrative Neuroimaging, Nuffield Department of Clinical Neurosciences, John Radcliffe Hospital, University of Oxford, Oxford, UK 4CRUK and MRC Oxford Institute for Radiation Oncology, Department of Oncology, University of Oxford, UK 5Wellcome Centre for Integrative Neuroimaging - Department of Experimental Psychology, University of Oxford, UK 6Department of Psychiatry, University of Oxford, UK 7National Institute for Health Research (NIHR) Nottingham Biomedical Research Centre, Queens Medical Centre, Nottingham, UK *Equal contribution Corresponding author: Stamatios Sotiropoulos ([email protected]) Thiebaut de Wakana1 Catani2 Hua3 Zhang4 Yendiki6 de Groot7 Wassermann8 Tract Schotten5 (N=4) (N=12) (N=28) (N=10) (N=67) (N=60) (N=97) (N=40) Acoustic Radiation P Anterior Commissure P P Anterior Thalamic P P P P P Radiation P (Arcuate and Arcuate Fasciculus P anterior, long P and posterior segments) Cingulum subsection: P P P P P Dorsal Cingulum subsection: P P P P P P P P Peri-genual Cingulum subsection: Temporal P (Rostrum, rostral Corpus Collosum