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the rolling stones 50 for 50 years

In Association with ABKCO Music, Inc. Produced by 85 Fifth Avenue Alfred Music New York, New York 10003 P.O. Box 10003 abkco.com Van Nuys, CA 91410-0003 alfred.com

All rights reserved. Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9517-X | ISBN-13: 978-0-7390-9517-1

Cover Photo: Terry O’Neill, Getty Images 2

Foreword

In honor of ’ 50th anniversary, The third American studio —The Rolling ABKCO Music, Inc., the Stones’ publishing Stones, Now! (1965)—has several tracks from company for songs composed by the group from The Rolling Stones No. 2, but also includes four their tentative but promising early 1960s efforts Jagger-Richard songs, most notably the hit through the end of the decade, is issuing a “Heart of Stone.” In retrospect, it’s a harbinger of songbook, The Rolling Stones: 50 Songs for the 1965 follow-up album , which 50 Years. has great covers from the likes of and , but a total of six originals, including The songs are among the most famous of the the landmark hits “The Last Time” and especially Stones’ classics and were selected according to “( Can’t Get No) Satisfaction.” These, along with sales and airplay data, but also—and perhaps most “As Tears Go By,” “,” and significantly—their stature in the development of “I’m Free,” all from next U.S. album, December’s and as one of the greatest Children (And Everybody’s) (1965), show that songwriting partnerships in rock ’n’ roll history. Jagger and Richards had hit their stride among But it started slowly. The Stones’ April 1964 debut the top songwriting teams, not only of the British album, The Rolling Stones, which came out in the Invasion, but of 1960s rock as a whole. U.S. the following month with a slightly different Not to say these early Stones gems were formulaic, tracklist as well as the added title “England’s Newest but they were readily identifiable well beyond Mick Hit Makers,” features the Jagger-Richards tune Jagger’s inimitable voice. He and Richards had hit “Tell Me”—the group’s first original A-side single— on one of the most winning formats in rock and two other originals credited to , history, fitting appropriate lyrics that spoke openly a pseudonym for Jagger, Richards, , and honestly to their generation on to fundamental , and , as well as Andrew rock guitar riffs and rhythm tracks. Loog Oldham, their manager, producer, and “conceptualist.” The rest of the record, though, was And as the Stones would rival in output made up mostly of and R&B covers from the and popularity throughout the remainder of the ’60s, likes of , Slim Harpo, Jimmy Reed, they would also match the Fab Four almost head-to- Willie Dixon, and . head in compositional creativity.

The second U.K. album, The Rolling Stones No. 2 This is apparent from the first song and lead single (1965), follows suit with covers from Berry, Muddy on the U.S. version of Aftermath (1966), which was Waters, and Allen Toussaint, among others, though the first Stones album to be recorded completely in the second American album, (1964), offers a the U.S. (at RCA Studios in Hollywood) and the first few more Phelge and Jagger-Richards titles, as well to have all Jagger-Richards songs. as the Stones’ hit cover of ’s “It’s All Over Now.” 3

The single, “Paint It, Black” stands out instantly By 1969, The Rolling Stones were truly at the height due to Brian Jones’ stunning use of the , which of their songwriting prowess. Virtually the entire Let It had pioneered a year earlier on Bleed album—the title track, the apocalyptic “Gimme “Norwegian Wood.” Shelter,” “Country Honk” (the hillbilly companion to big hit “”), the rare Richards lead Jones further textures the album with other vocal “You Got the Silver,” the ominous “Midnight comparatively exotic instruments including Rambler,” and the cynical yet affirmative anthem “You Appalachian dulcimer (on “Lady Jane”) and Can’t Always Get What You Want”—merits inclusion (“”). in any compilation of key Rolling Stones songs. The musical range of the Stones’ songs extends The Stones then finished their extraordinarily fruitful further on (1967), particularly ABKCO era with such monster hits and album tracks the lead single “Ruby Tuesday,” which features as “Brown Sugar,” “Wild Horses,” and “Can’t You Jones’s evocative recorder. The single stands out, Hear Me Knocking,” showing a new approach fueled too, for being two-sided, with one of the Stones’ by the fresh guitar play of , who replaced sauciest songs, “Let’s Spend the Night Together,” Jones in 1969. on the flip. But another single from the period, “Mother’s Little Helper,” exemplifies the Jagger- That the songs in The Rolling Stones: 50 Songs for Richards lyrical reach by tackling prescription drug 50 Years, which also contains such historic hits as abuse by overworked and overwhelmed housewives. “Jumpin’ Jack Flash” and rarities like “Memo from Turner” (from the Jagger-starring 1968 filmPerfor - Both sides of the composing team’s mastery peaked mance), are as viable today as when they were writ- in 1967 with Their Satanic Majesties Request, an ten is obvious from last year’s Rolling Stones 50th underappreciated musical masterwork that at least Anniversary Tour set list, virtually one-half of which stands alongside The Beatles’ Sgt. Pepper’s Lonely was made up of ABKCO songs from the band’s first Hearts Club Band, for an ambition fully realized on 10 years. songs like the gorgeous single “She’s a Rainbow” and its sci-fi followup “2000 Light Years from Home.” But not only do these songs live on in concert—they continue to be heard on radio, movies, and television Psychedelic detours aside, the band was back on (indeed, Mercedes-Benz’s 2013 Super Bowl track on (1968), with concerns commercial used “”), not to covering the working class (“Factory Girl” and “Salt mention Rolling Stones covers and tribute . of the Earth”), politics (“Sympathy for the Devil” and And they are a big reason why Mick Jagger and “”), and personal despair (“No Keith Richards were inducted into the prestigious Expectations” and the tongue-in-cheek “Dear Hall of Fame in 1993. Doctor”). “Sympathy for the Devil,” incidentally, is the subject of a 1968 film by legendary French director Jim Bessman Jean-Luc Godard, who brilliantly documented how the complex song was constructed in the studio. ABKCO Years

England’s Newest 12 x 5 Hit Makers Not Fade Away Confessin’ the Blues Route 66 Empty Heart I Just Want to Make Love to You Good Times, Bad Times Honest I Do It’s All Over Now Now I’ve Got a Witness 2120 South Michigan Avenue Little by Little I’m a King Bee Congratulations Carol Grown Up Wrong Tell Me Can I Get a Witness Susie Q You Can Make It If You Try Walking The Dog

The Rolling Out of Our Heads Stones, Now! Mercy, Mercy Everybody Needs Somebody Hitch Hike to Love The Last Time Down Home Girl That’s How Strong My Love Is You Can’t Catch Me Good Times Heart of Stone I’m Alright What a Shame (I Can’t Get No) Satisfaction Mona (I Need You Baby) Down the Road a Piece The Under Assistant West Off the Hook Coast Promotion Man Pain in My Heart Play with Fire Oh Baby The Spider and the Fly (We Got a Good Thing Goin’) One More Try Surprise, Surprise

Out Of Our Heads December’s (UK) Children She Said Yeah (and Everybody’s) Mercy, Mercy She Said Yeah Hitch Hike Talkin’ About You That’s How Strong My Love Is You Better Move On Good Times Look What You’ve Done Gotta Get Away The Singer Not the Song Talkin’ About You Route 66 Cry to Me Get Off of My Cloud Oh Baby I’m Free (We Got a Good Thing Goin’) As Tears Go By Heart of Stone Gotta Get Away The Under Assistant West Blue Turns To Grey Coast Promotion Man I’m Movin’ On I’m Free Discography

Aftermath Aftermath (UK) Paint It, Black Mother’s Little Helper Stupid Girl Stupid Girl Lady Jane Lady Jane Under My Thumb Under My Thumb Doncha Bother Me Doncha Bother Me Think Going Home Flight 505 Flight 505 High and Dry High and Dry It’s Not Easy Out of Time I Am Waiting It’s Not Easy Going Home I Am Waiting Take It or Leave It Think What to Do

Got Live If Between the You Want It! Buttons Under My Thumb Let’s Spend the Night Together Get Off of My Cloud Yesterday’s Papers Lady Jane Ruby Tuesday Not Fade Away Connection I’ve Been Loving You Too Long She Smiled Sweetly Fortune Teller Cool, Calm and Collected The Last Time All Sold Out My Obsession Time Is on My Side Who’s Been Sleeping Here? I’m Alright Complicated Have You Seen Your Mother, Miss Amanda Jones Baby, Standing in the Shadow? Something Happened (I Can’t Get No) Satisfaction to Me Yesterday

Between the Flowers Buttons (UK) Ruby Tuesday Yesterday’s Papers Have You Seen Your Mother, My Obsession Baby, Standing in the Shadow? Let’s Spend the Night Together Connection Lady Jane She Smiled Sweetly Out of Time Cool, Calm and Collected My Girl All Sold Out Back Street Girl Please Go Home Please Go Home Who’s Been Sleeping Here? Mother’s Little Helper Complicated Take It or Leave It Miss Amanda Jones Ride On, Baby Something Happened Sittin’ on a Fence to Me Yesterday 10

Contents

Title Page

19th Nervous Breakdown...... 12 2000 Light Years from Home...... 19 As Tears Go By...... 24 Back Street Girl...... 26 Bitch...... 40 Brown Sugar...... 30 Can’t You Hear Me Knocking...... 47 Child of the Moon (rmk)...... 60 Country Honk...... 64 Dandelion...... 67 Dead Flowers...... 72 Dear Doctor...... 80 Factory Girl...... 84 Get Off of My Cloud...... 86 ...... 90

Have You Seen Your Mother, Baby, Standing in the Shadow?...... 110 Heart of Stone...... 100 Honky Tonk Women...... 104 I’m Free...... 113 It’s All Over Now...... 116 Jigsaw Puzzle...... 137 Jumpin’ Jack Flash...... 122 Lady Jane...... 128 The Last Time...... 134 ...... 142 Let’s Spend the Night Together...... 156 ...... 150 Memo from Turner...... 161 ...... 168 Monkey Man...... 183 Mother’s Little Helper...... 190 ...... 193 Out of Time...... 196 Paint It, Black...... 206 ...... 200 11

Play with Fire...... 204 Ruby Tuesday...... 215 Salt of the Earth...... 218 (I Can’t Get No) Satisfaction...... 223 She’s a Rainbow...... 228 The Spider and the Fly...... 235 ...... 242 Street Fighting Man...... 247 Stupid Girl...... 250 Sway...... 290 Sympathy for the Devil...... 258 Under My Thumb...... 264 Wild Horses...... 268 You Can’t Always Get What You Want...... 276 You Got the Silver...... 286

Guitar Riffs

Title Page

19th Nervous Breakdown...... 298 Bitch...... 298 Brown Sugar...... 299 Can’t You Hear Me Knocking...... 300 Get Off of My Cloud...... 301 Gimme Shelter...... 302 Honky Tonk Women...... 303 Jumpin’ Jack Flash...... 305 The Last Time...... 307 Let’s Spend the Night Together...... 307 Midnight Rambler...... 308 Monkey Man...... 309 Paint It, Black...... 310 (I Can’t Get No) Satisfaction...... 310 Street Fighting Man...... 311 You Can’t Always Get What You Want...... 311 12 19th NERVOUS BREAKDOWN

Words and Music by MICK JAGGER and KEITH RICHARDS Moderately fast = 184 q Intro: E 7fr.

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19th Nervous Breakdown - 7 - 1 © 1966 (Renewed) ABKCO MUSIC, INC., 85 Fifth Avenue, New York, NY 10003 All Rights Reserved 13

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19th Nervous Breakdown - 7 - 2