DOCSLIB.ORG

Reviews John the Revealator Freeform American

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Reviews John the Revealator Freeform American MARTI BROM #165/254 OCTOBER 2010 REVIEWS (o r not) o BENNETT BRIER o JOHN COLTRANE THE FABULOUS GINN SISTERS # ELIZABETH McQUEEN o DB RIELLY o SONNY ROLLINS JOHN THE REVEALATOR HANK WILLIAMS FREEFORM AMERICAN o ROOTS #134 ‘n o n e o f THE HITS, ROOTS BIRTHS ALL OF & DEATHS THE TIME’ “THSCUTTISQ EDGE” [Tenfion & Rom ance 3 5 0 r® Available at Amazon.com and finer record stores near you! A tribute to the musical legacy of DC I i III MNP (III p. juipuppvjiapnpvpKpfppv p. (III I iMNP III www.ripsawrecords.com FREEFORM AMERICAN ROOTS #134 T he D efinitive JOHN COLTRANE REAL MUSIC PLAYED FOR REAL PEOPLE BY REAL DJS O n P restige & R iverside d u r in g SEPTEMBER 2010 T he D efinitive SONNY ROLLINS #1 YVETTE LANDRY: S hould Have Known O n P restige. R iverside & C ontemporary (self) *BP/*BW/*CS/*DWB/*GS/*HT/*LMG/*RC/*RH/*TFF/*TG (Concord Music Group) 2 Caleb Klauder: Western Country (Quicksilver) reaking format somewhat here, but bear with me while I take a trip down Memory *BG/*HP/*KC/*LN/*RS/*RV/*TM BLane. Many (many) years ago, when I was trying to make the transition from 3 Justin Townes Earle: Harlem River Blues (Bloodshot) gawky teenager to cool young adult, which turned out to be a long term project, in *CF/*DF/*DN/* KW/* SC/* T A fact I’m still working on it, though the ‘young’ part of the equation is, of course, a 4 Eric Brace A Peter Cooper: Master Sessions (Red Beet) dead loss, I became the project of a slightly older coworker at a St Pancras branch *DS/*GM/*JW/*RJ/*TF library, who decided to further my education by introducing me to her main 5 Lucky Tomblin Band: Honky Tonk M erry Go Round interests, modern jazz, reefer and cunnilingus. You could learn a lot from Lydia. (Texas World) *GF/*SH Early on, she marched me to a Camden Town record store and picked out Giant 6 Marty Stuart Ghost Train: The Studio B Sessions Steps, Saxophone Colossus, Art Pepper Meets The Rhythm Section, Gerry (Sugar Hill) *NA Mulligan Meets Ben Webster, Soul Station, Blues & Rootsand 10 To 4 At 7 Lynne Hanson: Once the Sun Goes Down (self) *AN/*FS/*TW The Five Spot (she had a thing for saxes). I remember these well, partly because I 8 Elizabeth McQueen: The Laziest Girl in Town (Freedom) played them to death, partly because, import LPs, they pretty much ate one my first *MT/*TR paychecks, but apart from giving me the illusion, priceless at that age, of being a 9 Halden Wofford A The Hi Beams: Sinners A Saints (self) hipster, flipster and finger poppin’ daddy, those albums opened up a whole new world *DA/*JH/*R78 of intense, focussed and absolutely superlative musicianship. Don’t get me wrong, 10 Robert Plant: Band O f Joy (Decca) *KR/*WR I loved rockabilly and rock & roll, but let’s face it, there has never been a drummer, 11 Mavis Staples: You Are Not Alone (Anti-) *JP/*MDT/*TPR for instance, in the whole history of rock even remotely in the same class as Buddy 12 Eilen Jewell: Butcher Holler, A Tribute to Loretta Lynn Rich or Tony Williams (just for starters). (Signature Sounds) *DT Modern jazz was my passion for about ten years—then came fusion and I 13 Max Stalling: Home To You (Blind Nello) * 0 0 completely lost my taste for it about halfway through Bitch’s Brew,and, thanks to 14 Asleep A t The Wheel w/Leon Rausch: I t ’s a Good Day! Gram Parsons, turned my attention to an heretofore minor side interest in country (Bismeaux) *TB music, though without a personal muse to guide me, that was a journey fraught with 15= Trevor Alguire; Now Before Us (self) *HA/*RF missteps and dead ends. Apart from occasionally catching Dan Klein’s Lush Life Donna Beasley: Under The Rushes ( Bless Her Heart) *KD/*MP on KSYM, San Antonio, I’ve hardly heard any jazz since 1970, so I had no idea how 16 Los Lobos: Tin Can Trust (Proper) *XE revisiting these old ‘friends’ would go, and was rather amazed to find that tracks like 17= DB Rielly: Love Potions And Snake Oil (Shut Up A Play!) *JT ’RoundMidnight, Russian Lullaby, Moving Out and Blue 7 are apparently hardwired Paul Thorn: Pimps And Preachers (Perpetual Obscurity) *EW into my memory, like the last 40 years never happened. I doubt I’ll ever be sent any 18= Sherry Austin: Love Still Remains (Barking Topiary) *DJ/*MF more jazz albums, certainly won’t be asking for any, but if Coltrane and Rollins are John Mellencamp: No Better Than This (Rounder) *NAT no longer my drug of choice, I can still get high on them. JC 19 Steeldrivers: Reckless (Rounder) *AB 20 Shinyribs: Well A fte r Awhile (Nine Mile) *MM S ongs B y BENNNET BRIER 21 The Molenes: Good Times Cornin' (self) *BB/*DG/*GG 22= Rachel Harrington:¡nato Celilo Falls (SKD) *JB r-MO U W 1 ¿1X1 u James Hyland A The Joint“ Chiefs:i * Celestial............... Navigation ig< (self & & & .5) (Ananaki) *EE eason for the somewhat unusual titling is that while Brier wrote the songs, he 23 = Amber Digby A Justin Trevino: Keeping UjJp Appearances Rdoesn’t actually sing them, instead handing off lead vocal duties to Jay Sims, (H(Heart Of------ Texas) *TS who also produced the album, and is assisted by Stephen Doster, lead guitar/backup Leyla Fences: Liars, Cheats A Fools (self) *RMT vocals and James Stevens, backup vocals. This is, of course, a very rare arrangement, Red Meat: Live At The World's Smallest Honky Tonk offhand I can only think of one other similar case, Lady Liberty (2000), on which (Ranchero) *CP Leeann Atherton sang Mike Stevenson’s songs—songwriters, post-Dylan, generally Yarn: Come On In (Yarn Music) *MW being unfazed by the fact that they can’t sing worth a damn. Bennett, originally from 24= Ryan Bingham A The Dead Horses: Junky Star (Lost Highway) Beaumont, goes quite a way back, drawing his inspiration from artists he saw at the The Cedar Squeezers: El Chupacabra (self) legendary emmajoe’s, and he does himself no harm with me by citing Butch Hancock Runaway Express: Howlin’ A t The Moon (Raven) *RG as an influence, even if he is #4 in an otherwise rather banal list (Dylan? Really?), and 25 Chatham County Line: Wildwood (Yep Roc) *EB while it’s hard to see much Hancock in his writing, except the length, one song runs 26 Tom Jones: Praise A Blame (Lost Highway) *CR to almost eight minutes, he’s obviously very clear on one Butchian priority—putting 27= Deke Dickerson A The Modern Sounds: Live At Duff's the words across. This may explain why the initial positive response to his second (Ventrella/Major Label) album comes from Europe, where they do like to be able to understand the songs, Doctor G A The Mudcats: My Daddy’s Blues especially when they’re pretty good songs. If he’s not as edgy as I generally prefer, (Cheatham Street) *DB Brier is a skilled craftsman, and Sims does him proud. JC Leroy Stagger: Little Victories (Rebeltone) *SR Dale Watson; Carryin’ On (El) *LB HANK WILLIAMS T he C omplete M other’s B est R ecordings ... Com pact Dises P lus! Records * Video (Time Life, 16 CDs limited edition box set) uurá%mi“e i n ár%g*% aybe some reviewers got the whole package, 16 CDs plus 100 page book by I n f wm m Z r Wife Him# Colin Escott encased in a reproduction antique radio, but on the whole getting WMH Mww» 9mt i 1 Mkun M •WKk-A Hwth Um «t Auatta, UK 7* 70« a sampler was enough for me. It’s not that I mind the cheesy hype for Mother’s Best, w w w .w jlw lflOT c orAa.cMfm in fact, for a while it’s rather endearing, but there’s so much of it, and, let’s face it, there’s only so many ways you can talk up self-raising flour, even if it is enriched with WHERE MVS-fC STÍLL MATTERS vitamins and iron. On top of that, a look at the listings for the 72 fifteen minute shows, recorded on WSM in 1951, reveals that there’s an awful lot of Audrey, when just about any Audrey is too much. One must applaud Time Life for this monumental archive, A lbum of the Month *XX = DJ’s and Williams and his guys sound pretty chipper for 7am, but between Mercury’s Freeform American Roots is compiled from reports provided by 140 freeform DJs. ill-named Complete and Time Life’s own 2009 The Unreleased Recordings,I More information can be found at http://tcmnradio.com/far/ think most people would be pretty much set for Hank. JC MÊBÊ[ÊIÊÊIIIIiÊÊiÊBÊÊÊÊÊÊÊÊËÊÊÊÊÊÊÊÊÊÊlÊÊIÊÊÊÊÊÊÊItÊÊÊÊÊÊÊIÊÊÊÊÊÊÊÊK. COW INLAND AUJIC c o u n tr y ,sdowaatv, h g n r v t c m ;w e $rem, s w in g a n d a u ..stc^ s a io n c tht w a y NOW AVAILABLE ON COW »U N O MUSIC; Kikherr Rod*o, the debyf release horn Austin v singer/songwriter TERI JOYCE VOTED 2009 Of BUT ALBUM OF THE YEAR BY FAR DJS FROM AROUND THE WORLD! “f'ra waited a long time (or thin record, and my onceaiiiticolly high expectations hare acteoify been exceeded," -Omcon Warwick, Editor, Live Music In Country Music People 'Terr Joyce is iimpfy on extraordinary songstress, Texas style,“ »Rosie Fiores Deep South Austin Every Monday: Mad Monday Song Swap P.O.BOX I | NORTHAMPTON, MASS 01061 I www.cowislandmusic.com with Glen Collins, 6pm Every Wednesday: Open Mic Night Buy-Sell-Trade with Joe Gee & Greg Duffy 8.30 1st Bob Appel 5pm, Arty Hill, 8pm 2928 Guadalupe 2nd, Glen Collins, 8pm ¿Austin, Tx.
Load more

Recommended publications
  • Steve Cropper | Primary Wave Music
    STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band.
    [Show full text]
  • Part 05.Indd
    PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi.
    [Show full text]
  • Justin Townes Earle Returns with ​Kids in the Street
    JUSTIN TOWNES EARLE RETURNS WITH KIDS IN THE ​ STREET MAY 26th, 2017 VIA NEW WEST RECORDS ​ BILLBOARD PREMIERES “MAYBE A MOMENT” ​ ​ VIDEO TODAY TO APPEAR AT STAGECOACH FESTIVAL THIS WEEKEND SPRING TOUR DATES WITH THE SADIES AS HIS BACKING & SUPPORT BAND ANNOUNCED “Justin Townes Earle’s Kids In The Street is his finest album to date.” UPROXX ​ Justin Townes Earle is set to release his New West Records debut Kids In The Street ​ on May 26th. The 12-song set was produced by Mike Mogis (Bright Eyes, First Aid Kit) at his ARC Studios, and is the first time in his career that Earle has worked with an outside producer. Kids In The Street marks a decade into Earle’s recording career and ​ follows his acclaimed companion albums Single Mothers (2014) and Absent Fathers ​ ​ ​ (2015). The deeply soulful set is both emotionally riveting and effortlessly uplifting. Now embracing sobriety, marriage, and impending fatherhood, Earle is enthusiastically looking to the future. “Life has changed a lot for me in the last few years,” Earle reflects. “I got married and am getting ready to become a father, and this is the first record that I’ve written since I’ve been married. There’s definitely an uplifting aspect to this record in a lot of ways, because I’m feeling pretty positive.” He continues, “When I wrote songs in the past, I was looking in on what I was feeling, but this record’s more about looking outward on what’s happening, and writing about subjects like gentrification and inner city strife.
    [Show full text]
  • TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
    THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much.
    [Show full text]
  • April May June
    May 2005 vol 40, No.5 April 30 Sat Songs and Letters of the Spanish Civil War, co-sponsored with and at the Peoples’ Voice Cafe May 1 Sun Sea Music Concert: Dan Milner, Bob Conroy & Norm Pederson + NY Packet; 3pm South St.Melville Gallery 4WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 9 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm 15 Sun Sacred Harp Singing at St. Bart’s, Manhattan; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church, Bronx 20 Fri Bill Staines, 8pm at Advent Church ☺ 21 Sat For The Love of Pete; at Community Church 22 Sun Gospel & Sacred Harp Sing, 3pm: location TBA 22 Sun Balkan Singing Workshop w/ Erica Weiss in Manhattan 22 Sun Sunnyside Song Circle in Queens; 2-6pm 27-30 Spring Folk Music Weekend --see flyer in centerfold June 1WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 2 Thur Newsletter Mailing; at Club office, 450 7th Ave, #972, 7 pm 7 Tue Sea Music Concert: Mick Moloney + NY Packet; 6pm South Street Seaport Melville Gallery 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm 13 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Tue Sea Music Concert: The NexTradition + NY Packet; 6pm 16 Thur: Sara Grey & Kieron Means; location to be announced 19 Sun Sacred Harp Singing at St.
    [Show full text]
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER Hank Williams TITEL The Legend Begins LABEL Bear Family Records KATALOG # TL 17258 PREIS-CODE CP FORMAT 3 CDs mit 16-seitigem Booklet GENRE Country ANZAHL TITEL 61 SPIELDAUER 70:35 G 3CDs im Schuber, 16-seitiges Booklet, 61 Einzeltitel. G Unglaublich, doch wahr! Es gibt noch immer unveröffentlichte Aufnahmen von Hank Williams zu entdecken. INFORMATIONEN Diese Momentaufnahmen zeigen einen Fünfzehnjährigen, der seine ersten Aufnahmen macht und – zwei Jahre später – einen schnodderigen jungen Sänger mit einer kleinen Fangemeinde in seiner Heimatstadt Montgomery, Alabama. Weitere neun Jahre später, soeben in Nashville angekommen, bekommt er seine erste landesweit ausgestrahlte Radiosendung. Schließlich, als der größte Star der Country Music, spielt er ab Herbst 1950 einige Shows für eine öffentliche Stiftung. Zwei Jahre nach der letzten dieser Shows sollte seine kurze, aufwieglerische Karriere abrupt zu Ende gehen. 1938 oder 39, Hank war fünf- zehn und litt nicht unter mangelndem Selbstbewußtsein, nahm er Fan It,einen ursprünglich dem Bluesmusiker Frankie 'Half Pint' Jackson zugeordneten Song auf. Die Rückseite war eine Version von Alexander's Ragtime Band. Zwei Jahre später, bei einer Wohnzimmer-Session im Jahre 1940, klingt Hank reifer und seine Musik 'rockte' im Vergleich zu dem, was man im Radio zu hören bekam. Die ersten Aufnahmen für die 'Health and Happiness'-Shows entstanden wohl im Oktober 1949 in Nashville. Auf dieser Zusammenstellung gibt es die Aufnahmen erstmals original und unverfälscht und ohne störende zusätzliche 'overdubs'. Diese Edition umfaßt einen Zeitraum von zwölf Jahren und dokumentiert Hanks Aufstieg vom 'singenden Jungen' beim Hei- matsender WSFA in Alabama zum alles überragenden Country-Star seiner Zeit.
    [Show full text]
  • I See Hawks in L.A. Release Their Tenth Album, on Our Way, New Directions Spun from Strange Times, Set for August 27 Release
    FOR IMMEDIATE RELEASE June 26, 2021 I SEE HAWKS IN L.A. RELEASE THEIR TENTH ALBUM, ON OUR WAY, NEW DIRECTIONS SPUN FROM STRANGE TIMES, SET FOR AUGUST 27 RELEASE LOS ANGELES, Calif. — “It was the best of times, it was the worst of times” has earned its hoary immortality in Memeville. That’s how it was from February 2020 onward. That’s how it hit I See Hawks in L.A., who played their final live show at Ben Vaughn’s Wonder Valley Festival. The evening was charged, Ben and the Hawks (as ISHILA is otherwise known) pushing against the unknown at the edge of the desert night. I See Hawks in L.A. — who will release their first post-pandemic album, On Our Way, on August 27, 2021 — tell the rest of story in their own words: And then, well you know. Le lockdown. For I See Hawks in L.A., it was disruptive, but we’re drawn to disruption, we create disruption, it’s a creative source, and here it was handed to us writ large by global fate. How do little old us ride this floodwave? We dove in, digitally. Without ever playing music in the same room. As was near universal for musicians, reality was the all-embracing screen, cyber images that sang and played drums and guitar. Rob and Paul went on an uncharacteristically locked-in songwriting schedule, every Friday facetiming it at the crack of 4 p.m., quite a challenge (you can't play guitars at the same time) — but also an oasis from chaos.
    [Show full text]
  • Adams Avenue Street Fair
    FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, Tfolk, gospel, and bluegrass music news September-October 2004 THIRD ANNIVERSARY ISSUE Vol. 4, No. 1 official program adams ave. street fair - what to see , where to 7 S t a g e s • 8 0 M u s i c a l A c t s • go , how to get there • O s v Welcome ………………3 e h Street Fair Headliners …8 r t Performing Artists …10-19 o 4 o Schedules, Map ………12 0 B 0 s F P t Welcome Mat ………3 o f Mission Statement o a Contributors d r , C Full Circle.. …………4 A r San Diego Music Awards & Lou Curtiss t s s s t e Front Porch …………6 Stag & CeeCee James r 7 A Victoria Robertson C , Acoustic Music San Diego r d a Adams Ave. Street Fair o f o See pp. 8-19 t F Of Note. ……………19 s 0 Victoria Robertson B 0 Joe Morgan o 4 Northstar Session o t r Ramblin’... …………20 h e s Bluegrass Corner v Zen of Recording O José Sinatra Jim McInnes’ Radio Daze Funk • Country • World • Blues • Jazz • Folk • Zydeco • Rockabilly • Latin ‘Round About ....... …22 Sept.-Oct. Music Calendar The Local Seen ……23 nce again, the last weekend in September brings and many more — and continues to draw musicians to San Diego from all over the country who seek fame and exposure. Photo Page us the the largest, most diverse, free music festival Othat may exist in the world today. At the Adams Fun and family-oriented, there is so much to enjoy at the Avenue Street Fair, located between Bancroft Street and 35th Adams Avenue Street Fair: Three beer gardens, carnival rides, Street in Normal Heights, more than 80 different musical acts a pancake breakfast, and more than 400 food and arts and will take the stage over a two-day period: Saturday, September crafts booths.
    [Show full text]
  • 2 Political Science • Fall 2011
    FALL 2011 Political Science PHONE 541-346-4864 | E-MAIL [email protected] | ON THE WEB POLISCI.UOREGON.EDU WHERE ARE THEY NOW? An Update on Our Emeritus Professors Since most of the readers of this newsletter are former students in our department, we thought you might like to hear about your professors from your Prince Lucien Campbell Hall, college years. home of the political science department William Baugh retired in 2003 and continued teaching part-time for the next five years. In retirement, he entered the University of Oregon architecture program. He lives near Junction City with his wife, Cheryl. James Davies lives in Eugene, Oregon, and is a bit older than ninety. Perhaps his best known publication is “Toward a Theory of Revolution,” appearing in The American Sociological Review. The “J- Curve” suggests that revolution is more likely when people have experienced a fairly long period of satisfaction of their needs and then they are faced with a sharp downturn in satisfaction. He is also the author of When Men Revolt and Why: A Reader in Political Violence and Revolution and Violence in America (New York: Signet Books, 1969). A reflection on the work of James Davies, coauthored by John Orbell and Roshani Shay, is forthcoming in Politics and the Life Sciences. Daniel Goldrich remains active in the Community Alliance of Lane County, doing educational events promoting peace, justice, and policies to confront climate change via a revitalized locally and regionally based economy. Key question: how to break through denial to animate the effort to realize these changes? He and his wife, Hannah, consider themselves fortunate to have a decent public employee pension that allows them to spend a few winter weeks every year in Oaxaca, Mexico, swimming, reading, and visiting friends, including local artisans.
    [Show full text]
  • Sweetland Amphitheatre to Host Steve Earle & the Dukes and Los Lobos Saturday, August 28Th
    Media Release FOR IMMEDIATE RELEASE August 25, 2021 Sweetland Amphitheatre to Host Steve Earle & the Dukes and Los Lobos Saturday, August 28th Tickets Available at sweetlandamp.com LaGrange, Ga. August 25, 2021 – Two incredible acts are teaming up for a fantastic night of music at Sweetland Amphitheatre Saturday, August 28th - Steve Earle & the Dukes and Los Lobos. Steve Earle & the Dukes Steve Earle is one of the most acclaimed singer-songwriters of his generation. A protégé of legendary songwriters Townes Van Zandt and Guy Clark, he quickly became a master storyteller in his own right, with his songs being recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Pretenders, and countless others. 1986 saw the release of his debut record, Guitar Town, which shot to number one on the country charts and is now regarded as a classic of the Americana genre. Subsequent releases like The Revolution Starts...Now (2004), Washington Square Serenade (2007), and TOWNES (2009) received consecutive GRAMMY® Awards. Los Lobos The journey of Los Lobos began in 1973, as the band earned their stripes playing revved-up versions of Mexican folk music in restaurants and at parties. The band evolved in the 1980s as it tapped into L.A.’s burgeoning punk and college rock scenes. Early on, Los Lobos enjoyed critical success, winning the Grammy® for Best Mexican-American Performance for “Anselma” from its 1983 EP And a Time to Dance. In 1987 with the release of the Ritchie Valens biopic, La Bamba, the quintet’s cover of Valens’ signature song topped the charts in the U.S.
    [Show full text]