DOCSLIB.ORG

Durham E-Theses

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Durham E-Theses The sleeping beauty motif in the short stories of D. H. Lawrence Backhouse, J. L. How to cite: Backhouse, J. L. (1969) The sleeping beauty motif in the short stories of D. H. Lawrence, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10079/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk AJjaTRACT OF THESIS 'jitle; The Sleeping Beauty l>iotif in the bhort Stories of J.H. Lav/renoe. by J.L. Backhouse, B.A. In this thesis, ten tales covering almost the whole of D.H. Lawrence's writing career have been analysed in terms of the 'Sleeping Beauty' motif or "the myth of the. awakened sleeper" - a motif which has heen noted briefly in Lawrence's fiction by several critics. Chapter One begins with a discussion of the Sleeping Beauty legend, its origins and its variants, and leads on to a comparison and contrast of two early tales. The \7itch a la Mode and The Daughters of the Vicar; these are, respectively, examples of Lawrence's treatment of the motif in symbolic and realistic terms. There is a further contrast in that these stories introduce the two types of 'Sleeping*Beauty• women, respectively - i.e. those who reject the awakening v/hich offers liberation, and those who accept "the lover's kiss that awakens the Sleeping Beauty." In Chapter Two The Horse-Deafer*s Daughter, You Touched Lie and The Fox are examined; they possess marked similarities of character and setting, but are sufficiently-varied treatments of the motif to warrant individual analysis. Chapter Three is concerned with The Princess and None of That, both variants on the negative aspect of the theme, in that they deal with 'Sleeping Beauty' heroines who ultimately reject any awakening. The. Princess is a mature and skilful treatment of this aspect of the theme, whereas Uone of That is shown to he technically and artistically a regression, Vifith Sun, Glad Ghosts and The Virgin and the Gipsy, all written during the last period, there is a return to the 'Sleeping Beauty' women who are awakened to new states of being, Syraholism, particularly in Sun, plays an important role, and it is fully discussed. The thesis concludes with a general discussion of the motif as it appears elsewhere in Lawrence's fiction, and of its relevance to his own life; in this connection, evidence is adduced from the novels and the correspondence. THE SLEEPING BEAUTY MOTIF IN THE SHORT STORIES 0 P D. H. LAWRENCE A THESIS FOR THE DEGREE OF M.A. BT J. L. BACKHOUSE. B.A. The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. CONTENTS INTROIiUCTION •« •« Page i. CHAFi'BB I Page 1. CHAPTER II Page 41 o ChAPl'BR III Page 105. GHAP'rER IV Page 155» CONCLUSIUH Page 223. BIBLIOGRAPHY Page 238. INDEX Page 242. -1- Introduction The title of this thesis is taken from The Intelligent Heart, Harry T. Moore's account of Lawrence's life and work, in which brief references to the 'Sleeping Beauty' motif occur in connection with a number of tales. Moore notes that the themeof the "sleeping princess" is central to five stories and to at least one novel; he also inter• prets Lawrence's romance with Frieda in similar terms. In the present study, ten tales, including those noted by Moore, have been analysed and interpreted; they cover almost the whole of Lawrence's writing career. The first chapter deals with Moore's 'Sleeping Beauty' references in full, and at the same time there is a discussion of the nature-inyth which lies at the root of the Sleeping Beauty legend. The remainder of the chapter consists of an examination of two early tales, The Witch I la Mode and The Dau^ters of the Vicar. These form an effective contrast; althou^ The Witch h. la Mode reveals technical skill in the handling of symbolism, its chief fault lies in the too insistent use of symbols. The characters, too, are hardly convincing as real people. In The Daughters of the Vicar we find a greater depth of characterization, with realistic elements and symbolism much more in harmony. This contrast is heightened by the fact that we -11- are introduced, in the two stories, to the two major variants of the "sleeping princess". Winifred Varley of The Witch ^ la Mode rejects the 'awakening' experience, whereas the second tale deals with a 'Sleeping Beauty' heroine who achieves freedom from the 'thorns' of social and emotional entanglement. The Daughters of the Vicar, too, has greater complexity as a tale; it introduces the theme of the "dual epiphany" or double awakening - an aspect of the main motif which continues into the second phase of writing. Chapter Two is devoted to three tales v/ritten diiring this second period. It begins with biographical material, some of which is closely related to at least' one of the stories. These, The. Horse-Dealer's Daughter, You Touched Me and The Fox, share a Midlands background. You Touched Me and The Fox have certain similarities to The Daughters of the Vicar, but are sufficiently clear variants of the 'Sleeping Beauty' motif to warrant detailed analysis. In these tales, too, the role of the 'intruder' or 'outsider' - the equivalent of Prince Charming - who eventually frees the •Sleeping Beauty' heroine from her imprisonment, which may be restrictive environment, old-maidhood or unnatural relationship, is also discussed at length, in an attempt to demonstrate the evolution of this character from a passive to a dominant figure. The negative aspect of the motif introduced in The V/itch ai la Mode is taken up once again in Chapter Three which deals with the later treat• ment of two failed "sleeping princesses" - women who ultimately reject any kind of 'awakening'. The two tales, based upon Lawrence's experiences in New Mexico - the relevant biographical background is given - are -iii- The Princess and None of That, and in character and setting they are a complete change from the typically English environments of most previous stories. The chapter concludes with a summary of the respective merits of each tale, showing the immense superiority of The Princess in the handling of character, setting and symbol as opposed to None of That, which is artistically a disappointment. In the final chapter we return to European settings with three stories which deal with the positive aspect of the motif in distinctly different ways. All the heroines accept the transfiguring experience of love, but their respective 'awakenings' take new forms. In previous tales 'awakening' was usually achieved at the cost of alienation from a particular society; in Sun, Glad Ghosts and The Virgin and the Gipsy this is not so. Having achieved personal regeneration of one kind or another, the three 'Sleeping Beauty' women remain within their own society. In Glad Ghosts, there is an accompanying revitalization of the society itself; in the other instances, the tales end with the suggestion that the 'resurrected' heroines will somehow contrive to re-invigorate society from within, fortified by their ovm regeneration. The conclusion of the thesis commences with a summary of the various 'Sleeping Beauty' heroines in the tales, both positive and negative. At the same time the variations which occur in each woman from tale to tale are carefully noted. The character of the 'intruder' is also summarised, with incidental reference to his variants in the novels. The relation of the 'Sleeping Beauty' motif to Lawrence's own romance - a fact which is touched upon in connection with minor characters in The Virgin and the Gipsy -IV- is then discussed. The views of two critics are considered in this respect, and evidence from Frieda Lawrence's letters is adduced. Specific references to the Sleeping Beauty or variants of the 'sleeping princess' in Lawrence's novels and letters are fully discussed to demonstrate that he often had the motif in mind in one form or another and used it consciously in his work, suitably varied or modified. There is also a summary of the evidence, mainly from his letters, to show his interest in sun-symbolism - symbolism which is central to at least one tale, plays a part in others and which is inherent in the Sleeping Beauty legend as a whole. Those critics who have recognized the presence of the myth of the awakened sleeper' as an integral part of Lawrence's fiction are acknowledged; finally, there is a discussion, with appropriate references, showing the relevance of the theme to Lawrence's outlook on life. CHAPTER I This study is an exploration of the 'Sleeping- Beauty' motif and its variations in the short stories of D. H. Lawrence. The term is used by Harry T. Moore in The Intelligent Heart to describe a distinctive theme which can be recognized in certain tales throughout most of Lawrence's writing career.
Recommended publications

  • From Christian Concerns to Sexuality in Action : a Study of D.H

    81blroth&~uenationale CANADIAN THES'ES ?)/~sESCANADIENNES d Canada ON MICROFICHE SUR MICROFICHE hAVE 6~ALITHW NOM DE L'AUTEUR TITLE OF THESIS TITRE DE LA TH~SE . L-7 Perm~ssron IS heray grmted to the NATIONAL LIBRARY OF L'autorlsar~onest, par la prdsente, accordge B /a BIBLIOTHS. CANADA to mtcrof~lrn th~sthes~s and to lend or sell copies QUE NATlONALE DU CANADA de m~crof~lme~certe these et of the film, de prgter ou de vendre des exemplaires du film. Th'e auth~rreservss othef publication rights, and neither the L'auteur se rbserve Ies aulres droits de publication. ?I la t'lesls nw extensive extracts from it may be printed or other- th$seni,de longs extraits de celle-CI nedoivent drre itnprirnt!~ wlse reproduced without the author's written perrniss~on. ov autrement reprcrduits sani l'autorisatian Pcrite de /'auteur. C DATED DAT~ Natlonal L~braryof Canada Bibl1oth6quenationale du Canada Collect~onsDevelopment Branch Direction du developpement des collections , Canad~anTheses on Service des thBses canadiennes '- Microfiche Service sur microfiche The quality of this microfiche is heavily dependent La qualite de cette microfiche depend grandement de upon the quality of the original thesis submitted for la qualite de la these soumise au microfilmage. Nous microfilming. Every , effort has been made to ensure 'avons tout fait pour assurer une qualite supkrieure the highest quality of reproduction possible. de reproduction. If pages are missing, contact the university which S'il manque des pages, veuillez communiquer granted the degree. avec I'universite qui a confer@le grade.
  • Reducing Traffic Congestion in London Released 19 January 2017

    Reducing Traffic Congestion in London Released 19 January 2017

    Appendix 1 Transport Committee Report Impact Review London stalling: Reducing traffic congestion in London Released 19 January 2017 Stakeholder feedback “I welcome your report and the Committee’s focus on addressing the problem of congestion across the capital.” Cllr Julian Bell, Chair of Transport & Environment Committee, London Councils “Can I just say well done to the Committee on some of your recent reports? I hope the Mayor listens to some of them. I thought the one on [congestion] in particular had some excellent points made.” David Begg, Transport Times and Visiting Professor, Plymouth University "Today, we welcome the findings of the London Assembly Transport Committee into congestion on London's streets. This is an issue that not only affects the productivity of the capital's businesses, but more importantly, the physical and mental health of its residents.” Suzanne Moroney, Institution of Civil Engineers London "This is an important and timely report. It is right to recommend taking forward road pricing which could be a real improvement on the Congestion Charge by targeting fees on those journeys causing congestion and pollution.” Bridget Fox, Campaign for Better Transport Media coverage The report received widespread national and local media coverage on publication. The Chair was interviewed on BBC Sunday Politics, ITV1 London, BBC London Radio, LBC and Heart London. Additional broadcast reports were featured on BBC One London News, BBC News Channel, ITV1’s Late Debate, London Live and BBC radio stations outside London. National print coverage included the Financial Times (front page), Economist, Daily Express, Daily Mail and the Metro. Local press coverage included the Evening Standard, City AM, Time Out London.
  • A Study of the Captain's Doll

    A Study of the Captain's Doll

    A Study of The Captain’s Doll 論 文 A Study of The Captain’s Doll: A Life of “a Hard Destiny” YAMADA Akiko 要 旨 英語題名を和訳すると，「『大尉の人形』研究──「厳しい宿命」の人 生──」になる。1923年に出版された『大尉の人形』は『恋する女たち』， 『狐』及び『アルヴァイナの堕落』等の小説や中編小説と同じ頃に執筆さ れた D. H. ロレンスの中編小説である。これらの作品群は多かれ少なかれ 類似したテーマを持っている。 時代背景は第一次世界大戦直後であり，作品の前半の場所はイギリス軍 占領下のドイツである。主人公であるヘプバーン大尉はイギリス軍に所属 しておりドイツに来たが，そこでハンネレという女性と恋愛関係になる。し かし彼にはイギリスに妻子がいて，二人の情事を噂で聞きつけた妻は，ドイ ツへやってきて二人の仲を阻止しようとする。妻は，生計を立てるために人 形を作って売っていたハンネレが，愛する大尉をモデルにして作った人形 を見て，それを購入したいと言うのだが，彼女の手に渡ることはなかった。 妻は事故で死に，ヘプバーンは新しい人生をハンネレと始めようと思う が，それはこれまでの愛し愛される関係ではなくて，女性に自分を敬愛し 従うことを求める関係である。筆者は，本論において，この関係を男性優 位の関係と捉えるのではなくて，ロレンスが「星の均衡」の関係を求めて いることを論じる。 キーワード：人形的人間，月と星々，敬愛と従順，魔力，太陽と氷河 1 愛知大学 言語と文化 No. 38 Introduction The Captain’s Doll by D. H. Lawrence was published in 1923, and The Fox (1922) and The Ladybird (1923) were published almost at the same time. A few years before Women in Love (1920) and The Lost Girl (1921) had been published, too. These novellas and novels have more or less a common theme which is the new relationship between man and woman. The doll is modeled on a captain in the British army occupying Germany after World War I. The maker of the doll is a refugee aristocrat named Countess Johanna zu Rassentlow, also called Hannele, a single woman. She is Captain Hepburn’s mistress. His wife and children live in England. Hannele and Mitchka who is Hannele’s friend and roommate, make and sell dolls and other beautiful things for a living. Mitchka has a working house. But the captain’s doll was not made to sell but because of Hannele’s love for him. The doll has a symbolic meaning in that he is a puppet of both women, his wife and his mistress.
  • The Short Story in English Les Cahiers De La Nouvelle

    The Short Story in English Les Cahiers De La Nouvelle

    Journal of the Short Story in English Les Cahiers de la nouvelle 68 | Spring 2017 Special Issue: Transgressing Borders and Borderlines in the Short Stories of D.H. Lawrence Transgression in The Fox Jacqueline Gouirand-Rousselon Electronic version URL: http://journals.openedition.org/jsse/1836 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 June 2017 Number of pages: 101-113 ISBN: 978-2-7535-6516-6 ISSN: 0294-04442 Electronic reference Jacqueline Gouirand-Rousselon, « Transgression in The Fox », Journal of the Short Story in English [Online], 68 | Spring 2017, Online since 01 June 2019, connection on 03 December 2020. URL : http:// journals.openedition.org/jsse/1836 This text was automatically generated on 3 December 2020. © All rights reserved Transgression in The Fox 1 Transgression in The Fox Jacqueline Gouirand-Rousselon 1 D. H. Lawrence had just finished Psychoanalysis of the Unconscious and Fantasia of the Unconscious and rewritten a number of short stories when he “put a long tail” to The Fox, adding the two dreams, the killing of the fox and of Banford. These changes took place between December 1921 and February 1922. To The Fox and The Ladybird, The Captain’s Doll was added, the three novellas being collected in one book published in 1923. Their aesthetic quality may have been one of the reasons for publishing them in one volume. “So modern, so new, a new manner,” Lawrence wrote to Seltzer. The Fox is the longer and different version of a shorter tale written in November 1918 at Hermitage (Berkshire) and cut for magazine publication in The Dial (1919).
  • FRIEDA LAWRENCE and HER CIRCLE Also by Harry T

    FRIEDA LAWRENCE and HER CIRCLE Also by Harry T

    FRIEDA LAWRENCE AND HER CIRCLE Also by Harry T. Moore THE PRIEST OF LOVE: A LIFE OF D. H. LAWRENCE THE COLLECTED LETTERS OF D. H. LAWRENCE (editor) HENRY JAMES AND HIS WORLD (with F. W. Roberts) E. M. FORSTER THE WORLD OF LAWRENCE DURRELL (editor) SELECTED LETTERS OF RAINER MARIA RILKE (editor) Frieda Lawrence, by the late Charles McKinley FRIEDA LAWRENCE AND HER CIRCLE Letters from, to and about Frieda Lawrence edited by Harry T. Moore and Dale B. Montague ©Harry T. Moore and Dale B. Montague 1981 Softcover reprint of the hardcover 1st edition 1981 978·0·333·27600·6 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1981 fly THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-05036-9 ISBN 978-1-349-05034-5 (eBook) DOI 10.1007/978-1-349-05034-5 Contents Frieda Lawrence frontispiec~ Acknowledgements VI Introduction Vll 1. Letters between Frieda Lawrence and Edward W. Titus 1 2. Letters between Frieda Lawrence and Caresse Crosby 38 3. Letters from Frieda Lawrence and Ada Lawrence Clarke to Martha Gordon Crotch 42 4. Letters from Angelo Ravagli to Martha Gordon Crotch 71 5. Letters between Frieda Lawrence and Richard Aldington 73 Epilogue 138 Index 140 v Acknowledgements Our first acknowledgement must go to Mr Gerald Pollinger, Director of Laurence Pollinger Ltd, which deals with matters concerned with the Lawrence Estate. When Mr Pollinger iearned of the existence of the letters included in this volume, he suggested that they be prepared for publication.
  • Localness on Commercial Radio Full Name Erzsebet “Erzsie” Nagy Contact Phone Number N/A Representing (Delete As Appropriate) Self Organisation Name N/A

    Localness on Commercial Radio Full Name Erzsebet “Erzsie” Nagy Contact Phone Number N/A Representing (Delete As Appropriate) Self Organisation Name N/A

    Consultation response form Consultation title Localness on commercial radio Full name Erzsebet “Erzsie” Nagy Contact phone number N/A Representing (delete as appropriate) Self Organisation name N/A Your response Question Your response Question 1: Do you agree that Ofcom’s duty to secure ‘localness’ on local commercial radio Before I write anything, I should state that I am stations could be satisfied if stations were able a U.S. citizen and do not reside in the United to reduce the amount of locally-made Kingdom or have British citizenship, but have programming they provide? If not, please visited occasionally and know of people in the explain the reasons and/or evidence which UK. support your view. There was nothing in the Ofcom rules that stated a U.S. citizen could not participate, so I have decided to participate anyway. All content is original research. ---- Localness should never be reduced on local commercial radio stations. There is research to back this up, proven by statistical research from 2008-2014. There is substantial research that proves listeners value local content to some extent, and not just in major circumstances like floods, terrorist attacks, fire, major emergencies. Rather than reducing local-made programming, some radio stations should be, by statutory requirement, have as much local programming and content as necessary. There is substantial evidence from American researchers – 2004, 2008, 2012, 2014 that proved listeners value locality as a major selling point. Unofficial research in 2007 has proved this. No station should be local for only 3 hours a day, whatever the day of week.
  • PDF Download I Heart London

    PDF Download I Heart London

    I HEART LONDON PDF, EPUB, EBOOK Lindsey Kelk | 384 pages | 15 Sep 2015 | HarperCollins Publishers | 9780007462278 | English | London, United Kingdom I Heart London PDF Book How about this for a staggering statistic? Sign-up to our mailing list? All regional and networked programming originates from Global's London headquarters, including the national Heart Breakfast from 6. Oral Care. Strawberry Fruity Blusher. Views Read Edit View history. By Category. Black-Owned Brands. Cologne Gift Sets. Banana Fruity Highlighter. Download as PDF Printable version. I Heart Christmas by Lindsey Kelk. Chocolate Contour Palette. Until April , the station could also be listened to worldwide through its Internet stream. Lindsey Kelk 6-Book 'I Heart Beauty Accessories. Read more. Pineapple Brightening Fixing Spray. Free Gift with Purchase! Tasty Grilled Cheesy Burger Palette. All rights reserved. Hair Color. White Gold Mini Chocolate Palette. Mellow Magic. Kirsh Foundation. Global's London headquarters broadcasts hourly news bulletins 24 hours a day, including local news bulletins from 6am-7pm on weekdays and 6ampm at weekends. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. On the Record with Jon Pardi. What is iheart? Get Londonist in your inbox The best things to do in London. Tasty Avocado Brow Gel. Countries in which iheart has been taught. Phone Number optional. Styling Products. Lady Gaga - Track 4 3. Tasty Popcorn Palette. I Heart London. Honey Chocolate Palette. Classic FM. Morgan Wallen Winning Weekend Enter for your chance to win! Foundation Shade Finder. Sign-up to our newsletter? Body Makeup. Follo… More.
  • JDHLS Online

    JDHLS Online

    J∙D∙H∙L∙S Journal of D. H. Lawrence Studies Citation details Article: ‘“Ausdruckstanz” and “Ars Amatoria”: D. H. Lawrence and the interrelated arts of dance and love Author: Earl G. Ingersoll Source: Journal of D. H. Lawrence Studies, Vol. 4, No. 2 (2016) Pages: 73‒97 Copyright: individual author and the D. H. Lawrence Society. Quotations from Lawrence’s works © The Estate of Frieda Lawrence Ravagli. Extracts and poems from various publications by D. H. Lawrence reprinted by permission of Pollinger Limited (www.pollingerltd.com) on behalf of the Estate of Frieda Lawrence Ravagli. A Publication of the D. H. Lawrence Society of Great Britain JDHLS 2016, vol. 4, no. 2 73 “AUSDRUCKSTANZ” AND “ARS AMATORIA”: D. H. LAWRENCE AND THE INTERRELATED ARTS OF DANCE AND LOVE EARL G. INGERSOLL As Marina Ragachewskaya has recently indicated in this journal, Lawrence’s interest in the art of dance has received renewed attention in the 2010s.1 The subject has been thought to have opened with two notable investigations:2 ‘D. H. Lawrence and the Dance’ (1992) by Mark Kinkead-Weekes and then ‘Music and Dance in D. H. Lawrence’ (1997) by Elgin W. Mellown, who apparently was unaware that Kinkead-Weekes had blazed the trail before him, since his article contains no mention of this earlier work.3 Another writer who missed Kinkead-Weekes’s article, with its endnote citations from Martin Green’s Mountain of Truth: The Counterculture Begins, Ascona, 1900‒1920, was Terri Ann Mester, whose interpretations of dance scenes in Lawrence’s fiction could have benefited from even a cursory reading of Green’s 1986 study.4 Mester cites Deborah Jowitt’s Time and the Dancing Image, but she does not explore Jowitt’s very brief commentary upon Rudolf Laban and Mary Wigman, which might have provided her with yet another avenue of access to Green’s Mountain of Truth.5 To close this circle, Kinkead-Weekes then responded to Mester’s monograph in his keynote address at the 2003 International D.
  • The Three Voices of D.H. Lawrence

    The Three Voices of D.H. Lawrence

    THE THREE VOICES OF D.H. LAWRENCE A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Lai-Ling Winnie Cheung University of Canterbury 1979 CONTENTS Page No. A Note of Thanks Abstract Chronology Introduction Chapter 1 The White Peacock 1 Chapter 2 Women. in: Love 29 Chapter 3 Kangaroo 58 Chapter 4 Lady Chatterley's Lover 74 Conclusion 94 References 97 i A Note of Thanks I wish to thank everyone who has directly or indirectly enabled me to study on the Commonwealth Scholarship awarded by New Zealand, especially Mrs. Esme Lyon, Mr. Simon Ellis and Sr. Lina, who recommended me for the award, and those people who nominated me for the scholarship. I am very grateful to the University Grants Committee, particularly to Miss Dorothy Anderson, the secretary, who has shown a real interest in my study and my welfare. I am forever grateful to Professor J.C. Garrett, whose warmth and encouragement have attracted me to Canterbury, and whose enthusiasm for literature I find most inspiring; and to Dr. Cherry Hankin, my supervisor, for her encouragement and advice. I also want to thank all my New Zealand friends who have made my stay here a very pleasant one, especially Dr. and Mrs. Gordon Spence for their friend­ ship; Mr. and Mrs. Spencer Cheung, under whose hospitable roof this thesis is written; Ms. Kathy Jacques, who has kindly proof-read my thesis; and Mrs. Helen Deverson who types it. My greatest debt, above all, is to my parents, my siblings and friends, who have alleviated my homesickness by writing to me regularly and given me much moral support.
  • Exhibition Steering Group

    Exhibition Steering Group

    Exhibition Steering Group Tuesday 22nd April 2008 Forbes House Giles Brown Commercial Director Floorplan Update Giles Brown Commercial Director Features Update Heritage Enclosure 4 x 4 Update Landrover’s Ultimate Experience Taster test Drives: What Van? Live Kirsty Perkinson Marketing Director Marketing and PR Activity Ticket Sales Update • Ticket sales off to a flying start - went on sale 1st Feb • Sold more in first 2 weeks than we did in 2 months in 2006 • Currently 90% up on ticket sales, 6 weeks ahead of 2006 • Groups reservations higher – currently 7000 vs 5000 – BIMS is a proven entity • Print-at-home ticketing will be online in 3 weeks • Ticket sales will once again be supported by a highly- targeted, closed-user group complimentary ticket strategy Key Partnerships • Zurich Connect – Show title sponsor, supporting the show with a £30k give-away, free ticket to BIMS with renewals, dm to database, BIMS flash at end of TV ads (now on), national press campaign. • Shell – Official fuel partner, extensive in store promotion with posters, leaflets and till receipts plus postal and e-shots to 1.5m database of club members • ITV – 1hour Motor Show special on ITV4 Thursday 24th July, ½ hour Pulling Power from The Motor Show, Wednesday 23rd July, 7 x guaranteed London tonight news items, Itvlocal.com microsite Key Partnerships • Sunday Times and Times – Media partnership with Ultimate Collection and distribution rights at East End of campus, support includes ads, editorial, dm to e databases, online exposure, supplements, worth over £300k • Magic, Classic, Virgin Radio, LBC – 4 – 6 week campaigns with 30 second trails and e-shots to targeted databases plus online support worth £350k • Specialist press – 60 full page colour ads – Haymarket – Autocar, What Car?, Autosport, F1 Racing – Dennis – Auto Express, Octane, Evo – What Van – Top Gear, Test Drive Directories, Super Car Directories – Car magazine Key Partnerships • Run Wild Media – Producing Official Show Guide – free to advance bookers – Publishers of City Life magazines, glossy, high end titles.
  • Free to Air Satellite and Saorview Channels

    Free to Air Satellite and Saorview Channels

    Free to Air Satellite and Saorview Channels Note* An Aerial is needed to receive Saorview Saorview Channels News Music Entertainment RTÉ One HD Al Jazeera English Bliss ?TV Channel 4 +1 OH TV RTÉ Two HD Arise News The Box 4seven Channel 4 HD Pick TV3 BBC News Capital TV 5* Channel 5 Pick +1 TG4 BBC News HD Channel AKA 5* +1 Channel 5 +1 Propeller TV UTV Ireland BBC Parliament Chart Show Dance 5USA Channel 5 +24 Property Show RTÉ News Now Bloomberg Television Chart Show TV 5USA +1 E4 Property Show +2 3e BON TV Chilled TV ABN TV E4 +1 Property Show +3 RTÉjr CCTV News Clubland TV The Africa Channel Fashion One S4C RTÉ One + 1 Channels 24 Flava BBC One Food Network Showbiz TV RTÉ Digital Aertel CNBC Europe Heart TV BBC One HD Food Network +1 Showcase CNC World Heat BBC Two Forces TV Spike Movies CNN International Kerrang! BBC Two HD[n 1] FoTV Travel Channel Film4 Euronews Kiss BBC Three Holiday & Cruise Travel Channel +1 Film4 +1 France 24 Magic BBC Three HD Horse & Country TV True Drama Horror Channel NDTV 24x7 Now Music BBC Four Information TV True Entertainment Horror Channel +1 NHK World HD Scuzz BBC Four HD Irish TV TruTV Movies4Men RT Smash Hits BBC Alba ITV (ITV/STV/UTV) TruTV +1 Movies4Men +1 RT HD Starz TV BEN ITV +1 Vox Africa Talking Pictures TV Sky News The Vault BET ITV HD / STV HD / UTV HD True Movies 1 TVC News Vintage TV CBS Action ITV2 True Movies 2 TVC News +1 Viva CBS Drama ITV2 +1 More>Movies Children Children CBS Reality ITV3 More>Movies +1 CBBC Kix CBS Reality +1 ITV3 +1 CBBC HD Kix +1 Challenge ITV4 Documentaries CBeebies
  • {FREE} the Fox / the Captains Doll / the Ladybird

    {FREE} the Fox / the Captains Doll / the Ladybird

    THE FOX / THE CAPTAINS DOLL / THE LADYBIRD: WITH THE CAPTAINS DOLL PDF, EPUB, EBOOK D. H. Lawrence,Helen Dunmore,Dieter Miehl,David Ellis | 272 pages | 01 Dec 2006 | Penguin Books Ltd | 9780141441832 | English | London, United Kingdom The Fox / The Captains Doll / The Ladybird: WITH The Captains Doll PDF Book Article Preview :. Sound Mix: Mono. Published by Penguin Non-Classics. Photos Add Image. Lawrence; Edited with an introduction by Edward D. Lawrence's brilliant and insightful evocation of human relationships - both tender and cruel - and the devastating results of war. Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation. Color: Color. Runtime: 67 min. Mcdonald Copies for Sale Lawrence, D. Like, something's missing. These texts have received less attention than Lawrence's earlier writing, and Balbert's provocative readings are welcome additions to the critical record. Rananim and the social revolution. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. Congress, E-Government Act of Sign in with your eLibrary Card close. General editors preface. Get social Connect with the University of Nottingham through social media and our blogs. Lawrence Penguin Lawrence Edition. Pages are cancel pages with modified text; copies printed. Lawrence Birthplace Museum D. The Fox / The Captains Doll / The Ladybird: WITH The Captains Doll Writer Book Club of California, San Francisco User Reviews.