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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Panther Auto Corner Left: the Band Marches on to Victory
PA NTHER PRIDE Volume 11, I ssue #2 TABLE OF CONTENTS Band's Victory in M aryville Page 1: Bands Victory in Maryville The marching band has had a fantastic Middle School Sports season! At the first competition in Carrollton they Middle School Football had a high music score but a low marching score and Page 2: Clubs and Activities flipped the scores in Cameron. On October 26th they Art Club had a competition in Maryville where they placed Elementary News second in their class 2A, only four points away from Blast Off Into the School Year first. The band had the third-highest music score over all the bands that performed. The band was very Stacking It Up excited to beat some very good bands for their last Books for First Grade marching competition of the year and are getting Character Assembly ready for concert season. Page 3: Current Events Florida Man Drumline this year had a good season. They Hong Kong Protests only had two competitions compared to the three that Creative Minds the whole band had. They played Blazed Blues and Lobster Walk for their performance. The drumline Photography Basics placed fourth in Carrollton and didn?t place in Kara Claypole, Mr.Dunker, and Ysee Chorot celebrate their "Song of the Sea" Cameron. second place trophy as they marched at Maryville for the "Bernard's Poem" Northwest Homecoming Parade. Page 4: Panther Auto Corner Left: The band marches on to victory. Ask Anonymous Entertainment Corbin's Destroy... Page 5: Joker Is a Marvel New Music Releases Page 6: New Video Game Releases Page 7: Horoscopes Page 8: November Menu Polo M iddle School Sports M iddle School Football Stats Board - By: M r. -
Issue 13: Turn On, Tune In
The broken C I Plug in2 the electric word The kid played the silence Good morning, Vancouver! T Y Blow, Coltrane, blow Traf�ic jams: bane of the touring band We play song after song for the people stuck in their cars, the girls in the bikinis come out, and a few others too. Soon we’re playing to more people than we would’ve played to in whatever basement Dom had booked anyway. Kristie hustles shirts, hoodies and all the other junk Dom spent his tax return on. Lighters, cell phones and headlights illuminate the van and it’s almost like we’re back on stage. Just almost, underneath the stars of whatever state we’re in. Turn on, t une in The day is graycast and overshadowing. I’m jackjilling it to work, shuf�le skipping through random play, high and undecided. I see the cop out of the corner of my eye and, like a middle school novice, I double take him. “Alotta music ya got there on that thing. How much?” “It’s just a few thousand songs, man. Personal use.” “I got two CDs in my car, son. Lee Greenwood and Alan Jackson. But you wouldn’t know anything about that, would you?” 13 Winter 2013 ISSN 1916-3304 The broken C I W i n t e r 2 0 1 3 Issue 13 T Y The Broken City C o v e r Te x t , ISSN 1916-3304, is published semiannually out of Toronto, Canada, appearing sporadically in print, but The Broken City The upper excerpt is taken from Kendall Sharpe’s “On The always at: www.thebrokencitymag.com. -
To Be Unaware of One's Form Is to Live a Death. I Myself, After Existing Some
0 “...to be unaware of one’s form is to live a death. I myself, after existing some twenty years, did not become alive until I discovered my invisibility.” —Ralph Ellison, Invisible Man 1 Contents Cento Against Invisibility….….….….….….….….….….….….….….….….….….….….….…...…1 House Cats….….….….….………………...….….….….….….….….….….….….….….………….2 The Lottery….….….….….………………...….….….….….….….….….….….….….….….…...…4 Erasure Poem….….….….….………………...….….….….….….….….….….….….….….….……6 If you should ever find yourself sitting in the front of a class on racial diversity, ignorance eating its way through the roof of your mouth until it splatters acid across your tastebuds ….….….….…….8 Phan Thị Kim Phúc….….….….….………………...….….….….….….….….….….….….….…….9 curiousity….….….….….…………...…...….….….….….….….….….….….….….….….………..10 Avocado….….….….….…………..…...….….….….….….….….….….….….….….….…………11 Note’s on the Rapist’s Nose.….….………………...…….….….….….….….….….….….….…….12 Pork Chops….….………………...….….….….….….….…….….….….….….….…………...…...13 If Schrödinger Moves In.….….………………...….….….…….….….….….….….….….….…….14 Contrast.….….………………...….….….….….….….….…….….….….….….…………………..15 Vagina Dialogues.….….………………...….….….….….….…...….….….….….….….………….16 Ace for Short.….….………………...….….….….….….….….….…….….….….….……………..17 Prayer for a Dominatrix.….….………………...….….….….….….….….….……….….….….…..19 The Curse.….….………………...….….….….….….….….….….….….….….…...………………20 After the Murder.….….………………...….….….….….….….….….….….….….….…………….21 Separation.….….………………...….….….….….….….….….….….….….….….……..…………23 Retelling.….….………………...….….….….….….….….….….….….….….….……..…………..24 -
PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
To Read Raidernet Daily
RaiderNet Daily G. Ray Bodley High School, Fulton, NY Volume 2, Number 24 Monday, October 25, 2010 Raiders set for sectional opener By Colin Shannon goals. This gives the keeper an 81.3 save per- tough battle. The second round playoff game centage on the season, a good mark to be at. will take place Thursday night at 6 P.M. The Fulton varsity boys soccer team earned a The Cortland Tigers are led by a select few The Raider girls varsity will also open sec- playoff birth as the tenth seed after finishing on their roster. The two main offensive threats tional play on Tuesday, travelling to Indian the season with a record of 8-7-1. Unfortu- are Colby Reagan, with 5 goals and 3 assits, River for a 6 p.m. clash. Fulton, at 7-9, is the nately, having such a low rank forces the boys and Patrick Mahar with 5 goals and two as- #9 seed while the 7-7-1 Warriors are seeded to play a road game at Cortland to advance to sists. Once one looks past these two, the third just ahead of them at #8. Tuesday’s winner will the next round. The Cortland Tigers possess a scorer is Gregory Masler with 3 goals and a have a formidable task ahead as they must face record of 8-6-2, with one additional tie being lone assist. #1 seeded Jamesville-Dewitt at a time and the difference between the tenth and the sev- Standing between the pipes is keeper Chad place to be determined. -
Itch Chapter Excerpt
IT CH BY POLLY FARQUHAR NEW YORK FFarquhar_i-iv_1-252_r2st.inddarquhar_i-iv_1-252_r2st.indd i 119/09/199/09/19 77:57:57 AAMM Copyright © 2020 by Polly Farquhar All Rights Reserved HOLIDAY HOUSE is registered in the U.S. Patent and Trademark Offi ce. Printed and bound in December 2019 at Maple Press, York, PA, USA. www.holidayhouse.com First Edition 1 3 5 7 9 10 8 6 4 2 Library of Congress Cataloging-in-Publication Dat a Names: Farquhar, Polly, author. Title: Itch / by Polly Farquhar. Description: First edition. | New York : Holiday House, [2020] | Audience: Ages 8–12 | Audience: Grades 4–6 | Summary: Ohio sixth-grader Isaac “Itch” Fitch strives to fi t in, but everything seems to be going wrong, even before a school lunch trade sends his best friend, Sydney, to the hospital. Identifi ers: LCCN 2019022610 | ISBN 9780823445523 (hardcover) ISBN 9780823446346 (epub) Subjects: CYAC: Friendship—Fiction. | Middle schools—Fiction. Schools—Fiction. | Food allergy—Fiction. | Itching—Fiction. | Family life—Ohio—Fiction. | Ohio—Fiction. Classifi cation: LCC PZ7.1.F3676 Itc 2020 | DDC [Fic]—dc23 LC record available at https://lccn.loc.gov/2019022610 ISBN: 978-0-8234-4552-3 (hardcover) FFarquhar_i-iv_1-252_r2st.inddarquhar_i-iv_1-252_r2st.indd iiii 119/09/199/09/19 77:57:57 AAMM For my daughters FFarquhar_i-iv_1-252_r2st.inddarquhar_i-iv_1-252_r2st.indd iiiiii 119/09/199/09/19 77:57:57 AAMM CHAPTER 1 T HE DAY THE tornado came through, Sydney, Nate, and I were out riding our bikes together, burning down the banks of the river and then splashing into the water. -
November 19, 1987 in Troy, OH Hobart Arena Drawing ??? 1. NWA
November 19, 1987 in Troy, OH Hobart Arena drawing ??? 1. NWA U.S. Tag Champs The Midnight Express (Eaton & Lane) vs. The Rock-n-Roll Express. November 5, 1988 in Dayton, OH UD Arena drawing ??? ($20,000) 1. The Sheepherders vs. ???. 2. Al Perez & Larry Zbyszko vs. Ron Simmons & The Italian Stallion. 3. Rick Steiner vs. Russian Assassin #2. 4. Bam Bam Bigelow & Jimmy Garvin vs. Mike Rotunda & Kevin Sullivan. 5. Ivan Koloff vs. Russian Assassin #1. 6. NWA U.S. Champ Barry Windham vs. Nikita Koloff. 7. The Midnight Express (Eaton & Lane) Vs. The Fantastics (Fulton & Rogers). 8. Lex Luger beat NWA World Champ Ric Flair via DQ. February 22, 1989 in Centerville, OH Centerville High school drawing 600 1. Match results unavailable. April 24, 1989 in Dayton, OH UD Arena drawing ??? 1. Shane Douglas beat Doug Gilbert. 2. The Great Muta beat George South. 3. The Samoan Swat Team beat Bob Emory & Mike Justice. 4. Ranger Ross beat The Iron Sheik. 5. NWA TV Champ Sting beat Mike Rotunda. 6. Ricky Steamboat & Lex Luger beat Ric Flair & Michael Hayes. Great American Bash 1989 July 21, 1989 in Dayton, OH UD Arena drawing ??? 1. Brian Pillman beat Bill Irwin. 2. Sid Vicious & Dan Spivey beat Johnny & Davey Rich. 3. Norman beat Scott Casey. 4. Scott Steiner beat Mike Rotunda via DQ. 5. Steve Williams beat ???. 6. Sid Vicious and Dan Spivey won a “two ring battle royal.” 7. The Midnight Express (Eaton & Lane) beat Rip Morgan & Jack Victory. 8. The Road Warriors beat The Samoan Swat Team. 9. NWA TV Champ Sting beat Norman. -
Brother Leo Bio Where Does Ola End and Brother Leo Begin? “It's A
Brother Leo Bio Where does Ola end and Brother Leo begin? “It's a question that's been rattling around in the constantly whirring mind of the Grammy nominated Swedish artist for a while, and like all good pop mysteries, may never be solved. “Brother Leo means freedom. The name comes from a reoccurring dream I had as a kid. In the dream I had a twin brother, he was a free spirit, brave, confident and always had the answers to everything. He had superpowers and his name was Leo”. A highly respected songwriter and producer in his own right, Ola Svensson has been reborn, ready to take on the world with an impressive array of songs and emotions, as Brother Leo. “The whole idea behind creating the alias was to provide an honest and creative place that forced me outside of my comfort zone. As Brother Leo I’m able to challenge and push myself as a artist and songwriter. In a way, I can be more me”. Fuelled by his winding musical journey so far, and spurred on to dig deeper into his creative expression, Ola, channelling Brother Leo, has crafted a suite of songs that are unafraid to alchemise his emotions and experiences into bold, unabashed pop anthems. These are songs for the masses, communicating universal emotions. Be they playful like the sleek ode to love, Naked, or be they heartbreaking like the redemptive hymn, Hallelujah, or the zeitgeist critical new single, Strangers on an Island; a gold-plated banger produced by British dance music legend Fatboy Slim. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Nostalgias in Modern Tunisia Dissertation
Images of the Past: Nostalgias in Modern Tunisia Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David M. Bond, M.A. Graduate Program in Near Eastern Languages and Cultures The Ohio State University 2017 Dissertation Committee: Sabra J. Webber, Advisor Johanna Sellman Philip Armstrong Copyrighted by David Bond 2017 Abstract The construction of stories about identity, origins, history and community is central in the process of national identity formation: to mould a national identity – a sense of unity with others belonging to the same nation – it is necessary to have an understanding of oneself as located in a temporally extended narrative which can be remembered and recalled. Amid the “memory boom” of recent decades, “memory” is used to cover a variety of social practices, sometimes at the expense of the nuance and texture of history and politics. The result can be an elision of the ways in which memories are constructed through acts of manipulation and the play of power. This dissertation examines practices and practitioners of nostalgia in a particular context, that of Tunisia and the Mediterranean region during the twentieth and early twenty-first centuries. Using a variety of historical and ethnographical sources I show how multifaceted nostalgia was a feature of the colonial situation in Tunisia notably in the period after the First World War. In the postcolonial period I explore continuities with the colonial period and the uses of nostalgia as a means of contestation when other possibilities are limited.