The Sociology of Anarchism University of Akron Spring 2010
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Freedom Is for Taking
munreMstmaweeUty 5P Vol. 35 No. 31 3 August, 1974 LIBERTY, MORALITY, AND THE HUMAN DIGNITY OF MAN CONSIST PRECISELY IN THIS, THAT HE DOES GOOD, NOT BECAUSE IT'IS COMMANDED, BUT BECAUSE HE CONCEIVES IT, WILLS IT, AJTO LOVES IT. Bakunin. Cyprus: FREEDOM IS FOR TAKING WILE THE wrangling is still power and slaughter punctuate Makarios or Clerides? Indeed we going on about Cyprus — the the Byzaitine mess of this bar- once interned Makarios. Turks; confident in their nine gaining pressure point of the The centuries old enmity bet- points of possession; the Near East. ween Greece and Turkey is no bar Greeks uneasy in their loss of to the N.A.T.O. alliance or the face but acquisition of late It is obvious that neither British bases. Indeed, to spon-' respectability; the U-nited Na- Turkey nor Greece nor Makarios' sor a conflict in an occupied tions baffled in the prospective Cyprus are enlightened regimes; country between the 'natives' is threat to N.A.T.O.; the British all are equally adept at politi- an old trick of conquerors. They conscious of their powerlessness cal persecution and torture and are then so busy arguing between •and need to keep their bases; even the re-exhumed Karamanlis themselves that they cannot see U.N.O. conscious (as ever) of sponsored an eight-year regime what the occupiers (whether they its impotence in the face of not without blemish. The charac- be American NATO bases or Brit- power and Russia sitting-in ter of the regimes in Turkey and with poker-playing impassivity Greece is a matter of indiffer- ish NATO bases) are putting over — we only see the Cypriots (be ence to the United States, its on them. -
Interface-2-2-Pp.23-41-Askanius-And- Gustafsson1.Pdf Total Number of Authors: 2
Mainstreaming the Alternative: the Changing Media Practices of Protest Movements Askanius, Tina; Gustafsson, Nils Published in: Interface: a journal for and about social movements 2010 Link to publication Citation for published version (APA): Askanius, T., & Gustafsson, N. (2010). Mainstreaming the Alternative: the Changing Media Practices of Protest Movements. Interface: a journal for and about social movements, 2(2), 23-41. http://interfacejournal.nuim.ie/wordpress/wp-content/uploads/2010/12/Interface-2-2-pp.23-41-Askanius-and- Gustafsson1.pdf Total number of authors: 2 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Download date: 01. Oct. 2021 Interface: a journal for and about social movements Article Volume 2(2): 23 - 41 (November 2010) Askanius and Gustafsson, Mainstreaming the alternative Mainstreaming the Alternative: The Changing Media Practices of Protest Movements Tina Askanius, Nils Gustafsson Abstract The article argues that contemporary protest movements are facing a convergence of what has traditionally been coined as mainstream and alternative media. -
The Direct Action Politics of US Punk Collectives
DIY Democracy 23 DIY Democracy: The Direct Action Politics of U.S. Punk Collectives Dawson Barrett Somewhere between the distanced slogans and abstract calls to arms, we . discovered through Gilman a way to give our politics some application in our actual lives. Mike K., 924 Gilman Street One of the ideas behind ABC is breaking down the barriers between bands and people and making everyone equal. There is no Us and Them. Chris Boarts-Larson, ABC No Rio Kurt Cobain once told an interviewer, “punk rock should mean freedom.”1 The Nirvana singer was arguing that punk, as an idea, had the potential to tran- scend the boundaries of any particular sound or style, allowing musicians an enormous degree of artistic autonomy. But while punk music has often served as a platform for creative expression and symbolic protest, its libratory potential stems from a more fundamental source. Punk, at its core, is a form of direct action. Instead of petitioning the powerful for inclusion, the punk movement has built its own elaborate network of counter-institutions, including music venues, media, record labels, and distributors. These structures have operated most notably as cultural and economic alternatives to the corporate entertainment industry, and, as such, they should also be understood as sites of resistance to the privatizing 0026-3079/2013/5202-023$2.50/0 American Studies, 52:2 (2013): 23-42 23 24 Dawson Barrett agenda of neo-liberalism. For although certain elements of punk have occasion- ally proven marketable on a large scale, the movement itself has been an intense thirty-year struggle to maintain autonomous cultural spaces.2 When punk emerged in the mid-1970s, it quickly became a subject of in- terest to activists and scholars who saw in it the potential seeds of a new social movement. -
Danziger, Edmund Jefferson Indians and Bureaucrats ENG 1974 University of Illinois Press Daris & Al
1 Catalogue des livres de la bibliothèque anarchiste DIRA Mai 2011 [email protected] bibliothequedira.wordpress.com 514-843-2018 2035 Blv Saint-Laurent, Montréal Bibliothèque DIRA, Mai 2011. 2 Présentation ................................................................................................................................................................. 3 -A- ................................................................................................................................................................................. 5 -B- ................................................................................................................................................................................. 8 -C- ............................................................................................................................................................................... 13 -D- ............................................................................................................................................................................... 20 -E- ............................................................................................................................................................................... 23 -F- ................................................................................................................................................................................ 24 -G- .............................................................................................................................................................................. -
Table of Contents Perspectives on Anarchist Theory
Table of Contents Introduction 2 Maia Ramnath Atmospheric Dialectics 8 Javier Sethness The Climate Crisis or the Crisis of Climate Politics? 26 perspectives Andre Pusey & Bertie Russell All Power to the People 48 on anarchist Lara Messersmith-Glavin theory Movements for Climate Action 56 Brian Tokar v.12 n.2 What We’re Reading 76 fall 2010 Cindy Crabb, John Duda, & Joshua Stevens Editorial Collective: Lara Messersmith-Glavin, Paul About the Illustrations 80 Messersmith-Glavin, and Maia Call for Submissions 81 Ramnath. Anarchist Interventions 82 Layout & Cover Design: Josh About the IAS 84 MacPhee. Perspectives on Anarchist Theoryis a publication of the Institute for Anarchist Studies (IAS). The views expressed here do not necessarily re- flect the IAS. Contact us at perspectivesmagazine@ Special Thanks: Josh MacPhee, the googlegroups.com. New articles, many artists from Justseeds, Jon Keller, not contained in our print edition, are David Combs, Cindy Crabb, John continually posted on line at our website. Duda, Joshua Stevens, AK Press, and You can see them at Anarchiststudies.org, Charles at Eberhardt Press. just look under “Perspectives.” “The non-sustainability and bankruptcy of the ruling world order is fully evident. The need for alternatives has never been stronger....As we face the double closure of spaces by corporate globalisation and militarised police states, by economic fascism aided by po- litical fascism, our challenge is to reclaim our freedoms and the freedoms of our fellow beings.... At the heart of building alternatives and localising economic and political systems is the recovery of the commons and the reclaiming of community. Rights to natural resources are natural rights. -
Org Ayuntamiento
Desde hace ya cinco años, Madrid cuenta con un Festival Internacional de Documentales que atrae a un gran número de espectadores y es, a la vez, foro y lugar de encuentro para los profesionales del género. Un género, el cine de no ficción, que abarca una enorme variedad de propuestas, desde las puramente estéticas e innovadoras, hasta las que promueven enfoques de mayor calado, que evidencian las más variadas realidades sociales, culturales, artísticas o medioambientales. 6 En su edición de 2008, y como ya es habitual, Documenta tiene su principal foco de interés en su Sección Oficial. En ella, junto a las proyecciones de películas en sus dos formatos, corto y largometraje, en los que prima la originalidad, habrá un concurso de reportajes, que valorará especialmente el tratamiento y la presencia de la actualidad. Pero, además, el festival se nutrirá de sus siempre enriquecedoras secciones informativas. En ellas, destaca el homenaje a la figura de Michelangelo Antonioni, el enigmático cineasta, escritor y pintor italiano, célebre autor de la trilogía La aventura, La noche y El eclipse, que tanto dio que hablar a los cinéfilos españoles a comienzos de los sesenta, y sorprendente creador, más tarde, de Blow-up. Antonioni fue un gran innovador del cine y cultivó el género documental, a pesar de que su obra en este campo es prácticamente desconocida. Para tratar de rescatar del olvido esta valiosa faceta, se proyectarán algunos de sus trabajos. Muy vinculado a la mejor etapa de Antonioni, se ha programado también otro ciclo retrospectivo, Recuerdos del 68, con películas que evocarán los movimientos sociales y políticos del período, así como los sucesos de Mayo del 68 en París, coincidiendo con su 40 aniversario. -
Happy Birthday, Dan Chatterton Joseph Lane
of the Kate Sharpley Library No.3 July 2020 NOT the bulletin Stay safe, comrades 19th of July We remember the Spanish revolution of the 19th of July 1936. ‘“Here in Fraga [a small town in Aragon], you can throw banknotes into the street,” ran an article in a Libertarian paper, “and no one will take any notice. Rockefeller, if you were to come to Fraga with your entire bank account you would not be able to buy a cup of coffee. Money, your God and your servant, has been abolished here, and the people are happy.”’ [quoted in The Spanish Revolution: The left and the struggle for power during the Civil War by Burnett Bolloten, p71. The paper was Die Soziale Revolution, published by the Deutsche Anarchosyndikalisten (DAS) exiles. Issue three (and the others) can be read at https://www.anarchismus.at/zeitungen-bis-1945/die-soziale-revolution. More on the DAS at https://libcom.org/library/the-foreign-legion-revolution.] We have just posted the poem ‘Barcelona 1936’ by Hugo Dewar ‘They too were storming heaven – do you think they fought in vain; that because they lost a battle they would never rise again; that the man with the leaflets, the woman with a gun, did not have a daughter, did not have a son?’ https://www.katesharpleylibrary.net/2fr0d9 19th July was also the date (in 1968) of the first issue of the Bulletin of the Anarchist Black Cross, which would become Black Flag from volume 2. Thanks to our comrades at CIRA (https://www.cira.ch/) Libcom’s archive of Black Flag now has this and other early issues http://libcom.org/library/black-flag-vol-01-01-july-1968 25th of August: Happy birthday, Dan Chatterton On the 25th of August 2020 it is the 200th birthday of Dan Chatterton, publisher of Chatterton’s Commune, the Atheistic Communistic Scorcher ‘We Are Too Hot for Hell. -
Dark Fiber Electronic Culture: History, Theory, Practice Timothy Druckrey, Series Editor
Dark Fiber Electronic Culture: History, Theory, Practice Timothy Druckrey, series editor Ars Electronica: Facing the Future edited by Timothy Druckrey with Ars Electronica, 1999 net_condition: art and global media edited by Peter Weibel and Timothy Druckrey, 2001 Dark Fiber: Tracking Critical Internet Culture Geert Lovink Dark Fiber Tracking Critical Internet Culture Geert Lovink The MIT Press Cambridge, Massachusetts London, England © 2002 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. Set in Bell Gothic and Courier by The MIT Press. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Lovink, Geert. Dark fiber : tracking critical internet culture / Geert Lovink. p. cm. — (Electronic culture—history, theory, practice) Includes bibliographical references. ISBN 0-262-12249-9 (hc. : alk. paper) 1. Internet—Social aspects. 2. Information society. 3. Culture. I. Title. II. Series. HM851 .L68 2002 303.48'33—dc21 2001059641 Dark fiber refers to unused fiber-optic cable. Often times companies lay more lines than what’s needed in order to curb costs of having to do it again and again. The dark strands can be leased to individuals or other companies who want to establish optical connections among their own locations. In this case, the fiber is neither controlled by nor connected -
Formationen Av Kollektiva Identiteter I En Urban Social Rörelse
Kampen om Ungdomshuset: Formationen av kollektiva identiteter i en urban social rörelse Björn Karlsson, 8510033510 SOK01 Handledare: Carl-Göran Heidegren 1 Innehållsförteckning 1... Inledning…………………………………………..............................4 2... Teori och metod…………………………………………...................6 2.1 Social rörelse………………………………………….......................6 2.2 Kollektiv identitet…………………………………………...............6 2.3 Staden…………………………………………..................................6 2.4 Drifting…………………………………………................................7 2.5 Interpellation…………………………………………........................8 2.6 Reciprocitet och cykler…………………………………………........9 2.7 Rhizomer………………………………………….............................9 2.8 Intervjuer…………………………………………............................9 3 Tidslinje…………………………………………..................................10 4 Aktörer…………………………………………....................................11 5. Analys…………………………………………....................................12 5.1 Bakgrund…………………………………………..............................12 6. Första cykeln. Fas 1-2.………………………………………...............12 6.1 Sista slaget…………………………………………...........................14 7. Andra cykeln, fas 1. Rivningen…………………………………….…16 7.1 Mediadramaturgi…………………………………………..................20 7.2 Kulturellt skapande och approprierande………………………………21 7.3 Andra cykeln, fas 2. Utveckling och fortsättning…………………..…22 8 Tredje cykeln. Fas 1. G13.……………………………………….............23 8.1 Fas 2-3. Efter G13.………….……………………………....................25 9. Slutsats och reflektion………..………………….....................................27 -
Deconstructing the Politics of Culture Jamming: True Cost Economics
DECONSTRUCTING THE POLITICS OF CULTURE JAMMING: TRUE COST ECONOMICS by Jana Seidl A Thesis Submitted to the Faculty of The Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in Liberal Arts and Sciences with Concentrations in Economics and Anthropology Wilkes Honors College of Florida Atlantic University Jupiter, Florida May 2008 DECONSTRUCTING THE POLITICS OF CULTURE JAMMING: TRUE COST ECONOMICS by Jana Seidl This thesis was prepared under the direction of the candidate‘s thesis advisors, Dr. Keith Jakee and Dr. Jacqueline Fewkes, and has been approved by the members of her/his supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: _____________________________________________ Dr. Keith Jakee _____________________________________________ Dr. Jacqueline Fewkes _____________________________________________ Dr. Daniel White _____________________________________________ Dean, Wilkes Honors College _____________________________________________ Date ii ACKNOWLEDGEMENTS Thank you to the entire faculty at the Harriet L. Wilkes Honors College; without your support and without your challenges I would not have grown to be who I am today. Thank you, especially, To Dr. Jacqueline Fewkes, for believing in me and her continued support and patience, To Dr. Keith Jakee, for providing the inspiration for my thesis, for his continued advice and for pushing me to excel, and, To Dr. Daniel White, for his support throughout the past four years as a mentor and for his continued friendship. All of you have allowed me to see that I can aim higher and reach my goals. -
Contentious Politics, Culture Jamming, and Radical
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2009 Boxing with shadows: contentious politics, culture jamming, and radical creativity in tactical innovation David Matthew Iles, III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Political Science Commons Recommended Citation Iles, III, David Matthew, "Boxing with shadows: contentious politics, culture jamming, and radical creativity in tactical innovation" (2009). LSU Master's Theses. 878. https://digitalcommons.lsu.edu/gradschool_theses/878 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. BOXING WITH SHADOWS: CONTENTIOUS POLITICS, CULTURE JAMMING, AND RADICAL CREATIVITY IN TACTICAL INNOVATION A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Political Science by David Matthew Iles, III B.A., Southeastern Louisiana University, 2006 May, 2009 ACKNOWLEDGEMENTS This thesis was completed with the approval and encouragement of my committee members: Dr. Xi Chen, Dr. William Clark, and Dr. Cecil Eubanks. Along with Dr. Wonik Kim, they provided me with valuable critical reflection whenever the benign clouds of exhaustion and confidence threatened. I would also like to thank my friends Nathan Price, Caroline Payne, Omar Khalid, Tao Dumas, Jeremiah Russell, Natasha Bingham, Shaun King, and Ellen Burke for both their professional and personal support, criticism, and impatience throughout this process. -
Move! Guerilla Films, Collaborative Modes, and the Tactics of Radical Media Making
RICE UNIVERSITY Move! Guerilla Films, Collaborative Modes, and the Tactics of Radical Media Making by Tish Stringer A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE D octor of Philosophy APPROVED, THESIS COMMITTEE: (Teorge Marcus', Professor Anthropology Istopher Kelty, Kelty, AssistantQjri^topher AssistantProfessor Anthropology Hamid Nafijcy, Professor Art History / HOUSTON, TEXAS M ay 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS Page(s) missing in number only; text follows. Page(s) were scanned as received. 254 This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3216785 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3216785 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against