Boston Symphony Orchestra Concert Programs, Season 110, 1990-1991

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 110, 1990-1991 110th Season 19 9 0-91 Boston Symphony Orchestra Seiji Ozawa, Music Director only the few Will Own an Aljdemars Classic Straps: Automatic Perpetual Calendar: in 18K gold. with date and second-hand in 18K gold. Day, date, month and moon phase Only the few will seek the exclusivity that comes with owning an Audemars Piguet. Only the few will recognize m more than a century of technical in- ill novation; today, that innovation is reflected in our ultra-thin mech- Memais Piguet anical movements, the sophistica- tion of our perpetual calendars, and more recently, our dramatic new watch with dual time zones. Only the few will appreciate The CEO Collection which includes a unique selection of the finest Swiss watches watches man can create. Audemars Piguet makes only a limited number of each year. But then, that's something only the few will understand. SHREVE.CRUMP &LOW JEWELERS SINCE 1800 • 1-800-225-7088 330BOYLSTON ST., BOSTON, MASS. 02116 (617)267-9100 THE MALL AT CHESTNUT HILL • SOUTH SHORE PLAZA Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Evans Mirageas, Artistic Administrator Caroline Smedvig, Director of Public Relations and Marketing Josiah Stevenson, Director of Development Robert Bell, Manager of Steven Ledbetter, Musicologist & Information Systems Program Annotator Peter N. Cerundolo, Director of Michelle R. Leonard, Media and Production Corporate Development Manager, Boston Symphony Orchestra Madelyne Cuddeback, Director of Marc Mandel, Publications Coordinator Corporate Sponsorships John C. Marksbury, Director of Patricia Forbes Halligan, Personnel Foundation and Government Support Administrator Julie-Anne Miner, Manager of Fund Sarah J. Harrington, Budget Manager Reporting Margaret Hillyard-Lazenby, Richard Ortner, Administrator of Director of Volunteers Tanglewood Music Center Russell M. Hodsdon, Manager of Box Office Scott Schillin, Assistant Manager, Bernadette M. Horgan, Public Relations Pops and Youth Activities Coordinator Joyce M. Serwitz, Director of Major Gifts/ Craig R. Kaplan, Controller Assistant Director of Development Nancy A. Kay, Director of Sales & Cheryl L. Silvia, Function Manager Marketing Manager Susan E. Tomlin, Director ofAnnual Giving Patricia Krol, Coordinator of Youth Activities Programs copyright ©1991 Boston Symphony Orchestra, Inc. Cover by Jaycole Advertising, Inc. Board of Overseers of the Boston Symphony Orchestra, Inc. John F. Cogan, Jr.. Chairman Mrs. Ray A. Goldberg, Vice-CJiainnan Mrs. R. Douglas Hall III. Secretary Mrs. Herbert B. Abelow Haskell R. Gordon Mrs. Thomas S. Morse Harlan Anderson Steven Grossman Richard P. Morse Mrs. David Bakalar John P. Hamill E. James Morton Bruce A. Beal Daphne P. Hatsopoulos David G. Mugar Mrs. Leo L. Beranek Joe M. Henson David S. Nelson Lynda Schubert Bodman Mrs. Marilyn Brachman Hoffman Mrs. Hiroshi H. Nishino Donald C. Bowersoek, Jr. Ronald A. Homer Robert P. O'Block William M. Bulger Lola Jaffe Paul C. O'Brien Mrs. Levin H. Campbell Anna Faith Jones Vincent M. O'Reilly Earle M. Chiles H. Eugene Jones Andrall E. Pearson Mrs. C. Thomas Clagett. Jr Susan B. Kaplan John A. Perkins James F. Clean- Mrs. S. Charles Kasdon Daphne Brooks Prout William H. Congleton Richard L. Kaye Millard H. Pryor, Jr. William F. Connell Robert D. King Keizo Saji Walter J. Connolly. Jr. Mrs. Gordon F. Kingsley Roger A. Saunders S. James Coppersmith Allen Z. Khichman Mrs. Raymond H. Schneider Albert C. Cornelio Koji Kobayaslii Mark L. Selkowitz Phyllis Curtin Mrs. Carl Koch Malcolm L. Sherman Alex V. d'Arbeloff David I. Kosowsky Mrs. Donald B. Sinclair Phyllis Dohanian Robert K. Kraft W. Davies Sohier. Jr. Hugh Downs George Krupp Ralph Z. Sorenson Goetz B. Eaton Mrs. Hart D. Leavitt Ira Stepanian Edward Eskandarian Laurence Lesser Mrs. Arthur I. Strang Katherine Fanning Stephen R. Levy Mark Tishler, Jr. Peter M. Flanigan Frederick H. Lovejoy, Jr. Roger D. Wellington Dean Freed Mrs. Charles P. Lyman Robert A. Wells Eugene M. Freedman Mrs. Harry L. Marks Mrs. Thomas H.P. Whitney Peter H.B. Frehnghuysen C. Charles Marran Margaret Williams-DeCelles Mrs. James Garivaltis Nathan R. Miller Mrs. John J. Wilson Mark R. Goldweitz Overseers Emeriti Mrs. Weston W. Adams Mrs. Louis I. Kane Mrs. Peter van S. Rice Mrs. Frank G. Allen Leonard Kaplan Mrs. Jerome Rosenfeld Mrs. Richard Bennink Benjamin H. Lacy Mrs. William C. Rousseau Man- Louise Cabot Mrs. James F. Lawrence Francis P. Sears, Jr. Johns H. Congdon Hanae Mori Mrs. Edward S. Stimpson Mrs. Thomas J. Galligan Mrs. Stephen V.C. Morris Luise Vosgerchian Mrs. Richard D. Hill Stephen Paine, Sr. Mrs. Donald B. Wilson Susan M. Hilles David R. Pokross Symphony Hall Operations Robert L. Gleason, Facilities Manager James E. Whitaker, House Manager Cleveland Morrison, Stage Manager Franklin Smith, Supervisor of House Crew Wilmoth A. Griffiths, Assistant Supervisor of House Crew William D. McDonnell, Chief Steward H.R. Costa, Lighting Officers of the Boston Symphony Association of Volunteers Susan D. Hall, President Thelma E. Goldberg, Executive Vice-President Joan Erhard, Secretary Patricia A. Maddox, Treasurer Betty Sweitzer, Nominating Chairman Vice-Presidents Helen Doyle, Hall Services Marilyn Larkin, Tanglewood Goetz B. Eaton, Fundraising Patricia A. Newton, Regions Paul S. Green, Resources Development Carol Scheifele-Holmes, Public Relations Charles W. Jack, Adult Education F. Preston Wilson, Development Pat Jensen, Membership Pat Woolley, Youth Activities Maureen Hickey, Tanglewood Chairmen of Regions Krista Kamborian Baldini Helen Lahage Beverly J. Pieper Judy Clark Ginny Martens Patricia L. Tambone Joan Erhard Paula Murphy Arline Ziner Bettina Harrison Pamela S. Nugent Business and Professional Leadership Association Board of Directors Harvey Chet Krentzman, Chairman James F. Cleary, BPLA President Members J.P. Barger Thelma E. Goldberg Malcolm L. Sherman Leo L. Beranek Joe M. Henson Ray Stata William F. Connell George H. Kidder Stephen J. Sweeney Nelson J. Darling, Jr. Vincent M. O'Reilly Roger D. Wellington Boston Symphony Orchestra concerts are funded in part by the National Endowment for the Arts and the Massachusetts Cultural Council, a state agency. Celebrating the 90th Anniversary of Symphony Hall On display in the first-floor Huntington Avenue corridor of the Cohen Wing is an archival exhibit celebrating the 90th anniversary of Symphony Hall. In addition to newspaper accounts of the building's opening in 1900, the exhibit includes period photographs and a tribute to acoustician Wallace Clement Sabine. Articles on various aspects of Symphony Hall will be featured in the BSO program book throughout the season. The cover shows part of an architect's rendering of Symphony Hall, with lettering for "The Boston Music Hall" visible above what was originally the main entrance on Huntington Avenue. The new building was never so named, however, since the old Music Hall, where the BSO performed until Symphony Hall opened in 1900, was not torn down as planned. References furnished on request Armenta Adams David Korevaar American Ballet Theater Garah Landes Michael Barrett Michael Lankester John Bayless Elyane Laussade Leonard Bernstein Marion McPartland William Bolcom John Nauman Jorge Bolet Seiji Ozkwa Boston Pops Orchestra Luciano Pavarotti Boston Symphony Alexander Peskanov Chamber Players Andre Previn Boston Symphony Steve Reich Orchestra Santiago Rodriguez Boston University School George Shearing of Music Bright Sheng Brooklyn Philharmonic Leonard Shure Abbey Simon Aaron Copland Stephen Sondheim John Corigliano Herbert Stessin Phyllis Curtin Tanglewood Mtisic Rian de Waal Center Michael Feinstein Nelita True Lukas Foss Craig Urquhart Philip Glass Earl Wild Karl Haas John Williams John F. Kennedy Center Yehudi Wyner for Performing Arts and 200 others BALDWIN OF BOSTON 98 Boylston, Boston, MA 02116, (617) 482-2525 BSO "Salome" Dress Rehearsal, Friday-Afternoon Concert Tuesday, April 16, at 7:30 pm Named in Honor of Tickets at $10 and $15 are on sale now at Sheldon Rotenberg and the Symphony Hall box office and through William Pierce SymphonyCharge (266-1200) for a special, This week's Friday-afternoon concert has been non-subscription dress rehearsal of Strauss's funded in part by a generous gift from Mrs. Salome. Seiji Ozawa will lead the Boston Sym- James H. Perkins to the Boston Symphony phony Orchestra, with soprano Hildegard Annual Fund's Concert Sponsorship Program. Behrens as Salome, mezzo-soprano Mignon Mrs. Perkins holds the distinction of being Dunn as Herodias, tenor Ragnar Ulfung as the first woman elected to the BSO Board of Herod, baritone Jorma Hynninen as Jokanaan, Trustees, in 1962. She was also deeply and tenor Vinson Cole as Narraboth. Please involved in the Ford Foundation's fundraising note that seating for this event, unlike the reg- efforts in the 1960s.
Recommended publications
  • CASADESUS the Complete French Columbia Recordings
    THE FRENCH PIANO SCHOOL ROBERT CASADESUS The complete French Columbia recordings ROBERT CASADESUS The complete French Columbia recordings 1928–1939 including the first release of the 1931 Mozart ‘Coronation’ Concerto COMPACT DISC 1 (78.15) SCARLATTI 11 Sonatas 1. Sonata in D major, Kk430 (L463) .................................................................. (1.51) 2. Sonata in A major, Kk533 (L395) .................................................................. (2.23) 3. Sonata in D major, Kk23 (L411) ................................................................... (2.29) 4. Sonata in B minor, Kk377 (L263) .................................................................. (1.17) 5. Sonata in D major, Kk96 (L465) ................................................................... (4.10) 6. Sonata in D minor, Kk9 (L413) ..................................................................... (1.36) 7. Sonata in G major, Kk125 (L487) .................................................................. (2.00) 8. Sonata in B minor, Kk27 (L449) ................................................................... (1.54) 9. Sonata in G major, Kk14 (L387) ................................................................... (1.53) 10. Sonata in E minor, Kk198 (L22) ................................................................... (2.10) 11. Sonata in G major, Kk13 (L486) ................................................................... (1.58) Recorded on 15 June 1937; matrices CLX 1952-1Tracks 1,2, 1953-33,4, 1954-15, 1955-36,7, 1956-38,9,
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
    /JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr.
    [Show full text]
  • Philharmonic Au Dito R 1 U M
    LUBOSHUTZ and NEMENOFF April 4, 1948 DRAPER and ADLER April 10, 1948 ARTUR RUBINSTEIN April 27, 1948 MENUHIN April 29, 1948 NELSON EDDY May 1, 1948 PHILHARMONIC AU DITO R 1 U M VOL. XLIV TENTH ISSUE Nos. 68 to 72 RUDOLF f No S® Beethoven: S°"^„passionala") Minor, Op. S’ ’e( MM.71l -SSsr0*“” « >"c Beethoven. h6tique") B1DÛ SAYÂO o»a>a°;'h"!™ »no. Celeb'“’ed °P” CoW»b» _ ------------------------- RUOOtf bKch . St«» --------------THE pWUde'Pw»®rc’^®®?ra Iren* W°s’ „„a olh.r,„. sr.oi «■ o'--d s,°3"' RUDOLF SERKIN >. among the scores of great artists who choose to record exclusively for COLUMBIA RECORDS Page One 1948 MEET THE ARTISTS 1949 /leJ'Uj.m&n, DeLuxe Selective Course Your Choice of 12 out of 18 $10 - $17 - $22 - $27 plus Tax (Subject to Change) HOROWITZ DEC. 7 HEIFETZ JAN. 11 SPECIAL EVENT SPECIAL EVENT 1. ORICINAL DON COSSACK CHORUS & DANCERS, Jaroff, Director Tues. Nov. 1 6 2. ICOR CORIN, A Baritone with a thrilling voice and dynamic personality . Tues. Nov. 23 3. To be Announced Later 4. PATRICE MUNSEL......................................................................................................... Tues. Jan. IS Will again enchant us-by her beautiful voice and great personal charm. 5. MIKLOS GAFNI, Sensational Hungarian Tenor...................................................... Tues. Jan. 25 6. To be Announced Later 7. ROBERT CASADESUS, Master Pianist . Always a “Must”...............................Tues. Feb. 8 8. BLANCHE THEBOM, Voice . Beauty . Personality....................................Tues. Feb. 15 9. MARIAN ANDERSON, America’s Greatest Contralto................................. Sun. Mat. Feb. 27 10. RUDOLF FIRKUSNY..................................................................................................Tues. March 1 Whose most sensational success on Feb. 29 last, seated him firmly, according to verdict of audience and critics alike, among the few Master Pianists now living.
    [Show full text]
  • Concerto for Violin and String Orchestra
    BRITISH VIOLIN CONCERTOS Paul Patterson Kenneth Leighton Gordon Jacob Clare Howick, Violin BBC Scottish Symphony Orchestra Grant Llewellyn Paul Patterson (b. 1947): Violin Concerto No. 2 (‘Serenade’) (2013) 21:57 British Violin Concertos For Clare Howick Paul Patterson • Kenneth Leighton • Gordon Jacob 1 I. Toccata – 5:15 Contrary to opulent violin concertos conceived on a grand movement is virtually monothematic in its close allegiance 2 II. Barcarolle – 8:45 scale by Edward Elgar and William Walton, for example, to a haunting and wistful refrain, which is constantly the three British violin concertos featured here adopt a recast in fresh and varied guises. Once again, the harp 3 III. Valse-Scherzo 7:57 more concise approach to the genre using chamber comes to the fore as the music dies away. forces. Though not shunning the time-honoured elements Full orchestral forces are deployed in the sparkling Kenneth Leighton (1929–1988): of bravura display anticipated in concertante works, they Allegro finale. After a short introduction presenting Concerto for Violin and Small Orchestra, Op. 12 (1952) 24:10 cast the solo violinist as first among equals, engaging in tantalising wisps of thematic material, the solo violin has a To Frederick Grinke telling dialogues with a responsive ensemble, rather than brilliant cadenza. This forms a roguishly extended as an individual pitted against the mob. preamble to a lively Valse-Scherzo whose sly harmonic 4 I. Allegro con brio, molto ritmico 7:49 Born in Chesterfield on 15 June 1947, Paul Patterson shifts and intoxicating melodic sweep rounds the concerto 5 II. Intermezzo – Moderato con moto, sempre dolce 5:58 studied composition with Richard Stoker at the Royal off in exuberantly urbane style.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1951-1953
    TANGLEWOOD ">••••: : : :S* :Si : In Massachusetts and New Hampshire new Steinway Pianos are sold ONLY by M. STEINERT & SONS STEINWAY... A century of leadership is significant of the unfailing QUALITY of the Steinway Piano. Since 1 853 this superb instrument has been chosen by an overwhelming majority of musicians and concert artists— and by thousands of homes, large and small— as all that is finest in music. Many Steinway models, vertical or grand, invite your comparison, for beauty of tone, exacting craftsmanship and sustained stamina. No other piano is so worthy of your consideration. /JJyjN M'Stoinert & Sons 162 BOYLSTON STREET • BOSTON Jerome F. Murphy, President BRANCHES IN WORCESTER • SPRINGFIELD • WELLESLEY HILLS BOSTON SYMPHONY ORCHESTRA CHARLES MUNCH, Music Director Berkshire Festival Season igj2 TANGLEWOOD, LENOX, MASSACHUSETTS THEATRE-CONCERT HALL Concerts by Members of the Orchestra Charles Munch, Conducting Concert Bulletin, with historical and descriptive notes by John N. Burk COPYRIGHT, 1952, BY BOSTON SYMPHONY ORCHESTRA, INC. Trustees of the Boston Symphony Orchestra, Inc. Henry B. Cabot, President Jacob J. Kaplan, Vice-President Richard C. Paine, Treasurer Philip R. Allen Theodore P. Ferris N. Penrose Hallowell M. A. De Wolfe Howe Michael T. Kellehkr Lewis Perry John Nicholas Brown Alvan T. Fuller Francis W. Hatch Charles D. Jackson Edward A. Taft Raymond S. Wilkins Oliver Wolcott Tanglewood Advisory Committee \V. F. Anthony Hanlon George E. Mole Whitney S. Stoddard Alan J. Blau Henry Dwight Lenges Bull Georcf. W. Edman Lawrence K. Miller James T. Owens Robert K. Wheeler George E. Judd, Manager Assistant Managers: T. D. Perry, Jr. N. S. Shirk gfWNtffWffWtffW^^ On July 24 — First Boston Symphony Concert Since London Of year-round Upera Season Charles Munch will assemble the Boston Symphony at your Uwn L/urtain C^bne Orchestra in full force for the first time since the orches- tra's return from Europe at the opening Shed concert on July 24.
    [Show full text]
  • ALSO on Signumclassics
    103Booklet 21/8/07 21:45 Page 1 ALSO on signumclassics SIGCD051 SIGCD052 Hypothetically Murdered Hamlet & King Lear Dmitri Shostakovich Dmitri Shostakovich City of Birmingham Symphony Orchestra / City of Birmingham Symphony Orchestra / Mark Elder Mark Elder SIGCD053 SIGCD095 Red Leaves Wanderer Fantasy Works by 20th Century Composers English Chamber Orchestra / Orlando Jopling Brunel Ensemble / Christopher Austin Members of the Schubert Ensemble Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 103Booklet 21/8/07 21:45 Page 3 John Metcalf PARADISE HAUNTS: THREE MOBILES: In Time of Daffodils IN TIME OF DAFFODILS The three works on this disc span a period of The most recent work of the three is In Time of Paradise Haunts... twelve years of creative work. There are connections Daffodils. I drew on my experience of writing opera 1. Paradise Haunts... [25.13] in the way that they were conceived in that that in composing it. The challenge of writing for baritone they all started life either as a whole or in part as and a large orchestra yet keeping the texture and Three Mobiles works with piano; the versions on the disc evolved, words clear was an important one to respond to. I 2. Mobile I [2.58] therefore, over time. also attempted a quasi symphonic structure with 3. Mobile II [8.01] the parallel sets of three poems being musical 4. Mobile III [3.11] Paradise Haunts was composed at a creative paraphrases. At the same time the piece makes a turning point in my life.
    [Show full text]
  • 2018/19 Season Announcement
    FOR IMMEDIATE RELEASE CONTACT Meredith Kimball Laing 919.789.5484 [email protected] North Carolina Symphony’s 2018/19 Season Delivers Powerful Musical Narratives and Proves that Orchestral Music Is Thriving in the State Highlights Include Season-Opener with Violinist Joshua Bell; Cultural Preservation Project with Eastern Band of Cherokee Indians; Multimedia Collaboration with North Carolina Museum of Natural Sciences; Live Recording with Grammy Winners; and Continued Commitment to New Music and Work of Women Composers RALEIGH, N.C. – The North Carolina Symphony is an indispensable part of North Carolina’s cultural narrative. Founded as America’s first statewide orchestra in 1932, and traveling 18,500 miles throughout the state to engage 250,000 people each year, NCS is committed to presenting artistically excellent performances that delight and inspire—and with ticket sales increasing 50% since 2010, it is clear that the Symphony is delivering on that promise. The 2018/19 season proves that orchestral music is thriving in North Carolina: NCS will collaborate with artists and organizations to present classical music experiences distinctive to North Carolina life; commission new works by North Carolina natives; perform masterworks in new contexts; and offer broad variety in its programming—in and outside of the concert hall— to develop new audiences. “Each work we present has a story to share, and our ever-present hope is that our audiences connect to these powerful musical narratives—whether it is the triumph in Beethoven’s Symphony No. 5, the humor in Strauss’ depiction of Don Quixote, or the history of North Carolina’s native people reflected in a new work,” says NCS Music Director Grant Llewellyn.
    [Show full text]
  • Carmel Music Society
    Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna
    [Show full text]
  • Seiii Ozawa J Mrsic Thrfctor // )
    E Seiii Ozawa J mrsic thrfctor // ) /-» s\ r\ 1994 eason When you know your worth Omega Constellation 18K gold and stainless steel ladies' watch .with diamond bezel. Scratch-resistant sapphire crystal. Water resistant. Swiss made since 1848. OMEGA fi& ALPHA OMEGA Sfta& cU/}atcAe& The sign of excellence AMERICA'S WATCH SPECIALISTS Harvard Square-57 J.F.K. Street ©1994 Omega,*a division of EMI (US) Inc. Cambridge, MA 02138 1-800-447-4367 (617) 864-1227 Seiji Ozawa, Music Director One Hundred and Fourteenth Season, 1994-95 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Harlan E. Anderson Nader E Darehshori Julian T. Houston Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Edna S. Kalman Mrs. Robert B. Newman James E Cleary Nina L. Doggett Allen Z. Kluchman Peter C. Read John E Cogan, Jr. DeanW. Freed Harvey Chet Krentzman Carol Scheifele-Holmes Julian Cohen Avram J. Goldberg George Krupp Richard A. Smith Wilham E Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata William M. Crozier, Jr. Trustees Emeriti Vernon R. Alden AbramT. Collier Mrs. George I. Kaplan Mrs. George Lee Sargent Philip K. Allen Nelson J. Darling, Jr. George H. Kidder Sidney Stoneman David B. Arnold, Jr. Archie C. Epps Thomas D. Perry, Jr. John Hoyt Stookey Allen G. Barry Mrs. Harris Fahnestock Irving W Rabb John L. Thorndike Leo L. Beranek Mrs. John L. Grandin Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Daniel R.
    [Show full text]
  • Press Info 40 Years
    Press info 40 years In memoriam Claudio Abbado: LUCERNE FESTIVAL Historic Performances CLAUDIO ABBADO Schubert: Symphony No. 7 in B minor, D. 759 Unfinished Vienna Philharmonic Live recording: Lucerne, Kunsthaus, 5 September 1978 Beethoven: Symphony No. 2 in D major Wagner: Siegfried-Idyll Chamber Orchestra of Europe Live recording: Lucerne, Kunsthaus, 25 August 1988 In memory of Claudio Abbado, who died on 20 January 2014 and who was closely associated with LUCERNE FESTIVAL for nearly five decades, audite and LUCERNE FESTIVAL are issuing three previously unreleased live recordings, approved by the conductor himself. They have now become a musical legacy, uniting all elements of his art in exemplary fashion: the absolute dedication which in itself made every one of his concerts an almost existential experience; the moments of highest musical internalisation, but also of rousing vitality, which characterised his interpretations; his self-professed view of himself as a “primus inter pares” within the col- lective of the orchestra, nurturing that chamber music culture of performers listening and responding to one another. On 5 September 1978, Claudio Abbado and the Vienna Philharmonic performed Franz Schubert’s Unfinished in Lucerne – a moving interpretation, emphasising the lyrical character of the work and creating a single arc of suspense from the sombre opening to the concluding transfiguration of the second movement. This work closes a circle insofar as Claudio Abbado also conducted Schubert’s Unfinished at his final concert, given on 26 August 2013 in Lucerne. On 25 August 1988, on the occasion of the festival’s fiftieth anniversary, Abbado and the Chamber Orchestraof Europe performed exactly the same program with which Arturo Toscanini had opened the Luzerner Festspiele in 1938, including Ludwig van Beethoven’s Second Symphony and Richard Wagner’s Siegfried Idyll, the latter written in Lucerne.
    [Show full text]
  • Albert Einstein: the Violinist
    Albert Einstein: The Violinist By Peregrine White* o the press of his time Albert Einstein was two parts renowned scientist, one jigger pacifist and TZionist fundraiser, and a dash amateur musician. These proportions persisted during 1979, the 100th an- niversary of his birth, as writers in all media jostled each other as they recounted his achievements. Relativity tended to hog the show. Relatively little space was given to Einstein the musician. This report, an attempt to redress the balance, is based on conversations with several people who used to play chamber music with him. Einstein was given violin lessons at an early age. By his own testimony he first became really interested in music when he was 13 and made the acquaintance of the Mo- zart sonatas. When Einstein was an adult, a well-worn fiddle case accompanied him wherever he went. In 1921, when Einstein arrived in the United States for the first time, reporters saw a kindly man with undis- ciplined hair, somewhat wayward black trousers—a man of no particular style, fiddle case in hand. He looked for all the world like a professional musician on tour. Einstein spent many years of his life in Berlin, deeply involved in the scientific and cultural life there. He hob- (Photo courtesy of the Southold Historical Society and the Family of Reginald Donahue.) nobbed with musical greats like Fritz Kreisler and the philosopher-artist Artur Schnabel. He used to play violin sonatas with Max Planck, the father of quantum theory. At the time, Schnabel was the greatest living per- Beethoven that troubled Einstein, according to one former of piano works of Beethoven.
    [Show full text]
  • Pacific Symphony Proudly Recognizes Its Official Partners
    0873 PS L1P2C3PSYO1 10/14/09 9:50 PM Page 8 ORANGE COUNTY PERFORMING ARTS CENTER RENÉE AND HENRY SEGERSTROM CONCERT HALL Thursday, Friday & Saturday, November 12–14, 2009, at 8:00 p.m. Preview talk with Alan Chapman at 7:00 p.m. PRESENTS 2009–2010 HAL AND JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICS SERIES GRANT LLEWELLYN, CONDUCTOR JAN VOGLER, CELLO CHRISTOPH BULL, ORGAN WALTON Orb and Sceptre C.P.E. BACH Concerto for Cello in A Major (1902–1983) (1714–1788) Allegro Largo ELGAR Serenade in E Minor for String Allegro assai (1857–1934) Orchestra, Op. 20 JAN VOGLER Allegro piacevole Larghetto ELGAR Variations on an Original Theme, Allegretto (1857–1934) Op.36 (“Enigma”Variations) Enigma: Andante TCHAIKOVSKY Variations on a Rococo Theme, Variation I:“C.A.E.” L’’istesso tempo (1840–1893) Op. 33 Variation II:“H.D.S.- P.” Allegro Arr. Fitzenhagen Moderato assai quasi Andante - Variation III:“R.B.T.”Allegretto Thema: Moderato semplice Variation IV:“W.M.B.”Allegro di molto Variation I:Tempo della Thema Variation V:“R.P.A.” Moderato Variation II:Tempo della Thema Variation VI:“Ysobel” Andantino Variation III: Andante sostenuto Variation VII:“Troyte” Presto Variation IV: Andante grazioso Variation VIII:“W.N.”Allegretto Variation V: Allegro moderato Variation IX:“Nimrod” Moderato Variation VI: Andante Variation X:“Dorabella - Intermezzo” Variation VII e Coda:Allegro vivo Allegretto JAN VOGLER Variation XI:“G.R.S.”Allegro di molto Variation XII:“B.G.N.”Andante —INTERMISSION— Variation XIII:“*** - Romanza” Moderato Variation XIV:“E.D.U.” - Finale Pacific Symphony proudly recognizes its Official Partners: Official Airline Official Hotel Official Television Station The Saturday, November 14, performance is broadcast live on , the official classical radio station of Pacific Symphony.
    [Show full text]