DOCSLIB.ORG

Professor Marston and the Wonder Women

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Professor Marston and the Wonder Women BOOK EARLY BOOK EARLY BIRD’S EYE FILM PRESENTS: PROGRAMMER’S PICK (12A) Phantom Thread (15) The Mercy + SWFTA Professor Marston and A Fantastic Woman (15) Loveless (15) I, Tonya (15) The Square (15) Psycho Vertical (TBC) Dark River (TBC) Fri 2 – Sat 10 March Fri 9 – Tue 20 March the Wonder Women (15) Fri 30 March – Thu 5 April Sat 31 March – Wed 4 April Fri 6 – Thu 12 April Fri 20 – Thu 26 April Fri 20 – Wed 25 April Sat 21 – Thu 26 April Dir. James Marsh, UK, 2017, 102 mins. Cast. Colin Dir. Paul Thomas Anderson, US, 2017, 130 mins. Dir. Sebastian Lelio, Chile/Spain, 2017, 104 mins, Dir. Andrey Zvyagintsev, Russia/France/Belgium, Dir. Craig Gillespie, US, 2017, 119 mins. Cast. Dir. Ruben Ostlund, Sweden/Germany, 2017, Dir.Jen Randall, UK, 2017, 64 mins. Cast: Andy Dir. Clio Barnard, UK, 2017, 89 mins. Cast. Ruth Firth, Rachel Weisz, David Thewlis. Tue 13 – Wed 21 March Cast. Vicky Krieps, Daniel Day Lewis, Lesley Dir. Angela Robinson, US, 2017, 108 mins. Cast. subtitled. Cast. Daniela Vega, Francisco Reyes, 2017, 127 mins, subtitled. Cast. Maryana Spivak, Margot Robbie, Allison Janney, Bobby Cannavale. 150 mins, some subtitles. Cast. Claes Bang, Kirkpatrick. Wilson, Mark Stanley, Sean Bean. Manville. Luke Evans, Rebecca Hall, Bella Heathcote Luis Gnecco. Alexey Rozin, Matvey Novikov. Elisabeth Moss, Dominic West. The incredible true story of Donald The Goodfellas of figure skating A raw and emotive exploration of After a 15-year absence, Alice Paul Thomas Anderson once again Crowhurst, the amateur sailor who The mind-blowing backstory When her lover Orlando dies Still reluctantly sharing their apart- films, I,Tonya is an absurd, The winner of the Palme d’Or at the complex life and motivations returns to the family farm following teams up with Daniel Day-Lewis (for competed in the 1968 Sunday of Wonder Woman creator Dr suddenly, Marina is left in a state of ment, Boris and Zhenya can’t wait irreverent, and piercing portrait Cannes, The Square is a potent of writer, funny-man and Britain’s the death of her father. She finds his final role). Set in the glamour of Times Golden Globe Race in the William Moulton Marston and the shock. Still raw with grief, she must to end their unhappy marriage and of the life and career of Tonya comedy drama that explores the unlikeliest hero-mountaineer, the place in complete disrepair. 1950’s post-war London, renowned hope of becoming the first person two women who almost certainly navigate the horrors of recounting begin anew with their respective Harding. Margot Robbie gives boundaries of political correctness, Andy Kirkpatrick. The filmmaker Her troubled brother, Joe is in dressmaker Reynolds Woodcock in history to single-handedly inspired her. Join us on 13 March the night to Orlando’s family, lovers. Such is their mutual dislike an amazing performance as the artistic liberty and free speech in successfully employs some charge, but appears to be in no and his sister Cyril are at the centre circumnavigate the globe without for a screening introduced whose responses to the fact that however, they’re oblivious to the infamous ice skater, with Allison provocative ways. Plymouth Arts unorthodox techniques and the state to make smart decisions. of British fashion, dressing royalty, stopping. We will screen archive by Mia Bays, Oscar-winning she’s a transwoman range from terrible effect their constant argu- Janney (who took home a Golden Centre’s Artistic Director, Ben filmmaking feels fresh, at times Alice, bold and decisive, bolts into movie stars, heiresses, socialites, footage of Crowhurst and the race Producer and Anna Smith, Film frosty to scabrous and even hostile. ments are having on their lonely Globe for this) as Harding’s cruel Borthwick, will introduce the even bordering on experimental. Joe’s life, determined to impose debutantes and dames. from SWFTA before the film. Editor of Time Out magazine. This is essential arthouse cinema. 12-year-old son. and unfeeling mother. screening on 26 April. order and give the farm a future. PROGRAMMER’S PICK PROGRAMMER’S PICK BOOK EARLY PROGRAMMER’S PICK Lady Bird (15) The Shape of Water (15) Journey’s End (12A) Finding Your Feet (12A) Walk Like a Panther (TBC) You Were Never Really Isle of Dogs (TBC) Here to be Heard: The Bombshell: The Hedy Fri 16 - Fri 23 March Fri 23 March – Thu 5 April Sat 24 – Sat 31 March Fri 6 – Thu 12 April Fri 13 – Thu 19 April Here (15) Fri 27 Apr – Thu 3 May Story of The Slits (tbc) Lamarr Story (12A) Dir. Greta Gerwig, US, 2017, 94 mins. Cast. Dir. Guillermo Del Toro, Canada/US, 2017, 123 Dir. Saul Dibb, UK, 2017, 108 mins. Cast. Asa Dir. Richard Loncraine, UK, 2017, 111 mins. Cast. Dir. Dan Cadan, UK, 2018, ? mins. Cast. Stephen Fri 13 – Thu 19 April Dir. Wes Anderson, US, 2017, tbc mins. Voice Cast. Fri 27 Apr – Thu 3 May Sat 28 Apr – Wed 2 May Saoirse Ronan, Timothee Chalamet, Laurie mins. Cast. Sally Hawkins, Octavia Spencer, Butterfield, Sam Claflin, Toby Jones, Paul Bettany. Imelda Staunton, Joanna Lumley, Timothy Spall, Graham, Sue Johnson, Julian Sands, Stephen Bryan Cranston, Greta Gerwig, Bill Murray, Scarlett Dir. Lynne Ramsay, UK/US, 2017, 95 mins. Cast. Dir. William Badgley, UK/US, 2017, 86 mins. With. Dir. Alexandra Dean, US, 2017, 88 mins.. Metcalf. Michael Shannon. Celia Imrie, David Hayman. Tomkinson. Johansson, Tilda Swinton. Viv Albertine, Tessa Pollitt, Paloma McLardy. March, 1918. C-company arrives Joachin Phoenix, Ekaterina Samsonov, Alessandro What do the most ravishingly Nivola. Greta Gerwig’s critically adored Drawing on classic 1950s sci-fi to take its turn in the front-line Sandra is a fish out of water next to If you grew up in the 70’s and 80’s Wes Anderson’s stop-motion Isle A riveting film about the world’s beautiful actress of the 1930s directorial debut is a sweet, funny B-movies and the ongoing trenches in northern France led by her outspoken, serial dating, and you will remember the glory days Lynne Ramsay’s stark inversion of Dogs tells the story of Atari first all-girl punk band, formed in and 40s and the inventor whose ode to adolescence, small towns fascination with Area 51 conspiracy the war-weary Captain Stanhope. A free-spirited sibling, Bif. But this of wrestling on TV. When their lo- of the noir thriller won two major Kobayashi, twelve-year-old ward to London in 1976. Contemporaries concepts were the basis of cell and the relationship between theories, Del Toro’s tale of the young new officer, Raleigh, has just is just what Sandra needs at the cal pub is threatened with closure, prizes at Cannes 2017. Joe is a corrupt Mayor Kobayashi. When of The Clash and The Sex Pistols, phone and bluetooth technology mothers and daughters. Set in inexplicable is an old-school arrived, abuzz with the excitement moment, and she reluctantly lets a group of wrestling stars slip into Gulf War veteran and former FBI all the canine pets of Megasaki The Slits are the pioneering have in common? They are both 2002, it stars Saoirse Ronan as cinematic joy. At the height of the of his first real posting – not least Bif drag her along to a community their lycra one last time to try and agent turned killer-for-hire. Ramsay City are exiled to a vast garbage- godmothers of punk. Friday Hedy Lamarr, the glamour icon confused, precocious teenager, Cold War, in a secret US laboratory, because he is to serve under dance class, where gradually she save it. A big-hearted British com- is more concerned with the psyche dump, Atari sets off alone in a night’s film screening will be and technological trailblazer who Lady Bird. It might just be one of a young, mute woman begins Stanhope, his former school house starts finding her feet and romance edy, that sees friendships, commu- of her unhinged protagonist, miniature Junior-Turbo Prop and preceded by a performance by perfected a radio system to throw the defining coming of age films of to communicate with a strange, monitor. as she meets her sister’s friends. nity & family ties rekindled as the cutting away from the action rather flies to Trash Island in search of his Suck My Culture, Plymouth’s Nazi torpedoes off course during its generation. aquatic creature... This is the perfect feel-good film. battle to save the pub begins. than to it. bodyguard-dog, Spots. very own Feminist punk band. WWII. OSCARS WEEK ENCORE! LIVE CINEMA SPECIAL OFFERS Film Diary Cinema March Matinée Early Late Thursday 1 The Post, 11am (BIB) Jupiter’s Moon, 5.55pm The Post, 8.30pm March— Friday 2 – Three Billboards... 5.45pm Phantom Thread, 8.15pm Saturday 3 RSC Encore: Twelfth Night, 1.30pm Phantom Thread, 5.30pm Darkest Hour, 8pm April Tuesday 6 – Darkest Hour, 5.45pm Phantom Thread, 8.15pm Wednesday 7 Darkest Hour, 2.30pm Phantom Thread, 5.45pm Three Billboards... 8.30pm 2018 Thursday 8 – Darkest Hour, 5.45pm Phantom Thread, 8.15pm Friday 9 – Phantom Thread, 5.45pm The Mercy + SWFTA, 8.30pm Saturday 10 Phantom Thread, 2.30pm The Mercy + SWFTA, 5.30pm Phantom Thread, 8pm Tuesday 13 – The Mercy + SWFTA, 5.30pm Professor Marston... + INTRO 8pm Wednesday 14 The Mercy + SWFTA, 2.30pm The Mercy + SWFTA, 6pm Professor Marston... 8.30pm Thursday 15 – Professor Marston... 6pm The Mercy + SWFTA, 8.30pm Three Billboards Outside RSC Live Encore: This is our most F-Rated Friday 16 – Professor Marston... 6pm Lady Bird, 8.30pm Ebbing, Missouri Twelfth Night programme ever! The F-Rating Saturday 17 Lady Bird, 2.30pm The Mercy + SWFTA, 5.30pm Lady Bird, 8pm Fri 2 – Wed 7 March Sat 3 March, 1.30pm is designed to support and Tuesday 20 – The Mercy + SWFTA, 6pm Lady Bird, 8.30pm A second chance to see Three Runtime 2 hours 20 mins approx.
Load more

Recommended publications
  • Cultural Anthropology Through the Lens of Wikipedia: Historical Leader Networks, Gender Bias, and News-Based Sentiment
    Cultural Anthropology through the Lens of Wikipedia: Historical Leader Networks, Gender Bias, and News-based Sentiment Peter A. Gloor, Joao Marcos, Patrick M. de Boer, Hauke Fuehres, Wei Lo, Keiichi Nemoto [email protected] MIT Center for Collective Intelligence Abstract In this paper we study the differences in historical World View between Western and Eastern cultures, represented through the English, the Chinese, Japanese, and German Wikipedia. In particular, we analyze the historical networks of the World’s leaders since the beginning of written history, comparing them in the different Wikipedias and assessing cultural chauvinism. We also identify the most influential female leaders of all times in the English, German, Spanish, and Portuguese Wikipedia. As an additional lens into the soul of a culture we compare top terms, sentiment, emotionality, and complexity of the English, Portuguese, Spanish, and German Wikinews. 1 Introduction Over the last ten years the Web has become a mirror of the real world (Gloor et al. 2009). More recently, the Web has also begun to influence the real world: Societal events such as the Arab spring and the Chilean student unrest have drawn a large part of their impetus from the Internet and online social networks. In the meantime, Wikipedia has become one of the top ten Web sites1, occasionally beating daily newspapers in the actuality of most recent news. Be it the resignation of German national soccer team captain Philipp Lahm, or the downing of Malaysian Airlines flight 17 in the Ukraine by a guided missile, the corresponding Wikipedia page is updated as soon as the actual event happened (Becker 2012.
    [Show full text]
  • EE British Academy Film Awards Sunday 8 February 2015
    EE British Academy Film Awards Sunday 8 February 2015 Previous Nominations and Wins in EE British Academy Film Awards only. Includes this year’s nominations. Wins in bold. Leading Actor Benedict Cumberbatch 1 nomination Leading Actor in 2015: The Imitation Game Eddie Redmayne 1 nomination Leading Actor in 2015: The Theory of Everything Orange Wednesdays Rising Star Award Nominee in 2012 Jake Gyllenhaal 2 nominations / 1 win Supporting Actor in 2006: Brokeback Mountain Leading Actor in 2015: Nightcrawler Michael Keaton 1 nomination Leading Actor in 2015: Birdman Ralph Fiennes 6 nominations / 1 win Supporting Actor in 1994: Schindler’s List Leading Actor in 1997: The English Patient Leading Actor in 2000: The End of The Affair Leading Actor in 2006: The Constant Gardener Outstanding Debut by a British Writer, Director or Producer in 2012: Coriolanus (as Director) Leading Actor in 2015: The Grand Budapest Hotel Leading Actress Amy Adams 5 nominations Supporting Actress in 2009: Doubt Supporting Actress in 2011: The Fighter Supporting Actress in 2013: The Master Leading Actress in 2014: American Hustle Leading Actress in 2015: Big Eyes Felicity Jones 1 nomination Leading Actress in 2015: The Theory of Everything Julianne Moore 4 nominations Leading Actress in 2000: The End of the Affair Supporting Actress in 2003: The Hours Leading Actress in 2011: The Kids are All Right Leading Actress in 2015: Still Alice Reese Witherspoon 2 nominations / 1 win Leading Actress in 2006: Walk the Line Leading Actress in 2015: Wild Rosamund Pike 1 nomination Leading Actress in 2015: Gone Girl Supporting Actor Edward Norton 2 nominations Supporting Actor in 1997: Primal Fear Supporting Actor in 2015: Birdman Ethan Hawke 1 nomination Supporting Actor in 2015: Boyhood J.
    [Show full text]
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
    5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now.
    [Show full text]
  • Locations of Motherhood in Shakespeare on Film
    Volume 2 (2), 2009 ISSN 1756-8226 Locations of Motherhood in Shakespeare on Film LAURA GALLAGHER Queens University Belfast Adelman’s Suffocating Mothers (1992) appropriates feminist psychoanalysis to illustrate how the suppression of the female is represented in selected Shakespearean play-texts (chronologically from Hamlet to The Tempest ) in the attempted expulsion of the mother in order to recover the masculine sense of identity. She argues that Hamlet operates as a watershed in Shakespeare’s canon, marking the prominent return of the problematic maternal presence: “selfhood grounded in paternal absence and in the fantasy of overwhelming contamination at the site of origin – becomes the tragic burden of Hamlet and the men who come after him” (1992, p.10). The maternal body is thus constructed as the site of contamination, of simultaneous attraction and disgust, of fantasies that she cannot hold: she is the slippage between boundaries – the abject. Julia Kristeva’s theory of the abject (1982) ostensibly provides a hypothesis for analysis of women in the horror film, yet the theory also provides a critical means of situating the maternal figure, the “monstrous- feminine” in film versions of Shakespeare (Creed, 1993, 1996). Therefore the choice to focus on the selected Hamlet , Macbeth , Titus Andronicus and Richard III film versions reflects the centrality of the mother figure in these play-texts, and the chosen adaptations most powerfully illuminate this article’s thesis. Crucially, in contrast to Adelman’s identification of the attempted suppression of the “suffocating mother” figures 1, in adapting the text to film the absent maternal figure is forced into (an extended) presence on screen.
    [Show full text]
  • Sundance Institute Presents Institute Sundance U.S
    1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr.
    [Show full text]
  • March 2020 Check out Oscar Award-Winning Film Parasite at MPL!
    New to DVD: March 2020 Check out Oscar Award-Winning film Parasite at MPL! Don't forget you can place holds on films and have them delivered to your nearest location! Bombshell A group of women decide to take on Fox News head Roger Ailes and the toxic atmosphere he presided over at the network. Starring Charlize Theron, Nicole Kidman, and Margot Robbie Rated R Cats Oscar-winning director Tom Hooper transforms Andrew Lloyd Webber’s record-shattering stage musical into a breakthrough cinematic event. Starring Taylor Swift, Jennifer Hudson, and Idris Elba Rated PG Clemency Bernadine is a stoic prison warden, but two back-to-back executions put a strain on her marriage, career, and convictions. Starring Alfre Woodard and Wendell Pierce Rated R Jumanji: The Next Level he gang is back, but the game has changed. As they return to Jumanji to rescue one of their own, they discover that nothing is as they expect. The players will have to brave parts unknown and unexplored, from the arid deserts to the snowy mountains, in order to escape the world’s most dangerous game. Starring Dwayne "The Rock" Johnson Rated PG-13 The Nightingale Set during the colonization of Australia in 1825, the film follows 21-year-old convict Clare. Having served her time, she is eager to be free of her abusive master, Lieutenant Hawkins. Clare becomes the victim of a harrowing crime by the lieutenant and his cronies. When authorities fail to deliver justice, she decides to pursue Hawkins and enlists the help of a young Aboriginal tracker.
    [Show full text]
  • 92Nd Academy Awards Nominations Ballet
    2020 OSCAR BALLOT BEST PICTURE ADAPTED SCREENPLAY SOUND MIXING “Ford v Ferrari” “The Irishman” “1917” “The Irishman” “Jojo Rabbit” “Ford v Ferrari” “Jojo Rabbit” “Little Women” “Once Upon a Time... in Hollywood” “Joker” “The Two Popes” “Ad Astra” “Little Women” “Joker” “Joker” “Once Upon a Time...in Hollywood” ORIGINAL SCREENPLAY ANIMATED SHORT FILM “Marriage Story” “Marriage Story” “Dcera (Daughter)” “Parasite” “Once Upon a Time…in Hollywood” “Hair Love” “1917” “Parasite” “Kitbull” ACTRESS IN A SUPPORTING ROLE “Knives Out” “Memorable” Kathy Bates, “Richard Jewell” “1917” “Sister” Laura Dern, “Marriage Story” ACTOR IN A LEADING ROLE LIVE ACTION SHORT FILM Scarlett Johansson, “Jojo Rabbit” Antonio Banderas, “Pain and Glory” Florence Pugh, “Little Women” “Brotherhood” Leonardo DiCaprio, Margot Robbie, “Bombshell” “Nefta Football Club” “Once Upon a Time…in Hollywood” “The Neighbors’ Window” Adam Driver, “Marriage Story” ACTOR IN A SUPPORTING ROLE “Saria” Joaquin Phoenix, “Joker” Tom Hanks, “A Sister” “A Beautiful Day in the Neighborhood” Jonathan Pryce, “The Two Popes” Anthony Hopkins, “The Two Popes” ORIGINAL SCORE ACTRESS IN A LEADING ROLE Al Pacino, “The Irishman” “1917,” Thomas Newman Cynthia Erivo, “Harriet” Joe Pesci, “The Irishman” “Joker,” Hildur Guðnadóttir Scarlett Johansson, “Marriage Story” Brad Pitt, “Little Women,” Alexandre Desplat Saoirse Ronan, “Little Women” “Once Upon a Time...in Hollywood” “Marriage Story,” Randy Newman Renée Zellweger, “Judy” FOREIGN LANGUAGE FILM
    [Show full text]
  • The Appropriateness of William Shakespeare's
    T.C. SELÇUK ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İNGİLİZ DİLİ VE EDEBİYATI ANA BİLİM DALI İNGİLİZ DİLİ VE EDEBİYATI BİLİM DALI THE APPROPRIATENESS OF WILLIAM SHAKESPEARE'S RICHARD III TO FILM ADAPTATION YÜKSEK LİSANS TEZİ DANIŞMAN YRD. DOÇ. DR. GÜLBÜN ONUR HAZİRLAYAN ŞEFİKA BİLGE CANTEKİNLER KONYA, 2005 ÖZET 1930ların başında Hollywood ile birlikte yükselen Amerikan Film Endüstrisi vazgeçilmez kaynakları arasında ünlü İngiliz oyun yazarı William Shakespeare'in eserlerini ilk sıraya oturtmuştur. Sessiz sinemadan günümüz üç boyutlu animasyon film dönemine geçişte klasik Shakespeare oyunları da her yeni yönetmen ve yapımcıyla birlikte farklı bir boyut kazanmıştır. Tarihsel bir trajedi olan Shakespeare'in III. Richard adlı oyunu ilk oynandığı 1590lardan günümüze kadar geçen sürede en çok sahnelenen ama en az anlaşılan oyunlardan biri olmuştur. Buna bağlı olarak III. Richard'ın seçilen üç film uyarlaması oyunu farkh yonlerden ele almışlardır. İlk film İngiliz aktör- yönetmen Sir Laurence Oliver'in 1955 film uyarlaması III. Richard, ikincisi İngiliz yönetmen Richard Loncraine'in İngiliz aktör-yönetmen Ian McKellen ile birlikte çektiği 1995 yapımı III. Richard ve sonuncusu da Amerikalı aktör Al Pacino'nun yönetip başrol oynadığı Looking For Richard (Richard'ı Aramak) adlı filmidir. Bu çalışma, seçilen üç sahne ile oyunun kahramanı olan III. Richard'ın yükseliş ve çöküşünü temel alarak üç film uyarlaması arasındaki farklılıkları değerlendirmektedir. Ayrıca, a9ihs monoloğu, kur yapma, baştan çıkarma ile savaş sahneleri incelenerek bunların Shakespeare'in metnini ne derece yansıttıkları ve bu sahnelerin birbirinden nasıl farklı olarak ele alındığını belirtmektedir. ABSTRACT Within the rise of Hollywood productions at the beginning of the 1930s, American Film Industry put the works of famous British playwright William Shakespeare at its one of the most indispensable sources.
    [Show full text]
  • MEJOR PELICULA 127 HOURS Christian Colson, Danny Boyle
    MEJOR PELICULA 127 HOURS Christian Colson, Danny Boyle, John Smithson BLACK SWAN Mike Medavoy, Arnold Messer, Brian Oliver, Scott Franklin GREENBERG Scott Rudin, Jennifer Jason Leigh THE KIDS ARE ALL RIGHT Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Taplin Lundberg, Philippe Hellmann WINTER´S BONE Alix Madigan-Yorkin, Anne Rosellini MEJOR DIRECTOR DARREN ARONOFSKY Black Swan DANNY BOYLE 127 Hours LISA CHODOLENKO The Kids are all right DEBRA GRANIK Winter´s Bone JOHN CAMERON MITCHELL Rabbit Hole MEJOR ÓPERA PRIMA EVERYTHING STRANGE AND NEW Frazer Bradshaw, Laura Techera Francia, A.D Liano GET LOW Aaron Schneider, Dean Zanuck, David Gundlach THE LAST EXORCISM Daniel Stamm, Eric Newman, Eli Roth, Marc Abraham, Thomas A. Bliss NIGHT CATCHES US Tanya Hamilton, Ronald Simons, Sean Costello, Jason Orans TINY FURNITURE Lena Dunham, Kyle Martin, Alicia Van Couvering PREMIO JOHN CASSAVETES DADDY LONGLEGS Josh Safdie, Benny Safdie, Casey Neistat, Tom Scott THE EXPLODING GIRL Bradley Rust Gray, So Yong Kim, Karin Chien, Ben Howe LBS Matthew Bonifacio, Carmine Famiglietti LOVERS OF HATE Bryan Poyser, Megan Gilbride OBSELIDIA Diane Bell, Chris Byrne, Matthew Medlin MEJOR GUIÓN LISA CHOLODENKO, STUART BLUMBERG The Kids are all right DEBRA GRANIK, ANNE ROSELLINI Winter´s Bone NICOLE HOLOFCENER Please Give DAVID LINDSAY-ABAIRE Rabbit Hole TODD SOLONDZ Life during wartime MEJOR GUIÓN DEBUTANTE DIANE BELL Obselidia LENA DUNHAM Tiny Furniture NIK FACKLER Lovely, Still ROBERT GLAUDINI Jack goes boating DANA ADAM SHAPIRO, EVAN M. WIENER Monogamy MEJOR ACTRIZ PROTAGÓNICA ANNETTE BENING The Kids are all right GRETA GERWIG Greenberg NICOLE KIDMAN Rabbit Hole JENNIFER LAWERENCE Winter´s Bone NATALIE PORTMAN Black Swan MICHELLE WILLIAMS Blue Valentine MEJOR ACTOR PROTAGÓNICO RONALD BRONSTEIN Daddy Longlegs AARON ECKHART Rabbit Hole JAMES FRANCO 127 Hours JOHN C.
    [Show full text]
  • 1 Interviewer: Peter, Um, Great Expectations- but Did It Meet
    Interviewer: Peter, um, Great Expectations- but did it meet yours? Peter: It sort of did and I’m not sure if that’s a good thing or a bad thing. It was a very decent, robust, competent, workmanlike adaptation and nothing damns it with faint praise more than that (interviewer:not really that good). I thought it was a really likeable attractive piece of work, I really liked Jeremy Evans. When you think how awful he was in War Horse, but that wasn’t really his fault, I thought War Horse was so treacly and this was pretty decent- he is a pretty good lead to play this. I wondered why we were hearing it all again, I mean it’s great, I love it, I can’t get enough of Pip being beastly to Joe Gargery and being snobbish to him and the awful toe-curling embarrassment of all that, just deathless, I can’t get enough of them but why are we seeing it all again, especially as the film seems to be making a bit of a virtue of not having anything radically new to say about it- I don’t think, unless I miss.. Catherine thinks it does. I thought it was good and I’ll sit and watch it perfectly happily, there were some very nice cameo turns in it- Sally Hawkins, who’s just born to be a Dickens player, David Walliams as Mr Pomchook . So I thought it was good but I wondered why we were hearing about it again, what was the point when people like the BBC, with their version of Bleak House , which was so radical and strong, why do this, why do this now? Why do it if you’ve really nothing new to say? Presenter: Catherine, can you answer that question, Mike Newell’s talked about this being his sexy version of Great Expectations- did you feel any of that? Catherine: I didn’t feel sexy, I didn’t feel it was sexy and I didn’t feel sexy watching it, I felt the opposite of sexy.
    [Show full text]
  • 73Rd-Nominations-Facts-V2.Pdf
    FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page
    [Show full text]
  • Hitchcock's Appetites
    McKittrick, Casey. "Epilogue." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 159–163. Bloomsbury Collections. Web. 28 Sep. 2021. <http://dx.doi.org/10.5040/9781501311642.0011>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 28 September 2021, 08:18 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Epilogue itchcock and his works continue to experience life among generation Y Hand beyond, though it is admittedly disconcerting to walk into an undergraduate lecture hall and see few, if any, lights go on at the mention of his name. Disconcerting as it may be, all ill feelings are forgotten when I watch an auditorium of eighteen- to twenty-one-year-olds transported by the emotions, the humor, and the compulsions of his cinema. But certainly the college classroom is not the only guardian of Hitchcock ’ s fl ame. His fi lms still play at retrospectives, in fi lm festivals, in the rising number of fi lm studies classes in high schools, on Turner Classic Movies, and other networks devoted to the “ oldies. ” The wonderful Bates Motel has emerged as a TV serial prequel to Psycho , illustrating the formative years of Norman Bates; it will see a second season in the coming months. Alfred Hitchcock Presents and The Alfred Hitchcock Hour are still in strong syndication. Both his fi lms and television shows do very well in collections and singly on Amazon and other e-commerce sites.
    [Show full text]