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Flying Lessons Christine Diane Lewinski Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1994 Flying lessons Christine Diane Lewinski Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Lewinski, Christine Diane, "Flying lessons" (1994). Retrospective Theses and Dissertations. 16200. https://lib.dr.iastate.edu/rtd/16200 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Flying lessons by Christine Diane Lewinski A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English ~ K_~~_. "c~~l';",h (Creative Writing) Signatures have been redacted for privacy __ .. __ _ versity Ames, Iowa 1994 11 TABLE OF CONTENTS You're Unemployed After the Buyout, And I Think of the Alhambra 1 Airport Concourse at Night 2 Goldilocks and the Baby Bear Lover 3 My Friend Leaves Unburdened of Her News 4 Nuremburg, 1992: Watershed and Breakwaters 5 Foreign and Domestic 7 Near Worpswede, Germany After the Military Drawdown 20 The Man in My Dream Tells Me How He Lost His Three Kids 21 Jewish Cowboy 23 Bug-Be-Gone 24 Fingering the Outcrop 40 November in the Not Arriving 41 Etude on The Suburb 42 Flying Lessons 44 Serving the Divorce: Captive in Pompei 65 Dreaming the Train Again 66 Heirlooms 67 The Aqua Meridian 69 Vogelfreund 70 1 You're Unemployed After the Buyout, And I Think of the Alhambra The Moors knew the end was close when they refashioned their palace, using ordinary plaster. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Little Rock, Arkansas
Society for American Music Thirty-Ninth Annual Conference Hosted by University of Arkansas at Little Rock Peabody Hotel 6–10 March 2013 Little Rock, Arkansas Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), the early Chief of the Library of Congress Music Division and the Fpioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. Each member lists current topics or projects that are then indexed, providing a useful means of contact for those with shared interests. -
CRATERS of the MOON a Thesis Submitted to Kent State University
CRATERS OF THE MOON A thesis submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Master of Fine Arts by Jack Shelton Boyle May, 2016 © Copyright All rights reserved Except for previously published materials Thesis written by Jack Shelton Boyle B.A., The College of Wooster, 2008 M.F.A., Kent State University, 2016 Approved by Chris Barzak________________________, Advisor Dr. Robert Trogdon, Ph.D._____________, Chair, Department of English Dr. James Blank, Ph.D._______________, Dean, College of Arts and Sciences iii TABLE OF CONTENTS .................................................................................................. iii POLAROIDS ................................................................................................................... 1 HANDS SHAPED LIKE GUNS ...................................................................................... 18 SUNFLOWER ............................................................................................................... 22 QUITTING ..................................................................................................................... 24 THE DISAPPEARING MAN .......................................................................................... 41 CHICKENS .................................................................................................................... 42 UNITY ........................................................................................................................... 48 MOON -
The Illustrated Man Ray Bradbury
The Illustrated Man Ray Bradbury Contents Prologue: The Illustrated Man The Veldt Kaleidoscope The Other Foot The Highway The Man The Long Rain The Rocket Man The Fire Balloons The Last Night of the World The Exiles No Particular Night or Morning The Fox and the Forest The Visitor The Concrete Mixer Marionettes, Inc. The City Zero Hour The Rocket Epilogue [About this etext] PROLOGUE:The Illustrated Man IT was a warm afternoon in early September when I first met the Illustrated Man. Walking along an asphalt road, I was or the final leg of a two weeks’ walking tour of Wisconsin. Late in the afternoon I stopped, ate some pork, beans, and a doughnut, and was preparing to stretch out and read when the Illustrated Man walked over the hill and stood for a moment against the sky. I didn’t know he was Illustrated then. I only knew that he was tall, once well muscled, but now, for some reason, going to fat. I recall that his arms were long, and the hands thick, but that his face was like a child’s, set upon a massive body. He seemed only to sense my presence, for he didn’t look directly at me when he spoke his first words: “Do you know where I can find a job?” “I’m afraid not,” I said. “I haven’t had a job that’s lasted in forty years,” he said. Though it was a hot late afternoon, he wore his wool shirt buttoned tight about his neck. His sleeves were rolled and buttoned down over his thick wrists. -
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture Jack HARBORD School of Arts and Media University of Salford, Salford, UK Submitted in Partial Fulfilment of the Requirements of the Degree of Doctor of Philosophy, June 2015 Table of Contents List of Figures iii Acknowledgements vii Abstract viii Introduction 1 1. Literature Review of Minstrelsy Studies 7 2. Terminology and Key Concepts 20 3. Source Materials 27 4. Methodology 39 5. Showing Blackface 5.1. Introduction 58 5. 2. Change the Joke: Blackface in Satire, Parody, and Irony 59 5. 3. Killing Blackface: Violence, Death, and Injury 95 5. 4. Showing Process: Burnt Cork Ritual, Application, and Removal 106 5. 5. Framing Blackface: Mise-en-Abyme and Critical Distance 134 5. 6. When Private goes Public: Blackface in Social Contexts 144 6. Talking Blackface 6. 1. Introduction 158 6. 2. The Discourse of Blackface Equivalency 161 6. 3. A Case Study in Blackface Equivalency: Iggy Azalea 187 6. 4. Blackface Equivalency in Non-African American Cultural Contexts 194 6. 5. Minstrel Show Rap: Three Case Studies 207 i Conclusions: Findings in Contemporary Context 230 References 242 ii List of Figures Figure 1 – Downey Jr. playing Lazarus playing Osiris 30 Figure 2 – Blackface characters in Mantan: The New Millennium Minstrel Show 64 Figure 3 – Mantan: Cotton plantation/watermelon patch 64 Figure 4 – Mantan: chicken coup 64 Figure 5 – Pierre Delacroix surrounded by African American caricature memorabilia 65 Figure 6 – Silverman and Eugene on return to café in ‘Face -
Final Recovery Plan Southwestern Willow Flycatcher (Empidonax Traillii Extimus)
Final Recovery Plan Southwestern Willow Flycatcher (Empidonax traillii extimus) August 2002 Prepared By Southwestern Willow Flycatcher Recovery Team Technical Subgroup For Region 2 U.S. Fish and Wildlife Service Albuquerque, New Mexico 87103 Approved: Date: 018085 Disclaimer Recovery Plans delineate reasonable actions that are believed to be required to recover and/or protect listed species. Plans are published by the U.S. Fish and Wildlife Service, sometimes prepared with the assistance of recovery teams, contractors, State agencies, and others. Objectives will be attained and any necessary funds made available subject to budgetary and other constraints affecting the parties involved, as well as the need to address other priorities. Recovery plans do not necessarily represent the views nor the official positions or approval of any individuals or agencies involved in the plan formulation, other than the U.S. Fish and Wildlife Service. They represent the official position of the U.S. Fish and Wildlife Service only after they have been signed by the Regional Director or Director as approved. Approved Recovery plans are subject to modification as dictated by new findings, changes in species status, and the completion of recovery tasks. Some of the techniques outlined for recovery efforts in this plan are completely new regarding this subspecies. Therefore, the cost and time estimates are approximations. Citations This document should be cited as follows: U.S. Fish and Wildlife Service. 2002. Southwestern Willow Flycatcher Recovery Plan. Albuquerque, New Mexico. i-ix + 210 pp., Appendices A-O Additional copies may be purchased from: Fish and Wildlife Service Reference Service 5430 Governor Lane, Suite 110 Bethesda, Maryland 20814 301/492-6403 or 1-800-582-3421 i 018086 This Recovery Plan was prepared by the Southwestern Willow Flycatcher Recovery Team, Technical Subgroup: Deborah M. -
Never Put Your Head Down Unless You Pray: the Stories of African American Men in the Wisconsin Prison System Julia Marie Kirchner University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2012 Never Put Your Head Down Unless You Pray: The Stories of African American Men in the Wisconsin Prison System Julia Marie Kirchner University of Wisconsin-Milwaukee Follow this and additional works at: http://dc.uwm.edu/etd Part of the African American Studies Commons, Criminology Commons, and the Social and Cultural Anthropology Commons Recommended Citation Kirchner, Julia Marie, "Never Put Your Head Down Unless You Pray: The tS ories of African American Men in the Wisconsin Prison System" (2012). Theses and Dissertations. Paper 200. This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. NEVER PUT YOUR HEAD DOWN UNLESS YOU PRAY: THE STORIES OF AFRICAN AMERICAN MEN IN THE WISCONSIN PRISON SYSTEM by Julia Kirchner A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Anthropology at The University of Wisconsin – Milwaukee December 2012 ABSTRACT NEVER PUT YOUR HEAD DOWN UNLESS YOU PRAY: THE STORIES OF AFRICAN AMERICAN MEN IN THE WISCONSIN PRISON SYSTEM By Julia Kirchner The University of Wisconsin-Milwaukee, December 2012 Under the Supervision of Professor J. Patrick Gray Prior research on offender narratives has not examined culture as a factor in how prisoners explain their crimes. This qualitative ethnographic research project explores the self- constructions of African American male prisoners using both participant observation with active gang members on the street and discourse analysis of over 300 letters written by incarcerated men. -
Celebrating Beethoven at 250 Powerful Concerts • Brilliant Musicians No Radio? No Problem! Find Us on Facebook, Twitter and at Wpr.Org
Season 31 June 18 - September 6, 2021 M MCelebrating Beethoven at 250 Powerful Concerts • Brilliant Musicians No radio? No problem! Find us on Facebook, Twitter and at wpr.org. 2 Midsummer’s Music Providing comprehensive piano service to Midsummer’s Music Festival No radio? No problem! Find us on Facebook, Twitter and at wpr.org. Potluck Piano Peter Nehlsen 1141 Old West Harbor Rd. Washington Island, WI 54246 920-535-0108 Season 31 3 About Midsummer’s Music Founded in 1990, Midsummer’s Music has been bringing chamber music to Door County, Wisconsin, audiences for more than three decades. Our “exciting, pulse-pounding and riveting” concerts include international premieres and feature world-class artists. Our unique and diverse cultural, historical, and scenic musical experiences touch tens of thousands of listeners each year via live performances, radio, and social media. A multi-faceted organization featuring collaborations with local organizations and institutions, we attract musicians from Chicago’s Lyric Opera, Chicago Symphony, Milwaukee Symphony, St. Paul Chamber Orchestra, Ravinia Festival, and Pro Arte Quartet, among others. Our resident string quartet, the Griffon String Quartet, enriches the lives of children and adults throughout northeast Wisconsin through concerts, workshops, and music education. Collaborations include Write On, Door County and Woodwalk Gallery involving poets and artists who create original works based on the music that inspired them, and the Celebrate Water initiative which is a major programming commitment to bring awareness to water supply protection. Midsummer’s Music attracts increasing admiration and respect from around the country, while still gaining the affection of local Door County audiences. -
UNIVERSITY of CALIFORNIA Los Angeles Sounding Ceará: Music and the Environment in Northeastern Brazil a Dissertation Submitted
UNIVERSITY OF CALIFORNIA Los Angeles Sounding Ceará: Music and the Environment in Northeastern Brazil A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Michael Benjamin Silvers 2012 © Copyright by Michael Benjamin Silvers 2012 ABSTRACT OF THE DISSERTATION Sounding Ceará: Music and the Environment in Northeastern Brazil by Michael Benjamin Silvers Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2012 Professor Anthony Seeger, Chair This dissertation is an acoustic ethnography of the state of Ceará in Northeastern Brazil, with a focus on drought and the natural environment; drought is of particular symbolic and material importance to people in Ceará. One of the central narratives of life in Ceará involves migration and return. Here, I consider the discursive construction of Ceará as a natural, rural and traditional place through processes of migration and through a recording industry that saw migrants as both consumers and icons for a changing urban and national character. However, my emphasis is on the question of return. I investigate how urbanized and nationalized constructions of Ceará—often imagined as exclusively rural and unremittingly drought-ridden—impact ii contemporary Ceará and its musical culture. How are sounds, musics, practices, natures, geographies, and individuals shaped by mediated representations and caricatures of those very sounds, practices, geographies and identities? Drawing from acoustic ecology (Schafer 1994), -
Enjoy This Free Electronic Copy of Astronaut Mike Mullane's Children's Book, Liftoff! an Astronaut's Dream
LIFTOFF! AN ASTRONAUT'S DREAM by Astronaut R. Mike Mullane A product of Stories From Space, LLC, Mike Mullane, member. © Copyright 1994 by R. Mike Mullane, All Rights Reserved R. Mike Mullane Astronaut, Professional Speaker, Author, Mountaineer www.MikeMullane.com [email protected] 1 Enjoy this free electronic copy of Astronaut Mike Mullane's children's book, Liftoff! An Astronaut's Dream. This book is now out of print and the copyright has been returned to Astronaut R. Mike Mullane. This electronic copy of Liftoff! may be converted to hard copy. However, it remains copyrighted material and all rights are reserved to R. Mike Mullane. It cannot be edited, converted to any other media form (other than printed to paper), published for sale, offered for sale in any format, bound in any format or posted on the World Wide Web. Any other use of the manuscript text is forbidden unless written permission is obtained from Astronaut R. Mike Mullane. For any questions on usage contact: Mike Mullane PH: 505-242-8087 [email protected] Liftoff! is the true story of the author achieving his childhood dream of flying into space. The story blasts young readers into space and thrills them with the fear and excitement of riding a space shuttle and watching the earth from 300 miles in orbit. This is an educational, inspirational, and motivational story. With flashbacks to his youth, the author emphasizes his "normal" childhood. He wasn't academically gifted. He wasn't an athlete. He wasn't popular. Yet, he was able to make a dream come true.