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Day of Defeat : Official Strategy Guide Kindle
DAY OF DEFEAT : OFFICIAL STRATEGY GUIDE PDF, EPUB, EBOOK Prima Development | 160 pages | 01 Jun 2003 | Prima Publishing,U.S. | 9780761543503 | English | Rocklin, United States Day of Defeat : Official Strategy Guide PDF Book Paladin Anima Powers. Playing online is fundamentally different from playing offline, as greater amounts of interactivity and chaos often push you to new limits as a general and a soldier. When playing a sniper, find a spot and start sniping; trying to be mobile may be more fun, but sticking to a good perch that overlooks a high-traffic area is far more helpful if you're into mobile sniping, try the Rifleman class. Don't know how effective this is for small games, but there is a marked difference in large games. While there is always a raging debate over whether the recoils are too hard or too soft, dealing with recoil is the same across the board. A large clip allowed for agile attacks on fortified positions. Follow the sound of the ringing phone through the little office and down the corridor. Thanks to anybody who still believes in acting civil online! You can get there easily by going to the flag 3 sewers, then taking a left down to the area under the church. The graphics aren't the best, but this game was tons of fun back in the day! There's a door on the right side that leads directly in. Finally, if you're in need of a defensive location, enter the left path out of your spawn. Errors and other gremlins squashed. -
Module 2 Roleplaying Games
Module 3 Media Perspectives through Computer Games Staffan Björk Module 3 Learning Objectives ■ Describe digital and electronic games using academic game terms ■ Analyze how games are defined by technological affordances and constraints ■ Make use of and combine theoretical concepts of time, space, genre, aesthetics, fiction and gender Focuses for Module 3 ■ Computer Games ■ Affect on gameplay and experience due to the medium used to mediate the game ■ Noticeable things not focused upon ■ Boundaries of games ■ Other uses of games and gameplay ■ Experimental game genres First: schedule change ■ Lecture moved from Monday to Friday ■ Since literature is presented in it Literature ■ Arsenault, Dominic and Audrey Larochelle. From Euclidian Space to Albertian Gaze: Traditions of Visual Representation in Games Beyond the Surface. Proceedings of DiGRA 2013: DeFragging Game Studies. 2014. http://www.digra.org/digital- library/publications/from-euclidean-space-to-albertian-gaze-traditions-of-visual- representation-in-games-beyond-the-surface/ ■ Gazzard, Alison. Unlocking the Gameworld: The Rewards of Space and Time in Videogames. Game Studies, Volume 11 Issue 1 2011. http://gamestudies.org/1101/articles/gazzard_alison ■ Linderoth, J. (2012). The Effort of Being in a Fictional World: Upkeyings and Laminated Frames in MMORPGs. Symbolic Interaction, 35(4), 474-492. ■ MacCallum-Stewart, Esther. “Take That, Bitches!” Refiguring Lara Croft in Feminist Game Narratives. Game Studies, Volume 14 Issue 2 2014. http://gamestudies.org/1402/articles/maccallumstewart ■ Nitsche, M. (2008). Combining Interaction and Narrative, chapter 5 in Video Game Spaces : Image, Play, and Structure in 3D Worlds, MIT Press, 2008. ProQuest Ebook Central. https://chalmers.instructure.com/files/738674 ■ Vella, Daniel. Modelling the Semiotic Structure of Game Characters. -
The Future Past: Intertextuality in Contemporary Dystopian Video Games
The Future Past: Intertextuality in Contemporary Dystopian Video Games By Matthew Warren CUNY Baccalaureate for Unique and Interdisciplinary Studies Submitted to: Timothy Portlock, Advisor Hunter College Lee Quinby, Director Macaulay Honors College Thesis Colloquium 9 May 2012 Contents I. Introduction: Designing Digital Spaces II. Theoretical Framework a. Intertextuality in the visual design of video games and other media b. Examining the established visual iconography of dystopian setting II. Textual Evidence a. Retrofuturism and the Decay of Civilization in Bioshock and Fallout b. Innocence, Iteration, and Nostalgia in Team Fortress and Limbo III. Conclusion 2 “Games help those in a polarized world take a position and play out the consequences.” The Twelve Propositions from a Critical Play Perspective Mary Flanagan, 2009 3 Designing Digital Spaces In everyday life, physical space serves a primary role in orientation — it is a “container or framework where things exist” (Mark 1991) and as a concept, it can be viewed through the lense of a multitude of disciplines that often overlap, including physics, architecture, geography, and theatre. We see the function of space in visual media — in film, where the concept of physical setting can be highly choreographed and largely an unchanging variable that comprises a final static shot, and in video games, where space can be implemented in a far more complex, less linear manner that underlines participation and system-level response. The artistry behind the fields of production design and visual design, in film and in video games respectively, are exemplified in works that engage the viewer or player in a profound or novel manner. -
Owned Products: 111
Owned Products: 111 Price / Review Name Price Time Hour s Team Fortress ClassicAppID: 20, Game 4.99 $4.99 39m 82% Half-Life: Opposing ForceAppID: 50, Game - $4.99 - 94% Half-LifeAppID: 70, Game 1.53 $9.99 6.5h 96% Half-Life: Blue ShiftAppID: 130, Game - $4.99 - 89% Free or Team Fortress 2AppID: 440, Game - 359.8h 94% No Price Free or Dota 2AppID: 570, Game - 512.7h 89% No Price 1,680.2 Counter-Strike: Global OffensiveAppID: 0.01 $14.99 91% 730, Game h Garry's ModAppID: 4000, Game 0.13 $9.99 74.0h 95% Just Cause 2AppID: 8190, Game 0.46 $14.99 32.5h 92% RACE 07: Andy Priaulx Crowne Plaza Free or - - 44% RacewayAppID: 8650, Game No Price Call of Duty: Modern Warfare 2AppID: 0.99 $19.99 20.2h 90% 10180, Game Call of Duty: Modern Warfare 2 - Free or - 32.1h - MultiplayerAppID: 10190, Game No Price Free or TrackMania Nations ForeverAppID: 11020, - - 89% Game No Price Gumboy TournamentAppID: 11230, Game 2.99 $2.99 5m 67% ChainsAppID: 11360, Game - $4.99 - 71% Crash Time IIAppID: 11390, Game 4.76 $9.99 2.1h 49% Grand Theft Auto IVAppID: 12210, Game - $19.99 - 64% Grand Theft Auto: Episodes from Liberty 0.40 $19.99 50.3h 73% CityAppID: 12220, Game Free or America's Army 3AppID: 13140, Game - 1m 63% No Price Fallout: New VegasAppID: 22380, Game 2.42 $9.99 4.1h 95% Booster TrooperAppID: 27920, Game - $4.99 - 41% CasterAppID: 29800, Game - $1.99 - 78% $1.49 SEGA Mega Drive & Genesis Classics - (Not in - - AppID: 34270, Game Store) Free or Moonbase AlphaAppID: 39000, Game - 36m 89% No Price Nail'dAppID: 40380, Game 0.49 $1.24 2.5h 79% Super Meat BoyAppID: -
A Traffic Analysis of a Busy Counter-Strike Server
Portland State University PDXScholar Computer Science Faculty Publications and Presentations Computer Science 5-2002 Provisioning On-line Games: A Traffic Analysis of a Busy Counter-Strike Server Wu-chang Feng Oregon Graduate Institute of Science & Technology Francis Chang Oregon Graduate Institute of Science & Technology Wu-chi Feng Oregon Graduate Institute of Science & Technology Jonathan Walpole Oregon Graduate Institute of Science & Technology Follow this and additional works at: https://pdxscholar.library.pdx.edu/compsci_fac Part of the Digital Communications and Networking Commons, and the OS and Networks Commons Let us know how access to this document benefits ou.y Citation Details "Provisioning On-line Games: A Traffic Analysis of a Busy Counter-Strike Server," Wu-chang Feng, Francis Chang, Wu-Chi Feng, and Jonathan Walpole, OGI CSE Technical Report, CSE-02-005, May 15, 2002. This Technical Report is brought to you for free and open access. It has been accepted for inclusion in Computer Science Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. 1 Provisioning On-line Games: A Traffic Analysis of a Busy Counter-Strike Server Wu-chang Feng Francis Chang Wu-chi Feng Jonathan Walpole Department of Computer Science Engineering OGI School of Science and Engineering at OHSU Beaverton, OR 97006 wuchang,francis,wuchi,walpole @cse.ogi.edu f g Abstract—This paper describes the results of a 500 I. INTRODUCTION million packet trace of a popular on-line, multi-player, game server. The results show that the traffic behavior Due the confluence of advances in graphics hard- of this heavily loaded game server is highly predictable ware, in network bandwidth on the backbone and and can be attributed to the fact that current game de- to the home, in client and server hardware, and in signs target the saturation of the narrowest, last-mile innovative software game design, on-line interac- link. -
The Discourse of Digital Dispossession
Article Games and Culture 2018, Vol. 13(7) 690-707 ª The Author(s) 2018 The Discourse of Article reuse guidelines: sagepub.com/journals-permissions DOI: 10.1177/1555412018756488 Digital Dispossession: journals.sagepub.com/home/gac Paid Modifications and Community Crisis on Steam Daniel James Joseph1 Abstract This article is a chronicle and analysis of a community crisis in digital space that took place on Valve Corporation’s digital distribution platform, Steam. When Valve and Bethesda (publisher and developer of Skyrim) decided to allow mods to be sold by mod makers themselves, there ensued a community revolt against the commodifi- cation of leisure and play. I put this crisis of play and work in dialogue with Harvey’s concept of “accumulation by dispossession,” firmly placing it within a longer history of disruptive capital accumulation strategies. I then conduct a discourse analysis of community members on reddit, as they make sense of and come to terms with this process of dispossession. Arising in the discourse was not class consciousness per se, but instead a pervasive feeling of helplessness and frustration as games, play, and leisure began to feel like work. Keywords digitallabor,play,Steam,platformstudies, digital distribution, game studies, discourse analysis 1 University of Toronto, Mississauga, Canada Corresponding Author: Daniel James Joseph, University of Toronto, 3359 Mississauga Rd., Mississauga, Canada L5L 1C6. Email: [email protected] Joseph 691 On April 23, 2015, the digital game developer and production company, Valve Corporation, announced through their digital distribution platform Steam the intro- duction of buying and selling of “mods, maps, and all kinds of items that you’ve created.” They continued, saying that “with a new, streamlined process for listing and selling your creations, the Steam Workshop now supports buying mods directly from the Workshop, to be immediately usable in game” (Valve Corporation, 2015). -
EA and Valve Unveil the Black Box and the Orange Box
EA and Valve Unveil The Black Box and The Orange Box Innovative Action Titles Ship in Fall 2007 and Include Portal(TM), Team Fortress(R) 2 and Half-Life(R) 2: Episode Two in One Box REDWOOD CITY, Calif.--(BUSINESS WIRE)--Feb. 7, 2007--Electronic Arts (NASDAQ:ERTS), the world's leading interactive entertainment company, and Valve®, the award-winning studio behind the blockbuster franchises Half-Life® and Counter- Strike®, today announced the naming and product configurations The Black Box and The Orange Box, two of the most anticipated action game offerings shipping worldwide in Fall 2007. The Black Box will ship for the PC, and includes Half-Life 2: Episode Two, Portal and Team Fortress 2. The Orange Box will ship for the PC, PLAYSTATION®3 computer entertainment system, and Xbox 360™ videogame and entertainment system, and includes all the content of The Black Box, plus the original Half-Life 2 and Half-Life 2: Episode One. Innovative games included in The Black Box and The Orange Box include: -- Half-Life 2: Episode Two -- the second installment in Valve's episodic trilogy advances the award-winning story, leading the player to new locations outside of City 17. -- Portal -- a pioneering type of single player action game that rewrites the rules for how players approach and manipulate their environment - much like how Half-Life 2's Gravity Gun reinvented the way gamers interact with objects in the game. -- Team Fortress 2 -- an all-new version of the legendary title that spawned team based multiplayer action games. The game's daring new art style features the most advanced graphics of any Source-based game released to date. -
Valve's Day of Defeat™ for the PC Invades Retail Shelves Nationwide
Valve's Day Of Defeat™ for the PC Invades Retail Shelves Nationwide Santa Monica, CA - May 8, 2003 - Activision, Inc. (Nasdaq: ATVI) and Valve are taking World War II fans online to the battlefield with the retail release of Day of Defeat™. The title, a multiplayer WWII first-person action game powered by Valve's Half-Life® technology, provides intense team-based gameplay that pits gamers in Axis vs. Allies squad-based combat in Western Europe at the height of the war in 1944. Day of Defeat is available at retail outlets nationwide for a suggested retail price of $29.99 and carries a "T" (Teen - Blood, Violence - content suitable for persons ages 13 and older) rating by the ESRB. "With true to life WWII weapons and multiplayer at its best, Day of Defeat captures the intensity and emotion of fighting alongside other soldiers in the battlefields of Western Europe," said Larry Goldberg, executive vice president, Activision Worldwide Studios. "Whether you're playing as Allied or Axis forces, Day of Defeat takes the fast-paced action and heart- stopping gameplay that its fans have come to crave to a higher level with updated graphics and new maps and classes." Day of Defeat features fifteen multiplayer maps and an incredible collection of historic weaponry that provide for an intense brand of team-based warfare. The game also includes all new character models, new animations, increased textures and particle effects system. "Day of Defeat has broken through to become one of the most popular online action games in the world, second only to Counter-Strike," said Gabe Newell, co-founder and managing director of Valve. -
Half Life 2 Cheats Ps3 No Clip
Half life 2 cheats ps3 no clip Cheats noclip, Ability to walk through walls (Server Side Only). sv_cheats 1 skill #, change skill level (# = 1, 2, or 3). The best place to get cheats, codes, cheat codes, walkthrough, guide, FAQ, unlockables, trophies, and secrets for The Orange Box for PlayStation 3 (PS3). Strategy Guide/Walkthrough/FAQ - Half-Life 2: Episode One No clipping mode. PS3 Cheats - Half-Life 2: Orange Box: This page contains a list of cheats, codes, Easter eggs, tips, and other secrets for The Orange Box for. Half-Life 2 Cheats. Articles · Guides These are found in the first Half Life and they used to recharge your suit (this one doesn't!) noclip No clipping mode. Sub for more Cheat Code video's etc. Feel free to mention a broken Cheat Stalk me on r. Half LIfe 2(Orange Box) No clip God Mode and all weapons Hacks dont think there is any in game cheats. Get the latest cheats, codes, unlockables, hints, Easter eggs, glitches, tips, tricks, hacks, downloads, Half-Life 2: The Orange Box cheats & more for PlayStation 3 (PS3) We have no guides or FAQs for Half-Life 2: The Orange Box yet. Get all the inside info, cheats, hacks, codes, walkthroughs for The Orange Box on GameSpot. Videos · Cheats & Guides · Forum. PC; X; PS3 For Half-Life 2, Episode One and Episode Two . noclip, fly. God, God mode. Half-Life 2 Codes: While playing enter one of the following codes. Code Effect Up Up Down Down Left Right Left Right O Button X Button. -
Do You Download Half Life 2 Mods Through Synrgy Synergy
do you download half life 2 mods through synrgy Synergy. Synergy is the Half-Life 2 cooperative modification that enables you to play with others through Half-Life 2 and it's episodes (Episode 1 and 2), as well as our own levels. You may also install other third-party mods, such as MINERVA: Metastasis and ROCK 24, to also play them cooperatively with other players. Synergy tries to maintain the true Half-Life 2 gameplay, while still adding in our own unique ideas. Full Half-Life 2, Episode 1 and Episode 2 support Ability to mount other third-party mods (and games) NPC Lag Compensation Map Configuration Files ('EDTs') New Levels Soundscript Loader Coop-Style Player-Weapon Interaction Even More Coming. You can Help, Suggest an Idea! The documentation contains some usefull information on playing cooperatively and changes to Synergy. We also provide some Documentation for level artists and model designers, to help make the editing experience easier. However, we do target the "Advanced Users" audience, but you are welcome to send us feedback or ask questions at any time. How to Play Half-life 1 and Half-life 2 in VR. Half-Life: Alyx may not quite be Half-Life 3, but it may as well be for anyone who owns a VR headset. It’s Half-Life 2.5 to some, Half-Life 1.5 to others who point out that it’s a prequel to Half-Life 2, but everyone can agree that it’s almost definitely going to be a fully-fledged Half-Life VR experience. -
Shading in Valve's Source Engine
Shading in Valve’s Source Engine SIGGRAPH 2006 Jason Mitchell Valve Introduction ¾ World Lighting • Radiosity Normal Mapping • Specular Lighting ¾ Model lighting • Irradiance Volume • Half-Lambert • Phong terms ¾ High Dynamic Range Rendering • Tone mapping • Autoexposure ¾ Color Correction Timeline ¾ Half-Life 2 and Counter-Strike: Source (November 2004) • Baseline shading model we’ll present today ¾ Lost Coast (October 2005) • High Dynamic Range Rendering ¾ Day of Defeat: Source (September 2005) • Color Correction and HDR ¾ Half-Life 2: Episode One (June 2006) • Phong shading Episodic Content Î Incremental Technology ¾ The extensions to the baseline Half-Life 2 technology have been shipped in subsequent products in the year and a half since HL2 shipped. • More efficient way to develop technology • Delivers value to customers and licensees ¾ Shorten the delay between hardware availability and game support Marketplace Context See full survey at http://www.steampowered.com/status/survey.html World Lighting with Radiosity ¾ Realism ¾ More forgiving than direct lighting only • Avoids harsh lighting situations • Less micro-management of light sources for content production • Can’t tune lights shot-by-shot like movies. Don’t know what the shots are, and don’t want to take the production time to do this Direct lighting only Radiosity lighting Normal Mapping ¾ Reusable high-frequency detail ¾ Higher detail than we can currently get from triangles ¾ Works well with both diffuse and specular lighting models ¾ Can now be made to integrate with radiosity -
Counter Strike UBT Summer School
UBT Summer School Counter Strike 25. Juli 2012 Prof. Dr. Jochen Koubek | Universität Bayreuth | Digitale Medien | [email protected] Scouting Game Geländespiel Das Geländespiel bezeichnet eine Kategorie von Spielen, die überwiegend außerhalb von Gebäuden stattfinden und bewusst die natürlichen und baulichen Gegebenheiten in das Spiel mit einbeziehen. Vorbilder des Geländespiels sind Handlungsabläufe bei der Jagd sowie militärische und polizeiliche Manöver. Zu beachten sind bei dieser Spielekategorie die Gewaltfreiheit und rechtliche Vorschriften für spezielle Gelände wie Wald und Gewässer und beim Umgang mit Waffen. Wikipedia Cops and Robbers Räuber und Gendarm Paintball since 1981 Killergames Films Das Millionenspiel (1970) The Last of Sheila (1973) The 10th Victim (1975) Midnight Madness (1980) Running Man (1985) Steve Jackson: Killer Since 1982 Cruel 2 B Kind http://www.cruelgame.com/ http://www.shootmeifyoucan.net/ Humans vs. Zombies http://humansvszombies.org First-Person-Shooter http://www.youtube.com/watch?v=t6JQJLNYEs0 S. Colley: Maze War id: Hovertank 3D, 1991 http://www.youtube.com/watch?v=ZouboBEULS8 LA: The Eidolon, 1985 HybridArts: MIDI Maze, 1987 id: Catacomb 3D, 1991 First-Person-Shooter id: Wolfenstein 3D, 1992 id: Doom, 1993 Bungie: Marathon 1994 Quake id: Quake, 1996 id: Quake II, 1997 id: Quake III Arena, 1999 Quake simply re-invented the idea of a Id Software's Quake brought true three Wolfenstein may have started the FPS FPS, with it's online deathmatch, the dimensional polygons into the genre but Quake defined it and made it "big-bang" of FPS modification development realm and explored the the intense perspective driven community, and also starting the online play space above and beyond any experience that it is today.