Albert Collins, Robert Cray, Johnny Copeland

Total Page：16

File Type：pdf, Size：1020Kb

Albert Collins, Robert Cray, Johnny Copeland

Albert Collins Showdown! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Showdown! Country: Russia Style: Texas Blues MP3 version RAR size: 1654 mb FLAC version RAR size: 1843 mb WMA version RAR size: 1752 mb Rating: 4.8 Votes: 589 Other Formats: MP3 DXD AAC AU FLAC ADX WMA Tracklist Hide Credits 1 T-Bone Shuffle 4:54 2 The Moon Is Full 4:59 3 Lion's Den 3:55 4 She's Into Something 3:49 5 Bring Your Fine Self Home 4:30 6 Black Cat Bone 4:54 The Dream 7 5:28 Co-producer – Bruce Bromberg 8 Albert's Alley 4:01 9 Blackjack 6:26 Companies, etc. Recorded At – Streeterville Studios Credits Bass – Johnny B. Gayden* Design [Cover Design] – Chris Garland Drums – Casey Jones Engineer, Mixed By – Justin Niebank Guitar, Harmonica, Vocals – Albert Collins Guitar, Vocals – Johnny Copeland, Robert Cray Mastered By – Tom Coyne Organ – Allen Batts Photography By [Cover Photo] – Paul Natkin, Photo Reserve Producer – Bruce Iglauer, Dick Shurman Notes Recorded at Streeterville Studios, Chicago, Illinois. Mastered at Frankford/Wayne, New York, N.Y. Cat # taken from CD matrix. From back cover: Лицензионное соглашение № 2132/M3-97 между РАО и "ДОРА" от 20.01.97. Заявка № 876 ℗ & © 1985 Barcode and Other Identifiers Matrix / Runout: 492/CCRCO/0091 Other versions Category Artist Title (Format) Label Category Country Year Albert Collins / Robert Albert Collins / Cray / Johnny Copeland Alligator AL 4743 Robert Cray / AL 4743 Canada 1985 - Showdown! (LP, Records Johnny Copeland Album) Albert Collins / Robert Albert Collins / Cray / Johnny Copeland IRS 941423 Robert Cray / Sonet IRS 941423 Germany 1985 - Showdown! (LP, Johnny Copeland Album) Albert Collins, Albert Collins, Robert Alligator ALCD 4743 Robert Cray, Cray, Johnny Copeland - ALCD 4743 Canada 1986 Records Johnny Copeland Showdown! (CD, Album) Albert Collins / Robert Albert Collins / Cray / Johnny Copeland Not On none Robert Cray / none UK 1985 - Showdown! (LP, Label Johnny Copeland Album, TP) Albert Collins / Robert Albert Collins / Cray / Johnny Copeland Alligator ALCD 4743 Robert Cray / ALCD 4743 Canada Unknown - Showdown! (CD, Records Johnny Copeland Album, Club) Related Music albums to Showdown! by Albert Collins Albert Collins - Cold Snap Albert Collins - I Ain't Drunk / Cash Talkin' Johnny Winter - Guitar Slinger Albert Collins And The Icebreakers - Live '92 - '93 Johnny Winter - 3rd Degree Albert Collins / Robert Cray / Johnny Copeland - Showdown! Roy Buchanan - When A Guitar Plays The Blues Albert Collins - The Cool Sound Of Albert Collins.

Copy Link

Recommended publications

Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
[Show full text]
Shoosh 800-900 Series Master Tracklist 800-977
SHOOSH CDs -- 800 and 900 Series www.opalnations.com CD # Track Title Artist Label / # Date 801 1 I need someone to stand by me Johnny Nash & Group ABC-Paramount 10212 1961 801 2 A thousand miles away Johnny Nash & Group ABC-Paramount 10212 1961 801 3 You don't own your love Nat Wright & Singers ABC-Paramount 10045 1959 801 4 Please come back Gary Warren & Group ABC-Paramount 9861 1957 801 5 Into each life some rain must fall Zilla & Jay ABC-Paramount 10558 1964 801 6 (I'm gonna) cry some time Hoagy Lands & Singers ABC-Paramount 10171 1961 801 7 Jealous love Bobby Lewis & Group ABC-Paramount 10592 1964 801 8 Nice guy Martha Jean Love & Group ABC-Paramount 10689 1965 801 9 Little by little Micki Marlo & Group ABC-Paramount 9762 1956 801 10 Why don't you fall in love Cozy Morley & Group ABC-Paramount 9811 1957 801 11 Forgive me, my love Sabby Lewis & the Vibra-Tones ABC-Paramount 9697 1956 801 12 Never love again Little Tommy & The Elgins ABC-Paramount 10358 1962 801 13 Confession of love Del-Vikings ABC-Paramount 10341 1962 801 14 My heart V-Eights ABC-Paramount 10629 1965 801 15 Uptown - Downtown Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 16 Bring back your heart Del-Vikings ABC-Paramount 10208 1961 801 17 Don't restrain me Joe Corvets ABC-Paramount 9891 1958 801 18 Traveler of love Ronnie Haig & Group ABC-Paramount 9912 1958 801 19 High school romance Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 20 I walk on Little Tommy & The Elgins ABC-Paramount 10358 1962 801 21 I found a girl Scott Stevens & The Cavaliers ABC-Paramount
[Show full text]
November / December 2017
November / December 2017 See Page 21 2 Love The Blues? Live The Blues? The Detroit Blues Society’s Lifetime Achievement Award Honorees Board of Directors 2017 President Steve Soviak 2013: [email protected] 2008: Vice President / Editor Jane Cassisi [email protected] 2006: 2005: Secretary William Toll [email protected] Director At Large Cynthia Davis [email protected] Director At Large Blues Horizon Award Winners Luther Keith [email protected] Joe Von Battle Director At Large Victoria Linsley 1993: [email protected] 1992: 2008: Committee Chairs - 2017 James S. Henry Award Winners 2010: Bryan Iglesias/Zerapath Membership - Tom McNab 2009: Jake Bishop 2005: Jeremy Haberman [email protected] Volunteer - Jane Cassisi New & Renewed Members from [email protected] August 10, 2017 to October 11, 2017 Blue Notes - Jane Cassisi [email protected] Street Team - Victoria Linsley Daniel & Deanna Adams, Elaine & Gerald Arnold, [email protected] B.J. Belcoure, Larry “Mugs” Benedict, Lars Bjorn, Website - William Toll [email protected] Alan Chunn, Larry Everhart, Ken Gilbert, Thomas Keating, Lynne Martinez, Doug Montgomery, Publicity – Cynthia Davis [email protected] Surayyah R Muwwakkil, Russ & Cindy Ortisi, Har- old Price, Robert Stevens and Randy Schwartz Blues Challenge - Steve Soviak [email protected] Youth Challenge - Cheri Lowe Our sincere appreciation goes out to all new and [email protected] renewing members. Daniel & Deanna Adams, B.J. Monthly Meetings/Jams - Jane Cassisi Belcoure, Lars Bjorn, Larry Everhart, Ken Gilbert [email protected] and Thomas Keating all took advantage of the dis- Victoria Linsley [email protected] count available with a multiple year membership.
[Show full text]
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
[Show full text]
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
[Show full text]
BBB-2017E.Pdf
Big Blues Bender Official Program 2017 1 Welcome to the Bender! It’s our honor and privilege to welcome you all to the 4th installment of the Big Blues Bender! To our veterans, we hope you can see the attention we have given to the feedback from our community to make this event even better, year after year. To the virgins, welcome to the family - you’re one of us now! You’ll be hard pressed to find a more fun-loving, friendly, and all around excellent group of people than are surrounding you this week. Make new friends of your fellow guests, and be sure to come say hi to all of us. We are here to make your experience the best it can be, and we’re excited to prove it! Finally, we would like to acknowledge the hard work and support of the Plaza Hotel staff and CEO Jonathan Jossel. We could not ask for a better team to make the Bender feel at home. -Much Love, Team Bender BENDER SUPPORT PRE & POST HOURS : Wed, 9/6: 12:00p-11:00p • Mon, 9/11: 10:00a-12:00p PANELS & PARTIES Appear in yellow on the schedule Bender Party With H.A.R.T • Wed, Sept. 6 • 8:00p • Showroom $30 GA - The Official Bender Pre-party is proud to support H.A.R.T. 100% of proceeds benefit the Handy Artists Relief Trust. Veterans Welcome the Virgins Party! • Thu, Sept. 7 • 4:00p • Pool Join Bender veteran and host, Marice Maples, in welcoming this year’s crop of Bender Virgins! The F.A.C.E Of Women In Blues Panel • Fri, Sept.
[Show full text]
INSIDE THIS ISSUE: Performance Schedules and Blues News from The
June/July 2016 #219 $5.00 US New England’s only independent Blues newsletter mailing the schedules of our outstanding, hard working TheBlues Bands and BluesBlues Clubs to dedicated Blues Fans Audiencesince for 25 years. © ATB/TBA 2016 INSIDE THIS ISSUE: Performance schedules and Blues news from the most talented local New England Blues Bands and Blues Clubs and Blues Festivals! Is that enough Blues for you? • Eddie Scheer, vocalist and multi talented musician, leader of the Love Dogs, talks to Art Simas about how he balances life and his music. Promo photo by Ken Boege • Blues news from her point of view, from our intrepid Ex President. Karen “Sistah K” Nugent • A new Festival in Antrim, NH- Bluesberry Jam with Big Bill Morganfield! • North Atlantic Blues Festival • Westford, MA Blues “n” Brews Festival • Barnful of Blues Festival with Luther “Gtr. Jr.” Johnson & The Magic Rockers!! are all coming up, how lucky are we, right here in New England? photos by Diana Shonk Leader of the Love Dogs Fetches Happiness in Living with Fa m i l y, Friends which we do about 4 or 5 times a year, we played 4 or 5 songs a n d M us ic, that we have never played before. Someone might come up with an idea and we all make it happen.” Every Day In the beginning, when he was dreaming about putting a band together, Scheer said, “I was simply thinking about the By Art Simas people who I thought would fit my musical ideas well. And look what happened. It’s just amazing that we’re all still together after all this time.
[Show full text]
Michael Downs Trying to Find My Li'l All 'N All (Sitting on Top of the World)
Michael Downs Trying to Find My Li’l All ’n All (Sitting on Top of the World) campground in Mississippi, a cold December dawn: I climbed from a A sleeping bag, befuddled by the clarity of morning. Blinking into sun-glare off the steady surfaces of ponds. Stumbling across frozen, heaved ground that had been mud the night before. Coffee could have helped, but I didn’t have any. My old dog nosed through dry leaves for the best place to piss. For two weeks she and I had traveled, a road-trip start to my fiftieth year. I’ d envisioned back roads from Baltimore to Austin, campgrounds and books, barbecue, reunion with loved ones—my parents, especially, given Mom’s flagging health and chronic pain. Kaimin would gain canine prestige by marking territory at the Clinton Library in Little Rock and Faulkner’s Rowan Oak in Oxford. That had been the plan, and much of it had come to pass. But this day involved a different agenda. Today I’ d see a man about a song—and not just any song, but one that for more than two decades had held me with an inex- plicable grip. On its face, “Sitting on Top of the World” is just an old blues tune, first recorded in 1930 by the Mississippi Sheiks. But it’s a shapeshifter, too, having been performed or recorded hundreds of times in everything from jazz to bluegrass to Texas swing, folk, and rock. Ray Charles, Jack White, the Carter Family, the Carolina Chocolate Drops, Bill Frisell, The Grateful Dead—even the “Bye, bye, Miss American Pie” guy: they’ve all done it.
[Show full text]
Buried Alive in the Blues. L'histoire Du Blues Rock Américain
Au début des années soixante, une nouvelle génération de musi- ciens américains recueille l’héritage des grands maîtres du blues. Paul Butterfield à Chicago, Johnny Winter au Texas et bien d’autres encore créent une musique puisant loin dans les racines du rhythm’n’blues pour répondre aux aspirations d’une jeunesse qui découvre le rock. Mûri dans la marginalité des ghettos, ce son électrisant embrase l’Amérique. Suivant l’émergence et l’évolution ÉRIC DOIDY de ce blues rock américain, Buried Alive In The Blues permet de comprendre l’invention collective d’un genre qui, contrairement à ÉRIC DOIDY son pendant anglais, n’est pas uniquement blanc mais mixte, conser- . vant ainsi aujourd’hui son caractère subversif, sa pertinence comme ses relations à la tradition. BURIED ALIVE Éric Doidy est né l’année de la sortie de l’album Burglar de Freddie IN THE BLUES King avec Eric Clapton. Parallèlement à son métier de sociologue, il L’HISTOIRE DU BLUES ROCK AMÉRICAIN contribue depuis vingt ans au trimestriel Soul Bag, revue de référence fondée en 1968 consacrée au blues et à la soul music. IN THE BLUES IN THE BURIED ALIVE BURIED ALIVE Prix : 23 euros 9HSMDQA*feejfa+ M ISBN : 978-2-36054-495-0 — LE MOT ET LE RESTE R ÉRIC DOIDY BURIED ALIVE IN THE BLUES l’histoire du blues rock américain le mot et le reste 2018 PÈRES ADOPTIFS ET FILS SPIRITUELS L’hiver est bien rude à Chicago, particulièrement pour ceux qui viennent du Deep South. Depuis la froide étendue du lac Michigan, les courants d’air qui s’engouffrent en puissantes rafales dans les rues denses de la métropole sont parfois si brusques et si glaciaux qu’ils vous mordent jusqu’à l’os.
[Show full text]
The Robert Cray Band Shame + a Sin Mp3, Flac, Wma
The Robert Cray Band Shame + A Sin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Shame + A Sin Country: UK Released: 1993 Style: Blues Rock, Modern Electric Blues MP3 version RAR size: 1319 mb FLAC version RAR size: 1589 mb WMA version RAR size: 1501 mb Rating: 4.6 Votes: 175 Other Formats: AU MP3 AC3 MOD MP2 WAV MIDI Tracklist Hide Credits 1 1040 Blues 5:02 2 Some Pain, Some Shame 4:28 3 I Shiver 5:07 You're Gonna Need Me 4 3:36 Guitar – Albert Collins 5 Don't Break This Ring 4:50 6 Stay Go 3:35 7 Leave Well Enough Alone 5:17 8 Passing By 5:09 9 I'm Just Lucky That Way 3:57 10 Well I Lied 2:49 11 Up And Down 6:36 Companies, etc. Phonographic Copyright (p) – PolyGram Records, Inc. Copyright (c) – PolyGram Records, Inc. Glass Mastered At – PDO, UK – 10256871 Credits Executive-Producer – Mike Kappus Mixed By, Recorded By, Engineer – Steve Savage Producer – Robert Cray Notes Album credited to "Robert Cray" on front cover (only). UK release/manufacture as distinct from The Robert Cray Band - Shame + A Sin and The Robert Cray Band - Shame + A Sin Barcode and Other Identifiers Barcode (Text): 7 31451 85172 8 Matrix / Runout: 5185172 10256871 01 & MADE IN U.K. BY PDO Rights Society: BIEM STEMRA Label Code: LC 0268 Price Code (Polygram): PG 900 Other versions Category Artist Title (Format) Label Category Country Year The Robert Cray Shame + A Sin (CD, 518 517-2 Mercury 518 517-2 Europe 1993 Band Album) The Robert Cray Shame + A Sin (Cass, 518517-4 Mercury 518517-4 UK 1993 Band Album) The Robert Cray Shame + A Sin (Cass, 518 517-4 Mercury 518 517-4 Malaysia 1993 Band Album) The Robert Cray Shame + A Sin (CD, 518 517-2 Mercury 518 517-2 Europe 1994 Band Album, RP) The Robert Cray Shame + A Sin (CD, 314 518 237-2 Mercury 314 518 237-2 Canada 1993 Band Album) Related Music albums to Shame + A Sin by The Robert Cray Band 1.
[Show full text]
1303 JOHNNY COPELAND.Cdr
International PO Box 935, Byron Bay Tel: 61 2 6687 4441 NSW, 2481 Australia Fax: 61 2 6687 4445 Tel: (02) 6687 4441 Web:http://www.aiminternational.com Fax: (02) 6687 4445 E-Mail:[email protected] TRADING GROUP Pty Ltd ABN 78 093 907 914 Texas Greats Mid Price Music Series Johnny Copeland Working Man’s Blues AVAILABLE NOW Born into desperate poverty in Homer, Louisiana, in 1938, Johnny Clyde Copeland went on to bring the legacy of Texas blues to more far flung audiences than anyone before him. His unique blend of old and new styles helped define the modern blues sound that is carrying us into the 21st century. A young Copeland and his partner Joe Hughes, formed a band called the Deuces of Rhythm and started playing house parties. Before long they were getting decent paying gigs.Copeland cut his first record, “Rock & Roll Lily” in 1958 for Mercury Records. This was the start of a career that would span almost four decades and three continents. After 1973 Copeland started touring tirelessly and was able to keep his chops up while getting to go to Europe 1. Daily Bread and Asia. In the early 1980’s the blues made a comeback (Johnny Copeland) - Copyright Control and Johnny was poised to take full advantage. When 2. Drinking New York City Dry (Johnny Copeland) Johnny Clyde Copeland Inc. things started to happen for Johnny, they happened fast. 3. Wella Wella Baby (Johnny Copeland) Par-Too Music In 1981 he was awarded the blues world’s version of an 4.
[Show full text]
Edand the BLUES IMPERIALS
was 30 songs cut in three hours with no overdubs and only occasions. Success and accolades never stop pouring the of one second take. Twelve of those songs became the band’s in. Living Blues called 2012’s Jump Start “scorching and BIG SOUND debut album, Roughhousin’, released in September of 1986. soulful” with “crafty, clever lyrics...joyous and stomping.” and THE BLUES IMPERIALS The national press reacted with amazement to the blues The group took home the Living Blues Award for Best Live LIL’ ED world’s new discovery. Feature stories ran in Spin, Musician, Performer in 2011, 2012 and 2013. They won the prestigious The New York Times, The Los Angeles Times, The Washington Blues Music Award for Band Of The Year in both 2007 and 2009. In Chicago, a city overflowing with unrivaled blues talent, world- Born in Chicago on April 8, 1955, in the heart of Chicago’s tough Post, The Boston Globe, The Chicago Tribune and dozens of other The Associated Press says, “Williams fills Chicago’s biggest renowned Lil’ Ed & The Blues Imperials have been standing West Side, Ed grew up surrounded by music. He was playing publications. The Village Voice declared, “Roughhousin’ just shoes with more life and heat than anyone on stage today.” tall for almost 30 years. The band’s big sound, fueled by Lil’ guitar, then drums and bass, by the time he was 12. Ed and may be the blues album of the year.” The New York Times raved, Ed’s gloriously rollicking slide work and deep blues string Pookie received lessons and support from their famous uncle.
[Show full text]