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College Houses: Where Intellectual Life, Relationships, and Participation Matter
COLLEGE HOUSES: WHERE INTELLECTUAL LIFE, RELATIONSHIPS, AND PARTICIPATION MATTER. COLLEGE HOUSES 2016-17 at the University of Pennsylvania TABLE OF CONTENTS OVERVIEW FOR MORE INFORMATION ON COLLEGE HOUSE PROGRAMS AND STAFF MISSION 3__OVERVIEW OF COLLEGE HOUSES OFFICE OF COLLEGE HOUSES AND STATEMENT 4__ COLLEGE HOUSE LIFE ACADEMIC SERVICES STOUFFER COMMONS, 5__ COLLEGE HOUSE FACULTY AND STAFF The College Houses are 3702 SPRUCE STREET 6__ COLLEGE HOUSE SIGNATURE PROGRAMS PHILADELPHIA, PA 19104-6027 residential communities for Penn undergraduates that: PHONE FOUR YEAR COLLEGE HOUSES 215.898.5551 10__DU BOIS COLLEGE HOUSE • Connect the academic life FAX 14__GREGORY COLLEGE HOUSE 215.573.6789 of the University with the 18__NEW COLLEGE HOUSE residential experience. EMAIL 22__STOUFFER COLLEGE HOUSE [email protected] • Develop smaller, intimate URL communities that students FIRST YEAR COLLEGE HOUSES WWW.COLLEGEHOUSES.UPENN.EDU 26__FISHER HASSENFELD COLLEGE HOUSE call home and from which FOR MORE INFORMATION they can more comfortably 30__KINGS COURT ENGLISH COLLEGE HOUSE ON ROOM ASSIGNMENTS, 34__RIEPE COLLEGE HOUSE BILLING OR BUILDING SERVICES navigate the complexities DEPARTMENT OF RESIDENTIAL SERVICES of a large university. 38__WARE COLLEGE HOUSE STOUFFER COMMONS, 3702 SPRUCE STREET PHILADELPHIA, PA • Provide academic and UPPERCLASS COLLEGE HOUSES 19104-6027 personal support to residents. 42__HARNWELL COLLEGE HOUSE PHONE 215.898.8271 46__HARRISON COLLEGE HOUSE • Promote social 50__RODIN COLLEGE HOUSE FAX interaction, engagement, 215.573.2061 54__THE COLLEGE HOUSE AT SANSOM WEST accountability and EMAIL leadership within a setting [email protected] HOUSING, ASSIGNMENTS AND SERVICES that honors the diverse 58__DEPARTMENT OF RESIDENTIAL SERVICES URL needs and backgrounds WWW.UPENN.EDU/HOUSING 60__SERVICES FOR RESIDENTS of the population. -
To View / Print the Inauguration of President Gutmann
Dr. Amy Gutmann October 15, 2004 Irvine Auditorium Photo by Stuart Watson Stuart by Photo ALMANAC SUPPLEMENT October 19, 2004 S-1 www.upenn.edu/almanac The Inaugural Ceremony I am honored to present to you the follow- but as a leader and a motivator. We found all Invocation ing speakers who bring greetings to President of this in Dr. Gutmann. She has developed a Rev. William C. Gipson Gutmann from their respective constituencies: powerful vision about the contribution that uni- University Chaplain Charles W. Mooney, on behalf of the faculty; Ja- versities can make to society and democracy. I Sacred Fire, Revelation Light, Fount of son Levine and Simi Wilhelm, on behalf of the have met so many students who already feel a Wisdom, Sojourner Spirit Companion of the students; Rodney Robinson and Sylvie Beauvais special connection with Dr. Gutmann through Despairing Disinherited of the Earth—All Gra- on behalf of the administration and staff. her writings. cious God, As a leader, Dr. Gutmann brings new energy, On this Inauguration Day for Pennʼs distin- Greetings optimism, and inspiration to Penn. Her Inaugu- guished eighth President, Dr. Amy Gutmann, we ral theme, Rising to the Challenges of a Diverse celebrate Penn—for the boldness of its academic Charles W. Mooney Democracy, recognizes many issues that we adventures, its electric intellectual inquiry, its Chair, Faculty Senate face today. In just the short time she has been faithfulness to committed citizenship in West Greetings from the faculty of the University here, Dr. Gutmann has motivated students to Philadelphia, the City, the Commonwealth, the of Pennsylvania. -
Jazzflits 01 09 2003 - 01 09 2021
1 19de JAARGANG, NR. 361 16 AUGUSTUS 2021 IN DIT NUMMER: 1 BERICHTEN 5 JAZZ OP DE PLAAT Eve Beuvens, Steve Cole, Flat Earth Society Orchestra, Ben van de Dungen, Gerry Gibbs e.a. EN VERDER (ONDER MEER): 10 Lee Morgan (Erik Marcel Frans) 16 Europe Jazz Media Chart Augustus 18 J AAR JAZZFLITS 01 09 2003 - 01 09 2021 NR. 362 KOMT 13 SEPT. UIT ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 BERICHTEN CORONA-EDITIE FESTIVAL GENT JAZZ TREKT 20.000 BEZOEKERS In de tien dagen dat Gent Jazz ‘Back to Live’ duurde (van 9 tot en met 18 juli), passeerden zo’n twintigdui- zend mensen de festivalkassa. Van- wege de coronacrisis was op het laatste moment een speciale editie van het jaarlijkse zomerfestival in elkaar gezet met veel Belgische mu- sici. Maar ook de pianisten Monty Alexander, Tigran Hamasyan en ac- cordeonist Richard Galliano kwamen naar Gent. Festivaldirecteur Ber- trand Flamang sprak na afloop van een succesvol evenement. Cassandra Wilson tijdens het North Sea Jazz Festival 2015. (Foto: Joke Schot) Flamang: “In mei leek het er nog op dat deze editie niet zou doorgaan. Maar op CASSANDRA WILSON, STANLEY CLARKE twee maanden tijd zijn we erin geslaagd EN BILLY HART BENOEMD TOT NEA JAZZ MASTER om een coronaveilig evenement op po- ten te zetten.” Bezoekers konden zich Drummer Billy Hart, Bassist Stanley Clarke en zangeres niet vrij bewegen. Ze zaten per bubbel Cassandra Wilson zijn Benoemd tot NEA Jazz Master aan stoelen en tafels onder een giganti- 2022. Saxofonist Donald Harrison ontvangt de A.B. Spell- man NEA Jazz Masters Fellowship for Jazz Advocacy. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. -
Newly Cataloged Items in the Music Library December 2016 - January 2017
Newly Cataloged Items In the Music Library December 2016 - January 2017 Author Title Publisher Performers Item Enum Call Number 26 Italian songs and arias : an authoritative Alfred Pub. Co., On CD: Joan Thompson, MUSIC. edition based on authentic sources / John piano. MCD1619.T976 P3 Glenn Paton, editor. 1991 Med.High 53 masterpieces for alto sax and piano : Belwin, MUSIC. M268.S33 educational, recreational / arranged by F54 1943 Walter Schad. Alfred's Group Piano Book 2 w/ CD-rom Alfred's Group Piano for Adults w/CD Rom Cavaliers DVD Classics to moderns in the intermediate Consolidated Music MUSIC. M21 .A35 C42 grades / compiled and edited by Denes Publishers, 1962 Agay. Cowboys and Indies: Epic History of the Record Industry Dynamic Marching and Movement Vol I- DVD Dynamic Music in the Mix -DVD Dynamic Music vol 1 From the 50 Yard Line- DVD Introduction to music therapy research / Barcelona Publishers, MUSIC. ML3920 edited by Barbara L. Wheeler and .M874 2016 Kathleen M. Murphy. Introduction to music therapy research / Barcelona Publishers, MUSIC. ML3920 edited by Barbara L. Wheeler, Kathleen M. .M8741 2016 Murphy. Judas Maccabaeus: an oratorio / the music G. Schirmer, MUSIC. M2003.H14 by G.F. Handel ; words by Thos. Morrell. J73 K3 1939 Leadership Success -DVD/cdrom Rare choral masterpieces / compiled and Hall & McCreary, MUSIC. M2060.B37 edited by Parke S. Barnard. R3 1951 Tuesday, February 07, 2017 Page 1 of 15 Author Title Publisher Performers Item Enum Call Number Showcase of Bands 2013 MUSIC.RECITAL. MCD1 .W5726 2013 Feb.23 Teaching Music performance band Grade 4 vol 1 Teaching Music Performance band Grades 2-3 Teaching Music through Performance in Beginning Band Teaching Music through Performance in Beginning Band CD Grade 1 Triosonate : catalogue raisonné der G. -
The Inaugural Ceremony Photo by Pat Hildebrand
The Inaugural Ceremony Photo by Pat Hildebrand As prelude to his installation of Dr. Judith Rodin as president, the Trustees chairman, Alvin Shoemaker, led in the presentation of greetings and congratulations (below). In a triumphant Inaugural Address (pages S4-S7), Dr. Rodin saluted the past, present and future of the University. Greetings Alvin Shoemaker Edward Rendell change that as well. Only kidding. Only kid- Distinguished presidents, delegates, the Honor- Good morning everyone. This is a wonderful ding. But a great day because we have enjoyed able Mayor of Philadelphia, Trustees of the day for the City of Philadelphia as well as for a wonderful relationship throughout the City, University of Pennsylvania, esteemed faculty, the University of Pennsylvania. It’s a wonder- and particularly in West Philadelphia, with the students, honored guests, ladies and gentlemen: ful day for the City, because one of its native University. Starting really with Dr. Gaylord I welcome you to the inauguration of Judith daughters is being inaugurated as the president Harnwell, President Harnwell, going through Rodin as seventh president and twenty-third of its greatest university. It’s a wonderful day the terms of President Meyerson, President Chief Executive Officer of the University of because a graduate of the School District of Hackney, President Fagin, we have enjoyed Pennsylvania. This is indeed a day of immense Philadelphia, of Girls High, is being inau- a wonderful relationship; a relationship, that, significance for the University. As we observe gurated as president of its most prestigious like all relationships, has had some bumps on the installation of our president, these proceed- university. -
Masters of Traditional Arts Education Guide
Masters of Traditional Arts Education Guide Paddy Bowman Betty Carter Alan Govenar Masters of Traditional Arts Education Guide Published by Documentary Arts, Inc. Supported in part by National Endowment for the Arts Pennsylvania Council for the Arts City of Dallas Office of Cultural Affairs Ohio Arts Council Photographs by Alan Govenar Education Guide designed by Katy Parker Copyright © 2011 by Documentary Arts, Inc. Contents Preface The National Heritage Fellowship Meeting Education Standards Opportunities for Learning Tools for Learning Educators’ Suggested Applications Overarching Student Activities Mini-Lessons Decoding Different Media Studying Photographs Reading Artist Profiles Listening to Audio Viewing Video Comparing Media Creating Multimedia Presentations Unit 1. Sense of Place Cultural Insiders and Outsiders - Sensing Place through the Five Senses Finding Clues to Sense of Place Sample Sense-of-Place Chart Unit 2. Sense of Wonder Indigenous Teachers Genres Music and Dance Crafts and Material Culture Unit 3. Sense of Discovery Fieldwork Collecting and Organizing Mapping Culminating Projects Resources Printable Student Handouts Photo Analysis Artist Bio Notes Video Analysis Listening Log ~ Musical Elements Listening Log ~ Audio Profile Artifact Analysis Exploring Sense of Place Vocabulary Fieldwork Rubric Portfolio Rubric Interview Form Release Forms Defining Folklore Folklore in Education Bibliography Folklore in Education Webography Folkstreams Films about Heritage Fellows Suggested Student Readings Preface Teachers across the country face mounting pressure to help students achieve state and national standards. With expectations continually increasing, these teachers are searching for strategies that incorporate new curriculum standards in creative, meaningful and purposeful ways. As I listen to requests from teachers and librarians in my district and throughout the nation, I hear them ask for materials that help accomplish these goals. -
1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement. -
October 1983
VOL. 7, NO. 10 Cover Photo by Rick Malkin FEATURES ALEX VAN HALEN Rock musicians are often accused of being more concerned with the rock 'n' roll lifestyle than with the music. That lifestyle is very much a part of Alex Van Halen's image, but underneath that image is a serious musician who has a lot to say about drums and drumming, and he says it here in this MD exclusive. by Robyn Flans 8 PHILLIP WILSON For a drummer to have played with such diverse groups as The Art Ensemble of Chicago and the Paul Butterfield Blues Band indicates that his musicianship is not limited in any way, and that is certainly true of Phillip Wilson, who has a knack for weaving seemingly contrasting influences together into one unique style. by Chip Stern 16 DRUMS AROUND THE WORLD Japan's Stomu Yamash'ta; England's Ronnie Verrell; Brazil's Ivan Conti; Canada's Steve Negus; Israel's Aron Kaminski; Den- mark's Alex Riel. 20 FRANK BEARD In this revealing interview, Frank Beard, the unpretentious, self-taught drummer for ZZ Top, discusses his career from his early emulations of '60s British rock bands, to his later involvement with a psychedelic group, and his present position as a member of the highly successful, Texas-based rock trio. by Susan Alexander 26 ROCK CHARTS COLUMNS "Lowdown In the Street" PROFILES 74 by James Morton ON THE MOVE Nelson Montana 30 ROCK PERSPECTIVES A Left-Handed Perspective REVIEWS EDUCATION by Robert Doyle 92 ON TRACK 94 CLUB SCENE STRICTLY TECHNIQUE PRINTED PAGE 96 Handling the Ups and Downs Triplets With Buzz Rolls 46 by Joe Morello by Rick Van Horn 100 NEWS COMPLETE PERCUSSIONIST UPDATE Junkanoo EQUIPMENT by Robyn Flans 110 by Neil M. -
Emanuel Filipe Ferreira Monteiro CONTRIBUTO DE BUDDY RICH PARA O DESENVOLVIMENTO DA BATERIA
Universidade de Aveiro Departamento de Comunicação e Arte 2018 Emanuel Filipe CONTRIBUTO DE BUDDY RICH PARA O Ferreira Monteiro DESENVOLVIMENTO DA BATERIA Universidade de Aveiro Departamento de Comunicação e Arte 2018 Emanuel Filipe CONTRIBUTO DE BUDDY RICH PARA O Ferreira Monteiro DESENVOLVIMENTO DA BATERIA Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ensino da Música, realizada sob a orientação científica do Doutor Mário Jorge Peixoto Teixeira, Professor Auxiliar do Departamento de Comunicação e Arte da Universidade de Aveiro Dedico este trabalho à minha esposa e filho por todo o apoio. o júri presidente Prof.ª Doutora Helena Maria da Silva Santana professora auxiliar, Universidade de Aveiro vogal – arguente principal Prof. Doutor Eduardo José Tavares Lopes professor associado com agregação, Universidade de Évora vogal - orientador Prof. Doutor Mário Jorge Peixoto Teixeira professor auxiliar, Universidade de Aveiro agradecimentos Ao Professor Doutor Mário Teixeira pela orientação desta dissertação e por todo o apoio dado para a resolução dos obstáculos que foram surgindo nesta etapa académica. Aos meus alumni, alunos atuais e futuros pelas aprendizagens que virão. Às minhas grandes inspirações do jazz – Buddy Rich, Tony Williams, Roy Haynes, … palavras-chave Bateria, Buddy Rich, Gene Krupa, Papa Jo Jones, Philly Joe Jones, Roy Haynes, Elvin Jones, Tony Williams, ensino de bateria, técnica, jazz, big band. resumo O presente trabalho pretende analisar o contributo de Buddy Rich para o desenvolvimento da bateria. Para tal, analisa-se o seu contributo de acordo com um conjunto de variáveis definidas – técnica, estilo, formação, bateria e pedagogia – comparando-o com outros bateristas de jazz emblemáticos do século XX. -
University of Pennsylvania Sculpture Campus
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