Auction Houses and Dealers to Reopen Premises in June Breakthrough in England Marks Key Step in Return to Full Trading

Total Page:16

File Type:pdf, Size:1020Kb

Auction Houses and Dealers to Reopen Premises in June Breakthrough in England Marks Key Step in Return to Full Trading To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp ISSUE 2443 | antiquestradegazette.com | 23 May 2020 | UK £4.99 | USA $7.95 | Europe €5.50 koopman rare art antiques trade KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Auction houses and dealers to reopen premises in June Breakthrough in England marks key step in return to full trading Auction houses and art and fairs and markets, may be able We will be antiques dealers in England to reopen in July ahead of some getting back to will be able to open to the indoor public spaces such as “ public from June as long as cinemas. However, there has near normal but government guidelines are not yet been any further it is of course met. clarification on this measure. not actual Following representations by The reopening plan applies the British Art Market to England only at this stage normality Federation (BAMF) and the and is conditional on declining Society of Fine Art Auctioneers rates of infection. And Valuers (SOFAA) to the accept consignments via Department for Digital, A way forward courier, and staff will soon Culture, Media & Sport The latest government guidance restart conducting house visits. (DCMS), auction houses were seeks to sketch out a way He expects dealers to offer more Above: Woolley & Wallis has published a new auction calendar removed from the list of forward for businesses while the stock via auction houses in the beginning with English & European Ceramics & Glass on June 17. businesses that must remain health threat continues. absence of fairs initially. Among the lots is this rare and large Bow figure of a lioness estimated closed. DCMS said antique Between now and the Schooling added: “We are at £15,000-20,000. dealerships will also be able to beginning of June, auction redesigning our saleroom to open premises from June 1. houses and galleries can operate avoid bottlenecks and will and is the direct outcome of our confirmed to ATG that it is the behind closed doors. An follow the relevant precautions. Drafting guidelines lobbying. Sector guidelines are intention to “open non-essential updated document released by The next step will be viewings New guidelines currently being currently being drafted but will retail in phases from June 1, government on May 1 stated by appointment. Room bidding drawn up will detail how art not delay the reopening of when and where it is safe to do that these “businesses and will depend on government market businesses can become business in June.” so and subject to them being venues must remain closed to advice and acceptance by our ‘Covid-19-secure’. This may SOFAA chairman Helen able to follow Covid-19 secure members of the public… staff that it can be done safely. involve using masks, limiting Carless, of Lawrences of guidelines. This includes However, staff may be present to We will be getting back to near the numbers in a venue and Crewkerne, thanked BAMF commercial art galleries and make deliveries or provide normal but it is of course not operating by appointment. and added: “It should not be auction houses”. It is likely that services in response to orders actual normality.” Anthony Browne, chairman underestimated what has been “non-essential retail” will [by] telephone, online, or mail.” Lots Road Auctions in at BAMF, said: “Our main aim achieved. Up to this point the include antiques centres. Guy Schooling, chairman at London held its first online- in recent weeks was to ensure art market was very much The government also stated Essex auction house Sworders, only live auction last week (May DCMS put art market viewed as a leisure industry and in a 50-page document said the firm will now conduct 17). It is now working on how to businesses in the first phase of as such would have been published on May 11 that some probate valuations in vacant reopen to the public safely. non-essential businesses to unlikely to open before July.” outdoor businesses, which properties (that have been reopen. This has been achieved A DCMS spokesperson could include art and antiques empty for at least 72 hours), will Continued on page 4 50,000 Auction catalogues Scanned or hard copy thecatalogstar.com Tel: 01225 829 090 PROOF OF PROVENANCE. INCREASE VALUE Follow us on Twitter Antiques Trade Gazette is published and originated by Metropress Ltd, Contents@ATG_Editorial Issue 2443 trading as Auction Technology Group Ltd Read top stories every day on our website antiquestradegazette.com auctiontechnologygroup.com Find us on: Follow us on Twitter Chief Executive Officer John-Paul Savant Chief Operating Officer Richard Lewis @ATG_Editorial Find us on: Publishing Director Matt Ball Editor-at-Large Noelle McElhatton Deputy Editor, News Laura Chesters Deputy Editor, Features & Supplements Roland Arkell Commissioning Editor Anne Crane Chief Production Editor Tom Derbyshire Digital & Art Market Editor Alex Capon Reporter Frances Allitt In The News page 4 Marketing Manager Beverley Marshall Christie’s announces ‘Classic Week’ changes Print & ProduCtion Director Justin Massie-Taylor Call for action on export licence backlog SUBSCRIPTIONS ENQUIRIES Polly Stevens +44 (0)20 3725 5507 [email protected] EDITORIAL News Digest page 6-7 +44 (0)20 3725 5520 Includes Bid Barometer [email protected] ADVERTISING Holy appropriate +44 (0)20 3725 5604 Auction Reports [email protected] Auction includes wall clock by AUCTION ADVERTISING HAMMER HIGHLIGHTS Cumbrian maker whose work Charlotte Scott-Smith +44 (0)20 3725 5602 Clocks of various styles and types in demand at [email protected] was characterised by religious two salerooms page 10-11 NON-AUCTION ADVERTISING verses on dials Dan Connor +44 (0)20 3725 5605 ART MARKET page 10 [email protected] CLASSIFIED Pre-lockdown trends give optimism for the Rebecca Bridges +44 (0)20 3725 5604 recovery period page 12-13 [email protected] INTERNATIONAL ADVERTISING BOOKS AND WORKS ON PAPER Susan Glinska +44 (0)20 3725 5607 Children’s book illustration result represents a [email protected] Francine Libessart +44 (0)20 3725 5613 fine Finnish page 14-15 [email protected] CALENDAR CONTROLLER & FAIRS AND MARKETS ADVERTISING Previews page 16 Rachel Tolley +44 (0)20 3725 5606 [email protected] ATG PRODUCTION +44 (0)20 3725 5620 Dealers’ Diary Muireann Grealy +44 (0)20 3725 5623 New shop and a book release for busy Harper in Barnard Castle page 18-21 SUSTAINABLE RESOURCES This product is produced from sustainably managed International Events forests and controlled Highlights from US auctions plus a previews sources. It can be recycled. selection also including French sales page 22-25 Chop to it recycle Antiques Trade Gazette, Well-travelled and ornate Harlequin Building, UK Auction Calendar page 26-29 65 Southwark Street, tomahawk war trophy now London SE1 0HR on offer from US saleroom +44 (0)20 3725 5500 A Lawyer Writes page 31 page 24 antiquestradegazette.com Printed by Buxton Press Ltd SK17 6AE Welcome to the fourth special digital-only issue of Antiques Trade Gazette This edition is being distributed in four ways: as an e-Paper, as an We are hopeful this initiative will mark the point at which all parts of the interactive issue in the ATG app, as content on our website and as a trade will be able to find the best way to move forward in the coming PDF* which you can view and print. We have emailed all subscribers to weeks, although some, such as fairs and markets, may take a little alert them that it is available to view. This issue can be accessed online longer than others. by all of them, whether they subscribe just to the print newspaper or to However you decide to proceed, we trust you will be able to do so our digital service or have a subscription that combines both. As we safely. explained last week, we will be back in print next week (issue 2444, Thank you for subscribing to Antiques Trade Gazette. cover date May 30) and we will review the situation again at that point. Matt Ball One part of the UK, at least, appears to be taking steps to come out of Publishing Director lockdown with a key government department confirming to ATG last week that auction houses and art galleries in England will be on the list of non-essential retail firms able to reopen premises to the public in * If you missed any of our previous PDFs and want to catch up, you’ll find June – with the usual caveats. a link to them on our website in the dropdown menu under ‘Print Edition’ 2 | 23 May 2020 antiquestradegazette.com PAGE 002 2443.indd 1 15/05/2020 15:30:41 ATGFP_ATG D-Spread 12/05/2020 14:56 Page 1 Ancient Art & Antiquities 2 - 7 June 2020 ONLINE ONLY www.timelineauctions.com Lot No. 0007 Lot No. 0023 Lot No. 0028 Lot No. 0061 Lot No. 0075 Large Egyptian Egyptian Bronze Egyptian Diorite Scythian Gold 'Arm Ring' Hellenistic or Thracian Resting Sacred Ibis Pharaoh Head Bust of a Dignitary with Wolf Terminals Libation Dish Estimate: £25,000 - 35,000 Estimate: £15,000 - 20,000 Estimate: £15,000 - 20,000 Estimate: £40,000 - 60,000 Estimate: £80,000 - 100,000 Lot No. 0103 Lot No. 0131 Lot No. 0145 Lot No. 0169 Lot No. 0200 Greek Marble Heavy Roman Gold Ring Etruscan Gold Roman Life-Size Roman Marble Head of a Youth with Rhea-Cybele Gemstone Brooch with Birds Gesturing Statue Arm Muscular Torso of Bacchus Estimate: £20,000 - 30,000 Estimate: £7,000 - 9,000 Estimate: £8,000 - 10,000 Estimate: £15,000 - 20,000 Estimate: £80,000 - 100,000 Lot No.
Recommended publications
  • Ghana's Glass Beadmaking Arts in Transcultural Dialogues
    Ghana’s Glass Beadmaking Arts in Transcultural Dialogues Suzanne Gott PHOTOS BY THE AUTHOR EXCEPT WHERE OTHERWISE NOTED hanaian powder-glass beads first captured spread of West African strip-weaving technologies. my attention in 1990, when closely examin- With the beginnings of European maritime trade in the late ing a strand of Asante waist beads purchased fifteenth century, an increasing volume of glass beads and glass in Kumasi’s Central Market. Looking at the goods were shipped to trade centers along present-day Ghana’s complex designs of different colored glasses, Gold Coast,1 stimulating the growth of local beadworking and I was struck with the realization that each powder-glass beadmaking industries. The flourishing coastal bead had been skillfully and painstakingly crafted. This seem- trade achieved a more direct engagement between European Gingly humble and largely unexamined art merited closer study merchants and trading communities than had been possible and greater understanding (Fig. 1). I worked with Christa Clarke, with the trans-Saharan trade, and enhanced European abilities Senior Curator for the Arts of Global Africa at the Newark to ascertain and respond to local West African consumer pref- Museum, to develop the 2008–2010 exhibition “Glass Beads of erences. This interactive trade environment also facilitated the Ghana” at the Newark Museum to introduce the general public impact of the demands of Gold Coast consumers on European to this largely overlooked art (Fig. 2). The following study pro- product design and production, a two-way dynamic similar to vides a more in-depth examination of Ghanaian glass beadmak- the trade in African-print textiles (Nielsen 1979; Steiner 1985).
    [Show full text]
  • Venetian Beads
    BEADS: Journal of the Society of Bead Researchers Volume 10 Volume 10-11 (1998-1999) Article 9 1998 Venetian Beads Frank Hird Follow this and additional works at: https://surface.syr.edu/beads Part of the Archaeological Anthropology Commons, History of Art, Architecture, and Archaeology Commons, Science and Technology Studies Commons, and the Social and Cultural Anthropology Commons Repository Citation Hird, Frank (1998). "Venetian Beads." BEADS: Journal of the Society of Bead Researchers 10: 57-62. Available at: https://surface.syr.edu/beads/vol10/iss1/9 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in BEADS: Journal of the Society of Bead Researchers by an authorized editor of SURFACE. For more information, please contact [email protected]. VENETIAN BEADS Frank Hird Interesting accounts of the manufacture of Venetian glass It was in the thirteenth or fourteenth centuries­ beads turn up in the most unlikely places. The one repro­ historians do not agree upon the exact date-that duced here was published in The Girl's Own Paper for Febru­ bead-making was established at Murano, and through ary 1, 1896 (Vol. 17, No. 840, pp. 292-294). In addition to all the years during which Ven ice exercised her almost presenting a decent description ofthe manufacture ofdrawn and blown beads during the latter part of the 19th century, imperial sway, the glass manufacture, on this ugly and Mr. Hird gives us details concerning the setting in which the dirty little island, was one of her glories. The beadmakers and bead stringers worked.
    [Show full text]
  • Beaded Jewelry Designs Class-A Piece of Delicate Valentines Day Gifts For
    Beaded jewelry designs class-a piece of delicate valentines day gifts for her Via learning today’s beaded jewelry designs class, you will gain another method to bead some delicate valentines day gifts for her. While practicing the tutorial, you only need several inches of Tiger tail wire and a few pearlized Acrylic Beads and 12/0 Seed Beads. Giving peculiar valentines day gifts for her, to the special women, is an unexceptionable chance to get her a little bit more wild with joy. Not only for the Valentine’s Day on routine, but also for her birthday or Christmas, etc. Valentine’s Day is about romantic, but never underestimates the significant value of individual gifts. Hence, in this article, I will show you one of the numerous beaded jewelry designs classes relate to the unique occasion. Things you will need: 8mm Acrylic Beads-Imitation Shell & Pearl 8mm Rondelle Swarovski Crystal Beads 12/0 Seed Beads Crimp bead Earring hooks Tiger tail wire Side Cutting Plier Wire-cutter Plier How to make valentines day gifts for her? Step1: bead the first flower portion 1. Prepare 50cm long Tiger tail wire and then form a loop with 6 pieces of 12/0 Seed Beads; 2. Slide the following beads on outer wire tip in order: 8mm Pearlized Acrylic Bead*1, 12/0 Seed Bead, 8mm Pearlized Acrylic Bead*1, 12/0 Seed Bead. Next, cross both tips through another 8mm Pearlized Acrylic Bead; 3. Do the same with outer wire. Further, thread the inner tip through its adjacent seed bead. At last, cross both tips through one 8mm Pearlized Acrylic Bead again; 4.
    [Show full text]
  • Bernard Fleetwood-Walker (1893-1965) By
    The Social, Political and Economic Determinants of a Modern Portrait Artist: Bernard Fleetwood-Walker (1893-1965) by MARIE CONSIDINE A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham April 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT As the first major study of the portrait artist Bernard Fleetwood-Walker (1893- 1965), this thesis locates the artist in his social, political and economic context, arguing that his portraiture can be seen as an exemplar of modernity. The portraits are shown to be responses to modern life, revealed not in formally avant- garde depictions, but in the subject-matter. Industrial growth, the increasing population, expanding suburbs, and a renewed interest in the outdoor life and popular entertainment are reflected in Fleetwood-Walker’s artistic output. The role played by exhibition culture in the creation of the portraits is analysed: developing retail theory affected gallery design and exhibition layout and in turn impacted on the size, subject matter and style of Fleetwood-Walker’s portraits.
    [Show full text]
  • Dewdrop Beaded Bead. Beadwork: ON12, 24-26 Bead Four: Treasure Trove Beaded Bead
    Beadwork Index through December 2017/January 2018 Issue abbreviations: D/J =December/January FM = February/March AM = April/May JJ = June/July AS=August/September ON=October/November This index covers Beadwork magazine, and special issues of Super Beadwork. To find an article, translate the issue/year/page abbreviations (for example, “Royal duchess cuff. D10/J11, 56-58” as Beadwork, December 2011/January 2012 issue, pages 56-58.) Website = www.interweave.com or beadingdaily.com Names: the index is being corrected over time to include first names instead of initials. These corrections will happen gradually as more records are corrected. Corrections often appear in later issues of Beadwork magazine, and the index indicates these. Many corrections, including the most up-to-date ones, are also found on the website. 15th Anniversary Beaded Bead Contest Bead five: dewdrop beaded bead. Beadwork: ON12, 24-26 Bead four: treasure trove beaded bead. Beadwork: AS12, 22-24 Bead one: seeing stars. Beadwork: FM12, 18-19 Bead three: stargazer beaded bead. Beadwork: JJ12, 20-22 Bead two: cluster beaded bead. Beadwork: AM12, 20-23 Beaded bead contest winners. Beadwork: FM13, 23-25 1800s-era jewelry Georgian jewels necklace. Beadwork: D14/J15, 80-81 1900s-era jewelry Bramble necklace. Beadwork: AS13, 24-27 Royal duchess cuff. Beadwork: D10/J11, 56-58 1920s-era jewelry Art Deco bracelet. Beadwork: D13/J14, 34-37 Modern flapper necklace. Beadwork: AS16, 70-72 1950s-era jewelry Aurelia necklace. Beadwork: D10/J11, 44-47 2-hole beads. See two-hole beads 20th anniversary of Beadwork Beadwork celebrates 20 years of publication.
    [Show full text]
  • Millefiori Set (Pendant + Earrings) Beading Pattern by Nela Kabelova
    Millefiori set (pendant + earrings) beading pattern by Nela Kabelova 1 | Design and tutorial by Nela Kábelová | www.gianelle.beadforum.cz | www.facebook.com/nela.kabelova International Beading Week 2019 - www.internationalbeadingweek.com - www.facebook.com/internationalbeadingweek This free pattern is intended for personal use only and for and for teaching free workshops during IBW. Re-sale of this pattern is strictly prohibited. Sale of the finished items is allowed, as long as they are all handmade by the seller. If you have any questions regarding this pattern, feel free to contact me at [email protected] or via facebook.com/nela.kabelova. Have a lot of fun! Millefiori set Difficulty: Intermediate, some prior beading experience required Material (for one pendant and one pair of earrings): Findings • 4mm firepolished beads (approx. 70 pcs) • For earrings: jump rings, earring components • Matubo 8/0 (or 8/0 Japanese seed beads) (approx. 40 pcs) • For necklace: jewelry chain, jump rings, a clasp, a bail • Matubo Miniduo (24 pcs, approx. 1.4 gram) (optional) • 11/0 Japanese seed beads (approx. 0.6 gram) • Optionally you can add some more embellishment to your • 15/0 Japanese seed beads (approx. 0.4 gram) jewelry (like chain or textile tassels or drop-shaped • Beading needle and thread of your choice beads). (Nymo, Superlon, Fireline. ..) 1) String four 4mm FPs and slide them all to the end of the thread. Tie a square knot to form a circle. Then pass through the nearest 4mm FP bead. 2 | Design and tutorial by Nela Kábelová | www.gianelle.beadforum.cz | www.facebook.com/nela.kabelova 2) Add three 4mm FPs and pass through the same bead the thread is exiting from.
    [Show full text]
  • Glass Beads for Teachers
    GLASS BEADS FOR TEACHERS A small collection of images of beads and beadwork serves as a context for further investigation and study of how HBC, through its trade with First Nations, was a major contributor to Canada’s story. Information about Glass Beads • Beading is a craft that has been practised by almost every culture in the world. • Glass beads were highly valued by the First Nations because they were durable and came in a wide variety of colours. • Before glass beads arrived on the scene, the First Nations were accustomed to using pieces of bone, shell or rock to adorn their clothing. Quillwork using dyed porcupine quills was also popular. • HBC sourced beads from Europe specifically for the trade. They introduced glass beads from Venice, the Czech Republic, the Netherlands, and Germany to the First Nations in exchange for provisions or simply to gain their goodwill. • Beads were a staple of the trade right up to the modern period. Seed beads were the most popular over time. • The First Nations incorporated the beads into a well-established tradition of craft, custom and beliefs. • Beads became common items to offer in gift exchanges when alliances and treaties were formed. • The First Nations adapted European materials to their traditional ways of making clothing and accessories, substituting cloth for hide, beads for quillwork, and silk ribbon appliqué for painted designs. • Native beading became something of a commodity in the Victorian period. First Nations began a craft tradition of making beaded items for commercial sale back to non-natives • Starting in the early 1800s, the First Nations developed beaded souvenirs.
    [Show full text]
  • Polymer Clay Millefiori Cane Beads Objectives
    Activity: Polymer Clay Millefiori Cane Beads Objectives: Students will show an under- standing of how millefiori beads are con- structed by making some of polymer clay. Age: approximately 10 through Adult Time Required: one hour to form and cut beads; 30 minutes to bake; 30 minutes to string Museum Web site URL: http://www.museum.state.il.us/ismdepts/ anthropology/collections/Frost Frost Trade Bead Collection online http://www.museum.state.il.us/exhibits/barker/ techniques/tech_millefiori.php Barker Paperweight Collection Web module with a galleryof millefiori weights and instruc- tions and diagrams of the technique. Motivation: Venetian glass millefiori beads have complex patterns that reflect the multi- step process of construction. Designs are endless, and by going through the process is polymer clay instead of molten glass, more people can understand and appreciate them. Native American tribes traded pelts and other objects for these beads and for seed beads. They saw the advantage of getting many colors of hard, glass beads without having to shape and drill them themselves. This trading eventually caused the waning of the use of porcupine quills and bone and shell beads. It also lead to an evolution in beading patterns and techniques, influenced by styles in the larger culture. Learn how these beads were made and adapt the patterns to your own designs. Although millefiori beads look very complicated in design, the process is simple when broken down into steps. Keep in mind the methods used by glass artists when working with the clay. Materials: For Forming Beads: · two or more packages (and colors) of Sculpey III® polymer clay (softer to work with than Fimo® and some other brands.
    [Show full text]
  • Possessing, Dispossessing, and Repossessing Lost Wampum Belts
    University of Pennsylvania ScholarlyCommons Department of Anthropology Papers Department of Anthropology 3-2018 Broken Chains of Custody: Possessing, Dispossessing, and Repossessing Lost Wampum Belts Margaret Bruchac University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/anthro_papers Part of the Anthropology Commons Recommended Citation Bruchac, M. (2018). Broken Chains of Custody: Possessing, Dispossessing, and Repossessing Lost Wampum Belts. Proceedings of the American Philosophical Society, 162 (1), 56-105. Retrieved from https://repository.upenn.edu/anthro_papers/179 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/anthro_papers/179 For more information, please contact [email protected]. Broken Chains of Custody: Possessing, Dispossessing, and Repossessing Lost Wampum Belts Disciplines Anthropology | Social and Behavioral Sciences This journal article is available at ScholarlyCommons: https://repository.upenn.edu/anthro_papers/179 Broken Chains of Custody: Possessing, Dispossessing, and Repossessing Lost Wampum Belts MARGARET M. BRUCHAC Assistant Professor of Anthropology Coordinator, Native American and Indigenous Studies University of Pennsylvania Introduction In the spring of 2009, two historical shell bead wampum belts1—iden- tified as “early” and “rare” and valued at between $15,000 and $30,000 each—were advertised for sale at a Sotheby’s auction of Amer- ican Indian art objects2 belonging to the estate of Herbert G. Welling- ton.3 One belt, identified as having been collected by Frank G. Speck from the Mohawk community in Oka (Kanesatake, Quebec) before 1929, was tagged with an old accession number from the Heye Foun- dation/Museum of the American Indian (MAI; MAI #16/3827). The second belt, collected by John Jay White from an unknown locale before 1926, was identified as Abenaki; it, too, was tagged with an old MAI number (MAI #11/123; Figure 1).
    [Show full text]
  • Bead and Beadwork Traditions: a Study of Trade and Cultural Exchanges Across the Coast of Gujarat, East Africa and the Red Sea Medha Bhatt [email protected]
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2016 Bead and Beadwork Traditions: A Study of Trade and Cultural Exchanges across the Coast of Gujarat, East Africa and the Red Sea Medha Bhatt [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Bhatt, Medha, "Bead and Beadwork Traditions: A Study of Trade and Cultural Exchanges across the Coast of Gujarat, East Africa and the Red Sea" (2016). Textile Society of America Symposium Proceedings. 965. http://digitalcommons.unl.edu/tsaconf/965 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Crosscurrents: Land, Labor, and the Port. Textile Society of America’s 15th Biennial Symposium. Savannah, GA, October 19-23, 2016. 17 Bead and Beadwork Traditions: A Study of Trade and Cultural Exchanges across the Coast of Gujarat, East Africa and the Red Sea Medha Bhatt, Textile Designer and Researcher [email protected] Indian cotton textiles were the key commodity that powered the Indian Ocean trade exchanges. Gujarat played a significant role not only in the manufacture of cotton textiles but also carnelian beads that was used for commercial trade exchanges in the markets of East Africa, the Red Sea and the Persian Gulf.
    [Show full text]
  • Donatella Versace's Day, Alber Elbaz's Deep Thoughts, Diana Vreeland's Family & Christian Louboutin's Garden FALL FA
    Green=Pantone 8264 C Spine width = 7/32” (final) The The wall sTreeT journal Magazine wall sePTeMBer 2012 s T ree T journal Magazine FALL FASHION Donatella Versace’s Day, Alber Elbaz’s Deep Thoughts, Diana Vreeland’s Family & Christian Louboutin’s Garden se PTe MB er 2012 0912_WSJ_Cover_Shipped_02.indd 1 7/17/12 1:42 PM RALPH LAUREN__205608742.indd 2 7/17/12 2:06 PM RALPH LAUREN__205608742.indd 3 7/17/12 2:07 PM NEW YORK BEVERLY HILLS DALLAS CHICAGO GREENWICH BAL HARBOUR View the Runway Show and go behind the scenes with the Ralph Lauren application on your iPhone® or visit RALPHLAURENCOLLECTION.COM Ralph Lauren_ 205608743.indd 2 7/17/12 3:51 PM Ralph Lauren_ 205608743_2.indd 3 7/17/12 3:52 PM armani_205609334_US.indd 2 7/23/12 4:01 PM armani_205609334_US.indd 3 7/23/12 4:02 PM ESTEELAUDER_205607332_EK.indd 2 7/2/12 12:21 PM Constance is wearing Pure Color Nail Lacquer in GL Bête Noire, Vivid Shine Lipstick in FL Forbidden Apple and EyeShadow in 03 Cyber Lilac. esteelauder.com © 2012 Estée Lauder Inc. ESTEELAUDER_205607332_EK.indd 3 7/2/12 12:22 PM Ermenegildo_205608147_US.indd 2 7/10/12 2:21 PM Ermenegildo_205608147_US.indd 3 7/10/12 2:21 PM AMERICANA MANHASSET ATHENS BAL HARBOUR DALLAS DUBAI LAS VEGAS LOS ANGELES MADRID NEW YORK RIYADH SOUTH COAST PLAZA TORTUGA BAY OSCARDELARENTA.COM OSCAR DE LA RENTA.indd 2 7/18/12 1:54 PM OSCAR DE LA RENTA.indd 3 7/18/12 1:54 PM Omega_205608611.indd 2 7/16/12 4:29 PM Omega_205608611.indd 3 7/16/12 4:29 PM GUESS_205607865_EK 2 7/6/12 2:46 PM GUESS_205607865_EK 3 7/6/12 2:46 PM NEW YORK 717 MADISON AVENUE EAST HAMPTON 23 MAIN STREET LAS VEGAS FORUM SHOPS DEVIKROELL.COM devikroll_205608009_US.indd 2 7/23/12 3:56 PM devikroll_205608009_US.indd 3 7/23/12 3:57 PM september 28 88 FASHIONABLY LOUD AND INCREDIBLY BAROQUE The heavy jewels, brilliant embroidery and exquisite lace of fall’s finery shine among Paris’s glittering streets.
    [Show full text]
  • Churchill Enjoys Finest Hour in the Saleroom
    To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp 7 1 -2 0 2 1 9 1 ISSUE 2483 | antiquestradegazette.com | 13 March 2021 | UK £4.99 | USA $7.95 | Europe €5.50 S E E R 50years D koopman rare art V A I R N T antiques trade G T H E KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Churchill enjoys finest hour in the saleroom Sir Winston Churchill’s (1874-1965) painting Churchill completed during ever more towering presence in the art the Second World War. Tower of the market was on full display last week as Koutoubia Mosque was painted following his auction record was broken four-and- the Casablanca Conference in January a-half times over. 1943. The British prime minister gave it Christie’s evening sale of Modern to US President Franklin D Roosevelt ‘as British art on March 1 offered the only a memento of this short interlude in the crash of war’. Having remained with Roosevelt’s Left: Tower of the Koutoubia son Elliot until 1950 and changed hands Mosque by Sir Winston Churchill – a record £7m at Christie’s. Continued on page 8 Consultation launched for Fairs make welcome Portobello’s five-year plan return to calendar the views of traders, retailers, consultation document. It Fair organisers are now From Monday, April 12, the by Laura Chesters residents and visitors.
    [Show full text]