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Conference Programme Guernsey 28-30 June 2019 Organised by the Victor Hugo in Guernsey Society
IN GUERNSEY CONFERENCE 2019 Conference Programme Guernsey 28-30 June 2019 Organised by The Victor Hugo in Guernsey Society Supported by the Guernsey Arts André Gill illustration for L’Eclipse, 25 April 1869, from the Gérard Pouchain collection. from the Gérard Pouchain April 1869, 25 L’Eclipse, André Gill illustration for Commission About The Victor Hugo In Guernsey Society Welcome from The Victor Hugo In Guernsey Society Victor Hugo wrote many of his greatest works on The Victor Hugo in Guernsey Society welcomes you to its 3rd In~ a letter to his publisher, Lacroix, in December the island of Guernsey, a small British dependency Victor Hugo in Guernsey conference. This weekend in the 1868, after he had announced the publication of 20 miles off the coast of France. Hugo was in exile, but island of Hugo’s exile will focus on the novel Hugo published a new work by Hugo which he characterised as a Roman despite his grief for his family and his homeland he was 150 years ago in 1869, L’Homme qui rit, (The Man who Laughs), historique, the famous novelist wrote: inspired by the beauty of the rocky landscape and seas written on Guernsey and set in England. Our sister island of “When I paint history I make my historical characters that surrounded him to produce magnificent novels – Alderney plays a pivotal part in the narrative, and even our old do only what they have done or could do, their characters including Les Misérables, and Les Travailleurs de la mer – Norman law finds its way into the text. -
CHAPARRAL BOOKS St 1975 SW 1 Ave, Ste
Volume 1 of 3 catalogs of original, source material; signed letters, Western Journals and historical ephemera by significant authors of history, Western Americana and their publisher: The Arthur H. Clark Company. Prepared By: CHAPARRAL BOOKS st 1975 SW 1 Ave, Ste. L st Portland, OR 97 & 2075 SW 1 Ave, Ste. 1C [email protected] [email protected] 503-887-0823 503-319-6358 The Arthur H. Clark Company, founded in 1902, was a significant publisher of source material related to the history of the Western United States. During a century of publishing and bookselling they published over 700 books, many of which are quite scarce and collectible. Their international reputation for academic excellence and original source material is further established by their association with authors having received the Justin Winsor, Loubet and Pulitzer Prize. The company was named for its founder Arthur Henry Clark (1868-1951). He was born and raised in England and attended the University of Oxford for a time before having to find work because of reverses in his family finances. He then began an apprenticeship with the publishing house of Henry Southern & Company. After completing his apprenticeship, he moved to Chicago, IL where he took a job in Gen. Alexander C. McClurg’s publishing house. In 1892 Clark established his own bookstore in Chicago. He was then recruited by Burrows Brothers of Cleveland where he became manager of their rare book sales. While with Burrows Brothers, Clark was the main force behind the publication of The Jesuit Relations by Reuben Gold Thwaites. In 1902 Clark established Arthur H. -
Shakespeare and London Programme
andShakespeare London A FREE EXHIBITION at London Metropolitan Archives from 28 May to 26 September 2013, including, at advertised times, THE SHAKESPEARE DEED A property deed signed by Mr. William Shakespeare, one of only six known examples of his signature. Also featuring documents from his lifetime along with maps, photographs, prints and models which explore his relationship with the great metropolis of LONDONHighlights will include the great panoramas of London by Hollar and Visscher, a wall of portraits of Mr Shakespeare, Mr. David Garrick’s signature, 16th century maps of the metropolis, 19th century playbills, a 1951 wooden model of The Globe Theatre and ephemera, performance recording and a gown from Shakespeare’s Globe. andShakespeare London In 1613 William Shakespeare purchased a property in Blackfriars, close to the Blackfriars Theatre and just across the river from the Globe Theatre. These were the venues used by The Kings Men (formerly the Lord Chamberlain’s Men) the performance group to which he belonged throughout most of his career. The counterpart deed he signed during the sale is one of the treasures we care for in the City of London’s collections and is on public display for the first time at London Metropolitan Archives. Celebrating the 400th anniversary of the document, this exhibition explores Shakespeare’s relationship with London through images, documents and maps drawn from the archives. From records created during his lifetime to contemporary performances of his plays, these documents follow the development of his work by dramatists and the ways in which the ‘bardologists’ have kept William Shakespeare alive in the fabric of the city through the centuries. -
1940, February
Li. _____.... d1Y l '"'T�� tt r t>' J�:� 6•1?4�' news-£e e UN<\ The SHAKESPEARE FELLOWSHIP-E.wA,HIM,rnN AMERICAN BRANCH VOL. I FEBRUARY, 1940 NO. 2 The Secret Personality of "Shakespeare" Brought to Light After Three Centuries The Ashbourne portrait (above), owned by the cally for the first time in history - with results Folger Shakespeare Library, and two other famous likely to change the whole course of Shakespearean paintings of the poet have been dissected scientifi• research. Solution of authorship mystery at hand. 2 NEWS-LETTER Scientific Proof Given that Lord Oxford Posed for Ancient Portraits of the Bard X-RAYS AND INFRA-RED PHOTOGRAPHY SHOW THAT EDWARD DE VERE, MYSTERIOUS LITERARY NOBLEMAN, IS THE REAL MAN IN THE FAMOUS ASHBOURNE "SHAKESPEARE" AND ALSO IN OTHER PAINTINGS OF ENGLAND'S GREATEST DRAMATIST. CHARLES WISNER BARRELL'S EPOCH-MAKING DISCOVERIES ARE FEATURED BY SCIENTIFIC AMERICAN AND TELEGRAPHED TO MORE THAN 2,000 NEWSPAPERS BY THE ASSOCIATED PRESS AND OTHER NEWS AGENCIES. WORK OF AMERICAN SECRETARY OF THE SHAKESPEARE FELLOW SHIP REPRESENTS A LANDMARK IN ELIZABETHAN RESEARCH AND MAY CAUSE IMMEDIATE REVALUATION OF THE COMMONLY ACCEPTED THEORY OF THE AUTHORSHIP OF THE PLAYS. Early in the morning of December 13, 1939 - It has remained for the American secretary of a date not soon to be forgotten by anyone in THE SHAKESPEARE FELLOWSHIP and a skilled terested in the pictorial record of "Mr. William group of technicians working under his direction, Shakespeare" - the news operators of the As to bring to light and accurately interpret after sociated Press began to tap out across two exhaustive corroborative studies among Eliza thousand wires leading to newspapers throughout bethan and Jacobean art, historical and genealog the length and breadth of the American continent, ical records, facts which the foremost "orthodox" a feature story that began as follows: Shakespearean authorities have completely over New York, Dec. -
British & European Paintings & Watercolours Old Master & Modern Prints
Printed Books, Maps & Documents 16 JUNE 2021 British & European Paintings & Watercolours Old Master & Modern Prints including The Oliver Hoare Collection 23 JULY 2021 Gerald Leslie Brockhurst (1890-1978). Dorette, 1932, etching on wove paper, one of 111 proofs, published May 1932, signed in pencil, plate size 234 x 187 mm (9.25 x 7.3 ins). Wright 72, vi/vi; Fletcher 72. Estimate £1500-2000 For further information or to consign please contact Nathan Winter or Susanna Winters: [email protected] [email protected] 01285 860006 PRINTED BOOKS, MAPS & DOCUMENTS 16 June 2021 commencing at 10am VIEWING: By appointment only AUCTIONEERS Nathan Winter Chris Albury John Trevers William Roman-Hilditch Mallard House, Broadway Lane, South Cerney, Cirencester, Gloucestershire, GL7 5UQ T: +44 (0) 1285 860006 E: [email protected] www.dominicwinter.co.uk IMPORTANT SALE INFORMATION: COVID-19 Please note that due to the UK government's COVID-19 lockdown restrictions currently in place for England there may be no bidding in person for this sale. Viewing for this sale is available by booked appointment only. Please check our website or contact the offices to make an appointment or for more information. All lots are fully illustrated on our website (www.dominicwinter.co.uk) and all our specialist staff are ready to provide detailed condition reports and additional images on request. We recommend that customers visit the online catalogue regularly as extra lot information and images will be added in the lead-up to the sale. CONDITION REPORTS -
English 725: Shakespeare: Tragedies Week 1 Organization Romeo and Juliet. Acts
English 725: Shakespeare: Tragedies Week 1 Organization Romeo and Juliet. Acts 1-2 Week 2 Romeo and Juliet. Acts 3-5 Romeo and Juliet Week 3: Julius Caesar, Acts 1-2 Julius Caesar, Acts 3-5 Week 4: Julius Caesar Review Week 5: EXAM: Take Home Hamlet, Acts 1-2 Week 6: Hamlet, 3-5 Hamlet Week 7: Hamlet Othello, Acts. 1-2 Week 8: Othello, Acts 3-5 Othello Week 9: Review of Hamlet and Othello Week 10: King Lear, Acts 1-2 King Lear, Acts 3-5 Week 11: King Lear Macbeth, Acts 1-2 Week 12: Macbeth, Acts 3-5 Macbeth Week 13: The Winter’s Tale, Acts 1-2 The Winter’s Tale, Acts 3-5 Week 14 The Winter’s Tale Paper Due: (Submitted online by 5:00 P.M.) Week 15 Review Review Final Exam: Take Home Exam Assignments: --One in class report; 20-30 minutes (see topics below) --Complete reading assignment before each class. --One take home midterm exam; one take home final exam. --One 4000-6000 word paper: due April 28. Topics listed below. To be submitted online by 5:00 P.M. Early drafts of the paper may be submitted for me to return and read no later than one week before the due date. --Final exam: Take Home Exam Learning objectives: Through classroom discussion and original written criticism, students will be able to explain the historical importance of Shakespeare’s tragedies as works of art and as historical documents. Students will learn how to analyze, evaluate, and employ interpretative approaches in speaking and writing about Shakespeare and will develop a professional competency in critical thinking and writing about literature. -
Antique Furniture & Collectors' Items, Books, Maps & Ephemera Vintage
f e b r u a r y S a L e o f Antique Furniture & Collectors’ items, Books, Maps & Ephemera Vintage & Modern Wines & Spirits V i e w i n g Antique Furniture & Collectors' Items Books, Maps & Ephemera Friday 26th January 9.00 pm - 8.00 pm Saturday 27th January 9.00 am - 4.00 pm Thursday 1st February 9.00 am - 6.00 pm Morning of the sale from 9.00 am Vintage & Modern Wines & Spirits Friday 2nd February 9.00 am - 8.00 pm Morning of the sale from 9.00 am a u c t i o n Antique Furniture & Collectors' Items Books, Maps & Ephemera Friday 2nd February 2018 Commencing at 11.00 am and 3.00pm Vintage & Modern Wines & Spirits Saturday 3rd February 2018 Commencing at 10.30 am LiVe internet bidding c a t a L o g u e S £5 by post, online at www.peacockauction.co.uk Valuation days Friday 9th, 23rd February 10.00am - 3.00pm If you have an individual item or a collection that you are thinking of selling we would be delighted to provide complimentary valuation advice at one of our scheduled events. Alternatively, you may prefer to email us an image of your collection or treasures, or ring us to arrange a house visit by one of our specialists. auction entries invited Bedford Auction Centre, Eastcotts Park, Wallis Way, Bedford, MK42 0PE 01234 266 366 or [email protected] peacockauction.co.uk Furniture, Clocks, Works of Art & Orientalware Lot 82 furniture, clocks, works of art and orientalware 1 7 A reproduction mahogany dining suite, the A 19th century mahogany work table, the two table with three pedestals, max. -
John Boydell's Shakespeare Gallery and the Promotion of a National Aesthetic
JOHN BOYDELL'S SHAKESPEARE GALLERY AND THE PROMOTION OF A NATIONAL AESTHETIC ROSEMARIE DIAS TWO VOLUMES VOLUME I PHD THE UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2003 2 TABLE OF CONTENTS Page Volume I Abstract 3 List of Illustrations 4 Introduction 11 I Creating a Space for English Art 30 II Reynolds, Boydell and Northcote: Negotiating the Ideology 85 of the English Aesthetic. III "The Shakespeare of the Canvas": Fuseli and the 154 Construction of English Artistic Genius IV "Another Hogarth is Known": Robert Smirke's Seven Ages 203 of Man and the Construction of the English School V Pall Mall and Beyond: The Reception and Consumption of 244 Boydell's Shakespeare after 1793 290 Conclusion Bibliography 293 Volume II Illustrations 3 ABSTRACT This thesis offers a new analysis of John Boydell's Shakespeare Gallery, an exhibition venture operating in London between 1789 and 1805. It explores a number of trajectories embarked upon by Boydell and his artists in their collective attempt to promote an English aesthetic. It broadly argues that the Shakespeare Gallery offered an antidote to a variety of perceived problems which had emerged at the Royal Academy over the previous twenty years, defining itself against Academic theory and practice. Identifying and examining the cluster of spatial, ideological and aesthetic concerns which characterised the Shakespeare Gallery, my research suggests that the Gallery promoted a vision for a national art form which corresponded to contemporary senses of English cultural and political identity, and takes issue with current art-historical perceptions about the 'failure' of Boydell's scheme. The introduction maps out some of the existing scholarship in this area and exposes the gaps which art historians have previously left in our understanding of the Shakespeare Gallery. -
Richmond Hill (Ontario, CANADA) Estate Online Auction - Paradelle Drive (Condo)
09/29/21 03:07:33 Richmond Hill (Ontario, CANADA) Estate Online Auction - Paradelle Drive (Condo) Auction Opens: Mon, Jun 6 5:00pm ET Auction Closes: Thu, Jun 16 7:30pm ET Lot Title Lot Title 0001 Antique Book "Beauties Of England And 0030 Antique Medical Books Wales" 0031 Antique Medical Books 0002 "History Of England" 1835 0032 Antique Medical Books 0003 "History Of Great Britain" 0033 Antique Medical Books 0004 "History Of Ireland" 1833 0034 Antique Books 0005 "Picturesque Rides And Walks" By Hassell 0035 Antique Books 0006 "French And English Cathedrals" By B. Winkles 0036 Antique Medical Books 0007 "Map Of The County Of Devon With City And 0037 Antique Medical Books County Of Exeter" 0038 Nature's Children Reference Books 0008 "The Anatomy Of The Human Gravid Uterus" 0039 Children's Books 0009 "Picturesque America" 0040 Children's Books 0010 "Ireland Illustrated" 0041 Sotheby's Auction Books 0011 "Scenery Of Ireland" 0042 Asian Art Books 0012 "Scotland Illustrated" 0043 Plant Books 0013 "Scotland Illustrated" 0044 Books 0014 "Picturesque Europe" 0045 Assorted Books 0015 "The Tour Of Doctor Syntax In Search Of The A Poem" 0046 Marcel Marceau Lithograph 0016 Antique Books 0047 Engravings By Harding 0017 Antique Books 0048 Bartlett Prints 0018 "Timbs Curiosities Of London" 0049 Assorted Art 0019 Antique Cookbooks 0050 Original Art 0020 Antique Books 0051 Inuit Print 0021 Canada Book Collection 0052 Inuit Print 0022 "The Dispensatory Of The Royal College Of 0053 Bartlett Engravings Physicians" 0054 Devonshire Map By Robert Morden 0023 Antique Medical Books 0055 Thai Original Art 0024 "The British Herbal" By Nicholas Culpepper 0056 Plaqued Art 0025 Antique Books 0057 Art 0026 "Book Of The Axe" 0058 Aquatint Picture By Gray 0027 Antique Books 0059 Map Of England and Wales 0028 Antique Medical Books 0060 Bokhara Wool Hand Knotted Rug 0029 Antique Medical Books 0061 Original Acrylic On Paper 1/2 09/29/21 03:07:33 Lot Title 0062 Lithographs 0063 Kerman Rug 0064 Bronze Falcon By J. -
Picturesque America: Packaging America for Popular Consumption
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1985 Picturesque America: Packaging America for Popular Consumption Allen Lewis Ramsier College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Marketing Commons Recommended Citation Ramsier, Allen Lewis, "Picturesque America: Packaging America for Popular Consumption" (1985). Dissertations, Theses, and Masters Projects. Paper 1539625288. https://dx.doi.org/doi:10.21220/s2-jwxj-xw43 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. PICTURESQUE AMERICA: PACKAGING AMERICA FOR POPULAR CONSUMPTION A Thesis Presented to The Faculty of the Program in American Studies The College of William and Mary In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Allen L. Ramsier 1985 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts 4 IAaa rZ Anen L. Ramsier Approved, September 1985 o \ j ~ S<1 ( l / < ~-/r___ l^obert J. Scholnick Program in American Studies A. dtSL&c, ^ Philipip J.J. FunigielioFunigiel Department of History James D. Korn wolf Department of Fine Arts TABLE OF CONTENTS ACKNOWLEDGEMENTS ...................................................................................................iv LIST OF ILLUSTRATIONS ...........................................................................................v A BSTRA CT .............................................................................................................................. vi CHAPTER I. LANDSCAPE FOR A MILLION PARLORS: PICTURESQUE AMERICA CAPTURES NINETEENTH CENTURY AMERICA ...........................2 CHAPTER H. -
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CANON: ENGLISH ANTECEDENTS OF THE QUEEN ANNE IN AMERICA 1 ACKNOWLEDGEMENTS First I would like to thank my thesis advisor Janet W. Foster, adjunct assistant professor, Columbia University, for her endless positivity and guidance throughout the process. We share an appreciation for late nineteenth century American architecture and I feel very grateful to have worked with an advisor who is an expert on the period of time explored in this work. I would also like to thank my readers Jeffrey Karl Ochsner, professor, University of Washington, and Andrew Saint, author, for their time and assistance. Professor Ochsner thank you for your genuine interest in the topic and for contributing your expertise on nineteenth century American architecture, Henry Hobson Richardson and the Sherman house. Andrew thank you for providing an English perspective and for your true appreciation for the “Old English.” You are the expert on Richard Norman Shaw and your insight was invaluable in understanding Shaw’s works. This work would not have come to fruition without the insight and interest of a number of individuals in the topic. Thank you Sarah Bradford Landau for donating many of the books used in this thesis and whose article “Richard Morris Hunt, the Continental Picturesque and the ‘Stick Style’” was part of the inspiration for writing this thesis, and as this work follows where your article concluded. Furthermore, I would like to thank Andrew Dolkart, professor, Columbia University, for your recommendations on books to read and places to see in England, which guided the initial ideas for the thesis. There were many individuals who offered their time, assistance and expertise, thank you to: Paul Bentel, adjunct professor, Columbia University Chip Bohl, architect, Annapolis, Maryland Françoise Bollack, adjunct professor, Columbia University David W. -
Travelling in a Palimpsest
MARIE-SOFIE LUNDSTRÖM Travelling in a Palimpsest FINNISH NINETEENTH-CENTURY PAINTERS’ ENCOUNTERS WITH SPANISH ART AND CULTURE TURKU 2007 Cover illustration: El Vito: Andalusian Dance, June 1881, drawing in pencil by Albert Edelfelt ISBN 978-952-12-1869-9 (digital version) ISBN 978-952-12-1868-2 (printed version) Painosalama Oy Turku 2007 Pre-print of a forthcoming publication with the same title, to be published by the Finnish Academy of Science and Letters, Humaniora, vol. 343, Helsinki 2007 ISBN 978-951-41-1010-8 CONTENTS PREFACE AND ACKNOWLEDGEMENTS. 5 INTRODUCTION . 11 Encountering Spanish Art and Culture: Nineteenth-Century Espagnolisme and Finland. 13 Methodological Issues . 14 On the Disposition . 17 Research Tools . 19 Theoretical Framework: Imagining, Experiencing ad Remembering Spain. 22 Painter-Tourists Staging Authenticity. 24 Memories of Experiences: The Souvenir. 28 Romanticism Against the Tide of Modernity. 31 Sources. 33 Review of the Research Literature. 37 1 THE LURE OF SPAIN. 43 1.1 “There is no such thing as the Pyrenees any more”. 47 1.1.1 Scholarly Sojourns and Romantic Travelling: Early Journeys to Spain. 48 1.1.2 Travelling in and from the Periphery: Finnish Voyagers . 55 2 “LES DIEUX ET LES DEMI-DIEUX DE LA PEINTURE” . 59 2.1 The Spell of Murillo: The Early Copies . 62 2.2 From Murillo to Velázquez: Tracing a Paradigm Shift in the 1860s . 73 3 ADOLF VON BECKER AND THE MANIÈRE ESPAGNOLE. 85 3.1 The Parisian Apprenticeship: Copied Spanishness . 96 3.2 Looking at WONDERS: Becker at the Prado. 102 3.3 Costumbrista Painting or Manière Espagnole? .