The Meters Look-Ka Py Py Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

The Meters Look-Ka Py Py Mp3, Flac, Wma The Meters Look-Ka Py Py mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Look-Ka Py Py Country: UK Released: 2001 Style: Bayou Funk, Soul, Funk MP3 version RAR size: 1271 mb FLAC version RAR size: 1791 mb WMA version RAR size: 1653 mb Rating: 4.2 Votes: 501 Other Formats: MP2 DMF FLAC WAV VOC MMF RA Tracklist 1 Look-Ka Py Py 3:17 2 Rigor Mortis 2:36 3 Pungee 2:59 4 Thinking 1:40 5 This Is My Last Affair 2:53 6 Funky Miracle 2:27 7 Yeah, You're Right 2:48 8 Little Old Money Maker 2:41 9 Oh, Calcutta! 2:44 10 The Mob 2:48 11 9 'Til 5 2:48 12 Dry Spell 2:29 13 Grass 2:40 14 Borro 2:12 Companies, etc. Made By – Warner Music Manufacturing Europe Recorded At – LeFevre Sound Studios Remastered At – Heathmans Mastering Credits Artwork – Mental Block Ltd.* Artwork [Art Supervision] – Janie Gans Bass – George Porter, Jr. Design [Original Design] – The Graffiteria Drums – Joseph Modeliste Guitar – Leo Nocentelli Liner Notes – Jake Kennedy Organ – Art Neville Photography By [Original] – The Graffiteria Producer – Allen Toussaint, Marshall E. Sehorn Recorded By – Rodney Mills Reissue Producer – Rick Conrad Remastered By – Giovanni Scatola Written-By – Art Neville (tracks: 1 to 8, 10 to 14), George Porter, Jr. (tracks: 1 to 8, 10 to 14), Joseph Modeliste (tracks: 1 to 8, 10 to 14), Leo Nocentelli (tracks: 1 to 8, 10 to 14), Stanley Walden (tracks: 9) Notes Originally issued as Josie LP - JOS 4011, in December 1969. 13 and 14 are previously unreleased bonus tracks, recorded during the album sessions. Barcode and Other Identifiers Barcode (Text): 0 81227 35442 8 Barcode (String): 081227354428 Label Code: LC 2828 Rights Society: GEMA / BIEM Matrix / Runout: 812273544-2 06/01 Mastering SID Code: IFPI L012 Other versions Category Artist Title (Format) Label Category Country Year The Look-Ka Py Py JOS 4011 Josie Records JOS 4011 US 1969 Meters (LP, Album) Look-Ka Py Py The JOS 4011 (LP, Album, RE, Josie Records JOS 4011 US Unknown Meters Yel) ROUNDER CD The Look-Ka Py Py Rounder ROUNDER CD US 1990 2103 Meters (CD, Album, RE) Records 2103 Look-Ka Py Py SC 6147, The Sundazed, SC 6147, (CD, Album, Ltd, Japan 2011 CDSOL-7526 Meters Solid Records CDSOL-7526 RE, RM, Pap) The Look-Ka Py Py Charly CHARLY L 130 CHARLY L 130 Europe 2014 Meters (LP, Album, RE) Records Comments about Look-Ka Py Py - The Meters Kagalkree Even though Rhino and Sundazed billed it as such, Track 13 is actually NOT a previously unissued track. It is the 1971 single track "Sassy Lady" (b-side to "Good Old Funky Music" Josie Records 45-1031) Related Music albums to Look-Ka Py Py by The Meters The Meters - Chicken Strut Harry Connick, Jr. - She Rigor Mortis - Schattenseiten The Meters - New Directions The Meters - Ease Back / Ann Various - Essential Blaxploitation The Meters - Fundamentally Funky Rigor Mortis - Freaks.
Recommended publications
  • Midnight Special Songlist
    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
    [Show full text]
  • ENG 350 Summer12
    ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog.
    [Show full text]
  • 2009/07/04 How Can I Miss You When You Won't Go Away?
    2009/07/04 How Can I Miss You When You Won't Go Away? / Dan Hicks & His Hot Licks The Most of Dan Hicks & His Hot Licks We Can Be Together / Jefferson Airplane Volunteers Bad Moon Rising / Creedence Clearwater Revival Green River Poor Moon / Canned Heat The Very Best of Canned Heat I Feel So Good (I Wanna Boogie) / Magic Sam Live! at the Ann Arbor Blues Festival (1969) Trouble No More / The Allman Brothers Band The Allman Brothers Band Loan Me A Dime / Boz Scaggs My Time: A Boz Scaggs Anthology (1969-1997) What Does It Take (To Win Your Love)? / Jr. Walker and the All Stars 19 Greatest Hits I'm Your Puppet / Marvin Gaye & Tammi Terrell Easy Abraham Martin & John / Smokey Robinson & The Miracles Anthology King Harvest (Has Surely Come) / The Band The Band Mama Tried / Grateful Dead Dick's Picks Vol. 16 - 11/8/69 Games People Play / Joe South Best Hits In Japan 1955-1974 - Vol. 8: '69~'70 Rainy Night In Georgia / Brook Benton The Ultimate Soul Collection Girl From The North Country / Bob Dylan & Johnny Cash Nashville Skyline She Came In Through The Bathroom Window / The Beatles Abbey Road Golden Slumbers / The Beatles Abbey Road Carry That Weight / The Beatles Abbey Road The End / The Beatles Abbey Road Delta Lady / Joe Cocker With A Little Help From My Friends~Joe Cocker The Moon / Dollar Brand African Piano 2009/07/11 Johnny Cash / Ry Cooder I, Flathead The Beast In Me / Nick Lowe Quiet Please... The New Best of Nick Lowe Lam Liv (prelude to a separation) / Kong Nay A Cambodian Bard 明日になれば / The Fuji..i Mojoyama Mississippi 踊れ大阪総おどり /
    [Show full text]
  • 2)GEORGE PORTER Jr Di Massimo Luna.Pdf
    Introduzione: Ci troviamo a 1Vew Orleans tra gli anni 60' e 70'. Un periodo particolarmente fertile e creativo, che favorì la nascita della musica R & B e Funk. E' la New Orleans delle band che nascono dalla strada, dei musicisti che imparano a suonare da qualcuno che sa suonare meglio di loro, conle una sorta di tradizione orale, di insegnamento non scritto e del tutto legato all'esperienza diretta. La sera si va nei locali, si suona, si fanno Jam Sessions, è cosi che nascono le nuove formazioni, i nuovi gruppi. Questa è la realtà in cui vive George Porter Jr.. Lui stesso in un' intervista racconta quanto sia stato importante, anche a livello umano, crescere in quell'ambiente. Tra le esperienze più sigriificative per George c'è sicuramente quella con "the Meters", definil:i una delle più grandi band rock-fusion degli anni 701,con all'attivo 11 dischi in 15 anni circa di attività. Loro sono stati la prima jam band della storia, come dichiara lo stesso George. Andavano sul palco e suonavano partendo da qualcosa di stabilito, per poi virare verso il riff o il carribio che qualche membro del gruppo aveva proposto sul momento.. .un perfetto esempio di interplay! I loro brani presentavano spesso delle parti "open", con dei pedali e con qualche solo di organo. Ai nostri giorni è usuale che rapper ed esponenti della musica hip hop, usino alcuni loro brani come basi per rappare sopra, vista la forte spinta ritmica da cui sono caratterizzati. Biografia: George Porter Jr. nasce nel 1947 a New Orleans Louisiana.
    [Show full text]
  • Big Organ Trio Has Emerged As a Band with a Truly Unique Voice
    Band Contact: Booking Contact: [email protected] Jim Wadsworth Productions 330-405-9075 [email protected] Bio "This isn 't your standard jazz trio", remarked Jambands.com. Since its inception in 2004, Big Organ Trio has emerged as a band with a truly unique voice. Their acclaimed debut CD was released in 2006 and has led to thousands of music and merchandise sales in addition to concerts across the U.S. and internationally. B.O.T. 's groundbreaking approach to the organ trio format has drawn the attention of Keyboard Magazine, who featured the band in 2006, and many of the world 's greatest Hammond players. The combo has played with Keith Emerson (Emerson, Lake, & Palmer) and shared the stage with Melvin Seals (Jerry Garcia Band). Gregg Rolie (vocalist/organist from Santana) and Tony Monaco (world renowned jazz organist) have also commented on the trio 's fresh and inventive sound. High profile performances at major music festivals such as 10,000 Lakes Festival (MN) and Fillmore Jazz Festival (SF) as well as shows with the likes of Robby Krieger (The Doors), Umphrey 's McGee, Leo Nocentelli (The Meters), and Stanton Moore (Galactic) have helped fuel the buzz. With an exploding fan-base worldwide and gigantic internet presence the band has won fan voting polls on websites such as Jambands.com and seen their debut album become the top selling Hammond Organ album on CDbaby.com. B.O.T. music can also be heard on networks such as E! Channel and radio programs around the globe. Mike Mangan (Hammond B3 Organ), Bernie Bauer (Electric Bass), and Brett McConnell (Drums) all share a great love and respect for the old school spirit of blues and jazz improvisation.
    [Show full text]
  • “Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (Guest Post)*
    “Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (guest post)* Album cover Label Run-DMC Released in May of 1986, “Raising Hell” is to Run-DMC what “Sgt. Pepper’s” is to the Beatles--the pinnacle of their recorded achievements. The trio--Run, DMC, and Jam Master Jay--had entered the album arena just two years earlier with an eponymous effort that was likewise earth-shakingly Beatlesque. Just as “Meet the Beatles” had introduced a new group, a new sound, a new language, a new look, and a new attitude all at once, so “Run-DMC” divided the history of hip-hop into Before-Run-DMC and After-Run-DMC. Of course, the only pressure on Run-DMC at the very beginning was self-imposed. They were the young guns then, nothing to lose and the world to gain. By the time of “Raising Hell,” they were monarchs, having anointed themselves the Kings of Rock in the title of their second album. And no one was more keenly aware of the challenge facing them in ’86 than the guys themselves. Just a year earlier, LL Cool J, another rapper from Queens, younger than his role models, had released his debut album to great acclaim. Run couldn’t help but notice. “All I saw on TV and all I heard on the radio was LL Cool J,” he recalls, “Oh my god! It was like I was Richard Pryor and he was Eddie Murphy!” Happily, the crew was girded for battle. Run-DMC’s first two albums had succeeded as albums, not just a collection of singles--a plan put into effect by Larry Smith, who produced those recordings with Russell Simmons, the group’s manager.
    [Show full text]
  • Thomas Champagne Song List
    THOMAS CHAMPAGNE SONG LIST Artist Song Champagne Sunshine Smilin Champagne Easy Reggae Champagne Coffee Table Champagne Sapo King Champagne Hwy Committee Champagne All that you do Champagne Down in Mississippi Champagne Another Woman Champagne Scotch and Water Champagne The Bear Song Champagne What it Takes Champagne White Linen Champagne Fire Water Champagne Mega Phone Champagne Smokin Joe Champagne I’m Tryin Champagne Fall in Love Champagne Half a Heart Champagne Jumpstart Champagne Soul Train Champagne Breakfast Champagne Seranade Champagne Halo Champagne Miss G Champagne Hold On Champagne Atlas Champagne Amnesia Champagne Hard Champagne 6.5 Champagne Slip Champagne Shade Champagne Oxygen Champagne and Rose, Irene Talk Champagne Wake Up Champagne True Romance Champagne Candy to Me Champagne and James, David Summer Bud Gist, Ryan Cures your Thirst Gist, Ryan Sun Flower Haywood Chics Dig Molin, Jason I can see you Marley, Bob Redemption Song Marley, Bob One Love Marley, Bob I Shot the Sheriff Marley, Bob 3 Little Birds Marley, Bob Waiting in Vain Marley, Bob Jammin Marley, Bob No Woman no cry Marley, Bob Small Axe Sublime Bad Fish 1 Sublime Don’t Push Sublime Santeria Sublime Jail House Toots and the Maytals 54-46 Toots and the Maytals Pressure Drop Donanvon Riki Tiki Tavi The Melodians Rivers of Babylon Elvis Costello Watching the Detectives The Commodores Easy Like a Sunday McFerrin, Bobby Don't Worry, Be Happy Ben Harper Steal my Kisses Ben Harper Burn One Down Ben Harper Forever Van Zandt, Towns Pancho and Lefty Williams, Hank Jambalaya
    [Show full text]
  • New Orleans Funkin Tyylillisiä Piirteitä Joseph ”Zigaboo” Modelisten Soitossa
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by National Library of Finland DSpace Services NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Pop/jazzmusiikin koulutusohjelma Opinnäytetyö 20.4.2006 Opiskelijan etunimi sukunimi Kulttuuri- ja palveluala Koulutusohjelma Suuntautumisvaihtoehto Pop/jazzmusiikin koulutusohjelma Pop/jazz –musiikkipedagogi Tekijä Kokkinen Raine Työn nimi NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Työn laji Aika Sivumäärä Opinnäytetyö Sivumäärä + liitteet TIIVISTELMÄ Tässä opinnäytetyössä tutkimuskohteeksi muodostui The Meters -yhtyeen rumpalin Joseph ”Zigaboo” Modelisten soittotyyli. Tutkimuksen tavoitteena oli analysoida Zigaboon soittotyyliä seuraavista näkökulmista: fraseeraus, synkopointi, claven vaikutus Zigaboon kompeissa ja virvelirummun käyttö. Olen kirjoittanut 8 kpl transkriptioita sellaisista Zigaboon soittamista kompeista, joista tulee selvästi esille New Orleans funkin tyylillisiä piirteitä ja jotka tukevat tutkimukseni tavoitteita. Kappaleiden valintaperusteena oli myös se, että kyseisiä kappaleita ja komppeja on mielestäni erityisen mukavaa soittaa. Ääninäytteet analysoitavista kompeista ovat työn mukana olevalla liiteäänitteellä (salainen). Kerron tutkimuksessani lyhyesti New Orleans funkin historiasta ja siitä, miten eri kulttuurien ja sitä kautta eri musiikkikulttuurien yhteensulautuminen on vaikuttanut New Orleansin rikkaan musiikkikulttuurin muodostumiseen. The Meters -yhtyeen historiasta
    [Show full text]
  • The Evolution of New Orleans Drumming
    Gretna Middle School Concert and Clinic The Evolution of New Orleans Drumming Featuring: Allyn Robinson and Jason Mingledorff Wednesday, April 24, 2013 The Evolution of New Orleans Drumming Band Members Original Brass Bands – 1870-1900 Allyn Robinson Drums Just A Closer Walk With Thee – The Original Brass Jason Mingledorff Saxophone Bands provided the traditional slow funeral march. Charlie Halloran Trombone Over In The Glory Land – An upbeat musical celebration of life was followed by the 2nd Line Anthony Brown Guitar marchers. Donald Ramsey Bass Blues, Jazz & Swing – 1900-1950 New Orleans Drumming Pioneers Bourbon Street Parade – The birth of the drum set brought Baby Dodds from the 2nd Line parades Warren “Baby” Dodds 1898-1959 to the dance halls. Paul Barbarin 1899-1969 R&B and Rock‘N Roll – 1950-1965 Earl Palmer 1924-2008 Lucille – Earl Palmer, the father of the backbeat, lays the foundation for modern pop music. Ed Blackwell 1929-1992 Funk & Latin – 1960-1980 Charles “Hungry” Williams 1935-1986 Hey Pocky A-Way – The Meters bring the 2nd Line Joseph “Smokey” Johnson 1936-Present beat to modern popular music. James Black 1940-1988 Cissy Strut – Joseph “Zigaboo” Modeliste mixes traditional New Orleans grooves and syncopated Joseph “Zigaboo” Modeliste 1948-Present Latin rhythms into a Funk gumbo. A Special Thank You - Modern Brass Bands – 1970-Present To Cheryl Fryer, the Gretna Middle School Administration Li’l Liza Jane – Carrying on the New Orleans and all of the Students: Thank you for allowing us to be a tradition, the new brass-band movement updated part of your day and to share our love of New Orleans the parading rhythms to the current trends in Music.
    [Show full text]
  • LUCKY FLUX 155 1. Let's Live
    LUCKY FLUX 155 1. Let's Live.......................................................Aaron Neville..................................2:36.....Hercules: The Minit & Sansu Sessions 1960-1977 2. One Monkey Can't Stop The Show...............Paula Lamont................................. 2:29.....Funk Soul Sisters 3. Chicken Strut ................................................The Meters.....................................2:46.....The Meters - Struttin' 4. Ruler Of My Heart.........................................Irma Thomas..................................2:41.....It Will Stand - The Soul Of New Orleans 5. Chick A Boom ...............................................Beaufort Express............................ 3:06.....Funky Funky New York 1969-1976 6. Ooh-Poo-Pah-Doo ........................................Jessie Hill....................................... 2:21.....It Will Stand - The Soul Of New Orleans 7. Kung Fu ........................................................Curtis Mayfield ............................... 6:09.....Sweet Exorcist 8. The Crown ....................................................The Brooks.....................................7:24.....Any Day Now 9. Till It's Done (Tutu)........................................D'Angelo & The Vanguard ............. 3:52.....Black Messiah 10. The New Cannonball ....................................Fila Brazillia....................................4:37.....Power Clown 11. Protection......................................................Massive Attack............................... 7:52.....Protection
    [Show full text]
  • The Dirty Dozen Brass Band
    The Dirty Dozen Brass Band Celebrating over 40 years since their founding in 1977, New Orleans-based Dirty Dozen Brass Band has taken the traditional foundation of brass band music and incorporated it into a blend of genres including Bebop Jazz, Funk and R&B/Soul. This unique sound, described by the band as a ‘musical gumbo,’ has allowed the Dirty Dozen to tour across 5 continents and more than 30 countries, record 12 studio albums and collaborate with a range of artists from Modest Mouse to Widespread Panic to Norah Jones. Forty-plus years later, the Dirty Dozen Brass Band is a world famous music machine whose name is synonymous with genre- bending romps and high-octane performances. The History of the Dirty Dozen Brass Band In 1977, The Dirty Dozen Social and Pleasure Club in New Orleans began showcasing a traditional Crescent City brass band. It was a joining of two proud, but antiquated, traditions at the time: social and pleasure clubs dated back over a century to a time when black southerners could rarely afford life insurance, and the clubs would provide proper funeral arrangements. Brass bands, early predecessors of jazz as we know it, would often follow the funeral procession playing somber dirges, then once the family of the deceased was out of earshot, burst into jubilant dance tunes as casual onlookers danced in the streets. By the late '70s, few of either existed. The Dirty Dozen Social and Pleasure Club decided to assemble this group as a house band, and over the course of these early gigs, the seven-member ensemble adopted the venue's name: The Dirty Dozen Brass Band.
    [Show full text]
  • The Meters Cissy Strut Mp3, Flac, Wma
    The Meters Cissy Strut mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Cissy Strut Country: Canada Released: 1975 Style: Bayou Funk MP3 version RAR size: 1793 mb FLAC version RAR size: 1788 mb WMA version RAR size: 1724 mb Rating: 4.5 Votes: 922 Other Formats: MMF VQF ASF MOD ADX XM AAC Tracklist A1 Look-Ka Py Py 3:12 A2 Tippi Toes 2:19 A3 Darling Darling 2:46 A4 9 'Till 5 2:45 A5 Thinking 1:35 A6 Funky Miracle 2:22 A7 Cissy Strut 2:59 B1 Chicken Strut 2:43 B2 Live Wire 2:28 B3 Here Comes The Meter Man 2:49 B4 Ease Back 2:55 B5 Ride Your Pony 3:13 B6 Sophisticated Cissy 2:51 Credits Artwork, Design – Tony Wright Compilation Producer – Danny Holloway Producer – Allen Toussaint, Marshall Sehorn* Barcode and Other Identifiers Matrix / Runout (Side A Etching): ILPS 9250 - A 1A (S 2 [upside down] Matrix / Runout (Side B Etching): ILPS 9250 - B 1A (S 2 [upside down] Other versions Category Artist Title (Format) Label Category Country Year ILPS 9250 The Meters Cissy Strut (LP, Comp) Island Records ILPS 9250 US 1974 88011-1 The Meters Cissy Strut (LP, Comp) Island Records 88011-1 Spain 1974 Y81-9250 The Meters Cissy Strut (8-Trk, Album, Comp) Island Records Y81-9250 US 1974 ZCI-9250 The Meters Cissy Strut (Cass, Comp) Island Records ZCI-9250 US 1974 9237 9250 The Meters Cissy Strut (LP, Comp) Island Records 9237 9250 Canada 1975 Related Music albums to Cissy Strut by The Meters 1.
    [Show full text]