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Blues Notes October 2015
VOLUME TWENTY, NUMBER TEN • OCTOBER 2015 SELWYN BIRCHWOOD MARIA BSO Halloween Party MULDAUR Sat. Oct 31st Saturday @ 7 pm $10 Oct. 3rd 21st Saloon @ 6 pm Zoo Bar Lincoln, NE Oct. 1st ..................................................................Red Elvises ($10) Oct. 4th (Sunday @ 4 pm) ...The Nebraska Blues Challenge Finals ($5) Oct. 8th ................................................................ Eleanor Tallie ($10) Oct. 15th ................................................................ John Primer ($12) NEBRASKA BLUES CHALLENGE Oct. 22nd ...........................................Cedrick Burnside Project ($10) Oct. 29th .....................Gracie Curran & Her High Falutin’ Band ($10) FINALS COMPETITION Oct. 31st (Saturday @ 7 pm)..................... Halloween Party with the Selwyn Birchwood Band ($10) 21st Saloon, Omaha, NE Nov. 5th ................................................. The Bart Walker Band ($10) Sunday, Oct. 4th @ 4 pm • $5 cover Nov. 7th (Saturday @ 9 pm) ................................Sinners and Saints Nov. 12th ..................................................... Crystal Shawanda ($10) — More info inside — Nov. 19th ............................................. The Scottie Miller Band ($10) PAGE 2 BLUES NEWS • BLUES SOCIETY OF OMAHA Please consider switching to the GREEN VERSION of Blues Notes. You will be saving the planet while saving BSO some expense. Contact Becky at [email protected] to switch to e-mail newsletter delivery and get the scoop days before snail mail members! BLUES ON THE RADIO: -
A Conversation with Vassar Clements by Frank Goodman (Puremusic.Com, 8/2004)
A Conversation with Vassar Clements by Frank Goodman (Puremusic.com, 8/2004) Perhaps like many who will enjoy the interview that follows, among my first recollections of Vassar’s playing is the 1972 Nitty Gritty Dirt Band recording Will the Circle Be Unbroken. As long ago as that seems (and is), he’d already been at it for over twenty years! In 1949, although only 14 years old and still in school, he began playing with Bill Monroe, the father of bluegrass. Aside from a few years off early on to check out some other things, Vassar’s been playing music professionally ever since. He’s recognized as the most genre-bending fiddler ever. “The Father of Hillbilly Jazz” is a handle that comes from several CDs he cut at that crossroads, but you can hear jazz and blues in any of the playing he’s done. He grew up listening to big band and Dixieland, and still listens to a lot of it today. Vassar says that many of the tunes he writes or passages he’ll fly into in a solo come from half remembered horn lines deep in his musical memory. Between his beginnings with Bill Monroe and the Circle album, Clements did many years with Jim and Jesse and then years with the late and much loved John Hartford, a lifelong friend who gave him the legendary fiddle he plays today. Circle turned a whole generation of hippies and acoustic music fans on to his music, and the children of that generation are following him today, as his popularity continues to recycle. -
Diana Davies Photograph Collection Finding Aid
Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. -
An Interview with Sherman Ferguson
AN INTERVIEW WITH SHERMAN FERGUSON LOS ANGELES, CALIFORNIA KCRW-FM September 7, 1981 Bob Rosenbaum 1981, All Rights Reserved (music — "On the Stairs," Pat Martino) DO YOU HAVE LIKE A — SOME MUSICIANS USE A REFERENCE POINT, OTHER DRUMMERS OR OTHER "ON THE STAIRS," WHICH FEATURES GUITARIST PAT HORN PLAYERS. DO YOU LISTEN TO OTHER DRUMMERS MARTINO, EDDIE GREEN ON THE PIANO, TYRONE SPECIFICALLY? BROWN ON BASS AND DRUMMER SHERMAN FERGUSON, You mean, for inspiration? I listen to all the WHO IS WITH US HERE THIS EVENING. YOU WERE JUST other drummers for inspiration! Yeah. ABOUT TO TELL ME THAT "ON THE STAIRS" WAS WRITTEN ON THE STAIRS... ANY PARTICULAR DRUMMER? BILLY HART IS ONE Literally on the stairs, yeah. WHO IS— Oh, Billy Hart, he's like a brother to me. I love IN WHAT WAY? DID YOU WRITE IT? him. He's been a major influence on me. No, that's Pat's tune. But we were working in Grendal's Land, Philadelphia, and we were on YOU WROTE A SONG FOR HIM. our way down to do the second set, and he Yeah I did. A couple of years ago. Boy, it's been started, you know, fooling around with more than a couple of years. About 10 years ago. something. And (laughs) he literally, he wrote it Boy, how time flies! going down the stairs! And it's a real nice tune. And it's alot of fun to play. THAT WAS IN PHILADELPHIA. Yeah, with the Catalyst band. On our very first album. That was my very first composition to be I listen to a little bit of recorded. -
Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media
Dan Hicks’ Caucasian Hip-Hop For Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media Author: Steve Roby Showdate : Feb. 18, 2015 Performance Venue : Yoshi’s Oakland Bay Area legend Dan Hicks performed to a sold-out crowd at Yoshi’s on Wednesday. The audience was made up of his loyal fans (Hicksters) who probably first heard his music on KSAN, Jive 95, back in 1969. At age 11, Hicks started out as a drummer, and was heavily influenced by jazz and Dixieland music, often playing dances at the VFW. During the folk revival of the ‘60s, he picked up a guitar, and would go to hootenannies while attending San Francisco State. Hicks began writing songs, an eclectic mix of Western swing, folk, jazz, and blues, and eventually formed Dan Hicks and his Hot Licks. His offbeat humor filtered its way into his stage act. Today, with tongue firmly planted in cheek, Hicks sums up his special genre as “Caucasian hip-hop.” Over four decades later, Hicks still delivers a unique performance, and Wednesday’s show was jammed with many great moments. One of the evenings highlights was the classic “I Scare Myself,” which Hicks is still unclear if it’s a love song when he wrote it back in 1969. “I was either in love, or I’d just eaten a big hashish brownie,” recalled Hicks. Adding to the song’s paranoia theme, back-up singers Daria and Roberta Donnay dawned dark shades while Benito Cortez played a chilling violin solo complete with creepy horror movie sound effects. -
BIO TIGRAN HAMASYAN in Its Ever-Evolving State, Jazz Invites Into
BIO TIGRAN HAMASYAN In its ever-evolving state, jazz invites into its fold imaginative artists who freely and courageously pursue their own vision, not only built on tradition but also infused with their own personality and passion. In the case of pianist/keyboardist Tigran Hamasyan, potent jazz improvisation fuses with the rich folkloric music of his native Armenia. Tigran is one of the most remarkable and distinctive jazz-meets-rock pianists of his generation. Tigran’s fresh sound is marked by an exploration of time signatures, charged dynamics, the shifting between acoustic and electric modes of expression, all undergirded by an affinity to the grind of heavy metal. Born in Gyumri, Armenia, in 1987, Tigran grew up in a household that was full of music—his father more of a rock fan while his uncle was a huge jazz buff. When he was just a toddler, Tigran gravitated to tape players and the piano instead of regular childhood toys, and by the time he was 3, he was working his way through figuring out songs on piano by the Beatles, Louis Armstrong, Led Zeppelin, Deep Purple, Black Sabbath and Queen. His jazz tastes early on were informed by Miles Davis’s fusion period, and then around the age of 10 when his family moved to Yerevan, he came to discover the classic jazz songbook under the aegis of his teacher Vahag Hayrapetyan, who had studied with Barry Harris. Tigran chose to study music. While he studied classical music at an Armenian high school geared toward music studies, Tigran continued to grow on his own as a jazz pianist. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
Dossier De Presse
rec tdic iph cseé uqp, luoJ Dossier de presse ieuo e"rn rAMH qka uas iDrs laie stfl eral saS tb cir oJea naev cvta oaei c"nl t,cl éqo ,uma aipv ulae tegc onp bril aeé pgdt tieh isDo sthr érae Fefd oae uvr reYt tcoi hlus West ose rmes lufd http://www.amr-geneve.ch/amr-jazz-festival dseo (itn Compilation des groupes du festival disponible sur demande qcPt uiaB Contact médias: Leïla Kramis [email protected], tél: 022 716 56 37/ 078 793 50 72 aeo tnla AMR / Sud des Alpes rsob 10, rue des Alpes, 1201 Genève iAFa T + 41 22 716 56 30 / F + 41 22 716 56 39 èbrM mdea eosa 35e AMR Jazz Festival – dossier de presse 1 mul oM., nbH Table des matières I. L’AMR EN BREF....................................................................................................................................... 3 II. SURVOL DES CONCERTS..................................................................................................................... 4 III. DOSSIERS ARTISTIQUES..................................................................................................................... 5 PARALOG.............................................................................................................................................. 5 JOE LOVANO QUARTET...................................................................................................................... 7 PLAISTOW........................................................................................................................................... 10 J KLEBA............................................................................................................................................ -
Jaco Three Views of His Secrets
26 bassplayer.com /january2016 Jaco Three Views of his secreTs By e.e. Bradman About hAlf An hour into the new documentary Jaco, there’s a scene that reflects a cru- cial aspect of the Jaco Pastorius legend. It’s the fall of 1975, and Blood, Sweat & Tears drummer Bobby Colomby has flown a virtually unknown Jaco from Ft. Lauderdale to New York to record his debut with jazz luminaries Hubert Laws, Herbie Hancock, Don Alias, Wayne Shorter, and Lenny White. The product of those sessions, the soulful, eclectic stunner simply titled Jaco Pastorius, would shake the bass world to its foundations, of course, but the album cover—with its bold lettering across a no-nonsense black & white portrait by Don Hunstein—might suggest that the unsmiling young maestro was overly serious about making a good first impression. That wasn’t true at all. “It was wild,” says Return To Forever drummer Lenny White of the sessions in October 1975. “Basically, we would play, do a take, and go outside and play basketball.” “We could have done it on bicycles with microphones, and he would have played it perfectly,” remembers producer Colomby, still impressed four decades later. Far from nervous, in fact, 23-year-old Jaco was natural, relaxed, and in his element. “I walked into the studio, and Jaco’s eyes were lit up because he had found home—this was the level he belonged on,” recalls trombonist/musical direc- tor Peter Graves. These quintessential Pastorius hallmarks—soul- ful virtuosity, athletic showmanship, and superhu- man technique, with confidence to burn—are central bassplayer.com / january2016 27 CS JACO JEFF YEAGER Robert Trujillo themes of Jaco. -
NEW RELEASES T-BONE WALKER: I Get So Weary + Singing the Charisma
NEW RELEASES T-BONE WALKER: I Get So Weary + Singing The charisma. As stated in the previous review all T-Bone at one go can be heavy going but sampled appropriately he is just magnificent. The Blues issues are well-packaged, good sound quality and the booklets are a Soul Jam Records 600874 (74:47) really interesting read with plenty of pictures and posters lovingly put Here In The Dark/ I Miss You Baby/ Life Is Too Short/ together. We all appreciate what Soul Jam are doing for the music we Welcome Blues (Say Pretty Baby)/ I Get So Weary/ You care about but sometimes it is just small attention to detail that occasion- Just Wanted To Use Me/ Through With Women/ Street ally let’s them down. For example Willard McDaniel becomes ‘William’ in the discography and why are two bonus tracks on ‘The Great Blues Walking Woman/ Party Girl/ High Society/ Lollie Lou/ Got Vocals etc’ a repeat of tracks on ‘I Get So Weary etc’? Over to you with No Use For You/ Glamour Girl/ The Hustle/ Alimony Blues/ the money to decide how you want to purchase what is essential music News For My Baby/ Love Is Just A Gamble/ I’m Still In Love for any collection. With You/ I’m About To Lose My Mind/ I Got The Blues Keith Scoffham Again/ Everytime/ Bye Bye Baby/ I’ll Understand/ Teenage Baby/ No Reason/ Strollin’ With Bones/ Wanderin’ Heart/ Pony Tail T-BONE WALKER: The Great Blues Vocals & Guitar + 16 Bonus Tracks Soul Jam Records 600875 (77:50) BLUE GLAZE MENTO BAND: We Will Wait T-Bone Shuffle/ I’m Still In Love With You/ Call It Stormy Bilmon Productions (no issue number) (37:54) Monday/ I Want A Little Girl/ Bobby Sox Blues/ West Side A modern recording of Jamaican mento music. -
Steff La Cheffe Sa 19.05
05/06 2018 STEFF LA CHEFFE SA 19.05. Funk-Rock SA 0505 20:30/50.– MOTHER’S FINEST Glenn Murcock voc, Joyce Kennedy voc, Gary Moore g, John Hayes g, Jerry «Wyzard» Seay b, Dion Derrick dr Karten für Moods-Abos sind kontingentiert. Anmeldung und Reservation unter [email protected] JAZZBARAGGE Jazz WEDNESDAY JAM SO 05 19:00/35.– Jazz 06 jeden Mittwoch SYLVIE COURVOISIER 20:30/5.– TRIO Sylvie Courvoisier p, Drew Gress b, Kenny Wollesen dr 02.05. ZKB Jazzpreis Festival @ JazzBaragge Wednesday Jam Jazz Noam Szyfer g, Mo Meyer b, MO Maxime Paratte dr 0705 20:30/33.– 09.05. Noam Szyfer g, Mo Meyer b, SCHÄRLI-MOREIRA- Maxime Paratte dr FEIGENWINTER 16.05. Michael Haudenschild p, Peter Schärli tp, Juarez Moreira g, Lukas Traxel b, Nicolas Stocker dr Hans Feigenwinter p 23.05. Michael Haudenschild p, Lukas Traxel b, Nicolas Stocker dr Mambotrash/Diddley-Beat/ Lambadapunk da Zurigo 30.05. Marco Dreifuss p, Ralph Sonderegger b, Pius Bschnagel dr DI 05 20:30/38.– 06.06. Marco Dreifuss p, Ralph 08 Sonderegger b, Pius Baschnagel dr PIRELLI & 13.06. Saisonabschlussparty THE PANCAKES Jerry Milano voc, Hansueli Tisch- JazzBaragge Allstars, Le Rex: hauser voc/g, Marco Raoult voc/b, Benedikt Reising sax, Marc Stucki Ditschgi Gutzwiller voc/dr sax, Andreas Tschopp tb, Marc Unternährer tuba, Rico Baumann dr www.jazzbaragge.ch Jazz/Classic Jazz MI SO 0905 20:30/30.– 13 05 19:00/33.– IN DER JOHANNESKIRCHE BRUNO SPOERRI & CREW DUO ELIN-SAKAS «ON THE WAY» Christian Elin sax/bcl, Christina Jaccard voc, Bruno Spoerri Maruan Sakas p sax/lyricon, René Mosele tb, Gregor -
Midnight Soul Cafe by Tetsuya Murakami 】 01
2017.5.25 on Air 【 Midnight Soul Cafe by Tetsuya Murakami 】 01. Find The Love / Mary J. Blige 02. Sittin' In The Park / Bobby Thurston 03. Rock Creek Park / The Blackbyrds 04. Garden Of Love / Keith Barrow 05. Every Kiss, Every Lies / Skoop On Somebody 06. The Morning After / Maze feat. Frankie Beverly 07. You Say, I Say / Phil Perry 08. Stop, Look, Listen (To Your Heart) / The Stylistics 09. Moonlight In Vermont / The Valtairs 2017.5.18 on Air 【 ニューオーリンズ Now & Then 第2回 Then編 】 01. Good Kinda Lovin / Jay King 02. Handa Wanda / The Wild Magnolias 03. Brother John / The Wild Tchoupitoulas 04. Something You Got / Chris Kenner 05. I Know / Barbara George 06. In The Night / Professor Longhair 07. Lipstick Traces / Benny Spellman 08. Ride Your Pony / Lee Dorsey 09. Stanky / Papa Grows Funk 10. Wake Up / Eddie Bo & Chris Barber 11. Just A Closer Walk With Thee / Allen Toussaint ゲスト:山岸潤史 2017.5.11 on Air 【 ニューオーリンズ Now & Then 第1回 Now編 】 01. Here Come The Girls / Trombone Shorty 02. On The Spot / The Hot 8 Brass Band 03. Tell Ya Mama Nem / Corey Henry 04. Dolla Diva (Live) / Galactic feat. Erica Falls 05. Havana Blues / The New Orleans Funk All-Stars 06. She / Harry Connick, Jr. 07. Justice / Dumpstaphunk feat. Trombone Shorty 08. Heaven / Aaron Neville ゲスト:山岸潤史 2017.5.4 on Air 【 Poll of The Month:Garden Song 特集 】 01. Get To Know Me / Anthony AK King 02. The Magic Garden / The 5th Dimension 03. Digital Garden / Prince 04. Green Garden / Laura Mvula 05. Garden Of Our Trees / Explosions feat.