OCTOBER 2017 Flawless

OCTOBER 2017 Flawless.

Exceptional Diamonds. Curated by Sotheby’s.

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44 Risqué Business 58 Cultivating China’s New 54 Terroir A New Breed of Collector 48 By Stephanie Sporn provocative new collaboration. co-founders of Visionaire reveal their Photographer Steven Kleinandthe By MarkEllwood winemaking’s next Shangri-La. The Yunnan region could become By Anthony Calnek is setting auction-room records. his passion for art, Yusaku Maezawa While usingsocial mediato convey FEATURES OCTOBER 2017 OCTOBER 54

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DEPARTMENTS La Mer WaveMer New La YorkWalkin Old Masters inLondon andthe WineCrush and ArtCrush in Aspen, The Scene Jasper Morrison andotherinnovators Chambers picks designs by Ron Arad, Wallpaper* magazine editor Tony Curated dedicated to thelittleblackdress Didier Ludot, aspecialauction From Parisian vintage couture dealer The Collector’s Eye at theHongKong autumnauctions wine, sculpture andmore can befound Classical Chinese paintings, jewellery, Art atEvery Price Point Paci!c Standard Time inLA andmore art attheGuggenheim, thebest of Paris andMarrakesh, post-Tiananmen Yves Saint Laurent museums debutin Access 28 OCTOBER 2017 OCTOBER

PHOTOGRAPH BY JOSHUA MCHUGH 10/10 000 From any given harvest, the average number of eaux-de-vie with the potential to one day join this blend are a rare few: only 10 out of 10 000. Selection is not only a science. It is an art.

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DEPARTMENTS worldwide, plusselected sale highlights A calendar of auctionsandexhibitions Sotheby’s This Season and whatittakes to live beautifully Aerin Lauderonfragrance, jewels The Reginato Files modern homes continue to draw fans Streamlined andairy, midcentury Extraordinary Properties always acrowd pleaser Take HomeaNudeauctionandparty is The New York Academy of Art’s annual The Art of Giving environments for art Robert Stilin’s interiors are welcoming Laid-back andelegant, designer At Home With Art Property Showcase Sotheby’s International Realty American president to come to market is oneof theearliest photographs of an A John Quincy Adams daguerreotype Anatomy of an Artwork OCTOBER 2017 OCTOBER

PHOTOGRAPH BY FRANÇOIS NARS PHOTOGRAPH BY KAORI NISHIDA What if I live to 100? Should I make life simpler? Do I have the right ﬁnancial plan?

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ON THE COVER This exquisite residence stands out from other properties by combining a clean and modern aesthetic with a warm atmosphere. Completely renovated, the redesigned interior features hardwood ! oors, open spaces and ! oor-to-ceiling windows that illuminate the entirety of the main living area.

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otheby’s has been uniting collectors with world-class works of art since 1744, and 273 years later it has grown into one of the world’s leading full-service art businesses. Innovation is in the company’s DNA. It was that spirit that led to the launch, in 1976, of an exceptional real estate company bearing the Sotheby’s name. The Sotheby’s International Realty® brand is a commanding S presence in the representation of the world’s most remarkable properties. With more than 20,000 independent sales associates located in approximately 850 o" ces in 65 countries and territories worldwide, the Sotheby’s International Realty network artfully unites extraordinary homes with extraordinary lives throughout the world. Art & Home was created at the heart of our partnership and demonstrates the unique synergy that exists between the worlds of art and real estate. Lavishly produced, Art & Home speaks to the sophisticated reader with a passion for ﬁ ne art, beautiful environments and, of course, exquisite homes – all the elements of an extraordinary life.

Please note that all lots are sold subject to our Conditions of Sale and Terms of Guarantee or Conditions of Business and the Authenticity Guarantee, as applicable, which are printed in the back of the catalogue for the respective sale. All lots are sold “AS IS,” in the condition they are in at the time of the auction, in accordance of the Conditions of Sale or the Conditions of Business, as applicable. The respective catalogues can be found at www.sothebys.com. Sotheby’s, Inc. License No. 1216058. © Sotheby’s, Inc. 2017. Information here within is correct at the time of printing. Zip Antique Ludo necklace transformable into a bracelet, rubies and diamonds.

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9 NEW BOND STREET • HARRODS • SELFRIDGES www.vancleefarpels.com • +44 20 7108 6210 THE SCENE PREVIEWS, PARTIES AND CHARITY GALAS AROUND THE WORLD

Anderson Ranch Recognition Dinner Aspen top Jane Nathanson and Marc Nathanson WineCrush + ArtCrush Aspen top Sukanya centre Mera Rubell, Don Rubell and Wangechi Rajaratnam and Marc Dennis bottom Jill Mutu bottom Jeanne Greenberg Rohatyn and Bernstein, Gayle Sto" el and Marilyn Fields Nicolas Rohatyn WineCrush + ArtCrush Aspen top Amy Phelan WineCrush + ArtCrush and Lance Armstrong centre Simon and Tina Beriro Aspen top Jamie Fletcher and bottom Eleanore De Sole and Domenico De Sole Ellere Fletcher centre Heidi Zuckerman and Lawrence Weiner bottom Aram Moshayedi and Adam Weinberg SAMANTHA NANDEZ/BFA.COM OWEN KOLASINSKI/BFA.COM ARIA ISADORA/BFA.COM

WINECRUSH + ARTCRUSH ANDERSON RANCH RECOGNITION DINNER 2–4 August Aspen, Colorado 20 July Aspen, Colorado Following John and Amy Phelan’s annual WineCrush dinner, Sotheby’s Art world luminaries gathered at the Tad Smith, along with Domenico and historic Hotel Jerome to celebrate Eleanore De Sole, welcomed guests the 21st annual Recognition Dinner to a festive celebratory dinner for the bene! tting the Anderson Ranch Aspen Art Museum. The museum’s Arts Center. Artist Wangechi Mutu 2017 ArtCrush gala and bene! t received the centre’s National Artist auction raised $2.8 million, and artist Award, Jan and Ronnie Greenberg Lawrence Weiner was recognised the Service to the Arts Award, with the Aspen Award for Art. and gallerist Ann Korologos the Extraordinary Leadership Award.

10 SOTHEBY’S RONALD PHILLIPS

FINE ANTIQUE ENGLISH FURNITURE

A HIGHLY IMPORTANT GEORGE III GILTWOOD MIRROR BY THOMAS CHIPPENDALE FROM HAREWOOD HOUSE

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26 BRUTON STREET, LONDON W1J 6QL +44 (0)20 7493 2341 [email protected] RONALDPHILLIPSANTIQUES.COM THE SCENE PREVIEWS, PARTIES AND CHARITY GALAS AROUND THE WORLD

Opera and Old Masters London top Dr Matt Wright, Karena Gulyava and Stephen Somerville centre Princess Alexandra Lobkowicz and Prince La Mer & Project 0 New York top Jane Hudis William Lobkowicz bottom Charles Plante, and Sandra Main bottom left Dree Hemingway Christopher Butterworth, Deirdre Butterworth La Mer & Project 0 New York top Bernadette bottom right Vashtie and Rory O’Donnald Fowler, Morgan Fowler, Bernard Fowler and Rashida Fowler bottom Matthew Domescek and Chloe Wise La Mer & Project 0 New York Anne Verhallen and Patricia van der Vliet CHARLES ROUSSEL/BFA.COM KATE COWDREY/SOTHEBY’S

LA MER & PROJECT 0 OPERA AND OLD MASTERS 21 June 4 July Sotheby’s New York Sotheby’s London

La Mer teamed up with Project 0 Hundreds of guests enjoyed for the La Mer Wave Walk, a public spectacular # oral displays from art venture bene! tting the luxury By Appointment Only Design while beauty brand’s Blue Heart Oceans previewing works from Sotheby’s Fund, which protects marine London’s Old Masters and Treasures habitats. Wave-inspired sculptures auctions. Artists from The Royal were installed around New York City Opera gave an exclusive recital of and a party was held at Sotheby’s, arias by Catalani, Liszt and Puccini, where Kevin Doyle led a live auction and Lord Astor discussed the new that raised nearly $200,000. book Villa Astor: Paradise Restored on the Amal! Coast.

12 SOTHEBY’S PHILIP ALEXIUS DE LÁSZLÓ 456789;< +-=/ – +/>? CDF6DF Portrait of Helen Beatrice Myfanwy Hughes Signed and dated lower left: de Laszlo/!"#!. X; numbered 2?= and inscribed in John de Laszlo’s hand Helen Hughes, aged !$, daughter of / Rt Hon. William Hughes, late Prime/Minister of Australia on the reverse Oil on board: 23 × += in / 13.- × 03.= cm

Society Portraits +---–+/01 On view for sale at Email: [email protected] Exhibition opens Wednesday 23th September 147 New Bond Street, London W1S 2TS www.richardgreen.com A fully illustrated catalogue is available Telephone: +44 (0)20 7493 3939

Sotheby’s guide to global museum exhibitions, art fairs and more. ACCESS

NALINI MALANI IN PARIS CHINESE ART AFTER 1989 FRIEZE LONDON PACIFIC STANDARD TIME

Yves Saint Laurent in Djemaa el Fna square in Marrakesh.

!" $!%&'( SAINT LAURENT FOREVER

Yves Saint Laurent was not a man to discard things. Marrakesh, in Jardin Majorelle, the botanical within fabric. The Paris museum is remaining His drawings, photographs, couture sketches and garden that the couple had bought in 1980 to save inside the legendary YSL hôtel particulier, but it design prototypes dating back to the founding of it from modern development. There, Paris-based has been re-envisioned by set and exhibition his couture house in 1962, along with thousands architectural ﬁ rm Studio KO has created a designer Nathalie Crinière and, ﬁ ttingly, interior of garments and accessories, are now part of the 4,000-square-metre area, which includes a decorator Jacques Grange: it was Grange, after all, Pierre Bergé-Yves Saint Laurent Foundation. permanent exhibition space that pays homage to who decorated Saint Laurent’s Villa Oasis in To properly display them, Bergé, who was Saint Morocco in its use of local stone and terracotta Marrakesh and Villa Mabrouka in Tangier. Musée Laurent’s longtime partner, has seen to the creation and to the couturier with the inclusion of Yves Saint Laurent, Paris and Marrakesh, opening

SOTHEBY’S 15 ACCESS

01%.-./1&%!$2 GENTLE GENIUS

One of the cornerstones of the late Ernst Beyeler’s collection was art by Paul Klee. A new retrospective focusing on the Swiss-German artist’s abstractions o# ers the chance to experience his fantastic, expressive and witty creations using Beyeler’s holdings as well as loans covering the artist’s output from 1913 onward. Klee valued the purity of original ideas and never ceased experimenting. Applying paint in unusual ways to materials such as burlap, cardboard panel and muslin, he used abstraction to explore nature, architecture, music and ﬁ ctional characters. Having developed a deep interest in colour theory, Klee saw it as a way to escape from his natural cynicism into the optimistic nobility of art. Writing about Klee in 1916, fellow artist Oskar Schlemmer noted: “He is everything; profound, gentle and many more of the good things, and this because he is innovative.” Paul Klee, Fondation Beyeler, Basel,

1 October–21 January 2018. –HS Paul Klee’s Boote in der Überflutung, 1937, in coloured paste on wrapping paper, mounted on cardboard.

An automaton )*'(+'", ! -."*-&"/ /. /'-& elephant clock from the Halim Time and Glass Museum. MAN OF THE HOUR

Ever since childhood, Illinois-based real estate and windows – a testament to the ingenuity of magnate Cameel Halim has been fascinated by the glass production in late 19th-century America. way things work. “I used to take my alarm clock “It was a big revolution,” Halim notes. “Europeans apart,” he confesses. “Although I never put it back had been creating stained-glass art since the ﬁ fth together again.” As an adult, his curiosity led century, but always with one layer of glass that him to amass one of the world’s most impressive they painted. The Americans were the ﬁ rst to use collections of timepieces and glasswork. This layers to paint with glass.” Beyond showing famed autumn, Halim is unveiling a selection of his makers such as Louis Comfort Ti# any, Halim has holdings with the opening of the Halim Time made an e# ort to highlight lesser-known glass and Glass Museum in Evanston, Illinois. There, artists, including Helen Maitland Armstrong, visitors can peruse galleries lined with rare Frederick Lamb and Mary Tillinghast. Halim, automatons and pocket watches, plus an array of who immigrated from Egypt in 1968, is excited to 18th-century Chinese clocks. “No place in the share his collection with his adopted home after world can come close to us outside the Forbidden twelve years of planning. “I think after you collect City’s museum,” says Halim, referring to the for a while, you realise that all these treasures don’t remarkable mechanical timepiece collection in belong to you,” he says. “They’ve been in a lot of Beijing’s Palace Museum. Personally designed by hands, and you’re just holding on to them. I think Halim, his wife and three daughters, the displays that this really belongs to the public.” Halim Time include video monitors playing each timepiece and Glass Museum, Evanston, Illinois, opening

in motion. Also on view are glass mosaics, vases September 2017. —ALEXANDRA OWENS FONDATION BEYELER, RIEHEN/BASEL, BEYELER COLLECTION/PHOTO: ROBERT BAYER

ACCESS

%&0(!'-'", /1& $! / DISLOCATED LIVES

Nalini Malani and her family had to fl ee India after Partition in 1947. This dislocation became a focus for the 71-year-old artist’s long and varied career, during which she has examined the e# ects of violence and exile. Informed by mythology and ranging from wall drawings, paintings and installations to shadow play and theatre, Malani’s full output is now the subject of the Centre Pompidou’s fi rst major show dedicated to an Indian artist. Much anticipated are the world premieres of fi lms made by the artist between 1969 and 1976, when she was studying in Paris and meeting The 2016 edition of Frieze Masters. directors such as Jean-Luc Godard and Alain Resnais. Nalini /1& 3*" .3 /1& 3!'% Malani: The Rebellion of the Dead Retrospective 1969–2018, Centre Pompidou, Paris, 18 October–8 January 2018. —EMMA JONES LONDON TIME

What will be new at Frieze London? It’s sex – more speciﬁ cally, Sex Work, a section dedicated to galleries and women artists working at the historic edges of feminism. The cult of Marxist-Leninism is exposed in Under the Silent Eye of Lenin, an installation-performance by Luanda-based Kiluanji Kia Henda looking at witchcraft during Angola’s civil war and in Cold War science-ﬁ ction narratives. Meanwhile, Frieze Masters e# ortlessly spans thousands of years in its Collections section curated by Sir Norman Rosenthal. It includes ancient Andean textiles (from London’s Paul Hughes Fine Arts), Japanese prints by a 19th-century child prodigy (from Israel Goldman of London) and Marcel Breuer’s tubular-steel furniture for the Bauhaus (from Galerie Ulrich Fiedler in Berlin). To see more exceptional design, collectors will want to hit PAD, where historic, modern and contemporary furniture and objects can be found alongside everything from tribal art to jewellery and wallpaper. This year’s standouts include an Alberto Giacometti-designed lamp (at Galerie Alexandre Biaggi) and a Greek bronze helmet (from Phoenix Ancient Art). PAD London, Berkeley Square, 2–8 October; Nalini Malani’s installation Hamletmachine, 2000. Frieze London and Frieze Masters, Regent’s Park, 5–8 October. —HS

AGENTS OF CHANGE

Among the tumultuous events of 1989 – the fall of the Berlin Wall and a win for Solidarity in the Polish elections, among others – perhaps none had more impact on art than the protests in Beijing’s Tiananmen Square. Since then, China has come to play a central role in the global conversation. For the Guggenheim’s survey of Chinese contemporary art, curator Alexandra Munroe takes Tiananmen as her starting point and ends with the 2008 Beijing Olympics, spanning a period that began with utopianism and closed with a sense of conﬂ icted euphoria. Video, performance, installation, painting, photography and land art show how Chinese artists have been both agents and skeptics in their country’s far-reaching socioeconomic and cultural revolution. Art and China after 1989: Theater of the World, Solomon R. Guggenheim Museum, New York, 6 October–7 January 2018; travels to Guggenheim Museum Bilbao and the San Francisco Museum of Modern Art. —EJ RMB City: A Second Life City Planning, a 2007 video by China Tracy (aka Cao Fei). CENTRE POMPIDOU, MUSÉE NATIONAL D’ART MODERNE, PARIS, PHOTO © ARARIO GALLERY FRIEZE MASTERS, PHOTOGRAPH BY MARK BLOWER SOLOMON R GUGGENHEIM MUSEUM, NEW YORK, PURCHASED WITH FUNDS CONTRIBUTED BY THE YOUNG COLLECTORS COUNCIL, WITH ADDITIONAL FUNDS CONTRIBUTED BY SHANGHAI TANG, 2008 © CAO FEI

18 SOTHEBY’S THROCKMORTON FINE ART

SURREALISMO Ojos de México

September 21st - December 2nd 2017

Image: Manuel Álvarez Bravo,Parábola óptica / Optical Parabole,1931

145 East 57th Street, 3rd . NY, NY 10022 Tel. 212. 223. 1059 Fax. 212. 223 1937 [email protected] www.throckmorton-nyc.com ACCESS

!"# %& '(: )&( *+,-)-( Soul Searching Three exhibitions at the Los Angeles County Museum of Art (LACMA) each o! er a di! erent thread to follow through the PACIFIC continuing history of Latino and Latin American art. Eagerly awaited is the retrospective of painter Carlos Almaraz, STANDARD who died of AIDS in 1989 at age 48. A co-founder of Los Four, an in" uential collective of Chicano artists, Almaraz’s TIME: LA/LA canvasses manage to be both darkly political and sublime. A Universal History of Infamy is one section of a three-part show introducing a new generation of Taking Shape artists who are puncturing traditional From gold to concrete, feathers to stones de# nitions of Latin American identity. and shells to metals, two shows at the Meanwhile, Found In Translation traces the Getty Center celebrate centuries of Latin ways in which 20th-century designers in America’s material innovations. Golden California and Mexico in" uenced one Kingdoms: Luxury and Legacy in the another, sometimes in surprising ways. Ancient Americas tracks the evolution of goldworking between 1000 $% and the 16th century, bringing insights into how the Incans, Aztecs and others infused these art objects with spiritual meaning and purpose. From the collection of Patricia Phelps de Cisneros comes Making Art Concrete, which dives into the ways in which the Concrete art movement used industrial materials to articulate new forms of abstraction. “It was truly an international avant-garde movement,” explains co-curator Aleca Le Blanc, adding that the genre’s continued resonance is due to its practitioners’ “willingness to look past traditional media and process and to consider viewer participation.” The Getty Center, Los Angeles: Golden Kingdoms: Luxury and Legacy in the Ancient Americas, 16 September–28 January 2018; Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de “After Richard Neutra gave his # rst lecture Francisco Artigas’s and Fernando Luna’s House at 131 Rocas, Jardines del Cisneros, 16 September–11 February 2018. in Mexico in 1937, architects there looked to Pedregal, Mexico City, 1966, is part of LACMA’s Found In Translation exhibition. his California houses as inspiration, and Neutra helped bring recognition of Mexican achievements back to California,” says ollowing the success of its ﬁ rst edition, in 2011, LACMA decorative arts and design curator Wendy Kaplan. Los Angeles County the sprawling, multi-venue Paciﬁ c Standard Museum of Art: Playing with Fire: Paintings F by Carlos Almaraz, through 3 December; Time returns this autumn with a focus on the A Universal History of Infamy, through vital cultural connections between Latin America and 19 February 2018; Found In Translation: Design in California and Mexico, 1915–1985, Los Angeles. Starting 15 September and continuing 17 September–1 April 2018. through early 2018, more than 70 arts institutions

across Southern California are presenting scholarly Earth, Wind and Fire museum exhibitions, gallery shows and educational With its rich " ora, fauna, climates and programmes to collectively rewrite – and, in certain terrains, Latin America has inspired artists and scientists throughout history, cases, to re-right – the dynamic ongoing histories expanding our knowledge and perception and synergies between Latino and Latin American of the natural world. Drawings, paintings, rare books and objects from the cultures in the US and beyond. Prepare for a busy Huntington Library’s collection trace autumn: there are more than 90 projects, shows and myriad visions of Latin America, from indigenous productions to colonial installations happening regionwide. We have chosen projections. Visual Voyages: Images of a few highlights from galleries and our Museum Latin American Nature from Columbus to Darwin, Huntington Library, San Marino,

Network partners. 16 September–8 January 2018. PHOTOGRAPH BY ROBERTO AND FERNANDO LUNA, 1996 ©CASTRO ROBERTO COURTESY AND THE FERNANDO GETTY CENTERLUNA COURTESY LACMA COURTESY ALEJANDRA COLECCIÓN VON HARTZ PATRICIA GALLERYPHELPS ©MARIE DE CISNEROS ORENSANZ PROMISED COURTESY HAMMERGIFT TO THEMUSEUM MUSEUM OF MODERNPHOTOGRAPH ART, NEW YORKBY PEPETHROUGH ITURRALDE THE LATIN AMERICAN AND© THE CARIBBEAN OFESTATE GILBERT FUND"MAGU" INLUJÁN HONOR COURTESY OF UCTOMÁS IRVINEORINOCO GRIFFIN3CISNEROS © HUNTINGTON IMAGELIBRARY COURTESY WALTER DE © NAUFUS RAMÍREZ3FIGUEROA COURTESY LAMA

20 SOTHEBY’S Art Without Borders Part platform for cultural exchange, part FEATURED PROPERTIES boundaries-blind commercial exhibition, proyectosLA showcases contemporary SOTHEBY’S INTERNATIONAL REALTY and Modern art from nineteen of Latin America’s most esteemed galleries. Founded by collector Tracy O’Brien, art adviser Teresa Iturralde and brand strategist Patricia Fajer (pictured below) the event will take place in an open-plan space designed by Mexican architect Ezequiel Farca. Curators Luiza Teixeira Women of In! uence: 3 Shows de Freitas and Claudia Segura have titled the exhibition Here the border is The Hammer # lls its galleries with more you, selecting paintings, sculptures and than 100 Latino and Latin American more from Brazil’s Galeria Nara Roesler female artists whose experimental and Galeria Vermelho, Argentina’s works and unconventional ideas altered Nora Fisch and Henrique Faria, Chile’s art’s evolution. Shining new light on Isabel Aninat, Mexico’s Galería OMR icons as well as lesser-known and Joségarcía, Peru’s Revolver Galería practitioners, this exhibition is the # rst and still others from Guatemala, to place their in" uence in a cultural and Colombia and the US. ProyectosLA, political context. Radical Women: Latin Wərkärtz Studio, Downtown Los Angeles, American Art, 1960–1985, The Hammer 16 September–28 October. Museum, Los Angeles, 15 September–

31 December. HAUTE HACIENDA

“An artist is like an alchemist,” said Anna BEVERLY HILLS, CALIFORNIA Maria Maiolino, “who in seeking to This celebrity-owned, private European village in Beverly Hills sits on its own transform metal into gold, ends up promontory hilltop providing explosive city-to-ocean views. With two separate transmuting his own being.” A survey of parcels and addresses, this sprawling compound features pool with cabana, Maiolino’s sculptures, woodcuts, # lms koi ponds, outdoor # replace and fountains leading to a studio bungalow and and performances doubles as a portrait two-storey guest cottage, as well as a separate approximately 3,000-square- of the multidisciplinary Italian-Brazilian foot contemporary two-level home with a kitchen, bedroom and bathroom artist as mother, migrant and on each " oor. pioneering creative mind. Anna Maria Maiolino, MOCA Grand, Los Angeles, $24,900,000 | Property ID: 0344078 | sothebysrealty.com through 31 December. Sotheby’s International Realty – Paci# c Palisades Brokerage Suzette Abbott +808 621 4908 The # rst Los Angeles exhibition of Enzo Ricciardelli +310 255 5467 acclaimed Brazilian contemporary artist Adriana Varejão showcases two decades of her sumptuous and slyly political works, including a selection of her blue-and-white Azulejão (“big tile”) paintings and Transborroco, her sole video installation to date. Adriana Varejão: Interiors, Gagosian, Beverly Hills, 14 September–25 October.

Myth Making Gilbert Luján (1940–2011) was a force in the Chicano movement and a co-founder of Los Four who produced dreamlike murals, paintings and sculptures possessed of a ferocious yet tender spirit. His # rst survey explores the mythologies he created, which helped rede# ne Chicano identity. Aztlán TRADITIONAL CHARM to Magulandia: The Journey of Chicano Artist Gilbert ‘Magu’ Luján, Contemporary LOS ANGELES, CALIFORNIA Arts Center Gallery, Irvine, 7 October– 16 December. —JENNIFER KRASINSKI A rare opportunity to own a pristine traditional home on one of the most sought- after streets on the Westside, this residence presides over a 16,000-square-foot lot. From the moment you enter, the graceful " ow from indoor to outdoor lures you to private, parklike gardens and patios, while the stylish interiors artfully fuse (This page, from top) Marie Orensanz’s, Limitada (Limited), 1978, at The Hammer; the founders of traditional architecture with modern demands for open " oor plans. ProyectosLA; Gilbert Luján’s El Fireboy y El Mingo, 1988, at the CACG. $7,950,000 | Property ID: 0344148 | sothebysrealty.com (Opposite, from top) Willys de Castro’s Active Object (red/white cube), 1962, in the Getty’s Making Art Concrete; Naufus Ramírez-Figueroa’s A Brief History of Architecture in Guatemala, 2010–13, in Sotheby’s International Realty – Paci# c Palisades Brokerage LACMA’s A Universal History of Infamy; José María Carbonell’s Loranthus, at the Huntington. Barbara Boyle +1 310 255 5403

SOTHEBY’S 21 Access the world’s most extraordinary museums. museumnetwork.sothebys.com

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Incorporating a historic 114.63 carat vivid yellow diamond which is currently the largest certiﬁed old-cut cushion-shaped fancy vivid yellow diamond known in the world. diamond provenance: Formerly in the collection of Countess Rosario Zouboff. Aquired at Christies’s London in 1962 on the occasion of the auction ‘The Property of the Countess Rosario Zouboff’.

No. 30 Old Bond Street, London, W1S 4QQ T +44 (0)20 7499 9902 E [email protected] W www.s-c.com ACCESS MUSEUMS!"#$-#%% %&'()($(*+# ,/*"+0 $'% 1*/20

Solomon R. Guggenheim Museum: Jiang Zhi’s Object in Drawer (detail), 1997.

AMERICAS PHILADELPHIA Stedelijk Museum MÁLAGA Grand Palais Amsterdam Philadelphia Museum of Art Museo Picasso Málaga 11 October–22 January 2018 23 September–3 June 2018 NEW YORK 3 November– 10 October–28 January 2018 GAUGUIN THE ALCHEMIST ‘I AM A NATIVE FOREIGNER’ The Museum of Modern 19 February 2018 WE ARE COMPLETELY FREE. VERSAILLES Art (MoMa) OLD MASTERS NOW: ANTWERP WOMEN ARTISTS AND 23 September–1 January 2018 CELEBRATING THE SURREALISM Chateau de Versailles JOHNSON COLLECTION MAX ERNST: Museum aan de 24 October–25 February 2018 Stroom (MAS) LAUSANNE BEYOND PAINTING SEATTLE VISITORS TO VERSAILLES 18 October–14 January 2018 !1682"1789# Solomon R. Guggenheim Musée de l'Elysée DAZZLING DESIRE Museum Seattle Art Museum (SAM) 25 October–7 January 2018 19 October–15 January 2018 VIENNA 6 October–7 January 2018 GUS VAN SANT: ICONS ANDREW WYETH: BASEL ART AND CHINA AFTER Leopold Museum IN RETROSPECT 1989: THEATER OF THE WORLD Kunstmuseum Basel LONDON 22 September– 7 October–7 January 2018 Tate Britain 8 January 2018 The Met Breuer TEXAS WOMANHOOD: EROS, POWER, 12 September–21 January 2018 ANTON KOLIG 11 October–2 January 2018 The Museum of Fine Arts, MORALITY, AND DEATH RACHEL WHITEREAD MODERNISM ON THE Houston (MFA) AROUND 1500 GANGES: RAGHUBIR 8 October–28 January 2018 Royal Academy of Arts ASIA SINGH PHOTOGRAPHS HUMLEBÆK THE GLAMOUR AND ROMANCE 7 October–3 January 2018 TOKYO The Frick Collection OF OSCAR DE LA RENTA Louisiana Museum DALÍ / DUCHAMP 24 October– of Modern Art Nezu Museum The Photographers’ Gallery 11 March 2018 21 September–30 December 14 September–22 October EUROPE 20 October–11 February 2018 VERONESE IN MURANO: RINEKE DIJKSTRA: THE ONE SUPPORTING THE INSTANT STORIES: WIM TWO VENETIAN RENAISSANCE AND THE MANY BUDDHIST IMAGE: LOTUS AMSTERDAM WENDERS’ POLAROIDS MASTERPIECES RESTORED FLOWER, SACRED BEAST, MADRID DEVA AND DEMON Van Gogh Museum PARIS ONTARIO 13 October–7 January 2018 Museo Nacional Del Prado Centre Georges Pompidou Art Gallery of Ontario THE DUTCH IN PARIS 1789"1914 25 October–4 March 2018 4 October–29 January 2018 21 October–28 January 2018 THE SPIRIT OF PAINTING: CAI ANDRÉ DERAIN 1904&1914. FLORINE STETTHEIMER: GUO&QIANG AT THE PRADO THE RADICAL DECADE PAINTING POETRY COURTESY THE ARTIST COURTESY THE SOLOMON R. GUGGENHEIM MUSEUM

24 SOTHEBY’S Becoming a Sentient Jet 25-Hour Cardholder means SEAMLESS MOBILE APP BOOKING WUDYHOLQJZLWKRXWOLPLWV,WPHDQVKDYLQJÒ[HGUDWH INDUSTRY LEADING SAFETY PROGRAM hours and the ability to book them instantly from your ALL-INCLUSIVE, 25-HOUR JET CARD RATES mobile device. It means having a world-renowned service team by your side 24/7. And it means having DVHQVHRIVHFXULW\NQRZLQJWKDW\RXÆUHÓ\LQJZLWK the industry leader, creator of the Jet Card, and the FLY, UNBOUND. FUHZ WKDW SHUIHFWHG WUDGLWLRQDO VDIHW\ FHUWLÒFDWLRQ SENTIENT.COM 866.279.2583

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Paris Photo: Evangelia Kranioti, still from Obscuro Barroco, 2016, from Galerie Sator.

AMERICAS MIAMI EUROPE & London Art Fair ASIA Art Miami MIDDLE EAST 17"21 JANUARY 2018 BOGOTÁ 5"10 DECEMBER VIP DAY 16 JANUARY 2018 HONG KONG BRUSSELS ARTBO VIP DAY 5 DECEMBER PARIS Fine Art Asia 26"29 OCTOBER Accessible Art 30 SEPTEMBER"3 OCTOBER Design Miami/ VIP DAY 26 OCTOBER Fair Brussels Asia Now VIP DAY 29 SEPTEMBER 6"10 DECEMBER 6"8 OCTOBER 18"22 OCTOBER VIP DAY 5 DECEMBER Ink Asia CHICAGO VIP DAY 5 OCTOBER VIP DAY 17 OCTOBER 15"17 DECEMBER Scope Miami Beach Sculpture Objects BRAFA FIAC VIP DAY 14 DECEMBER Functional Art 6"10 DECEMBER 27 JANUARY"4 FEBRUARY 19"22 OCTOBER and Design Fair VIP DAY 5 DECEMBER 2018 (SOFA CHICAGO) VIP DAY 18 OCTOBER SEOUL Untitled Miami Beach VIP DAY 26 JANUARY 2018 2"5 NOVEMBER Paris Photo Korea International Art Fair 6"10 DECEMBER VIP DAYS 3!4 NOVEMBER 9"12 NOVEMBER 21"24 SEPTEMBER VIP DAY 6 DECEMBER GENEVA VIP DAY 8 NOVEMBER VIP DAY 20 SEPTEMBER artgenève HOUSTON Art Basel Miami Beach 1"4 FEBRUARY 2018 AKAA (Also Known Texas Contemporary 7"10 DECEMBER SHANGHAI VIP DAY 31 JANUARY 2018 As Africa) 20"22 OCTOBER VIP DAY 6 DECEMBER 10"12 NOVEMBER Art021 Shanghai VIP DAY 19 OCTOBER 10"12 NOVEMBER Pulse Miami Beach LONDON VIP DAY 9 NOVEMBER VIP DAY 9 NOVEMBER NEW YORK 7"10 DECEMBER PAD London TORINO VIP DAY 7 DECEMBER 4"8 OCTOBER West Bund Art and Design IFPDA Print Fair Artissima International 10"12 NOVEMBER Super# ne! VIP DAY 2!3 OCTOBER 26"29 OCTOBER Art Fair VIP DAY 9 NOVEMBER VIP DAY 25 OCTOBER 8"10 DECEMBER 1:54 Contemporary 3"5 NOVEMBER VIP DAY 6!7 DECEMBER African Art Fair VIP DAY 2 NOVEMBER TEFAF New York TAIPEI 5"8 OCTOBER 28 OCTOBER"1 NOVEMBER ART TAIPEI SAN FRANCISCO VIP DAY 4 OCTOBER VIENNA VIP DAY 27 OCTOBER 20"23 OCTOBER San Francisco Fall Frieze London & Frieze viennacontemporary VIP DAYS 19!20 OCTOBER Antiques Show Masters The Salon Art + Design 21"24 SEPTEMBER 26"29 OCTOBER 5"8 OCTOBER 9"13 NOVEMBER VIP DAY 20 SEPTEMBER VIP DAY 9 NOVEMBER VIP DAY 25 OCTOBER VIP DAY 4 OCTOBER COURTESY THE ARTIST AND GALERIE SATOR

26 SOTHEBY’S Louise Fishman “Line Drive” 2010 Oil on linen Courtesy of Cheim & Read, New York

It’s an original. The care you took to select it, is the care we’ll take to protect it.

Please give us a call at 877I513I2338 to learn how we can help protect your artwork/memories/valuables/collectibles.

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An extraordinary range of accessible art and collectibles can be found at Sotheby’s autumn auctions in Hong Kong.

UNDER $10,000 $10,000!$25,000 $25,000!$50,000

ROLEX DOMAINE DE LA ZHAO SHAO’ANG A stainless-steel ROMANÉE#CONTI Lighthouse, 1961 automatic centre- La Tâche 1990, two bottles HK$280,000–500,000 seconds diver’s HK$60,000–90,000 ($36,000–64,000) wristwatch with bracelet, ($7,500–11,000) Fine Chinese Paintings ref. 5513 “Metres First” Wines from the Cellar 2 October, Hong Kong submariner, circa 1967 of Fux Restaurant HK$26,000–50,000 30 September, Hong Kong ($3,300–6,400) Important Watches 2 October, Hong Kong

CARTIER A lady’s pink-gold and diamond- set asymmetric “Baignoire S” wristwatch, circa 2010 HK$240,000–350,000 ($31,000–45,000) Important Watches 2 October, Hong Kong

INDIEGUERILLAS Ruby and diamond A bronze ! gure of Portable Art Is Good bangle, Buccellati Simhamukha, For You VII: (The Birth HK$160,000–260,000 Tibet, 17th century of) The Cheerful and ($20,500–33,300) HK$300,000–500,000 The Beautiful Pseudo- Magni! cent ($38,500–64,000) Cool, 2010 Jewels & Jadeite The Heart of Tantra – HK$50,000–70,000 3 October, Hong Kong Buddhist Art Including ($6,400–8,950) Property from the Modern & Nyingjei Lam Collection Contemporary 3 October, Hong Kong Southeast Asian Art 1 October, Hong Kong

HIDENORI YAMAGUCHI H MOSER & CIE Gem set and diamond Crossroad: Okachimachi A limited-edition “Perpetual demi-parure, Bulgari (detail), 2016 1” palladium perpetual- HK$320,000–650,000 HK$50,000–80,000 calendar wristwatch with ($41,000–83,500) ($6,426–10,282) seven-day power reserve Magni! cent Contemporary Ink indication, circa 2014 Jewels & Jadeite Art: Con" uence HK$100,000–180,000 3 October, 2 October, Hong Kong ($12,900–23,100) Hong Kong Important Watches 2 October, Hong Kong

EDUARDO CASTRILLO Pair of jadeite, sapphire Calmness in Organic and diamond pendent Form, 2009 earrings, Cartier HK$60,000–90,000 HK$110,000–160,000 ($7,712–11,568) ($14,100–20,500) Modern & Magni! cent Contemporary Jewels & Jadeite Southeast Asian Art 3 October, Hong Kong 1 October, Hong Kong

28 SOTHEBY’S Visit sothebys.com/hk for the full auction and pre-sale exhibition information.

$50,000!$100,000 $100,000!$250,000 $250,000 AND ABOVE

Ruby, diamond A longquan celadon Paraíba tourmaline and and emerald carved “peony” meiping, diamond ring brooch/pendant Song dynasty HK$8,750,000–11,000,000 HK$680,000–850,000 HK$1,200,000–1,800,000 ($1,120,000–1,410,000) ($87,000–109,000) ($154,000–230,000) Magni! cent Magni! cent Jewels Song – Important Jewels & Jadeite & Jadeite Chinese Ceramics 3 October, Hong Kong 3 October, Hong Kong from the Le Cong Tang Collection 3 October, Hong Kong

WANG DUO Jue Liang Tie, album of sixteen leaves (one shown) HK$1,200,000–1,800,000 ($154,000–230,000) Fine Classical Emerald and Chinese Paintings diamond necklace 1 October, Hong Kong HK$6,300,000–8,500,000 ($810,000–1,090,000) Magni! cent Jewels & Jadeite 3 October, Hong Kong

A superbly carved bamboo- KUSAMA YAYOI root “pine tree” waterpot Pumpkin (HHP), 1998 attributed to Zhu He, Jiading HK$1,000,000–1,500,000 School, late Ming dynasty ($128,534–192,800) HK$400,000–600,000 Modern and ($51,300–77,000) Contemporary Water, Pine and Stone Art Evening Retreat Collection – 30 September, Hong Kong Treasures 3 October, Hong Kong

Two diamond RICHARD MILLE clip brooches, An extremely ! ne and Van Cleef & Arpels important sapphire HK$480,000–650,000 tonneau-form ($61,500–83,500) skeletonised tourbillon Magni! cent Jewels wristwatch, RM56-02, no. & Jadeite 10/10, circa 2015 3 October, Hong Kong Estimate upon request Important Watches 2 October, Hong Kong

WU CHANGSHUO JU MING XU BEIHONG Autumn Foliage and Single Whip, 1980 Galloping horse on Blossoms, 1915 HK$1,200,000–2,000,000 grassland, 1939 HK$500,000–700,000 ($154,000–257,000) HK$4,800,000–6,000,000 ($64,000–90,000) Modern Asian Art ($615,000–770,000) Fine Chinese 1 October, Hong Kong Fine Chinese Paintings Paintings 2 October, Hong Kong 2 October, Hong Kong

SOTHEBY’S 29 COLLECTOR’S EYE HERMÈS Rare cotton “Hermeselle” dress printed with trompe-l’œil details, Spring/Summer 1952 €1,000–1,200 ($1,150–1,400) “I love this Hermeselle-style piece. This little black dress with trompe l’œil painted pockets and collar is made of cotton and can also be worn on the beach.”

ETERNAL NOIR BALENCIAGA Marescot lace baby-doll dress, As Karl Lagerfeld once noted, a little Autumn/Winter 1958 Haute Couture €2,000–3,000 black dress will never leave you ($2,300–3,450) overdressed or underdressed. This “I very much appreciate the sensuality of the tight sheath autumn, a sale of 140 museum-quality pink satin underdress, which is seen through a black lace garments from vintage couture dealer baby-doll overdress. The lace was made by the prestigious Didier Ludot honours this timeless firm Marescot.” wardrobe staple. Here, the style connoisseur and collector explains ﬁ ve standout looks.

30 SOTHEBY’S CHANEL Silk chi! on cocktail dress with ta! eta bow, 1960 Haute Couture €2,500–3,000 ($2,850–3,450) “This is an especially JUNYA WATANABE GIVENCHY important dress because “Zipper” dress, Duchess satin dinner dress, it shows the elegance of Spring/Summer 2005 Autumn/Winter 1956–57 Delphine Seyrig, who is €1,000–1,500 Haute Couture wearing the exact same ($1,150–1,750) €1,800–2,500 dress in Alain Resnais’s ($2,100–2,850) “I was seduced by the African dreamlike 1961 film Last feel of this dress, designed by “For me, this style is the Year at Marienbad.” Rei Kawakubo’s apprentice quintessence of the little Junya Watanabe, who worked black dress. I chose a picture 1921–2010 The Little Black Dress – Collection Didier Ludot under Kawakubo at Comme of this dress for the poster for my 1996 exhibition at will be exhibited in Paris from des Garçons.” 28–30 September & 2 October. the Printemps Haussmann Auction: 3 October. department store in Paris.” Enquiries: +33 1 53 05 53 05.

SOTHEBY’S 31 CURATED

RON ARAD All Light Long, 2002 £50,000–70,000 ($64,000–90,000) “Arad is the eternal innovator and experimenter – always pushing the potential of new technology – and here he really flexes his material muscles. Carbon-coated honeycomb paper makes this huge table as strong as an ox, yet light as a feather.” MATERIAL WHIRL

Guest curating Sotheby’s Design auction, Wallpaper* editor in chief Tony Chambers picks works by leading creators who have engaged with materials in innovative ways.

JORIS LAARMAN Bone Rocker, 2008 £170,000–200,000 ($218,000–256,000) “This is a mesmerising mix of natural, organic form and digital-technology production. Resulting from extensive scientific and material research and using computer algorithms to simulate natural growth, Laarman’s marble resin Bone Rocker is a kind of high-tech art nouveau. If Mother Nature designed a chair, it would probably look like this.”

32 SOTHEBY’S PABLO REINOSO Design: Living in a Material World will be Vertical Bench, 2011 exhibited in London from 13–16 October. £30,000–50,000 Auction: 17 October. Enquiries: +44 20 7293 5568. ($39,000–64,000) “Is it seating? Is it a wall-hanging sculpture? Is it a plate of wooden spaghetti? Whichever way you look at it, it’s a talking point and a magnificent manipulation of material, form and function.”

STUDIO JOB Cabinet from the Perished collection, 2006 £40,000–60,000 ($52,000–77,000) “Playful and joyful at first glance, there is often a dark humour lurking beneath the studio’s work. This cabinet, made from Makassar ebony- veneered wood with maple inlay, incorporates the fine crafts of French 17th-century marquetry found in pieces by André-Charles Boulle” – a true merging of traditional techniques and modern digital production.”

JASPER MORRISON Wing Nut Chair, 1985 £10,000–15,000 ($13,000–20,000) “A piece of huge interest and importance, as it was designed and hand-built by Morrison himself while a student at the Royal College of Art in 1985. There are many clues in the simplicity of form, materials and construction to what he would go on to create and stand for over the subsequent 30-plus years.” AT HOME WITH ART

LOW-KEY LUXURIOUS

For designer Robert Stilin, a home should be as liveable as it is chic, writes Stephanie Sporn.

“We all want things that look beautiful, but if they’re uncomfortable and not functional, who cares?” says Robert Stilin, the New York- and Hamptons-based designer known for interiors that manage to be both laid-back and opulent. “I like homes that feel very real,” he continues. “I am not interested in creating showplaces.” Indeed, Stilin’s designs are anything but ostentatious. By combining clean-lined furnishings from various eras with reﬁ ned, tactile materials, Stilin creates a sense of warmth and comfort – the ideal environments for his clients’ diverse art collections. With a 2016 nomination to Architectural Digest’s AD100 list and projects ranging from a 50-acre, park-like family compound in Louisville, Kentucky, to a country house in Bridgehampton for a couple who ardently collect contemporary art, Stilin is busy these days. Yet this summer, he found time to select items from Sotheby’s Contemporary Living Online: Prints, Photographs and Design auction and created vignettes around them. Stilin spoke with Stephanie Sporn about his early inﬂ uences, favourite artists and tips for incorporating art into a home.

!" "!$%& '!$ &()*+,-( '!$+ .//+!.*0 1! &(),23? Mixing and layering di! erent mediums is what I do in my practice. It’s how I view the world and how I view living and collecting. People don’t just buy art or design. They buy di! erent pieces and have to put them together. Combining a variety of art and objects shows how things play o! one another and create a mood and feeling. © DUMMY COPYRIGHT FILL IN WITH REAL TEXT PHOTOGRAPH BY JOSHUA MCHUGH

34 SOTHEBY’S © DUMMY COPYRIGHT FILL IN WITH REAL TEXT on the right.the Tryon put to not Caption here for the imagehere the forCaption the caption on the picturethe on caption the if you can help it.help youcan if alongside worksbyRichardPrince.alongside Show House,HirstShowDamien a while a 1970ssits a chair Kappawhile In RobertStilin’sIn a forspace painting !painting aboveoatsmantel, the previousDecoratorBay Kips 4+( 5!)1 !6 '!$+ *%,(31) (7/(+,(3*(& .+1 *!%%(*1!+)? They all have an a" nity for art. I have everyone from budding collectors to people who have been collecting for decades. Some are very independent; others work with an adviser. I always teach them and encourage them to collect. Art adds so much value to your life, and I personally cannot imagine a home without it.

8! '!$ 6!%%!" .3' 2$,&(%,3() 1! ,3*!+/!+.1( .+1 ,31! . +!!5? I don’t think people should live in museums – clean white boxes with perfect lighting to showcase art and furniture. My clients don’t want to own warehouses full of art: they want to live with their art. People create so much fear about these valuable objects. Yes, art is expensive, but it is meant to be lived with.

(Above) Artworks by Julian !" &,& '!$ -+(.< ,31! 10( &(),23 "!+%&? 9!$ .+( .%)! . *!%%(*1!+. ;0.1 <,3& !6 .+1 &! Schnabel and Richard Misrach are mixed with a custom sofa, As a kid I used to sketch cars and houses, but I was raised in a '!$ %,=( ",10? vintage furnishings and a family that didn’t see design as an option for me. My dad was I’ve been collecting photography for 30 years. I love large-scale Swedish pile rug in a layered interior by Robert Stilin (right). an entrepreneur; I was studying business. It wasn’t until after images, foldings and hangings. I also collect paintings, works college that circumstances in my life evolved. Around 1989 I on paper, et cetera, and I own works by 150-plus artists. I like to opened a sophisticated design store in Palm Beach that had live in a very layered way. A few names that come to mind are new and vintage furniture, art and objects. One day a couple Richard Misrach, Frank Thiel, Wade Guyton, John came in wanting to buy everything and asked if I could help Chamberlain, Damien Hirst, Jack Pierson and Stanley Whitney. with their house. I didn’t necessarily know how to do that, ;0.1 ,) '!$+ .&=,*( 1! 3(" *!%%(*1!+)? but I just taught myself along the way. Travelling and a lot of amazing mentors in the design and art worlds are how I got Don’t overthink. Don’t make things too special and too myself to where I am today. precious. Larry Gagosian once said to me, “Do you like the painting? Can you a! ord it? If the answers are yes, then you 43' 5(31!+) ,3 /.+1,*$%.+? should buy it.” He says that to people all the time: if you can Early on, someone who had a big impact on me was collector a! ord it and you like it, buy it. Enjoy beautiful things and Beth Rudin DeWoody. Travelling and shopping with her opened make them part of your life. Do a reasonable amount of my eyes and taught me to search beyond the obvious things homework, but don’t overanalyse. Art should be fun and that attracted me. Also, all the people I’ve worked with over make you feel good. #

the years at Sotheby’s are like walking encyclopedias of art. The Stephanie Sporn is a sta" writer for sothebys.com. art world is really intimidating, less so now than twenty years ago, when I felt there was this natural disdain for designers. I was insecure about it, but I absorbed everything over time. The people that I have met at auction houses and galleries – along with designers, dealers, artists and collectors sharing opportunities and sources – all have been my education. PHOTOGRAPH BY STEPHEN KENT JOHNSON PORTRAIT BY RICHARD PHIBBS

36 SOTHEBY’S Dolce Stil Novo

www.smeg.com

THE ART OF GIVING

BODIES OF WORK

Kathleen White previews the New York Academy of Art’s Take Home a Nude auction.

Unsurprisingly, art’s most traditional subject, the nude, is also one of its most controversial. From Michelangelo’s David to Robert Mapplethorpe’s erotic photographs, works of art featuring unclad human fi gures have reliably captured our attention. For more than two decades, the New York Academy of Art has playfully acknowledged that fact with its annual Take Home a Nude gala and benefi t auction. “As they say, a picture is worth a thousand words,” says academy president David Kratz. The 11 October event, hosted by Sotheby’s, will honour painter John Alexander. Current and former students along with such artists as Ryan McGinness, Philip Pearlstein and Spencer Tunick are contributing nudes, but the auction also o! ers works with other subjects and in varied styles, which all refl ect the academy’s dedication to rigorous formal training. “We want to show a range of our artists’ points of view,” says Kratz, noting the inclusion of text-driven works and neon sculpture alongside fi gurative paintings and drawings. While the graduate programme is grounded in tradition, “we look for artists whose work is very much part of the current dialogue,” says Kratz. For Amy Cappellazzo, head of Sotheby’s Fine Art Division and this year’s event chairperson, “the essential foundations of art-making that the academy teaches have never been more urgent. Sotheby’s has long supported the academy and its vital work,” she says. “We are more excited than ever to collaborate.” For the academy, the gala is “an opportunity to show our best work at one of the most prestigious venues in the world,” says Kratz. “And it’s high-energy fun – what could be better?” "

Kathleen White is a sta! writer for sothebys.com.

Take Home a Nude Art Party and Auction. 11 October, Sotheby’s New York. Tickets: nyaa.com/nude. Enquiries: [email protected].

(Left) Among the works to be o! ered in the New York Academy of Art’s Take Home a Nude auction is Spencer Tunick’s photograph Colombia, 2016.

SOTHEBY’S 39 © DUMMY COPYRIGHT FILL IN WITH REAL TEXT EXTRAORDINARY PROPERTIES

A FINE LINE

Streamlined and airy, Midcentury modern may be to architecture what rock and roll – according to singer-songwriter Neil midcentury modern Young – is to popular music: it can never die. homes continue to draw Begun in the late 1930s, the modernist style took countless fans, finds hold after World War II as new materials and building techniques allowed architects to break Iyna Bort Caruso. with the forms and methods of the past. Decades on, midcentury modern’s clean lines, open ﬂ oor plans and expansive windows continue to appeal. Architect Carib Daniel Martin renovated the midcentury modern house in Kensington, Maryland, that now serves as both his residence and o! ce. He says he’s attracted to its simplicity and airiness and to the way homes of this era e" ectively “straddle two worlds: they have a modernist feel but are still connected to the more traditional idea of what a home is.” This, he believes, “is why people feel comfortable in them.” On the other side of the country, midcentury modern architects and builders left legacies in California, particularly in Palm Springs and the San Francisco Bay Area. “We are fortunate to have an inventory of homes built in the 1950s by developer Joseph Eichler, the pioneer who brought midcentury modern to the masses,” says Michael Dreyfus of Golden Gate Sotheby’s International Realty in Palo Alto. “The homes were able to deliver so NEW CANAAN much in less space. You can get three and four CONNECTICUT bedrooms in a very small footprint,” he continues, noting that buyers still like the e! ciency. Sculptural elements, natural light and clear More recently, Dreyfus has noticed midcentury views of the surrounding landscape combine to make this exceptional midcentury modern modern elements in new construction. “Younger house an unprecedented experience in living. buyers in Silicon Valley are more design-oriented, Staying true to architect Eliot Noyes’s original and there’s something about the style that’s vision, the renovations by architect Joeb Moore captured people’s imaginations,” he says. Museum and builder David Prutting preserved his exhibitions trumpet the style’s culture-shaping sophisticated approach while making the home impact, architectural walking tours sell out, and conform to today’s standards. Natural materials such as wood and stone add warmth, events such as Modernism Week, a biannual and the house’s remarkable proportions are festival in Palm Springs, draw thousands of fans to enhanced by the expansive use of glass. buildings by William Krisel, Richard Neutra and

$6,950,000 Property ID: XXQC6F | sir.com Donald Wexler. Yes, fans – just like rock and roll. # William Pitt Sotheby’s International Realty Fatou Niang +1 212 961 7428 New York-based writer Iyna Bort Caruso has contributed to The

SOTHEBY’S 41 PORTLAND OREGON

(Above) This original midcentury Van Evera Bailey estate is located on top of the city’s Hessler Hills. Entirely remodelled to make the most of the property’s light, organic warmth and extensive outdoor spaces, this residence continues to honour the modern lines of the era in which it was created.

$2,495,000 Property ID:56CXQQ | sir.com Cascade Sotheby’s International Realty Kristen Kohnstamm +1 503 709 4518

AMAGANSETT NEW YORK

(Right) A modernist gem, this iconic retreat is a fully restored original from noted architect Richard Bender’s early 1960s Amenity project, a cluster of linear, light-infused beach cottages occupying a twenty-acre private enclave. Deftly curated by its owner, this sublime two- bedroom, one-and-a-half-bath home is a study in simplicity.

$2,100,000 Property ID: 0047542 | sir.com Sotheby’s International Realty – East Hampton Brokerage Rylan Jacka +1 516 702 5707 Bayard Fenwick +1 646 373 1479

42 SOTHEBY’S DENVER COLORADO

(Left) This exquisite residence stands out from other properties by combining a clean and modern aesthetic with a warm atmosphere. Completely renovated, the redesigned interior features hardwood ! oors, open spaces and ! oor-to-ceiling windows that illuminate the entirety of the main living area.

$5,450,000 Property ID: T2R6GG | sir.com LIV Sotheby’s International Realty Josh Behr +1 303 903 9525 Linda Behr +1 720 275 7726

MARIN COUNTY CALIFORNIA

(Below) The pure lines and modern appeal of midcentury design are on full display throughout this stunning masterpiece. Designed by renowned architect Edward Hageman and owned by the same family for more than 50 years, this one-of-a-kind gated estate o" ers complete privacy, awe-inspiring bay views and California living at its very # nest.

Price upon request | sir.com Golden Gate Sotheby’s International Realty Thomas Henthorne +1 415 847 5584

SOTHEBY’S 43 THE REGINATO FILES

JAMES REGINATO

IN FULL BLOOM

From new fragrances Aerin Lauder has no doubt her childhood visits a big cocktail ring.” The two items she has to her famous grandmother Estée’s houses in donated to the sale illustrate her taste: perfect to ! ne jewels, Aerin Manhattan, Palm Beach and East Hampton for day is her gold, rock-crystal and diamond Lauder’s impeccable were deeply formative experiences. “My earliest ring by David Webb, while a glamorous night taste knows no bounds. memories are of how she smelled and her on the town calls for a gold-and-diamond ring jewellery,” she recalls, in a telling association by Van Cleef & Arpels. Whatever the hour, of fragrance, aesthetics and glamour. “When Lauder believes it is of utmost importance I was really little, I would reach up and grab that jewellery be memorable – an opinion she the jewellery she left on her dresser. I was inherited from her illustrious ancestor. “My fascinated by these incredible objects.” With the grandmother loved big, iconic pieces,” she says. upcoming Fine Jewels sale at Sotheby’s New “She liked to wear just one great jewel, with a York on 17 October, Lauder – who worked for great dress and handbag. She taught me the idea two decades in various divisions of Estée that less is more.” Lauder, Inc., before launching her own global Such was Aerin Lauder’s inspiration when luxury lifestyle brand AERIN in 2012 – has an she launched her own company fi ve years ago. opportunity to link her long-standing loves of Founded on the principle that living beautifully fragrance and jewels. should be easy, the brand develops tailored As she prepares to launch the new AERIN collections in the realms of beauty, fashion Tuberose Collection, which features Tuberose accessories and home decor, which are available Le Jour (for daytime) and Tuberose Le Soir (for on her website and at select retailers. “For a nightime), Lauder is partnering with Sotheby’s busy woman, true luxury is having your options to explore this inescapable dichotomy among pre-edited for you,” Lauder explains. “It was the the auction’s o! erings. She is also consigning way my grandmother started her business, too. two gems of her own, the proceeds from which She started with just four or fi ve products. We will benefi t the Breast Cancer Research like to do things in a small, focused way. The Foundation (BCRF), an organisation founded by idea is, you don’t have to have so much, but just her aunt Evelyn in 1993 that today stands as the have a few great pieces.” largest private funder of breast cancer research With her new fragrance collection, Lauder (Above) A gold, rock-crystal and in the world. tells the story of one of nature’s most perfect diamond ring by David Webb Lauder says she has always enjoyed picking fl owers, the tuberose. Long held as a symbol ($4,000–6,000) from the Collection of Aerin Lauder Zinterhofer, Sold to di! erent types of adornment depending on of love and friendship, this prized blossom Bene! t the Breast Cancer Research the time of day. “For day, I love really fun, reveals di! erent scent impressions at dawn and Foundation. (Opposite) Aerin Lauder at home in wonderful, dramatic pieces of gold. At night, I dusk. Hence, Lauder’s Tuberose Le Jour o! ers New York wearing the above ring. like to incorporate stones and wear, for example, the dew-touched aroma of this fl ower at sunrise,

44 SOTHEBY’S PHOTOGRAPH BY JULIAN CASSADY luxurious and warm,” Lauder reports. “I’ve never seen geraniums like I saw there. In America, you just fi nd hot pink or red. In England I saw purple, sparkling pink and climbing geraniums, which I had never seen before. It was magic.” Another wellspring for Lauder are the gardens of her home in East Hampton, which she inherited from her grandmother. The house, decorated largely in her favourite shades of blue and white, is a refuge she shares with her husband, their teenage boys, plus three dogs. “Weekends are all family time. We love to go sailing, bike riding, barbecueing.” But for Lauder, even weekend casual has its limits: no matter what, she dresses for dinner. On a recent safari in Tanzania, for instance, she pulled out a Stella McCartney ru# ed lace blouse, which she dressed up with a piece of jewellery. Wherever she is, Lauder seeks out museums and galleries, as befi ts the daughter of esteemed collectors and philanthropists Ronald and “TRUE LUXURY IS while Tuberose Le Soir evokes its opulent, Jo Carole Lauder. Her father, a former US intoxicating aura at sunset. “Tuberose Le Jour HAVING YOUR OPTIONS ambassador to Austria, founded the Neue was inspired by the magical fi elds of tuberose Galerie in New York in 2001. Her mother has PRE-EDITED FOR YOU,” fl owers grown in India, where people gather been a longtime leading trustee of New York’s LAUDER EXPLAINS. buds at dawn to preserve their bright, fresh Museum of Modern Art, one of the institutions fl oralcy,” says Lauder. At night, the fl ower Aerin also supports, along with the takes on a distinctly di! erent character. “The Metropolitan Museum of Art, where she has fully opened petals are harvested only at been a Met Gala co-chair. sunset,” she explains. “I was fascinated to have In her rare downtime, a favourite occupation experienced how the fragrance changed, consists in browsing through auction catalogues. becoming increasingly rich.” “From the jewellery catalogues, I have gotten a lot It shouldn’t come as a surprise that the of ideas for packaging for my products,” Lauder tuberose was one of her grandmother’s favourite says. “I get so much inspiration from them.” It’s fl owers. “Even today, when I smell one, it only apt that the Fine Jewels sale should now reminds me of her. My grandmother loved get a little inspiration from Lauder herself. $ fragrance and told me never to leave the house James Reginato is writer-at-large of Vanity Fair and author without it. She was always testing new of Great Houses, Modern Aristocrats (Rizzoli). fragrances, but she especially loved Beautiful,” Fine Jewels Lauder recalls, referring to the Estée Lauder will be exhibited at Sotheby’s New York from 13–17 October. Auction: 17 October. Enquiries: +1 212 606 scent launched in 1985. “She had an incredible 7392. sothebys.com/! nejewels. nose and a passion for fl owers. She loved very feminine Bulgarian roses and white fl owers in general. Her houses, especially her tables, always had the most beautiful arrangements.” To refi ne her own horticultural knowledge and her nose, this summer Lauder toured some

of England’s great gardens, including those (Above) AERIN’s recently at Chatsworth in Derbyshire and Badminton launched fragrances: Tuberose in Gloucestershire, seats of the Dukes of Le Jour and Tuberose Le Soir. Devonshire and Beaufort, respectively. “The beauty of the English countryside is amazing. Everything looks so e! ortless and easy, yet

46 SOTHEBY’S “I love coral David Webb pieces. They represent timeless elegance and go perfectly with white or black fashion.” PAIR OF CORAL AND DIAMOND EARCLIPS, DAVID WEBB “A diamond and gold bow is the $6,000–8,000 perfect complement to a classic black cocktail dress.” GOLD AND DIAMOND “CHEVEUX D’ANGE” NECKLACE, VAN CLEEF & ARPELS, FRANCE $10,000–15,000

DAY AND NIGHT

“Safari-inspired style. I love Inspired by her new fragrances, the idea of adding a little animal charm to your day.” Tuberose Le Jour and Le Soir, DIAMOND AND EMERALD BRACELET, CARTIER Aerin Lauder picks her favourites $40,000–60,000 from Sotheby’s Fine Jewels sale.

“For the evening, this is one of my favourite vintage diamond cocktail rings. It’s feminine, pretty and an easy ! nishing touch.” From the Collection of Aerin Lauder Zinterhofer, Sold to Beneﬁ t the Breast VAN CLEEF DIAMOND EAR CLIPS Cancer Research Foundation $30,000–50,000 GOLD AND DIAMOND RING, VAN CLEEF & ARPELS “There is nothing more classic $8,000–12,000 than a great pair of diamond earrings for evening.”

“I love to use birds and " owers as accessories during the day. “These David Webb earrings This brooch reminds me of my de! ne classic elegance. grandmother, Estée.” I would wear them for a GEM%SET BROOCH, VAN CLEEF fun night out.” & ARPELS, FRANCE, CIRCA 1957 $10,000–15,000 PAIR OF CULTURED PEARL AND DIAMOND EARCLIPS, DAVID WEBB $6,000–8,000

SOTHEBY’S 47 A NE W BREED OF COLLECTOR

Collector Yusaku Maezawa’s tastes range from contemporary art to 20th-century design and Japanese ceramics. Here he poses with a group of 17th-century Oribe ware.

Photograph by Yasunari Kikuma. PHOTOGRAPH BY YASUNARI KIKUMA; MAKE UP BY SHINO; RETOUCHING BY MIKI STUDIO; SPECIAL THANKS TO IINO MEDIA PRO & LIGHT UP A NE W BREED OF COLLECTOR

JAPAN’S YUSAKU MAEZAWA MAKES HIS MARK

By setting auction-room records and using social media to convey his passion for art, Yusaku Maezawa is rede" ning the megacollector, reports Anthony Calnek. © DUMMY COPYRIGHT FILL IN WITH REAL TEXT

SOTHEBY’S 49 Y usaku Maezawa is ready for his close-up. For his photo shoot with leading Japanese magazine photographer Yasunari Kikuma, the 41-year-old e-commerce entrepreneur arrives with a game attitude. Maezawa has brought to Kikuma’s studio a few options from his personal wardrobe, and Kikuma selects a simple black T-shirt and jeans, then asks him to take o! his shoes. The shoot will take place in front of a solid blue backdrop, the colour chosen to echo the palette of Jean-Michel Basquiat’s Untitled, a 1982 painting that Maezawa bought at a recent Sotheby’s auction for a record $110.5 million. The barefoot look is a nod to Basquiat, who famously posed shoeless for a 1985 New York Times Magazine cover story that helped rocket him to art world fame just three years before his untimely death. Maezawa “is like a model,” says Kikuma. He should know: The photographer has shot Kate Moss, Victoria Beckham and Penélope Cruz for publications including Vogue Japan and Dazed. “He is a very, very creative person,” Kikuma continues. In just twenty minutes, the youthful businessman – who played drums for a rock band before founding e-commerce giant Start Today and its o! shoot Zozotown – has adopted a series of playful poses, then switches to a more Zen-like posture with some rare 17th-century Japanese ceramics he brought from home. “It was so much fun to work with him,” concludes Kikuma. “Maybe more than with a normal model!” Maezawa has been getting a lot of practice posing for the camera. The Basquiat auction, which took place in New York in May, captured the world’s attention. Within days, the collector was interviewed and photographed for newspapers around the globe, including The New York Times and The Wall Street Journal in the US, Germany’s Die Welt and the Chinese edition of the Financial Times. According to the Journal, Maezawa’s purchases have “almost single-handedly shifted prices skyward for Basquiat.”

(Clockwise from top left) Images from Maezawa’s Instagram feed: with a Donald Judd stack sculpture; a Corten steel sculpture in his home; announcing the Basquiat purchase at Sotheby’s; Japanese ceramics; The Wall Street Journal pro! le.

50 SOTHEBY’S Works by On Kawara and Donald Judd from Maezawa’s collection, exhibited in 2014 under the auspices of the Contemporary Art Foundation.

SOTHEBY’S 51 Before the May auction, it was widely expected that the 1982 Basquiat would edge out the artist’s previous record of $57.3 million, which Maezawa had also set, in 2016. But even the most jaded auction afi cionados found themselves holding their breaths in the Sotheby’s saleroom that May evening. Auctioneer Oliver Barker started the bidding at $57 million, and the price swiftly rose to $68 million, o! ered by a telephone bidder. That bidder, it turned out, was Maezawa, who was watching the simulcast of the auction from his Tokyo home in a time zone twelve hours ahead, calmly phoning in his bids as his sta! watched with mounting nervousness. Barker was poised theatrically, announcing “fair warning now,” and about to bring the gavel down, when a new bidder in the room raised his paddle. It is unheard-of for a bidder to enter the contest at such a dizzying altitude, and gasps could be heard in the room. This was followed by complete silence from the crowd, as the two determined bidders went back and forth for several minutes until fi nally, $30 million later, the phone bidder took the painting with a $98 million bid. (The fi nal price includes the buyer’s premium.) Then the next phase in the drama began unfolding. Generally, when the $100 million bar is broken at auction, rumours abound concerning the identity of the buyer. Such was the case when Edvard Munch’s The Scream sold at Sotheby’s in 2012 for $120 million to an anonymous phone bidder, inciting weeks of speculation about the owner’s identity until The Wall Street Journal reported that it was a prominent New York collector. That was not the case with the Basquiat sale. Within a few minutes, Maezawa’s 200,000 followers on Instagram and Twitter learned that he around the world, time spent with artists like Ai was the painting’s new owner. Posting a photo of Weiwei and Takashi Murakami, his tours of fabled himself taken a few days earlier during a private French wine cellars and even his appearance at the viewing of the painting in New York, Maezawa Metropolitan Museum of Art’s Met Gala. wrote: “I am happy to announce that I just won this In an interview over email, I asked Maezawa for masterpiece. When I fi rst encountered this his views on social media and the way it may be painting, I was struck with so much excitement changing the staid art world. “I believe information and gratitude for my love of art. I want to share sharing and openness allow things to become more that experience with as many people as possible.” fairly evaluated,” he replied. “My announcement of Soon, the world learned a tremendous amount the Basquiat purchase on Instagram has provided about Maezawa’s wide and deep commitment to an opportunity for the world to reassess and collecting. The best place to start is on Instagram. acknowledge the outstanding talent of the artist. To follow @yusaku2020 is to enter a world where On the other hand, I also look for the works of art is a defi ning feature of everyday life. There completely unknown and young artists on you’ll fi nd photos he frequently posts of new Instagram and actually purchase their works if additions to his collection and how they are I feel the quality is good.” displayed in his home, such as a Richard Prince Social media provides an accessible window nurse painting in a stairwell and prized 20th- into Maezawa’s world, but for those who have century design classics by Jean Prouvé in the living been following his journey as a collector for many room. He also frequently includes pictures years, the picture is much richer and more complex. documenting his visits to museums and galleries According to Amy Cappellazzo, chairman of

52 SOTHEBY’S “I LIKE TO SHARE WHAT I LOVE WITH EVERYONE.”

Sotheby’s Fine Art Division, “Yusaku Maezawa is an incredibly brave, innovative and passionate collector who is not bound by convention. His vision is all his own – guided by his instinct, sensibility and eye for quality. His approach to building a collection is organic and transcends typical boundaries, like geographical origin or historical period. The results are impressive and represent collecting at the highest level.” If courage and innovation are the characteristics that have guided Maezawa’s journey as a collector, it is a desire to share his art widely – and not just through social media – that truly sets him apart. In 2012 in Tokyo, he started the Contemporary Art Foundation (CAF), which organises exhibitions and gives grants to young artists and musicians. The foundation’s innovative programming dovetails with Maezawa’s collecting interests, as in a recent exhibition of Jean Prouvé furniture designs it staged at the French ambassador’s o% cial residence in

(Clockwise from top) Tokyo, and a 2014 show that juxtaposed the Exhibitions organised by conceptual art of On Kawara with minimalist Maezawa’s Contemporary Art Foundation: Generation Y: sculpture by Donald Judd. Kawara and Judd are two 1977, featuring works by Adrian artists Maezawa cites as representative of his Ghenie and others (2016); Onko Chishin, featuring works collection, along with Basquiat, Je! Koons and by On Kawara and Donald Pablo Picasso. Maezawa’s interests aren’t limited to Judd (2014); and Jean Prouvé: The Constructor (2016). art market favourites. “I am also fascinated by artists of my own generation and those younger than me. I believe art has no boundaries, and my passion is equally strong for many other categories. My collection includes not only contemporary art, but also design by Jean Royère and Japanese antique ceramics such as Oribe and Raku.” Does he take a varied approach to collecting art, design and antiquities? “I don’t feel any di! erences,” he replies. “I want to live surrounded by beautiful things.” Putting his collection on view through the CAF’s exhibitions and giving young emerging artists opportunities makes Maezawa happy: “I like to share what I love with everyone,” he says. That impulse has led him to plan a museum to showcase his holdings in Chiba City, his hometown, some 40 kilometres from downtown Tokyo. Yet beyond acknowledging that the museum is in the planning stages, Maezawa remains mum about its schedule or even who its architect will be. All that seems certain is that when the collector decides to reveal details, it will be through social media. So make sure to keep following @yusaku2020. *

KAORI NISHIDA Anthony Calnek is editor in chief of Sotheby’s magazine.

SOTHEBY’S 53 Cultivating China’s

The Yunnan region could become winemaking’s next Shangri-La, NEW reports Mark Ellwood. TERROIR n a rural corner of the Himalayan foothills, deep in the north of China’s southwestern Yunnan province, Frenchman Maxence Dulou rules an unlikely fi efdom: a patchwork of vineyards bolted precariously to steep slopes dotted with small Ivillages. So wildly does the terroir vary, Dulou confi des, that he had to carve the land into more than 300 distinct portions, each individually mapped and managed. In every lot, fruit-keeping, pruning, irrigation and weeding are customised, with the work conducted by local farmers who tend to the vines by hand. In Yunnan, each acre requires 1,400 hours of labour per year, about four times more than what is bestowed on even the best Bordeaux or Burgundy. “If you wanted to do this in France, people would say, ‘You are crazy,’” Dulou says. “But in China, we have the people for it, people who understand the plants.” The product of such painstaking cultivation is Ao Yun, a new wine that Dulou hopes will shatter the perception of Chinese wine among oenophiles. A 90 per cent Cabernet Sauvignon and 10 per cent Cabernet Franc blend, Ao Yun is grown at altitudes up to 8,500 feet – hence its name, which means “roaming above the clouds” – and produced in highly limited quantities: only 24,000 bottles are available worldwide. The fi rst vintage, 2013, was released a year ago, and 2014’s has just come to market. While clearly in command of this ambitious enterprise, Dulou didn’t create Ao Yun by himself: from the outset, luxury brand LVMH underwrote the project, which was directed by wine division head Jean-Guillaume Prats. Several years ago, Prats saw clear parallels between rural Yunnan and several of the world’s fi nest winemaking regions. “It’s like Bordeaux in terms of weather patterns, and like the remote villages of Spain where people have farmed for generations,” Prats noted recently, adding: “The extraordinary landscapes resemble the Uco Valley in Argentina, and the light and blue sky are like Stellenbosch in South Africa.” It was in South Africa, in fact, that Prats fi rst met and was impressed by the Bordeaux-born Dulou, who was then working in one of the country’s vineyards. The combination of his experience in France and his ability to translate it on a new continent made Dulou perfectly suited for the task when, after surveying various potential locations across China’s Middle Kingdom, Prats took a 50-year lease on this breathtaking area in Yunnan. Making the long-term commitment of leading LVMH’s China project, Dulou once again moved continents, along with his Chilean-born wife and two young children. There were already vines under cultivation in Yunnan’s rural heartland, brought there by a French missionary in the late 19th century, but production was small-scale and largely stymied since the Cultural Revolution. Dulou was instantly

LVMH’s newest prestige wine is grown in the Himalayan foothills. COURTESY LVMH

SOTHEBY’S 55 “AGRICULTURE HERE HASN’T CHANGED IN A HUNDRED YEARS,” SAYS WINEMAKER MAXENCE DULOU, “AND OUR AMBITION WAS TO KEEP IT THAT WAY.” COURTESY LVMH smitten by this unexpected location – and not just because older vines like these would allow production to ramp up much more rapidly than starting from scratch. “The villages here – Adong, Xidang, Sinong and Shuori – are a patchwork of walnut trees, corn fi elds, barley and vineyards. Agriculture here hasn’t changed in 100 years, and our ambition was to keep it that way,” he says. The chance to hand-tend the vines was unmissable, as was the opportunity to meticulously compose a wine using grapes from discrete small holdings: with the four villages sitting at di! erent altitudes, their terroirs and levels of sun vary wildly, allowing for much nuance. Although these possibilities were intertwined with obvious logistical challenges, Dulou was not deterred – on the contrary. The fi rst and largest obstacle lay in the remoteness of the vineyards, a gruelling day’s drive through the mountains from the Yunnan capital of Kunming. Dulou rapidly recognised that Ao Yun’s operation would need to be self-su" cient: if equipment malfunctioned, for example, he and his team needed to fi x it themselves rather than wait two weeks or more until a repairman could reach them. Another di" culty resided in the frequency of power outages, which put such processes as bottling at risk if the electricity cut out during operation. After several such incidents, Dulou installed a backup generator as a safeguard and has kept many other processes electricity-free: for instance, de-stemming is done manually, thus avoiding potential mechanical hiccups. The extremes of weather and climate presented another challenge. The valleys are so steep-sided that they receive restricted hours of sunshine even in midsummer. As a result, grape-picking usually takes place in late October, around 160 days after fl owering, as opposed to the typical 120-day turnaround in Bordeaux. But the climate here has unexpected upsides, too: the dry, thin air keeps pests and diseases like botrytis and mildew largely at bay, so farming can be organic and pesticide-free. Vinifi cation at such altitudes was also groundbreaking, and Dulou tinkered with the process like a mad scientist, expert Nicholas Jackson seems to think so. “I feel this is the (Above) Ao Yun’s 2013 vintage. exploring how the low levels of oxygen impact yeast, fi rst great Chinese wine. In terms of wine style, a lot of people maceration and extraction. Ultimately, Ao Yun’s custom-built (Opposite) Winemaker have said it is like Bordeaux, but I don’t see that,” Jackson says. Maxence Dulou. cellar was sited in the highest village, Adong, at around 8,500 “I think it has a unique nose and palate, a freshness and saline feet. Housed in a round, earth-walled building, it is intended character that balance the power, and a local herbal streak to blend seamlessly with the existing local architecture. that comes from that inclusion of 10 per cent Cabernet Franc. Ao Yun is not the only premium wine originating in China. Will it sustain? I don’t see why not, given the quality of this Another LVMH subsidiary, Chandon, already produces a fi rst vintage.” Unsurprisingly, LVMH’s Prats agrees: “Allow champagne-style sparkling wine in the northern region of me to dream, and I would like it to be like Penfolds Grange,” Ningxia. Several years ago, Italian conglomerate Illva he says, referring to the famed Australian wine. “An iconic snapped up a sizable share of Changyu, the country’s oldest New World wine that is perceived as something unique, with winemaker, and has since helped the producer upgrade very few counterparts – a benchmark wine that carries a both its technical facilities and its quality. As a result, mystique.” That is a lofty aim, but one that Dulou might well Changyu’s $900 million Wine City – a kind of oenophile’s achieve. After all, his new region of choice has long been theme park in Yantai – relies on Italian-made machines for thought of as the seat of the mythical Shangri-La. # production and bottling. New York-based Mark Ellwood writes regularly for Bloomberg, Departures But will such Old World expertise applied to new and and WSJ Magazine. existing Chinese winemakers persuade wine lovers Ao Yun 2013 and 2014 are available at Sotheby’s Wine Retail in New York worldwide to sample their Cabernets and bubblies? Perhaps ($295) and Hong Kong (HK$2,380). Enquiries: New York: +1 212 894 1990; Ao Yun will begin to answer this question. Sotheby’s wine Hong Kong: +852 2886 7888; [email protected].

SOTHEBY’S 57 Photographer-provocateur Steven Klein and the co-founders of Visionaire spoke with Stephanie Sporn about their forthcoming collaboration, dark humour and killer heels.

RISQUÉ B USINESS RISQUÉ B USINESS ommit to something,” reads the tagline on the photograph of a woman wearing diamond earrings and little else, breastfeeding twins over a plate of steak tartare. If Equinox was looking to turn heads with its recent ad campaign, the elite fi tness brand has succeeded. This startling Cimage was created by Steven Klein, the photographer whose own “something” is an artistic vision that is seductive, transgressive and gender-bending. Saturated colour, high- contrast tonality and pointed storytelling are typical of Klein, whose background in fi lm informs his fashion editorials and luxury-brand campaigns with cinematic magnetism and suspense. Klein says his models and celebrity subjects “are fearless when they can understand the di! erence between making pretty pictures versus interesting photographs.” “Ugliness and beauty are in the eye of the beholder,” adds Klein, keenly aware that his daring work has caused shock waves over the years. When he photographs A-list stars such as Brad Pitt, Naomi Campbell or Lady Gaga, he often portrays them in scenarios that are erotic, foreboding and sometimes violent. In a 2003 sound and video installation, for instance, the photographer cast Madonna as a performance artist living out her most abject fears: in one scene, the pop star, surrounded by coyotes ready to pounce, is in a backbend and tied to a pole. Bondage, extreme poses, constricting clothing and dangerously vertical footwear are preferred Klein tropes. In his photograph Killer Heels, Klein shows female feet clad in devil-red stilettos after they have irrevocably scratched a car hood. The work, a 34-by-60-inch still from his video for the 2014 Brooklyn Museum exhibition of the same name, will be o! ered directly from Klein’s studio in Sotheby’s Photographs sale on 5 October. As one of the most in-demand imagemakers working today, Klein is a favourite contributor to major fashion glossies such as Vogue and W. Yet one of his longest-running and closest collaborations has been with Visionaire, the infl uential, high-concept art and style publication that has come to defi ne a certain brand of downtown New York cool. At its launch in 1991, Visionaire was the brainchild of the ultra-hip trio of Cecilia Dean, a student and model, and James Kaliardos and Stephen Gan, classmates at the Parsons School of Design (Gan left Visionaire in 2014). Their creation challenged the traditional magazine format: rather than as issues, Visionaire would be released in editions built around a theme and created in collaboration with artists,

(Previous pages) Steven Klein’s (This page, from top) Klein’s portrait of Killer Heels, 2014 (estimate Alexander McQueen in Visionaire 58 SPIRIT, $18,000–22,000), will be offered at a tribute to the late designer, and a Klein Sotheby’s New York on 5 October. image from Visionaire 31 BLUE. (Opposite) Visionaire 67 FETISH, which includes a set of eleven-by-fourteen-inch photos by Klein, to be released this autumn.

60 SOTHEBY’S “I TRY TO CREATE INTRIGUE THROUGH THE RIDICULOUS AND THE MACABRE,” SAYS KLEIN.

photographers, designers and performers – Mario Testino, craft of real photography and printing.” Kaliardos adds that Alexander McQueen and David Bowie, to name a few. The the collectible format is “a remedy to the current nature of editions, numbering 66 so far, have been sculptural objects by the disposable modern fashion editorial.” contemporary artists, such as nesting-doll toys with designs Appropriately, in Klein’s Visionaire 67 FETISH series, by painter Alex Katz; more ephemeral, as in a set of 21 vials pleasure and pain are intertwined. In one photo, leopard pumps of experimental fragrances each paired with a picture by stomp over a blindfolded man’s face. In another, a pointy an international photographer; or in the form of provocative crimson stiletto stabs the crotch of a decapitated Ken doll. images that artists couldn’t easily publish elsewhere. This edition also includes a version of Killer Heels, the work “We were always – and still are – not afraid to publish highly that Klein is o! ering at Sotheby’s. “I love the juxtaposition,” controversial or explicit imagery,” says Dean, adding says Dean, noting how both stilettos and cars are clichéd that Visionaire has remained advertisement-free “so symbols of female and male desirability. “It could seem like photographers can express themselves without the usual the woman has been forced to do something against her will, commercial constraints.” Klein’s ﬁ rst appearance was in but my interpretation is that she is alone and seeking sweet 1993’s Visionaire 8 THE ORIENT, which began an ongoing revenge by ruining a man’s prized possession: his car.” creative dialogue. “Steven is a visionary,” says Kaliardos. Klein specialises in cultivating that kind of ambiguity. “There’s no one like him. His identity is so clear, yet he has “I try to create intrigue through the ridiculous and the been able to traverse many di! erent styles and atmospheres.” macabre,” he says. “For me, it is a balance of dark humour Klein’s work has been featured in nearly a third of and a study of sculptural objects. The heels have strong Visionaire’s editions, but the photographer has not had one personalities – some of them are killers.” #

devoted entirely to himself – until now. The forthcoming Stephanie Sporn is a sta! writer at sothebys.com and has written about art Visionaire 67 FETISH is all Klein, comprising ten never- and culture for The Hollywood Reporter, DuJour, Re" nery29 and others.

before-seen photographs enclosed in a sleek three-piece Photographs will be on view in New York 30 September–4 October. black box produced in an edition of 200. (It will be unveiled Auction: 5 October. Enquiries: +1 212 894 1149. this autumn at Sotheby’s New York.) “Visionaire 67 FETISH For more information about Visionaire 67 FETISH or previous editions,

ALL IMAGES © STEVEN KLEIN STUDIO, COURTESY VISIONAIRE is the absolute, unadulterated embracing of photography please contact [email protected]. Issue 67 can be purchased on and Steven’s imagination,” says Dean. “By delivering visionaireworld.com. something tactile, we are paying homage to the art and

SOTHEBY’S 61 CALENDAR OCTOBER 2017

Upcoming auctions and exhibitions in North America, Europe and Asia. All Sotheby’s exhibitions are free and open to the public.

OCTOBER 1

S|2 Selling Exhibition ROBERT GRAHAM: 2 SELECTED WORKS 1978!2004 8 Sept–6 Oct, New York IMPORTANT WATCHES Exhibition 28 Sept–1 Oct S|2 Selling Exhibition Auction 2 Oct, Hong Kong ROBERT INDIANA: WORKS FROM THE COLLECTION FINE CHINESE PAINTINGS OF HERBERT LUST Exhibition 28 Sept–1 Oct 8 Sept–6 Oct, New York Auction 2 Oct, Hong Kong Selling Exhibition CONTEMPORARY INK ART: CONFLUENCE AMERICAN SCULPTURE: (Above) Exhibition 28 Sept–1 Oct BEYOND LIMITS Formerly From the Auction 2 Oct, Hong Kong 9 Sept–29 Oct, Chatsworth, Collection of Mrs. Derbyshire Severance Millikin, Cleveland, Ohio Selling Exhibition Emerald, ruby and SOTHEBY’S DIAMONDS diamond brooch, 28 Sept–3 Oct, Hong Kong Van Cleef & Arpels, Paris, circa 1957 3 THE BEST OF THE BEST ! $10,000–15,000 THE MQJ COLLECTION Fine Jewels OF MING FURNITURE 17 October, New York 1921!2010 THE LITTLE Exhibition 29 Sept–2 Oct BLACK DRESS ! Hong Kong (Below) COLLECTION An exceptional and rare DIDIER LUDOT FINEST AND inlaid gilt-bronze ! gure Exhibition 28–30 Sept & RAREST WINES of Manjushri, Nepal, 14th century 2 Oct, Paris Auction 29–30 Sept HK$15,000,000– Auction 3 Oct, Paris Hong Kong 25,000,000 WINES FROM THE CELLAR The Heart of Tantra – The following Hong Kong auctions OF FUX RESTAURANT Buddhist Art will be held on 3 October, with pre- Auction 30 Sept, Hong Kong 3 October, Hong Kong sale exhibitions from 28 Sept–2 Oct. MAGNIFICENT MODERN AND JEWELS & JADEITE CONTEMPORARY ART EVENING IMPORTANT CHINESE ART Exhibition 28–30 Sept Auction 30 Sept, Hong Kong SONG ! IMPORTANT CERAMICS FROM THE LE CONG TANG The following Hong Kong auctions will be held on 1 October, with pre- COLLECTION sale exhibitions from 28–30 Sept. WINE, PINE AND STONE MODERN & RETREAT COLLECTION ! CONTEMPORARY TREASURES SOUTHEAST ASIAN ART THREE MASTERPIECES FINE CLASSICAL FROM THE COLLECTION CHINESE PAINTINGS OF AN ENGLISH LADY THE HEART OF TANTRA ! The following Hong Kong auctions BUDDHIST ART will be held on 1 October, with pre- sale exhibitions from 28 Sept–1 Oct. THE EDWARD T. CHOW A Colombian emerald “BAJIXIANG” BOWL MODERN ASIAN ART and diamond parure, CONTEMPORARY ART Van Cleef & Arpels (necklace shown) MORITA SHIRYU: BOKUJIN HK$16,000,000– 24,000,000 Magni cent Jewels & Jadeite 3 October, Hong Kong

62 SOTHEBY’S 5

(Above) ALEXANDER CALDER CONTEMPORARY 6 ART EVENING Untitled, 1960 £1,800,000–2,500,000 Exhibition 30 Sept–5 Oct Auction 5 Oct, London Contemporary CONTEMPORARY ART DAY Art Evening IN CONTEXT ! ITALIAN ART 5 October, London Exhibition 30 Sept–5 Oct Auction 6 Oct, London Exhibition 30 Sept–5 Oct (Left) Auction 5 Oct, London BAUHAUS_DEFINING A stainless-steel PHOTOGRAPHS automatic centre- A CENTURY seconds diver’s Exhibition 30 Sept–5 Oct Exhibition 30 Sept–4 Oct wristwatch with Auction 6 Oct, London Auction 5 Oct, New York bracelet, ref. 5513, “Metres First” AMERICAN ART RM SOTHEBY’S HERSHEY submariner, circa 1967 Exhibition 30 Sept–5 Oct Exhibition 5–6 Oct HK$26,000– 50,000 Auction 6 Oct, New York Auction 5–6 Oct, Hershey, Important Watches Pennsylvania 2 October, Hong Kong 9 10 S|2 Selling Exhibition EL SALAHI BIBLIOTHÈQUE R. & B. L. ! WILLIAM TURNBULL ROMANTIC WORKS 9 Oct–17 Nov, London Exhibition 6–9 Oct Auction 10 Oct, Paris 12 13 IMPORTANT JEWELS & JADEITE Online Auction Exhibition 28 Sept–2 Oct & OLD MASTERS 7–10 Oct ONLINE: VENICE Auction 12 Oct, Hong Kong Exhibition 13–26 Oct, New York Auction 13–26 Oct, Online FINE TIMEPIECES 17 Exhibition 28 Sept–1 Oct & 7–11 Oct Auction 13 Oct, Hong Kong Online Auction OLD MASTER COPIES ONLINE: IMITATION AND INFLUENCE Exhibition 27–30 Oct, London 18 Auction 17–30 Oct, Online An unusual doucai and famille-rose DESIGN: LIVING IN A Selling Exhibition inscribed “autumn” MATERIAL WORLD moon" ask, Qianlong Exhibition 13–17 Oct ETERNAL WATER: mark and period Auction 17 Oct, London PAINTINGS BY HK$12,000,000– WUCIUS WONG 18,000,000 FINE JEWELS 18–30 Oct, Hong Kong Important Exhibition 13–17 Oct Chinese Art FINEST & RAREST WINES Auction 17 Oct, New York 3 October, Hong Kong Auction 18 Oct, London

SOTHEBY’S 63 CALENDAR

OCTOBER 19

MODERNITY: FROM RODIN TO SOULAGES 21 Auction 19 Oct, Paris COLLECTIONS & CURIOSITIES DADA, SURREALISM & Exhibition 13–17 Oct BEYOND: THE DR. ARTHUR Auction 19 Oct, New York BRANDT COLLECTION Auction 21 Oct, Paris 25 23 20TH CENTURY ART/ MIDDLE EAST ARTS OF THE Exhibition 20–23 October ISLAMIC WORLD DIEGO GIACOMETTI Auction 23 Oct, London Exhibition 20–24 Oct Guéridon arbre au (Above) hibou, circa 1980 Auction 25 Oct, London A portrait of a prince PRINTS & MULTIPLES €150,000–200,000 holding a falcon, Exhibition 20–23 Oct MODERN & Design style of Muhammad Auction 23–24 Oct, New York 31 October, Paris Hasan, Persia, Qajar, CONTEMPORARY circa 1820 SOUTH ASIAN ART £60,000–80,000 Exhibition 20–24 Oct Arts of the Auction 25 Oct, London Islamic World 25 October, London 26 (Below) LUCIO FONTANA La Silla Barroca, 1946 27 FINE AUTOGRAPH Sotheby’s New York £500,000–700,000 LETTERS AND 1334 York Avenue In Context – MANUSCRIPTS FROM Hours: Mon–Sat 10 am–5 pm Italian Art COLLECTIONS: A DISTINGUISHED Sun 1 pm–5 pm 5 October, London EUROPEAN PRIVATE COLLECTION, DECORATIVE ARTS PART I: MUSIC +1 212 606 7000 Exhibition 13–26 Oct Exhibition 21–25 Oct Sotheby’s London Auction 27 Oct, New York Auction 26 Oct, London 34–35 New Bond Street Hours: Mon–Fri 9 am–4:30 pm THE MAGNIFICENT Weekends noon–5 pm BOTANICAL LIBRARY +44 (0)20 7293 5000 OF D. F. ALLEN Exhibition 21–25 Oct Sotheby’s Paris 30 Auction 26 Oct, New York 76 rue du Faubourg Saint-Honoré Hours: Mon–Sat 10 am–6 pm +33 1 53 05 53 05

BOOKS & MANUSCRIPTS Sotheby’s Hong Kong Auction 30 Oct, Paris 5/F One Paci$ c Place 88 Queensway, Hong Kong 31 Hours: Mon–Fri 10 am–6 pm Sun 11 am–5 pm +852 2524 8121 COLLECTIONS Exhibition 28–30 Oct Sotheby’s Hong Kong auctions Auction 31 Oct–1 Nov and exhibitions are held at London the Hong Kong Convention & Exhibition Centre DESIGN 1 Expo Drive Auction 31 Oct, Paris Wanchai, Hong Kong Hours: Daily 10 am–6:30 pm +852 2524 8121

Visit sothebys.com/onview for the latest exhibition information.

64 SOTHEBY’S GLOBAL SALE HIGHLIGHTS

JEAN DUBUFFET Cortège, 1961 £2,700,000–3,500,000 Contemporary Art Evening 5 October, London

SOTHEBY’S 65 GLOBAL SALE HIGHLIGHTS

ne of the highlights from this O sale, which encompasses works produced under Islamic patronage, is this oil painting from an important private collection, depicting a prince with a falcon, the embodiment of the courtly elegance of Qajar Persia. A magni! cent coat embroidered with thousands of Basra seed pearls speaks to the luxury of the Maharajas’ courts in late 19th-century India, while the splendour of Ottoman textile production is represented by an outstanding 16th- century çatma panel.

(Left) A magni" cent royal coat embroidered with Basra seed pearls, India, 19th century £150,000–250,000

(Far left) A portrait of a prince holding a falcon, style of Muhammad Hasan, Persia, Qajar, circa 1820 £60,000–80,000

Arts of the Islamic World 25 October, London

66 SOTHEBY’S sensational new sale will take A place at Sotheby’s Paris during the week of the FIAC fair. Modernity: From Rodin to Soulages focuses on the major artists that shaped modernity, from the emergence of the avant-garde to the present day. This highly curated selection seeks to generate thought-provoking dialogues between the works of seminal artists and key movements along the aesthetic development of the 20th century.

(Above) MAN RAY Tearful Woman, 1935 €300,000–400,000

(Right) PIERRE SOULAGES Peinture 65 x 81 cm, 2 août 1975 €300,000–500,000

Modernity: From Rodin to Soulages 19 October, Paris

SOTHEBY’S 67 GLOBAL SALE HIGHLIGHTS

eyond Limits 2017 brings B the searing abstract vision of American art to the rolling hills of Derbyshire in a one-o" American- themed exhibition. Following the success of our British-themed show in 2015, Sotheby’s has brought together monumental sculpture from the foremost post-war American artists in one of the most iconic settings in Britain. Highlights include sculptures by Tony Smith, Louise Nevelson, Mark di Suvero, Robert Indiana and Richard Serra, along with the only complete set of early sculptures by Julian Schnabel.

JULIAN SCHNABEL Golem, 1986 Price upon request

Selling Exhibition American Sculpture: Beyond Limits 15 September–12 November Chatsworth, Derbyshire

68 SOTHEBY’S ith its deeply romantic the water, perfectly lent themselves to W lagoon and rich cultural the genre of vedutism: in the 18th and history, Venice has 19th centuries, views of La Serenissima enchanted visitors for centuries. The were commissioned and acquired by historic prosperity of the Venetian Grand Tourists, who wished to possess Republic gave rise to wealthy patrons reminders of the city’s beauty. Sotheby’s keen to celebrate its splendour, and the is thrilled to present its ! rst online auction city became a magni! cent artistic centre. of Old Masters, which will be accompanied Its unique topography and superb by an exhibition of the paintings in New architecture, perched miraculously above York from 13–26 October. FRANCESCO ZANIN Venice, The Scuola Grande di San Marco and the Campo Santi Giovanni e Paolo $15,000–20,000

Old Masters Online: Venice 13–26 October, Online

SOTHEBY’S 69 GLOBAL SALE HIGHLIGHTS

his season we celebrate the art addition to our regular o" erings of Tof collecting by honouring the English and Continental silver. Ceramics curiosity cabinet. Showcasing highlights include a pair of Sèvres vases the allure of acquiring rare and unique with covers, French biscuit ! gures and objects, the catalogue features a number Mintons and Sèvres pâte-sur-pâte of Kunstkammer-inspired vignettes. Silver vases, among other English and and vertu standouts include animal and Continental wares. Starting estimates marine ! gures by Buccellati, Chinese and range from $2,000 to $60,000, with Japanese export vases, Viennese enamel, many lots o" ered without reserve. A selection of works from the sale, including hardstone and rock-crystal objects, in silver " gures by Buccellati, a Meissen nodding pagoda and a Flight, Barr & Barr “Japan” pattern crested part dinner service Estimates range from $2,000–9,000

Collections & Curiosities 19 October, New York

70 SOTHEBY’S (Above) 1935 Duesenberg Model J Cabriolet by d’Ieteren, Engine no. J-519 $1,500,000–2,000,000

(Below) The Thomas F. Derro Collection, including the 1935 Duesenberg Offered entirely without reserve

RM Sotheby’s Hershey 5–6 October

SOTHEBY’S 71 GLOBAL SALE HIGHLIGHTS

he inaugural sale of Himalayan T and Chinese Buddhist works of art commences with a section of 21 early Tibetan bronze sculptures from the renowned Nyingjei Lam collection, formerly on loan to the Ashmolean Museum, Oxford, and the Rubin Museum of Art, New York. These works are now being sold for the bene! t of charities in India. Other highlights include a monumental early standing bronze ! gure of Maitreya from an American private collection and a 14th-century Nepalese gilt-bronze ! gure of Manjushri, originally given by the King of Nepal to the Canadian diplomat Chester Ronning.

Ϸ⻸㬴ჹ℁ᄴౕ仆⍜仃䓓ૉ⦗៶䯲͚ࣷస҈ ᪆㬊㶀⣺৮ᄵൡ喑⪣͚࠲᠙ᙵ઱៺䈐䘕ܳ喑 ᪙ॵ㤖㫖䖀᝭㫼㺬㫼ᬖ᱌䞲䕍׼ι࡮̭ᄷ喑 ౴ᰫՌᆂ➈≒䭬ϭ㣘᳄ࢇ➖乕ࣷ㈽㈱傜䈀㬊 ᩣ⯷ᄴᘍⓑ࢝Ꮣ҈᪆౅倁喑҉ڣ㶀ࢇ➖乕喑 ᙵ઱⩕䕁ȡᄵ៺⣺৮䖱ᰶ㒻స⻮ϧᩣ㫼䢼䛾䞲ᑹ߿҈⿸׼喑Вࣷᅩ⇷❫స⢸䈵εߍᠬ๔ ใϑჅChester Ronning͸࡮ఈ̓㈭䢼䛾䞲 ᪴₷౽׼ȡ

An important monumental gilt- bronze standing " gure of Maitreya, Yuan dynasty ٰ 䢼䛾䞲ᑹ߿҈⿸׼ HK$20,000,000– 30,000,000

The Heart of Tantra – Buddhist Art Including Property from the Nyingjei Lam Collection 3 October, Hong Kong ჳᚔ⻗ᓰ 㤖㫖䖀⣺㫼ࣷ Ѓ҈᪆㬊㶀㇫৮ڣ 仆⍜10ᰵ3ᬒ

72 SOTHEBY’S his sale consists of three ⁐ॵ㠞՘ຠट䯲㧱̶க喑ᖶ◧ᬻ⌲⣺৮喑㫼喑ҳ⎽ᰶ㋿ȡ仃ᣕᬻაڒoutstanding masterpieces of 1960–1980ᎡА T ᓤแ咺㑽喑䱿㟞ᤛ℘ໆ⪘แ咺᜽䰆喑㿍ა⿝ Chinese art from the Ming and Qing dynasties, acquired from the ҠҸ喑ᬖ᫩1968ᎡᰫౕᲞ᫦䮣⨤Ⴅᰰᆂ㻪䮠 1960s to the 1980s, all with extensive ݄ӈ䈋ȡओใιகݴ◧䯺ₐᢽ㊟⥧⦜䰟咺㈸ provenance: an exceptional Xuande- ๖⤰⨣ࣷΫ䮳㉘ᾭ䰟咺⺒删㈸マ喑౴◧ጒ㇫ marked porcelain jar painted in rich tones 㬊㊂͸৮ȡ of cobalt blue with a pair of “makaras,” which was included in the 1968 Oriental An exceptional Ceramics Society exhibition; a magni! cent blue and white “makara” jar, Xuande Yongzheng-period Imperial cloisonné mark and period enamel tianqiuping decorated with a ᬻაᓤ 䱿㟞แ咺㑽 three-clawed dragon; and a superb Ȩ๔ᬻაᓤᎡ㸪ȩ⁫ Qianlong-period zitan box carved with HK$30,000,000– 40,000,000 dragons and a phoenix.

Three Masterpieces from the Collection of an English Lady 3 October, Hong Kong 咺ᖖⓑ᫪ 㠞՘ຠट䛺㺮ᩣ㫼仆⍜10ᰵ3ᬒ

SOTHEBY’S 73 THE ART OF LIVING Explore our selection of extraordinary homes currently for sale around the world.

FEATURED Queensland, Australia Property ID: RXFS9B | sothebysrealty.com ® MMXVII Sotheby’s International Realty A6liates LLC. A Realogy Company. All Rights Reserved. Sotheby’s International Realty® is a registered trademark licensed to Sotheby’s International Realty A6liates LLC. An Equal Opportunity Company. Equal Housing Opportunity. Each O6ce is Independently Housing Equal owned Opportunity. and operated. An Company. Opportunity Equal LLC. A6liates International Realty trademark licensed is to International Sotheby’s a Realty® registered Sotheby’s All Rights Reserved. Company. Realogy A LLC. A6liates International Realty ® MMXVII Sotheby’s SOTHEBYSREALTY.COM

ELSIE BAY

ANGUILLA

Oceanfront and Sustainable Villa Four bedroom, four bath, private pool, views of St. Maarten, secluded beach. Love Shack Villa restored to its West Indies authenticity complimented by modern technology. Ideal sanctuary, comfort, charm.

SOTHEBYSREALTY.COM, PROPERTY ID FVM85K ANGUILLA PROPERTIES SOTHEBY’S INTERNATIONAL REALTY SCOTT L. HAUSER +1 264 498 0123 [email protected]

$4,100,000 US

HARBOUR ISLAND

BAHAMAS

La Bagatelle Private, just under one acre estate with a private 2,000 sq. ft. cottage, o! ers 268 ft. of historic Dunmore Street South frontage. One bedroom, one and one half bath cottage. Incredible potential for estate home.

SOTHEBYSREALTY.COM, PROPERTY ID 5TNC84 DAMIANOS SOTHEBY’S INTERNATIONAL REALTY JAMES MALCOLM +1 242 376 9858 [email protected]

$2,095,000 US

ST. BARTH

CARIBBEAN

St. Barth’s Most Spectacular Estate Nine bedrooms including a caretaker residence. Panoramic views including, the islands of Saba and Statia and year round sunsets. Private " ve bedroom main residence, two bedroom guest house, and two pools.

SOTHEBYSREALTY.COM, PROPERTY ID 9KSEEX ST. BARTH PROPERTIES SOTHEBY’S INTERNATIONAL REALTY TOM SMYTH +1 508 570 4481, +590 590 29 90 10 [email protected]

!46,000,000

PROVIDENCIALES

TURKS AND CAICOS ISLANDS

Grace Bay Beachfront Saving Grace’s beautiful and enduring Colonial design match its breathtaking views of seven miles of white sand, glittering turquoise sea and surf-topped coral reef beyond. Four bedrooms. 5,159 sq. ft.

SOTHEBYSREALTY.COM, PROPERTY ID KVDPVM TURKS & CAICOS SOTHEBY’S INTERNATIONAL REALTY NINA SIEGENTHALER +1 649 231 0707 [email protected]

$7,950,000 US

SOTHEBY’S 75 SOTHEBY’S INTERNATIONAL REALTY PROPERTY SHOWCASE

SAINT PAUL DE VENCE, FRENCH RIVIERA

FRANCE

Le Jardin des Arts – A Brand New Development Brand-new luxury real estate complex at the heart of 23,000 sq. m. of landscaped Mediterranean gardens, o! ering views across the sea, the village of Saint-Paul and the surrounding countryside.

SOTHEBYSREALTY.COM, PROPERTY ID XH6XNT CÔTE D’AZUR SOTHEBY’S INTERNATIONAL REALTY LAURENCE CHALEIL +33 4 92 92 12 88 [email protected]

PRICE UPON REQUEST

OAKVILLE, ONTARIO

CANADA

Most Modern Neoclassic Estate The magni" cent Neoclassic estate, in one acre of land. This is truly a majestic and glorious modern manor, which achieves the summit of the art and rede" nes expectations of luxury suburban living.

SOTHEBYSREALTY.COM, PROPERTY ID 465N5Y SOTHEBY’S INTERNATIONAL REALTY CANADA KINGSLEY QIN +1 905 845 0024 [email protected]

$17,900,000 CAD

PARADISE VALLEY

ARIZONA

Truly One-of-a-Kind Great Garage Estate One acre estate, in gated Clearview Edition community at the heart of Paradise Valley. Elevated lot with Camelback Mountain views. Patio areas, fountain, rose gardens. Car lover’s dream with seven car garage.

SOTHEBYSREALTY.COM, PROPERTY ID QMD9XR RUSS LYON SOTHEBY’S INTERNATIONAL REALTY FRANK AAZAMI, THOMAS O’LEARY +1 480 266 0240 [email protected]

$2,750,000

SANTA ROSA

CALIFORNIA

Chateau de Vigne Chateau de Vigne comprises 50 acres of land, of which over 32 acres are prime Chardonnay and Pinot Noir vineyard with an estate building site. A perfect vineyard estate for elegant wine country living.

SOTHEBYSHOMES.COM, WEB ID 1190573 SOTHEBY’S INTERNATIONAL REALTY WINE COUNTRY BROKERAGE CONSTANCE SHARPE +1 707 484 3094 [email protected]

$3,950,000

76 SOTHEBY’S SOTHEBYSREALTY.COM

GATEWAY

COLORADO

West Creek Ranch Presenting one of the most signi" cant listings in the American West, West Creek Ranch, is a spectacularly diverse private land and estate property boasting one of the " nest residences and land parcels in the world. The expansive property encompasses unique land formations including the soaring precambrian rock cli! walls of Unaweep Canyon, and majestic high-plateau country with magni" cent views of the La Sal Mountains of Utah. On-ranch treasures include a bear and mountain lion habitat, real dinosaur footprints, and the historic ruins of Driggs Mansion. The main residence features 22,000 sq. ft. of indoor living space with exquisite " nishes and craftsmanship throughout. Also included in the sale, are irrigated equestrian and bison pastures, " shing ponds, a grass airstrip and hangar, helipad, stables, astronomical observatory, and trout stream. West Creek Ranch is an iconic and majestic treasure to be explored and discovered for generations to come.

SOTHEBYSREALTY.COM, PROPERTY ID E5WQ3B LIV SOTHEBY’S INTERNATIONAL REALTY KERRY ENDSLEY +1 303 570 0267 [email protected]

$149,000,000

BOULDER

COLORADO

Tranquil Estate and Equestrian Property Breathtaking combination of elegance and sophistication, a tranquil estate and equestrian property with stunning views and amenities of a " ve-star resort just over seven miles from Boulder.

SOTHEBYSREALTY.COM, PROPERTY ID F9FCQH LIV SOTHEBY’S INTERNATIONAL REALTY JEFF ERICKSON, CARLISS ERICKSON +1 303 589 2741 [email protected]

$5,995,000

BRECKENRIDGE

COLORADO

Mountain Masterpiece with Sweeping Views Experience panoramic views of the Rocky Mountains and golf course with " ve bedrooms and six bathrooms, over 5,449 sq. ft. Fully furnished with timeless " nishes, just 15 minutes to Breckenridge.

SOTHEBYSREALTY.COM, PROPERTY ID 26NXD2 LIV SOTHEBY’S INTERNATIONAL REALTY JACK WOLFE +1 970 368 0018 [email protected]

$3,000,000

SOTHEBY’S 77 SOTHEBY’S INTERNATIONAL REALTY PROPERTY SHOWCASE

HAMILTON

MONTANA

Ultimate Western Farmhouse 25,000 sq. ft. estate on 17 acres. Multiple private guest quarters, four-stall horse barn, grotto style pool, underground shooting range. Part of exclusive Stock Farm Club with Tom Fazio designed golf course.

SOTHEBYSREALTY.COM, PROPERTY ID 4Z8T5T GLACIER SOTHEBY’S INTERNATIONAL REALTY DAWN MADDUX +1 406 550 4131 [email protected]

$27,500,000

CHICAGO

ILLINOIS

Unprecedented Urban Estate 25,000 sq. ft. masterpiece on Chicago’s " nest street. On more than eight city lots. Manicured grounds, multiple fountains, re# ecting pool, antique garden pavilion transport you to another world in the heart of the city.

SOTHEBYSREALTY.COM, PROPERTY ID CF7PGF JAMESON SOTHEBY’S INTERNATIONAL REALTY TIM SALM, MATT LEUTHEUSER +1 312 929 1564, +1 312 929 1562 [email protected]

$50,000,000

CHICAGO

ILLINOIS

310 South Michigan, Unit 2600 Extraordinary brand new condo boasts breathtaking, panoramic lake and city views, incredible 72 ft. wall of windows, dramatic 13 ft. ceilings. Over 4,300 sq. ft. of perfection, designed with the " nest materials.

SOTHEBYSREALTY.COM, PROPERTY ID 8FDKRG JAMESON SOTHEBY’S INTERNATIONAL REALTY NANCY TASSONE +1 312 215 9701 [email protected]

$4,450,000

NEWPORT

RHODE ISLAND

The Bird House High above Ocean Drive, with beautiful coastline views, a stunning state-of-the-art shingle style masterpiece blends exquisite classic detail with the " nest systems, including geothermal heat and cooling systems.

SOTHEBYSREALTY.COM GUSTAVE WHITE SOTHEBY’S INTERNATIONAL REALTY +1 401 849 3000

$12,500,000

78 SOTHEBY’S SOTHEBYSREALTY.COM

NEWPORT

RHODE ISLAND

Harbor Watch Water views from custom shingle-style directly across from Newport Harbor. Four en suite bedrooms including master with balcony. Beautifully landscaped and private with three bedroom guest cottage.

SOTHEBYSREALTY.COM, PROPERTY ID FMTSD3 GUSTAVE WHITE SOTHEBY’S INTERNATIONAL REALTY +1 401 849 3000

$6,950,000

NARRAGANSETT

RHODE ISLAND

404 Ocean Road “Shore Acres” is an oceanfront retreat nestled on nearly two acres on the shores of Narragansett. Over 5,200 sq. ft. interior provides plenty of room for guests with two # oors of living space.

SOTHEBYSREALTY.COM, PROPERTY ID 5WPVYY MOTT & CHACE SOTHEBY’S INTERNATIONAL REALTY BENJAMIN SCUNGIO +1 401 789 8899 [email protected]

$4,295,000

DOUGLAS

MASSACHUSETTS

229 Main Street The Schuster Mansion circa 1939 is a brilliant example of early 20th century architecture set on a gentle sloping hill overlooking 45 acres in the Blackstone River Valley.

SOTHEBYSREALTY.COM MOTT & CHACE SOTHEBY’S INTERNATIONAL REALTY AMY DOORLEY +1 401 314 3000 [email protected]

$2,750,000

BOSTON

MASSACHUSETTS

Four Seasons Residence Spacious two bedroom, two bath unit at the Four Seasons Residences. Expansive entertaining area and an oversized master bedroom with custom walk-in closet and spa bath.

SOTHEBYSREALTY.COM, PROPERTY ID QW62YX GIBSON SOTHEBY’S INTERNATIONAL REALTY MICHAEL L. CARUCCI +1 617 901 7600 [email protected]

$3,495,000

SOTHEBY’S 79 SOTHEBY’S INTERNATIONAL REALTY PROPERTY SHOWCASE

BOSTON

MASSACHUSETTS

Historic Masterpiece Award-winning single family residence in Boston’s prestigious Beacon Hill. Breathtaking views of Boston and the Charles River.

SOTHEBYSREALTY.COM, PROPERTY ID KDYVT3 GIBSON SOTHEBY’S INTERNATIONAL REALTY MICHAEL L. CARUCCI +1 617 901 7600 [email protected]

$3,750,000

GREENWICH

CONNECTICUT

French Road Shingle style home secluded on two and one half acres with pool, Har-Tru tennis court, 1,694 sq. ft. tennis/guest house plus second, smaller 781 sq. ft. cottage.

SOTHEBYSHOMES.COM, WEB ID 0068571 SOTHEBY’S INTERNATIONAL REALTY GREENWICH BROKERAGE JOSEPH BARBIERI +1 203 618 3112 [email protected]

$9,250,000

MIDDLETOWN

NEW JERSEY

Oak Hill Colonial Spectacular home located on a desirable cul-de-sac with over 4,900 sq. ft. of living with open # oor plan. Newly " nished basement o! ers an additional 1,500 sq. ft. Private backyard with inground pool.

SOTHEBYSREALTY.COM, PROPERTY ID CQM85E HERITAGE HOUSE SOTHEBY’S INTERNATIONAL REALTY +1 800 715 1390 [email protected]

$1,240,000

SOUTHAMPTON

NEW YORK

Southampton Village, South of Highway Convenient location to the world’s most beautiful beaches, historic Village shops and chic restaurants. Farrington Close is the most desired and private condo compound in the Hamptons.

SOTHEBYSHOMES.COM, WEB ID 0057395 SOTHEBY’S INTERNATIONAL REALTY SOUTHAMPTON BROKERAGE ANN MARIE DEANE +1 516 885 7433 [email protected]

$1,749,000

80 SOTHEBY’S SOTHEBYSREALTY.COM

NEW YORK

340 East 72nd Street, Apartment 6S This grandly scaled, classic 9-room residence boasts sunny tree-lined views in a boutique white-glove pre-war cooperative.

SOTHEBYSHOMES.COM, WEB ID 0139426 SOTHEBY’S INTERNATIONAL REALTY DOWNTOWN MANHATTAN BROKERAGE JEREMY V. STEIN +1 212 431 2427 [email protected]

$4,995,000

NEW YORK

Edwardian Mansion Impeccably restored 1915 late Victorian-early Edwardian Mansion on just under a quarter of an acre with development rights, a private driveway, and parking for several cars.

SOTHEBYSHOMES.COM, WEB ID 0139572 SOTHEBY’S INTERNATIONAL REALTY DOWNTOWN MANHATTAN BROKERAGE MICHAEL BOLLA +1 917 957 6630 [email protected]

$3,995,000

NEW YORK

898 Park Avenue, Floor 3 This triple mint apartment features a 38 ft. by 19 ft. wide living room with a ceiling height of 10 ft., two bedrooms, library and " replace.

SOTHEBYSHOMES.COM, WEB ID 00111549 SOTHEBY’S INTERNATIONAL REALTY EAST SIDE MANHATTAN BROKERAGE EVA J. MOHR +1 212 606 7736 [email protected]

$4,750,000

NEW YORK

The Woolworth Tower Residences The Woolworth Tower Residences o! ers a club-like intimacy while surrounded by restaurants, hotels and shopping. This three bedroom o! ers over 14 ft. ceilings, and 3,282 sq. ft.

SOTHEBYSHOMES.COM, WEB ID 00111259 SOTHEBY’S INTERNATIONAL REALTY EAST SIDE MANHATTAN BROKERAGE STAN PONTE, JOSHUA JUDGE +1 212 418 1222 [email protected]

PRICE UPON REQUEST

SOTHEBY’S 81 SOTHEBY’S INTERNATIONAL REALTY PROPERTY SHOWCASE

NEW YORK

16 East 69th Street This 33 ft. wide, " ve story red brick and limestone mansion that stands as a superb example of Neo-Georgian revival architecture in America.

SOTHEBYSHOMES.COM, WEB ID 00111621 SOTHEBY’S INTERNATIONAL REALTY EAST SIDE MANHATTAN BROKERAGE SERENA BOARDMAN +1 212 606 7611 [email protected]

$45,000,000

NEW YORK

The Carlton Mansion 19 East 61st Street. Exquisite blend of a private 35 ft. wide, " ve story limestone mansion with luxury amenities and services including pool and gym. Grand living and unsurpassed luxury.

SOTHEBYSHOMES.COM, WEB ID 00111247 SOTHEBY’S INTERNATIONAL REALTY EAST SIDE MANHATTAN BROKERAGE NIKKI FIELD +1 212 606 7669 [email protected]

$40,000,000

NEW YORK

15 East 90th Street Over 25 ft. wide, 10,000 plus sq. ft. on beautiful Upper East Side block just o! Fifth Avenue next to Carnegie Mansion. Five bedrooms, " ve full bathrooms, three half bathrooms.

SOTHEBYSHOMES.COM, WEB ID 00111646 SOTHEBY’S INTERNATIONAL REALTY EAST SIDE MANHATTAN BROKERAGE RANDALL GIANOPULOS, STAN PONTE +1 212 606 7622, +1 212 606 4109

$23,500,000

NEW YORK

31 West 21st Street, Floor 9 This 4,776 sq. ft. loft is one of the most unique loft spaces available in the Flatiron District. Distinguished by a stunning great room with soaring 11 ft. ceilings and a wall of windows.

SOTHEBYSHOMES.COM, WEB ID 00111510 SOTHEBY’S INTERNATIONAL REALTY EAST SIDE MANHATTAN BROKERAGE SERENA BOARDMAN, JONATHAN L. BANKS, KERRY SCHMIDT +1 212 606 7611, +1 212 606 7781, +1 212 606 7795

$9,000,000

82 SOTHEBY’S SOTHEBYSREALTY.COM

NEW YORK

845 United Nations Plaza, Apartment 52B Three bedrooms and three and one half bathrooms. Enjoy panoramic scenery from the # oor to ceiling windows with views of the Empire State Building, the Chrysler building, East River and the South City Skyline.

SOTHEBYSHOMES.COM, WEB ID 00111616 SOTHEBY’S INTERNATIONAL REALTY EAST SIDE MANHATTAN BROKERAGE ELIZABETH L. SAMPLE, BRENDA S. POWERS +1 212 606 7685, +1 212 606 7653 [email protected]

$6,750,000

NEW YORK

20 West 53rd Street, Apartment 22A Luxury living in this sprawling two bedroom, two and one half bath apartment on the 22nd # oor at the Baccarat Hotel and Residences with magni" cent skyline views from expansive # oor to ceiling windows.

SOTHEBYSHOMES.COM, WEB ID 00111284 SOTHEBY’S INTERNATIONAL REALTY EAST SIDE MANHATTAN BROKERAGE KEVIN B. BROWN +1 212 606 7748 [email protected]

$5,995,000

NEW YORK

1170 Fifth Ave, Apartment 10B Stunning Central Park views and beautiful light # ood this rarely available four bedroom, high # oor, corner pre-war Classic 9.

SOTHEBYSHOMES.COM, WEB ID 00111312 SOTHEBY’S INTERNATIONAL REALTY EAST SIDE MANHATTAN BROKERAGE CATHY TAUB +1 212 606 7772 [email protected]

$5,195,000

NEW YORK

213 East 71st Street Penthouse Fully renovated " ve bedroom apartment in pre-war 20 ft. wide townhouse. Spacious and sun-" lled home comprises top three # oors and has a gracious layout with three " replaces and two planted terraces.

SOTHEBYSHOMES.COM, WEB ID 00111565 SOTHEBY’S INTERNATIONAL REALTY EAST SIDE MANHATTAN BROKERAGE JULIE B. HASCOE +1 212 606 7695 [email protected]

$4,995,000

SOTHEBY’S 83 ANATOMY OF AN ARTWORK

THE OLDEST PRESIDENTIAL PORTRAIT

When he posed for this portrait, John Quincy Adams studio of Philip Haas. This recently rediscovered plate is PHILIP HAAS (1767–1848) had completed his term as the sixth American believed to be the earliest photograph of an American John Quincy Adams, 1843 $150,000–250,000 president (1825–29), but he was still serving his country president to come to market in many years and is possibly the as a congressman from Massachusetts. An indefatigable earliest extant photograph of the man himself. An invaluable Photographs, New York Exhibition: 30 September–4 October diarist, Adams documented the sitting in entries for 8 and document, this daguerreotype crystallizes a remarkable Auction: 5 October 16 March 1843, when he twice visited the Washington, DC, moment in the history of photography and American politics. Enquiries: +1 212 894 1149

1. INNOVATION 2. POWER 3. STUDIO 4. IN WRITING 5. PROVENANCE Philip Haas may have learned Not only was Adams the sixth The lamp, furniture, books and Adams writes in his diary This daguerreotype comes the process of printing images US president and son of the other props pictured here are about visiting “Mr Haas’s directly from the descendants on chemically treated metal second president, but he was believed to be the backdrop shop” twice and describes of Horace Everett (1779–1851), in 1839, the year it was also a Massachusetts senator, of Haas’s Washington, DC, the wondrousness of the a colleague of Adams who was invented in Paris. As the ! rst congressman and diplomat. studio. Although Haas was an technique: “The operation a congressman for Vermont widely available photographic Adams knew about governing, accomplished daguerreotypist is performed in half a from 1829–43. He is believed process, daguerreotypes as evident in his commanding and lithographer, few of his minute; but is yet altogether to have received this work as were immensely popular. facial expression. portraits are known today. incomprehensible to me.” an inscribed gift from Adams.

84 SOTHEBY’S

DOUBLE TOURBILLON 30° TECHNIQUE

Sapphire Case Unique edition of 8 pieces

BELLUSSO CELLINI DEBOULLE LAS VEGAS NEW YORK DALLAS Casino Level . Palazzo Resort-Hotel-Casino 509 Madison Avenue at 53rd Street 6821 Preston Road Phone +1 702 650-2988 Phone +1 212 888-0505 Phone +1 214 522-2400 www.bellussojewelers.com www.cellinijewelers.com www.deboulle.com

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