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From Periphery to Centre.The Image of Europe at the Eastern Border of Europe
Munich Personal RePEc Archive From Periphery to Centre.The Image of Europe at the Eastern Border of Europe Şipoş, Sorin and Moisa, Gabriel and Cepraga, Dan Octavian and Brie, Mircea and Mateoc, Teodor University of Oradea, Romania, University of Padova, Italy 2014 Online at https://mpra.ub.uni-muenchen.de/59276/ MPRA Paper No. 59276, posted 15 Oct 2014 12:04 UTC Edited by: Sorin Şipoş, Gabriel Moisa, Dan Octavian Cepraga, Mircea Brie, Teodor Mateoc From Periphery to Centre. The Image of Europe at the Eastern Border of Europe Editorial committee: Delia-Maria Radu Roxana Ivaşca Alexandra Bere Ionuţ Ciorba CONTENTS Sorin ŞIPOŞ, Dan Octavian CEPRAGA, From Periphery to Centre. The Image of Europe at the Eastern Border of Europe ………..………..… 5 I. PERIPHERY VIEWED FROM THE CENTRE …………………..… 13 Lorenzo RENZI, «Terra Romena» ……………………………………..… 15 Ion Alexandru MIZGAN, The Crusades – Cause of Tension between Eastern and Western Europe ………………………………………...…..…21 Florin DOBREI, Transylvanian “Schismatics”, “Heretics” and “Infidels” in the Vision of 13th-16th Century Catholic Europe ……………………..… 47 Ioan-Aurel POP, 16th Century Venetian Bailiffs‟ Reports on Realities in the Ottoman Empire …………………………………………………..… 61 Ion EREMIA, A False Theory Still Persists at the Eastern Border of Latinity .. 76 Delia-Maria RADU, From Centre to the Periphery and the Other Way Round ………………………………………………………..……..… 88 Teodor MATEOC, Identity and Race. The Problem of Otherness in Contemporary Cultural Studies …………………………………...……..…96 II. SELF-IMAGES AT EUROPE’S EASTERN BORDERS -
Christian Church8
www.ssoar.info From periphery to centre: the image of Europe at the Eastern Border of Europe Şipoş, Sorin (Ed.); Moisa, Gabriel (Ed.); Cepraga, Dan Octavian (Ed.); Brie, Mircea (Ed.); Mateoc, Teodor (Ed.) Veröffentlichungsversion / Published Version Konferenzband / collection Empfohlene Zitierung / Suggested Citation: Şipoş, S., Moisa, G., Cepraga, D. O., Brie, M., & Mateoc, T. (Eds.). (2014). From periphery to centre: the image of Europe at the Eastern Border of Europe. Cluj-Napoca: Ed. Acad. Română. https://nbn-resolving.org/urn:nbn:de:0168- ssoar-400284 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de Edited by: Sorin §ipo§, Gabriel Moisa, Dan Octavian Cepraga, Mircea Brie, Teodor Mateoc From Periphery to Centre. The Image of Europe at the Eastern Border of Europe Editorial committee: Delia-Maria Radu Roxana Iva^ca Alexandra Bere IonuJ Ciorba Romanian Academy Center for Transylvanian Studies Cluj-Napoca 2014 Descrierea CIP a Bibliotecii Nationale a României From periphery to centre : the image of Europe at the Eastern border of Europe/ Sorin Çipoç, Gabriel Moisa, Dan Octavian Cepraga, Mircea Brie (ed.). - Cluj-Napoca : Editura Academia Românâ. Centrul de Studii Transilvane, 2014 ISBN 978-973-7784-97-1 I. Çipoç, Sorin (ed.) II. Moisa, Gabriel (ed.) III. Cepraga, Dan Octavian (ed.) IV. Brie, Mircea (ed.) 930 Volume published with the support of Bihor County Council The volume gathers the papers presented at the international symposium From Periphery to Centre. -
Timeline / 1860 to 1900 / ROMANIA
Timeline / 1860 to 1900 / ROMANIA Date Country Theme 1860 Romania Fine And Applied Arts 7 November: on the initiative of painter Gheorghe Panaitescu-Bardasare, a School of Fine Arts and an art gallery are founded in Ia#i. 1863 Romania Reforms And Social Changes December: the National Gathering of the United Principalities adopts the law through which the land owned by monasteries (more than a quarter of Romania’s surface) becomes property of the state. 1863 Romania Music, Literature, Dance And Fashion The literary society Junimea, which had an important role in promoting Romanian literature, is founded in Ia#i. In 1867 it begins publishing a periodical in which the works of Romanian writers appear and also translations from worldwide literature. 1864 Romania Cities And Urban Spaces 19 August: establishment of Bucharest’s city hall. Bucharest had been the United Principalities’ capital since 1861. 1864 Romania Economy And Trade 27 October: foundation of the Romanian Chamber of Commerce and Industry. 1864 Romania Political Context 14 May: coup d’état of Alexandru Ioan Cuza, who dissolves parliament and proposes a new constitutional project, which is voted the same month and ratified by the Ottoman Empire and the guaranteeing Powers in June 1864. The Statute Expanding the Paris Convention assigned greater power to the prince and the government. 1864 Romania Fine And Applied Arts Dimitrie Bolintineanu, the Minister of Religion and Public Instruction, organises in Bucharest an exhibition displaying works of contemporary Romanian artists, the most important of the time being painters Theodor Aman, Gheorghe Tattarescu and Carol Popp de Szathmari. 1864 Romania Reforms And Social Changes December: the law of public instruction establishes free, compulsory primary education. -
Timeline / 1860 to 1880 / ROMANIA / ALL THEMES
Timeline / 1860 to 1880 / ROMANIA / ALL THEMES Date Country Theme 1860 Romania Fine And Applied Arts 7 November: on the initiative of painter Gheorghe Panaitescu-Bardasare, a School of Fine Arts and an art gallery are founded in Ia#i. 1863 Romania Music, Literature, Dance And Fashion The literary society Junimea, which had an important role in promoting Romanian literature, is founded in Ia#i. In 1867 it begins publishing a periodical in which the works of Romanian writers appear and also translations from worldwide literature. 1863 Romania Reforms And Social Changes December: the National Gathering of the United Principalities adopts the law through which the land owned by monasteries (more than a quarter of Romania’s surface) becomes property of the state. 1864 Romania Economy And Trade 27 October: foundation of the Romanian Chamber of Commerce and Industry. 1864 Romania Political Context 14 May: coup d’état of Alexandru Ioan Cuza, who dissolves parliament and proposes a new constitutional project, which is voted the same month and ratified by the Ottoman Empire and the guaranteeing Powers in June 1864. The Statute Expanding the Paris Convention assigned greater power to the prince and the government. 1864 Romania Cities And Urban Spaces 19 August: establishment of Bucharest’s city hall. Bucharest had been the United Principalities’ capital since 1861. 1864 Romania Cities And Urban Spaces 14 April: the Commune Law is adopted by which cities and towns become urban communes, led by a mayor and a council. All urban communes must have a fire department and a hospital. 1864 Romania Great Inventions Of The 19th Century 4 August: establishment of the General Directorate of the Post and the Telegraph in the United Principalities. -
Crisia 2006, XXXVI 1. Doina IGNAT
Crisia 2006, XXXVI 1. Doina IGNAT, REPREZENTĂRI PLASTICE ANTROPOMORFE DIN AŞEZAREA NEOLITICĂ DE LA SUPLACU DE BARCĂU REPRESENTATIONS PLASTIQUES ANTHROPOMORPHES DU SITE NEOLITHIQUE DE SUPLACU DE BARCĂU (DEP. DE BIHOR) A l’occasion de la reprise des recherches archéologiques dans ce site (campagne de 2002- 2003) on a découvert aussi quelques pièces cultiques, anthropomorphes. Elles peuvent être incluses dans le même contexte avec celles déjà connues et publiées et qui appartiennent au Groupe culturel néolithique Suplacu de Barcău. 2. Ioan CRIŞAN, Călin GHEMIŞ, DESCOPERIRI IZOLATE APARŢINÂND EPOCII BRONZULUI DE PE RAZA LOCALITĂŢII CEFA (JUDEŢUL BIHOR) ISOLATED BRONZE AGE DISCOVERIES FROM CEFA (Bihor County) The authors presents two pieces belonging to the Bronze Age. The first one is an little mug, dated in the second stage of Otomani Culture with analogies at Ateas, Sacuieni and others settlements belonging to this culture.The second piece is an bronze knife with analogies in the late Bronze Age deposits.Both pieces were discovered isolate without clear conditions of finding or archaeological contexts but both of them proved the existence here of some settlements. 3. Corina TOMA, REPERTORIUL DESCOPERIRILOR DE EPOCĂ DACICĂ DIN JUDEŢUL BIHOR ŞI POSIBILITĂŢILE DE ABORDARE A UNOR SITUAŢII DE ANALIZAT A CATALOGUE OF THE DACIAN PERIOD DISCOVERIES FOUND IN THE BIHOR COUNTY AREA – POSSIBLE APPROACHES TO SPECIFIC SITUATIONS The present paper gathers information published along the years regarding Dacian period archaeological and numismatic discoveries found in the present area of Bihor County. The organization of these discoveries in a catalogue allows for some historical and archaeological observations: taking into account the stage of the archaeological research and the relief of the county (large surfaces covered with forests and swamps), the discoveries are concentrated on the Western side of the Crisana Hills and in the Crisurilor Plain. -
Timeline / Before 1800 to 1880 / ROMANIA / FINE and APPLIED ARTS
Timeline / Before 1800 to 1880 / ROMANIA / FINE AND APPLIED ARTS Date Country Theme 1813 Romania Fine And Applied Arts Gheorghe Asachi teaches a class of drawing and history of art at the School for Surveying Engineers (Moldavia). 1832 Romania Fine And Applied Arts Gheorghe Asachi founds in Ia#i a lithographic printing press called Institutul Albinei (The Bee Institute). 1843 Romania Fine And Applied Arts Carol Popp de Szathmari, the most important Romanian photographer of the 19th century (born in Cluj, Transylvania), moves to Bucharest, where he opens a photo studio. 1860 Romania Fine And Applied Arts 7 November: on the initiative of painter Gheorghe Panaitescu-Bardasare, a School of Fine Arts and an art gallery are founded in Ia#i. 1864 Romania Fine And Applied Arts Dimitrie Bolintineanu, the Minister of Religion and Public Instruction, organises in Bucharest an exhibition displaying works of contemporary Romanian artists, the most important of the time being painters Theodor Aman, Gheorghe Tattarescu and Carol Popp de Szathmari. 1864 Romania Fine And Applied Arts 14 November: a School of Fine Arts (which today is the National University of Art) is founded in Bucharest by painters Gheorghe Tattarescu and Theodor Aman. 1865 Romania Fine And Applied Arts The first showing of the “Living Artists Exhibition” (for painters and sculptors), organised by painter Theodor Aman, takes place in Ia#i. The annual organisation of such an exhibition is established by a decree issued in December 1864. 1876 Romania Fine And Applied Arts 19 February: birth of the great Romanian sculptor Constantin Brâncu#i, author of sculptures such as Mademoiselle Pogany, The Kiss, Bird in Space, and The Endless Column. -
Arhive Personale Şi Familiale
Arhive personale şi familiale Vol. II Repertoriu arhivistic Arhivele Nationale ale Romaniei ISBN 973-8308-08-9 Arhivele Nationale ale Romaniei ARHIVELE NAŢIONALE ALE ROMÂNIEI Arhive personale şi familiale Vol. II Repertoriu arhivistic Autor: Filofteia Rînziş Bucureşti 2002 Arhivele Nationale ale Romaniei ● Redactor: Alexandra Ioana Negreanu ● Indici de arhive, antroponimic, toponimic: Florica Bucur ● Culegere computerizată: Filofteia Rînziş ● Tehnoredactare şi corectură: Nicoleta Borcea ● Coperta: Filofteia Rînziş, Steliana Dănăilescu ● Coperta 1: Scrisori: Nicolae Labiş către Sterescu, 3 sept.1953; André Malraux către Jean Ajalbert, <1923>; Augustin Bunea, 1 iulie 1909; Alexandre Dumas, fiul, către un prieten. ● Coperta 4: Elena Văcărescu, Titu Maiorescu şi actriţa clujeană Maria Cupcea Arhivele Nationale ale Romaniei CUPRINS Introducere ...................................................................... 7 Lista abrevierilor ............................................................ 22 Arhive personale şi familiale .......................................... 23 Bibliografie ...................................................................... 275 Indice de arhive ............................................................... 279 Indice antroponimic ........................................................ 290 Indice toponimic............................................................... 339 Arhivele Nationale ale Romaniei Arhivele Nationale ale Romaniei INTRODUCERE Cel de al II-lea volum al lucrării Arhive personale şi familiale -
Guide City Tour Bucharest Hopon-Hopoff Sightseeing Bus Tour : Sightseeing-Bus-Tours.Html
Guide city tour Bucharest Hopon-hopoff sightseeing bus tour : http://romaniatourism.com/romania-maps/bucharest/bucharest-hopon-hopoff- sightseeing-bus-tours.html 1 Guide city tour Bucharest Stopp 1: Piata Presei - Herăstrău Park Sos. Kiseleff 32 Bucharest Romania , Herastrau Anyone who still thinks that Bucharest is a city of concrete and cement has clearly never been to the city’s lung, the incomparable Herastrau Park. Quite simply, this glorious park, spread over 187 hectares around Herastrau lake is one of the jewels in Bucharest’s crown, which might explain why half of the city chooses to spend its summer Sunday afternoons here. Herastrau was laid out from 1930-36 on what had until then been mainly marshland around the (natural) lake. The Village Museum - which occupies a large part of Herastrau and which is one of its most popular attractions was created at the same time. As early as the late 19th century, however, parts of the lakeshore served as a promenade for Bucharest’s wealthy, and the area surrounding the lake had long since become the most fashionable in the city. Indeed, the residence of Romania’s royal family, the Elisabeta Palace, is found inside Herastrau (although it is closed to the public). The name Herastrau has been in general use since the early 1960s. Herastrau was long neglected in the wake of the Romanian revolution of 1989, as the priorities of a country in transition lie elsewhere. In recent times however, the park has enjoyed much investment and has for a couple of years now once again been able to claim the title of the city’s best. -
Clark, Roland. "A Contested Patriarchate." Sectarianism and Renewal in 1920S Romania: the Limits of Orthodoxy and Nation-Building
Clark, Roland. "A Contested Patriarchate." Sectarianism and Renewal in 1920s Romania: The Limits of Orthodoxy and Nation-Building. London,: Bloomsbury Academic, 2021. 51–74. Bloomsbury Collections. Web. 2 Oct. 2021. <http://dx.doi.org/10.5040/9781350100985.ch-003>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 16:57 UTC. Copyright © Roland Clark 2021. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 3 A Contested Patriarchate Establishing an autocephalous patriarchate in Greater Romania was far from a straightforward process. It involved five years of heated debate and negotiation to bring four churches with their own theological and political cultures together under a single umbrella. The Orthodox Church in the Old Kingdom had been firmly subordinated to the Romanian state before the war, while Orthodox believers in Bessarabia were members of the Russian Orthodox Church and Orthodox Christians had their separate metropolitanates in Bukovina and in Transylvania, each with its own history and approaches to church governance. Led by ambitious metropolitans and bishops, each region hoped to shape the new patriarchate in its own image. When Miron Cristea allied the Romanian Orthodox Church (ROC) with the policies of the Liberal dynasty from the Old Kingdom after the First World War, he cemented nation-building as the language which Church leaders had to speak if they -
„Babeş-Bolyai” Din Cluj-Napoca
”BABEŞ-BOLYAI” UNIVERSITY FROM DIN CLUJ-NAPOCA FACULTY OF ORTHODOX THEOLOGY Ph.D. Thesis CHURCH, STATE, NATION IN THE VISION OF SOME ROMANIAN POLITICIANS FROM TRANSYLVANIA (1848-1918). THE ORTHODOX POINT OF VIEW Coordinator: Pr. Prof. Univ. Dr. Alexandru Moraru Ph.D. student: Pr. Ioan Gheorghe Retegan Cluj-Napoca, 2011 CONTENTS Introduction………………………………………………………………………… p. 3 Chapter I. Church, State, Nation – a theological and historical interpretation.. p. 8 A. Church and Nation – symbiosis and identity……………………………………... p. 8 A.1. Relation between the Orthodoxy of The Church and the Romanian character of the nation ……………................................................................................................ p. 10 A.2. Theological features of the nation …………………………....……………... p. 12 A.3. The Church and Nation in their historical development ……………………. p. 16 B. Church and State – symphony and antagonism. An orthodox point of view……….. p. 25 B.1. Church-State relationship in the Romanian States in the feudal time……….. p. 27 B.2. State-Church relationship during the rule of Alexandru Ioan Cuza ………… p. 29 B.3. Attempts to assert religious, national and state identity of the Transylvania Romanians between 1848-1867. …………………………………………………….. p. 33 Chapter II. Church, State and Nation, in the vision of high Orthodox Hierarchs from Transylvania …………………………………………………………………… p. 46 A. Mitropolite Andrei Şaguna …….…………………………………………………... p. 48 A.1. Two nations, two churches, the same religion: Andrei baron of Şaguna and the church separation from the Patriarchy of Carloviţ ………………………………... p. 50 A.2. Fundamentals of the nations: The Church and the school …………………... p. 62 A.2.1. Church organisation …………………………………………………........ p. 62 A.2.2. School organisation ……………………………………………………….. p. 65 A.3. Politics and Church in the thought and action of Mitropolite Andrei baron of Şaguna ………………………………………………………………………………… p. -
Ioan Broºu (1886–1943)
PROFILE Ioan Broºu (1886–1943) C ONSTANTIN A Laic Preacher of the Gospel N E C ULA and Diplomat of Romania DR. IOAN BROªU, outstanding cat- echist, preacher and skilled diplomat, was born in 1886 in Dârste (today a neighborhood of Braºov), as the son of the parish priest Ioan Broºu and his wife Maria. A well-schooled theolo- gian, who could speak several foreign languages, Ioan Broºu couldn’t find a vacant chair at the Theological Insti- tute of Sibiu (Hermannstadt, Nagy- szeben) and therefore he worked as a catechist. A defender of the union of Transylvania with the homeland Ro- mania, Ioan Broºu took an active part in the movement for the union. He IOAN BROªU was a member of the Romanian Na- (1886–1943) tional Council in Sibiu headed by An- drei Bârseanu, and was also elected to the Great Romanian National Assem- bly. He was one of the founders of the cultural-political publication Gazeta Po po rului in Sibiu, along with Silviu Constantin Necula Dragomir, professor of the History of Rev. associate professor at St. Andrei ªaguna Faculty of Theology, Lucian Blaga The current study is the foreword to the University, Sibiu. Author, among others, sermons book Casa din Ierihon by ION of the vol. Bucuria darului (Joyous gift) BROªU that will be soon republished at (2017). Andreiana Publishing House, Sibiu. 78 • TRANSYLVANIAN REVIEW • VOL. XXVII, NO. 3 (AUTUMN 2018) Southeastern Europe since 1919, and Nicolae Bãlan, metropolitan bishop of Transylvania since 1920. In 1920 he was called in the service of the Foreign Ministry in Bucharest and performed various diplomatic missions. -
Ghid EN Web.Pdf
Guide financed by Braşov County Council Written and devised: Radu Popica Proof: Simona Tătaru Photos: Nicolae Panaite , Răzvan Precup, Radu Tătaru, Árpád Udvardi DTP: Radu Tătaru English version: Alice Haţegan ISBN 978-606-93303-6-4 Cover: Ştefan Luchian, Anemone The National Gallery 1* comprises a selection of artworks (paintings and sculpture) which are representative for Romanian modern art. The exhibition illustrates the evolution of Transylvanian painting between the 18th and the 19th centuries and Romanian art from the first half of the19th century through to post-war years. Alongside the masterpieces of the Romanian art masters, the exhibition also includes the artworks of the artists active in Braşov, from the Saxon patriciate portraits to the contemporary artist’s creations. The Portrait of Joseph von Drauth (1709-1762), senator of the city of Braşov, painted by Johann Ölhan the Elder (?-1763), opens the exhibition. [ST] The painting is typical for Saxon patriciate portraiture, a provincial variant of portrait d`apparat. The artist insists on the details which indicate that the commissioner boasted a high social status (coat of arms, apparel, as well as on the objects which suggest the official duties he exercised. The City Hall and the buildings surrounding it, depicted in the background of the portrait, are also meant to illustrate his position. But the posture of the model is conventional and artificial. We find the same interest in underlining the social position of the model in the creation of an anonymous artist active in the late 1700s, who painted the Portrait of Oprea Ţârcă, the head of the shepherds’guild of Săcele.