Dissertations from 2020 PDF
The Problem of Literary Development in Russian Formalism and Digital Humanities, Basil Lvoff
Locke’s Rebellious Progeny: Phenomenology and Ethics of Leopardi’s A-Dialectical Materialism, Paolo Pellecchia
Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante, Stefania Porcelli
Failures of Grace: Limits of Tragedy in the Late Nineteenth-Century Novel, Anick S. Rolland
Dissertations from 2019 PDF
Migritude: Migrant Structures of Feeling in a Minor Literature of Globalization, Ashna Ali
Staging English Affairs in Early Modern Italy: History, Politics, Drama, Fabio Battista
The Subject of the Novel: Aphra Behn, Charlotte Brontë, Fyodor Dostoevsky, and Samuel Beckett, Jin Chang
The Body and Its Signifiers: Bodily Depictions in Niccolò de’ Conti and Odorico da Pordenone, Antonella Dalla Torre
Ang Lee's America: A Study of Adaptation and Transculturation, Yu-Yun Hsieh
Forbidden Attraction: Russian Poets Read T. S. Eliot during the Cold War, Nataliya Karageorgos
PDF Magic Performances: Rituals and Practice in Italian Theatre and Culture, 1520–1650, Erika Mazzer
The Urban Domestic: Homosocial Domesticity, Literature, And Culture in 19th and 20th Century New York City, Krystyna Michael
Unlearning Don Carlos: Historical and Fictional Elements of Innovation in César Vichard de Saint-Réal’s 'Dom Carlos, nouvelle historique,' Friedrich Schiller’s 'Don Karlos, Infant von Spanien,' and Giuseppe Verdi’s 'Don Carlos', Maria-Cristina Necula
Transfigurations of the News: True Fictions, Strange Thresholds, Jeffrey Peer
Chimeras, Centaurs, and Satyrs: Creating Mixed Genre Texts in Antiquity and the Renaissance, Claire Sommers
The Ends of Plot: Rupture and Entanglement in L’amica geniale, Victor X. Zarour Zarzar
Dissertations from 2018 PDF
The Body and the Sacred in Contemporary Italian Women Writers, Laura R Feola
Manifest Density: Decentering the Global Western Film, Michael D. Phillips
Diagnosing the Will to Suffer: Lovesickness in the Medical and Literary Traditions, Jane Shmidt
Dostoevsky as a Translator of "Eugénie Grandet", Julia Titus
PDF Sickly Sentimentalism: Sympathy and Pathology in American Women's Literature, 1866-1900, Nicole Zeftel
Dissertations from 2017 PDF
Transferring Paremias. Cultural, Linguistic, and Literary Transitions of Proverbs and Proverbial Phrases by Vincenzo Brusantino, Pompeo Sarnelli, and John Florio, Daniela D'Eugenio
Not My Queer: Queer Representation in Contemporary Italian Serial Television, Julia Heim
Pirandello Proto-Modern: A New Reading of L’Esclusa, Bradford Masoni
The Short Story and the Photographic: Twentieth-Century Imagetexts In and Of the Americas, Lucienne Muller
Desire, Curiosity, and the Search for Truth in Proust, Moreno, and Bechdel, Santiago Parga Linares
The Space of Alterity: Language and National Identity in Theodor Adorno and W.G. Sebald, Agata Szczodrak
Lyrical Mysticism: The Writing and Reception of Catherine of Siena, Lisa Tagliaferri
Dissertations from 2016 PDF
Waking Dreams: Modernist Intoxications and the Poetics of Altered States, Jason Ciaccio
Dialogic Faiths: Multi-Genre Expression in Religious Narrative, Rosemary L. Demos
Interfictional Identities: Transformation and Dissimulation in the Early Modern Period, Yael Nezer Lavender-Smith PDF
Il dilemma del prigioniero. Luciano Bianciardi e il disincanto del moderno, Ilaria Muzzi
Creating with Anger: Contemplating Vendetta. An Analysis of Anger in Italian and Spanish Women Writers of the Early Modern Era, Luisanna Sardu Castangia
A Passage from Brooklyn to Ithaca: The Sea, the City and the Body in the Poetics of Walt Whitman and C. P. Cavafy, Michael P. Skafidas
Between Life and Literature: The Influence of Don Quixote and Madame Bovary on Twentieth- Century Women's Fiction, Victoria Tomasulo
“Über die Liebe”: Love and Sex According to Eduard Von Keyserling, Caroline Urvater
Dissertations from 2015 PDF
The Mystification of Christian Salvation: On the Anxiety of Redemption in Renaissance Poetry and Drama, Kimberly Paige Ambroziak
Cuckolds And Codpieces: Early Modern Anxieties In Male Potency, Doris Barkin
Neoliberal Dystopias: Postmodern Aesthetics and a Modern Ethic in Four Pairs of Plays by Argentine and Irish Playwrights (1990-2003), Noelia Diaz
Sisters in Sublime Sanctity: Schiller's Jungfrau, Euripides's Iphigenia Plays, and Joan of Arc on the Stage, John Martin Pendergast
Contemporary Albanian-Italian Literature: Mapping New Italian Voices, Anita Pinzi
PDF Modern Era Centaur: the Fusion of Art and Religion, Isabel Sobral Campos
The Labyrinths of Venice: Environment and Identity in Anna Pavignano's Novel "Venezia, un sogno" and Other Works in Literature and Film, Viviana Torrero
Dissertations from 2014 PDF
Mapping Italian Women's Filmmaking: Urban Space In The Cinema Of The New Millennium, Laura Di Bianco
Jean Sénac, Poet of the Algerian Revolution, Kai G. Krienke
If You See Something, Say Something: A Look at Experimental Writing on Art, Charlotte Lucy Latham
All At One Point: The New Physics of Italo Calvino and Jorge Luis Borges, Mark Thomas Rinaldi
Kafka's German-Jewish Reception as Mirror of Modernity, Abraham Ariel Rubin
Dissertations 2013
Postmodern metafiction revisited by Lissi Athanasiou Krikeli
Writing the Acoustic Self in English Modernism by Zoltan Varga
Sentenced to life: Writing the self in Dostoevsky and James by Evelina Mendelevich
Surrealist nonsense as a genre by Nathalie Fouyer
The discourse of marriage in the French fabliaux and Chaucer's "Shipman's Tale" Patricia Sokolski
From theater to cinematography: The disquiet of modernity in Pirandello and his contemporaries Lisa Sarti The magic lantern: Modern poetry and the visual arts by Trevor Jockims
Reexamining 'the dancer and the dance': Postmodern considerations in contemporary Irish and Italian literature by Kristina Rose Varade
Making Conversation: The Poetics of Voice in Modernist Fiction by Elizabeth Alsop
The Ethical Pact: Storytelling in Contemporary Autobiography by Veruska Cantelli
The temptation of symmetry: Hamann, Herder, Kierkegaard, and Henry James by Lori Yamato
Double-dealings and double meanings: Doubting and knowing in European 'analytical' fiction by Adele Kudish
The Mysteries of History: Adaptations and Reconfigurations of Contemporary Crime Fiction on Both Sides of the Atlantic by David Sharp
"Dead Man"'s space and the language of democracy on the American frontier by Daniel Colleran
The sage and the fool: Antithesis, paradoxy, and reconciliation in a dialectical poetic of "Moriasophia" by John Pilsner
Tempo della morte e Spazio dell'azione Francis Ford Coppola in Tulsa by Flavio Rizzo
Conspiratorial Modernism: Modernism and Conspiracy Theory in Proust, Joyce, Faulkner, and Musil by Johannes Burgers
Dissertations from 2012 PDF
(Re)Forming Italians: Children's Literature in Italy, 1929-1939, Marisa Giorgi
Dissertations 2011
A spirit of the Earth: Vitalism in nineteenth-century literature by Anastassiya Andrianova
Blood: A Victorian idea in the flesh by Raluca Musat
Varieties of Ecstatic Autobiography: James Joyce to Jean Genet by Tim Keane
The eye, the street, and the modern painter: The city from Poe to Joyce by Lev Feigin An Algerian primer: Mouloud Feraoun's "Le Fils du pauvre", translation commentary by Lucy McNair
The Aesthetics of Destiny in Plague Literature from Early Modern to Postmodern Times by Patrick Reilly
The rise of the American culture of sensationalism: 1620--1860 by Alexander Moudrov
The movie men: The male body as spectacle in European cinema by Giorgio Galbussera
Dissertations from 2010 PDF
A Critical and Cultural Poetics of the End: Self, Space, and Volatility in Los Angeles, Pamela Albanese
The stability of laughter, on the comic aesthetic in modernist literature by James Nikopoulos
The bungled one: Failure and the fictional impetus by Noam Scheindlin
The politics of laughter in Ariosto's "Orlando Furioso" and Cervantes' "Don Quixote" by Rosa Amatulli
A literary history of the Trojan War from antiquity to the Middle Ages by Adam Goldwyn
The insular iscariot: Judas in medieval British and Irish literary traditions by Christopher Leydon
"Double consciousness" and "dual-voice": Ambivalence and free indirect style in novels and film by Leah Anderst
A critical and cultural poetics of the end: Self, space, and volatility in Los Angeles by Pamela Albanese
To have and have not: A poetics of ambivalence in the cine-ecriture of Marguerite Duras, Assia Djebar, and Ruth Prawer Jhabvala by Deborah Kassel
Make room for mother: A study of motherhood and the maternal instinct in 20th century women writers by Heather Brown Hudson
Caught in the crossfire: A critical English translation of the New York City prison letters of St. John de Crevecoeur by Drew Moore
Scrivere la diversita: Autobiografia e politica in Clara Sereni by Guilia Po