Cultural Hegemony and the Representation of White Masculinity in Recent U.S
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Les Suites II / the Exorcist III, William Peter Blatty, États-Unis, 1990, 105
Document généré le 1 oct. 2021 14:04 Séquences La revue de cinéma Les Suites II The Exorcist III, William Peter Blatty, États-Unis, 1990, 105 minutes Young Guns II, Geoff Murphy, États-Unis, 1990, 110 minutes The Two Jakes, Jack Nicholson, États-Unis, 1990, 138 minutes Martin Girard et Johanne Larue Numéro 149, novembre 1990 URI : https://id.erudit.org/iderudit/50371ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Girard, M. & Larue, J. (1990). Compte rendu de [Les Suites II / The Exorcist III, William Peter Blatty, États-Unis, 1990, 105 minutes / Young Guns II, Geoff Murphy, États-Unis, 1990, 110 minutes / The Two Jakes, Jack Nicholson, États-Unis, 1990, 138 minutes]. Séquences, (149), 36–39. Tous droits réservés © La revue Séquences Inc., 1990 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ ETUDE Les Suites II The Exorcist III de William Peter Blatty Nous abordons ici trois films qui complètent le cru estival 1990 dire que Boorman a profité du train qui passe pour faire oeuvre THE EXORCIST III — des suites cinématographiques, dont le premier arrivage a été traité personnelle (ou pour faire n'importe quoi, selon qu'on aime ou pas). -
Pulp Fiction © Jami Bernard the a List: the National Society of Film Critics’ 100 Essential Films, 2002
Pulp Fiction © Jami Bernard The A List: The National Society of Film Critics’ 100 Essential Films, 2002 When Quentin Tarantino traveled for the first time to Amsterdam and Paris, flush with the critical success of “Reservoir Dogs” and still piecing together the quilt of “Pulp Fiction,” he was tickled by the absence of any Quarter Pounders with Cheese on the European culinary scene, a casualty of the metric system. It was just the kind of thing that comes up among friends who are stoned or killing Harvey Keitel (left) and Quentin Tarantino attempt to resolve “The Bonnie Situation.” time. Later, when every nook and cranny Courtesy Library of Congress of “Pulp Fiction” had become quoted and quantified, this minor burger observation entered pop (something a new generation certainly related to through culture with a flourish as part of what fans call the video games, which are similarly structured). Travolta “Tarantinoverse.” gets to stare down Willis (whom he dismisses as “Punchy”), something that could only happen in a movie With its interlocking story structure, looping time frame, directed by an ardent fan of “Welcome Back Kotter.” In and electric jolts, “Pulp Fiction” uses the grammar of film each grouping, the alpha male is soon determined, and to explore the amusement park of the Tarantinoverse, a the scene involves appeasing him. (In the segment called stylized merging of the mundane with the unthinkable, “The Bonnie Situation,” for example, even the big crime all set in a 1970s time warp. Tarantino is the first of a boss is so inexplicably afraid of upsetting Bonnie, a night slacker generation to be idolized and deconstructed as nurse, that he sends in his top guy, played by Harvey Kei- much for his attitude, quirks, and knowledge of pop- tel, to keep from getting on her bad side.) culture arcana as for his output, which as of this writing has been Jack-Rabbit slim. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Documenting American Racism in Print Periodicals at the Wisconsin Historical Society, and Theorizing (Radical) Collections Today
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2018 Beyond the Left: Documenting American Racism in Print Periodicals at the Wisconsin Historical Society, and Theorizing (Radical) Collections Today Alycia Sellie Graduate Center, CUNY How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/511 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Beyond the Left: Documenting American Racism in Print Periodicals at the Wisconsin Historical Society, and Theorizing (Radical) Collections Today Dear Well-Meaning White People Who Want Nothing to do with Alt-Right: We, people of color, cannot carry this burden. You must engage. 1 -Jose Antonio Vargas White supremacy in the United States is a central organizing principle of social life rather than merely an isolated social movement.2 -Jessie Daniels …this paper is a call to action: it is a plea for practicing archivists to work actively and diligently against white supremacist bias by documenting white supremacist violence against Black Americans.3 -Tonia Sutherland Sometime near 2005, while working at the Wisconsin Historical Society, I reached out to an editor to inquire about a recent publication. I emailed because I had discovered a print newsletter that they had been publishing for some time, which the Society did not yet hold. I hadn’t expected a response based on the organization’s web page—their site looked outdated and I couldn’t tell whether it was currently being maintained. -
Hannibal Lecter) Pdf, Epub, Ebook
RED DRAGON: (HANNIBAL LECTER) PDF, EPUB, EBOOK Thomas Harris | 432 pages | 07 May 2009 | Cornerstone | 9780099532934 | English | London, United Kingdom Red Dragon: (Hannibal Lecter) PDF Book Plot Keywords. External Sites. Added to Watchlist. Flautist John Rubinstein Lecter is visited by Will Graham, a gifted FBI agent who has the ability to empathize with psychopaths. The Musical Official Sites. Retrieved 13 June Believing Dolarhyde is dead, Graham's family moves back to the Florida home. Germany [1] United States [1]. The original hardcover and paperback editions mentioned Lecter being held in the "Chesapeake" hospital. Two days after the Leeds murders, agent Jack Crawford , Graham's mentor, goes to Graham's Marathon, Florida residence and pleads for his assistance; Graham reluctantly agrees. Molly Graham Philip Seymour Hoffman Dolarhyde then leaves the plant unseen and goes to Reba's house. Graham eventually realizes that the killer knew the layout of his victims' houses from their home movies, which he could only have seen if he worked for the film processing lab that developed them. Retrieved September 27, Universal Pictures [1] Imagine Corporation [1]. Back to School Picks. Graham later comforts her, telling her that there is nothing wrong with her, and that the kindness and affection she showed Dolarhyde probably saved lives. Francis Dolarhyde. Views Read Edit View history. Retrieved March 14, When it comes to The Silence of the Lambs and Hannibal's character, many people recall and remember the absolutely terrifying sequence in which Hannibal makes his prison escape. Here monsters have their grandeur, heroes their gravity. Color: Color DeLuxe. It is undoubtedly a horror movie, and its atmosphere is far more threatening than the one found in Silence. -
Book on Martin Scorsese, and January Screenings, in Conjunction with Scorsese Exhibition
FOR IMMEDIATE RELEASE MUSEUM OF THE MOVING IMAGE ANNOUNCES PUBLICATION OF ‘REVERSE SHOT’ BOOK ON MARTIN SCORSESE, AND JANUARY SCREENINGS, IN CONJUNCTION WITH SCORSESE EXHIBITION Martin Scorsese: He Is Cinema, a Reverse Shot/Museum of the Moving Image monograph with essays on every major Scorsese film, is celebrated with January 29 book signing January 15–April 23, 2017 Astoria, New York, January 11, 2017—In conjunction with Martin Scorsese, a major exhibition devoted to the director’s life, work, and love of cinema, currently on view in its galleries through April 23, and a comprehensive retrospective featuring all of Scorsese’s films, Museum of the Moving Image has published a book in partnership with its online publication, Reverse Shot. Martin Scorsese: He Is Cinema (2017), featuring essays on every Scorsese film by regular contributors to the magazine, was edited by Michael Koresky and Jeff Reichert, co-founders and co-editors of Reverse Shot. To celebrate its publication, the Museum will host a book signing on Sunday, January 29, after a screening of Raging Bull. The book is available exclusively in the Museum shop ($20). Most of the essays were originally published in earlier versions on Reverse Shot for a symposium on Martin Scorsese (available online), but new essays have been commissioned for the book, which also features a foreward by Chief Curator David Schwartz and an introduction by Koresky and Reichert. Chapters include Ashley Clark and Imogen Sara Smith on Taxi Driver, Jordan Cronk on Mean Streets, Eric Hynes on Gangs of New York, Koresky on After Hours and Raging Bull, Aliza Ma on Shutter Island, Adam Nayman on Goodfellas and Silence, Max Nelson on New York, New York, Nick Pinkerton on The King of Comedy, Reichert on Italianamerican and The Wolf of Wall Street, Genevieve Yue on Hugo, and many more. -
Walking Wounded
Walking Wounded: Cinematic Representations of Masculine, Post-Modern Anxiety in the Urban Space Penelope Eate B. Soc. Sc. (Hons) Thesis submitted for the degree of Doctor of Philosophy Department of Gender, Work and Social Inquiry, School of Social Sciences University of Adelaide February, 2012 TABLE OF CONTENTS Abstract ..................................................................................................................................... v Declaration ............................................................................................................................... vi Acknowledgements .................................................................................................................. vii INTRODUCTION __________________________________________ 1 CHAPTER ONE Going Nowhere: Urban Strolling as Masculine Anxiety In and Out of the Nineteenth Century __________________________________________ 18 Introduction .............................................................................................................................. 18 The Physiology of the Urban Sketcher.................................................................................... 19 Flânerie as Crisis ...................................................................................................................... 20 Detecting Dissent in Edgar Allan Poe‟s „The Man of The Crowd‟ (1845) ......................... 22 The Politics of Location: Gender and Public Space ............................................................. -
Tolono Library DVD List
Tolono Library DVD List Title of Movie Category Entry Date DR=Drama/AD=Adventure/AC=Action CO=Comedy/MI=Miscellaneous CL=Classic/WE=Western/FM=Family Movie 1 REMEMBER THE TITANS DR 3 CHARLIE'S ANGELS AD 4 IMAGINE THAT FM 5 HOME ON THE RANGE FM 6 GONE IN 60 SECONDS AC 7 HOLLOW MAN DR 8 WHAT LIES BENEATH DR 9 REPLACEMENTS CO 10 CELL DR 11 DIRTY DANCING HAVANA NIGHTS DR 12 BIG MOMMA'S HOUSE CO 13 NURSE BETTY CO 14 MOULIN ROUGE DR 15 COYOTE UGLY CO 16 AGAINST THE ROPES DR 17 BEACH DR 18 FIGHT CLUB DR 19 20 MEN OF HONOR DR 21 DAYS OF THUNDER AC 22 SPACE COWBOYS AD 23 AUTUMN IN NEW YORK DR 24 LILO & STITCH 2 FM 25 26 MAGNIFICENT SEVEN WE 27 BUG'S LIFE AD 28 HOOSIERS DR 29 ANOTHER CINDERELLA STORY FM 30 THEN SHE FOUND ME DR 31 DINOSAUR FM 32 33 CROUCHING TIGER HIDDEN DRAGON AC 34 TRAFFIC DR Tolono Library DVD List Title of Movie Category Entry Date 35 VERTICAL LIMIT AD 36 CAST AWAY DR 37 FALLING DOWN DR 38 PLEDGE DR 39 BEVERLY HILLBILLIES:VOL. I TV 40 MISS CONGENIALITY CO 41 SIXTH SENSE DR 42 88 MINUTES DR 43 ORIGINAL KINGS OF COMEDY CO 44 DECEPTION DR 45 46 47 TELL NO ONE DR 48 SPY KIDS FM 49 TOMB RAIDER AD 50 LEATHERHEADS CO 51 PLANET OF THE APES AC 52 CORE AC 53 ONCE UPON A TIME IN THE WEST WE 54 THANK YOU FOR SMOKING CO 55 56 HOLIDAY IN THE SUN FM 57 PRINCESS DIARIES FM 58 BRIAN'S SONG DR 59 IDENTITY DR 60 DON'T SAY A WORD DR 61 OUR LIPS ARE SEALED CH 62 NATIONAL LAMPOON'S VACATION CO 63 DARK CRYSTAL FM 64 MESSAGE IN A BOTTLE DR 65 CHITTY CHITTY BANG BANG AD 66 NATIONAL LAMPOON'S CHRISTMAS VACATION CO 67 HELLBOY AC 68 HEARTS IN ATLANTIS -
Vince Valitutti
VINCE VALITUTTI IMDB https://www.imdb.com/name/nm1599631/ Po Box 7140 GCMC Gold Coast~Qld 4217~ Australia Australian phone: +61-414069917 www.vincevalitutti.com [email protected] [email protected] FILM STILLS PHOTOGRAPHY 2020 : Godzilla vs Kong: Client: Legendary Ent, Warner Bros. Director: Adam Wingard Cast: Alexander Skarsgard, Millie Bobby Brown, Eiza Gonzalez, Rebecca Hall, 2019 : Dora and the lost City of Gold: Client: Paramount Players, Walden Media Director: James Bobin Cast: Isabela Moner, Benicio Del Toro, Eva Longoria, Michael Pena, Eugenio Derbez 2018 : Swinging Safari: Client: Piccadilly Pictures, Wildheart Films Director: Stephan Elliot Cast: Kylie Minogue, Guy Pierce, Julian Mc Mahon, Radha Mitchell, Asher Keddie 2017 Kong Skull Island: Client: Warner Bros, Legendary Director: Jordan Vogt-Rodgers Cast: Samuel L. Jackson, Brie Larson, Tom Hiddleston, John Goodman, John C Riley 2017 Australia Day: Client: Hoodlum Entertainment Director: Kriv Stenders Cast: Bryan Brown, Matthew Le Nevez, Elias Anton, Sean Keenan, Daniel Weber 2016 The Shallows: Client: Sony Pictures Director: Jaume Collet Serra Cast: Blake Lively, Oscar Jaenada, Sedona Legge, 2014 The Inbetweeners 2: Client: Bwark productions Directors: Damon Beesley, Iain Morris Cast: James Buckley, Simon Bird, Joe Thomas, Blake Harrison, Freddie Stroma 2014 Unbroken (Additional stills): Client: Universal Pictures Directors: Angelina Jolie Cast: Jack O'Connell, Domhnall Gleeson, Jai Courtney, Finn Wittrock 2013 Nim’s Island 2: Client: Fox-Walden Director: -
Bamcinématek Presents Under the Influence: Scorsese/Walsh, a 12
BAMcinématek presents Under the Influence: Scorsese/Walsh, a 12-film series pairing Martin Scorsese works with their inspirations from Raoul Walsh’s seminal oeuvre, Mar 12—26 Opens with Walsh’s Regeneration, featuring live piano by acclaimed silent film accompanist Steve Sterner The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Feb 12, 2014—From Wednesday, March 12 through Wednesday, March 26, BAMcinématek presents Under the Influence: Scorsese/Walsh, pairing six Scorsese classics with their inspirations from Raoul Walsh’s seminal oeuvre. The still-undervalued Walsh’s lean, mean portraits of gangsters, knack for evoking gritty urban locales, and assured handling of white- knuckle action provide a virtual template for modern-day maestro (and avowed Walsh admirer) Martin Scorsese’s work. Viewed side by side, the films of these two iconic auteurs reveal a fascinating and ongoing creative dialogue across the generations. One of the great action directors of the Hollywood studio era, Raoul Walsh was the swaggering, manly-man artist behind some of the best movies to star James Cagney, Humphrey Bogart, and Errol Flynn. ―Walsh’s explosive outcast characters were bigger than life,‖ said Martin Scorsese, whose own violent, masculine oeuvre is just as full of explosive outcasts. ―Their lust for life was insatiable, even as their actions precipitated their tragic destiny. The world was too small for them.‖ Walsh was ―probably Scorsese’s single most important influence,‖ wrote critic Dave Kehr (Moving Image Source), even if Scorsese’s debts to Michael Powell, Luchino Visconti, and other filmmakers have been more widely acknowledged over the years. -
A Reading List for Adults, Teens, and Youth
A READING LIST FOR ADULTS, TEENS, AND YOUTH. ADULTS Between the World and Me by Ta-Nehisi Coates, Penguin Random House Publisher In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Stamped From the Beginning by Ibram X. Kendi, Bold Type Books Some Americans insist that we're living in a post-racial society. But racist thought is not just alive and well in America--it is more sophisticated and more insidious than ever. And as award-winning historian Ibram X. Kendi argues, racist ideas have a long and lingering history, one in which nearly every great American thinker is complicit. How to Be an Antiracist by Ibram X. Kendi, One World Publisher Antiracism is a transformative concept that reorients and reenergizes the conversation about racism—and, even more fundamentally, points us toward liberating new ways of thinking about ourselves and each other. At its core, racism is a powerful system that creates false hierarchies of human value; its warped logic extends beyond race, from the way we regard people of different ethnicities or skin colors to the way we treat people of different sexes, gender identities, and body types. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.