Greyson Retro Press Release 2-12-12
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Finding Artwork
Splash Page THE PLASTICIENS AND BEYOND MONTREAL 1955 - 1970 Varley Art Gallery of Markham CONTACT INFO Varley Art Gallery 216 Main St Unionville, ON L3R 2H1 905-477-9511 ext. 3263 http://www.visitthevarley.com/ ABOUT THE GALLERY The Varley Story The Group of Seven The Group of Seven is famously known to have established a distinct aesthetic to the Canadian landscape, its members are historically recognized for the impact they have made on the Canadian art movement. Frederick Varley, Tom Thomson, J.E.H MacDonald, Arthur Lismer, Frank Johnston, and Franklin Carmichael would first meet as employees at the design firm Grip Ltd in Toronto. These six men would come together during and after work discussing bold new directions for Canadian Art, they were joined by A.Y Jackson and Lawren Harris in 1913. With the support of Dr. James MacCallum, an artist and university professor, the group raised money to build the Studio Building for Canadian Art in Toronto. It was there that they would create masterpieces as they discovered the distinct light of the Canadian atmosphere and capture it in bold new ways. The production the group was interrupted as they suffered tragedy when Tom Thomson, one of the founding members died in mysterious circumstances; shortly after, some of the members left to serve in the First World War. It was not until 1920 that the Group of Seven officially formed with their first exhibition in Toronto. Once their popularity grew, the artists began to travel Canada capturing what inspired them. The group shared a like vision concerning art in Canada. -
Art in 2017: a View from Turtle Island – Canadian Art
1/18/2018 Art in 2017: A View from Turtle Island – Canadian Art FEATURES / / Art in 2017: A View from Turtle Island Strong exhibitions in Winnipeg, Kitchener-Waterloo and Toronto highlight an Indigenous critic’s year-end bests DECEMBER 28, 2017 BY LINDSAY NIXON Mike MacDonald, Seven Sisters, 1989. Video installation, running time: 7 videos, 55 minutes each. Courtesy of Vtape, Toronto © Mike MacDonald. Installed at “Carry Forward” at the Kitchener-Waterloo Art Gallery. Image courtesy of KWAG. Photo: Robert McNair. The year was an exciting one for Indigenous art in so-called Canada—likely somewhat propelled by the Canada Council’s newly created funding stream for Indigenous art. I can’t think of another period—outside of 1992, the 350th anniversary of the birth of Montreal and 500 years since Columbus did not discover America—when Indigenous art was this dynamic. This year was host to a diverse group of new voices for Indigenous art, an array of artists and curators who established themselves as strong leaders and key gures in this new wave of contemporary Indigenous art. Joi https://canadianart.ca/features/art-in-2017-carrying-forward/ 1/13 1/18/2018 Art in 2017: A View from Turtle Island – Canadian Art T. Arcand, Dayna Danger, Asinnajaq, Jade Nasogaluak Carpenter, Becca Taylor, Tsēma Igharas, Jeneen Frei Njootli and Lacie Buring come to mind, to name only a few. Is what Tanya Harnett told me true—are we witnessing the emergence of a seventh wave in Indigenous art within so-called Canada? Whatever this moment is, it’s adamantly feminist; run by women, gender variant and sexually diverse peoples; and entrenched in values of care and reciprocity. -
De Montréal : Le Sacré Et Le Profane
JÉSUS DE MONTRÉAL : LE SACRÉ ET LE PROFANE Danielle Conway Mémoire présenté à l'École des Études Supérieures comme exigence partielle de la Maîtrise ès Arts en Études françaises Département d'Études françaises et hispaniques Université Mernorial Saint-Jean, Terre-Neuve août 1998 National Library Bibliothèque nationale 191 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington OttawaON KtAW Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or seU reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm. de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts £kom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. RÉs& Ce mémoire consiste essentiellement en une analyse intention sémiotique de Jésus de Montréal, film du cinéaste québécois Denys Arcand sorti en 1989. Ce film est basé sur la confrontation du Sacré et du Profane, comme l'indique le titre du film même (Jésus/Montréal), qui résulte en la folie et la mort du Sujet, le personnage principal, Daniel Coulombe. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Fine Canadian Art
HEFFEL FINE ART AUCTION HOUSE HEFFEL FINE ART FINE CANADIAN ART FINE CANADIAN ART FINE CANADIAN ART NOVEMBER 27, 2014 HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE ISBN 978~1~927031~14~8 SALE THURSDAY, NOVEMBER 27, 2014, TORONTO FINE CANADIAN ART AUCTION THURSDAY, NOVEMBER 27, 2014 4 PM, CANADIAN POST~WAR & CONTEMPORARY ART 7 PM, FINE CANADIAN ART PARK HYATT HOTEL, QUEEN’S PARK BALLROOM 4 AVENUE ROAD, TORONTO PREVIEW AT HEFFEL GALLERY, VANCOUVER 2247 GRANVILLE STREET SATURDAY, NOVEMBER 1 THROUGH TUESDAY, NOVEMBER 4, 11 AM TO 6 PM PREVIEW AT GALERIE HEFFEL, MONTREAL 1840 RUE SHERBROOKE OUEST THURSDAY, NOVEMBER 13 THROUGH SATURDAY, NOVEMBER 15, 11 AM TO 6 PM PREVIEW AT UNIVERSITY OF TORONTO ART CENTRE 15 KING’S COLLEGE CIRCLE ENTRANCE OFF HART HOUSE CIRCLE SATURDAY, NOVEMBER 22 THROUGH WEDNESDAY, NOVEMBER 26, 10 AM TO 6 PM THURSDAY, NOVEMBER 27, 10 AM TO 12 PM HEFFEL GALLERY, TORONTO 13 HAZELTON AVENUE, TORONTO ONTARIO, CANADA M5R 2E1 TELEPHONE 416 961~6505, FAX 416 961~4245 TOLL FREE 1 800 528-9608 WWW.HEFFEL.COM HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE CATALOGUE SUBSCRIPTIONS A Division of Heffel Gallery Inc. Heffel Fine Art Auction House and Heffel Gallery Inc. regularly publish a variety of materials beneficial to the art collector. An TORONTO Annual Subscription entitles you to receive our Auction Catalogues 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 and Auction Result Sheets. Our Annual Subscription Form can be Telephone 416 961~6505, Fax 416 961~4245 found on page 116 of this catalogue. -
Reading the Intersection of Racial and Sexual Marginalization in Rex Vs Singh and Seeking Single White Male
Journal of Ethnic and Cultural Studies Copyright 2019 2019, Vol. 6, No. 1, 1-14 ISSN: 2149-1291 Confronting Ambiguity: Reading the Intersection of Racial and Sexual Marginalization in Rex vs Singh and Seeking Single White Male Yilong Liu1, Soyang Park2 OCAD University, Toronto, Canada This qualitative study of two Canadian films examines how filmmakers and artists explore racial and sexual marginalization and repression in Canada through an in-depth analysis of the films’ visual, textual, and sonic elements. Rex vs Singh (Greyson et al., 2008) and Seeking Single White Male (Shraya, 2010), using diverse cinematic devices and self-enacting performances, address different intersecting modes of racial and sexual marginalization against South Asian immigrants in historical and contemporary Canada. Using Louis Althusser’s concepts of Repressive State Apparatuses (RSAs) and Ideological State Apparatuses (ISAs) as a key framework, we identify “ambiguity” as a critical space to explore and examine the operation of the state policy (RSAs) in the early 20th century, and workings of the invisible ideology (white normativity) through enlisting their subjects to internalize the norm (ISAs) at present. This discussion is followed by an evaluation of how filmmakers and artists mobilize their “differential consciousness” (Chela Sandoval) to confront these ambiguities as mobile tactics that complement the ongoing race and gender liberation movements. Rather than providing definitive results or solutions, this research aids understanding of the continuing struggles of racialized sexual minorities in Canada—a country that has constitutionalized multiculturalism in 1971—in light of Canada’s 150th celebration (2017). Keywords: queer, gender and sexuality, film, ethnic studies, ambiguity. -
View Full Issue As
The Weekly Voice of Wisconsin's LGBT Community May 5-11, 1999 11 V. • Looking Ahead Through The Past They have lived through and helped foster one of the most remarkable social revolutions in America's history. The age of Gay liberation is largely a product of their efforts. Living laid the t0undation of our cur- surk. iked rent Gay culture. older Gays and in a Lesbians often find themselves society ignored by it. Nevertheless. for the that was most part. Gay seniors lead happy. tar more fulfilling lies. o nto- Many societies treat their older members with iJl lt reverence. In those cultures the word "elder" is a t han mark of respect. An elder is someone you consult present and learn from. An elder is someone who is recog- d a y nized for their past contributions. Our tarowI away. ,America "I want it now.- society races past those kk ho have is. preceded us. count- .z. The result is that many Americans, espe ;illy l eS S those who are Gay or Lesbian, tear growing older. Studies on AIDS I i IV pre ention );t\ e ways they have passed th;.it pride onto younger generations. even shown that some young people don't practice safe sex because they don't want to .roks During May, Older _American Month, flisconsin Light salutes our LGBT Wisconsin old. In an Internet post. a young Gay man wrote that if he lived to be 35, he would kill him- seniors with a series of profiles telling their life stories. These profiles begin on page 6 in this self because life as a Gay man would no longer be worth living. -
Corporate Profile
Fae Pictures Inc. @FaePictures Los Angeles | Toronto +1 323 400 0610 www.faepictures.com [email protected] CORPORATE PROFILE The global media landscape today is ripe for a production company to declaratively operate with a modus operandi to DECOLONIZE HOLLYWOOD. Enter Fae Pictures. Founded in 2017 in Toronto & Los Angeles, Fae Pictures is a storytelling production company with a mandate to “Engage audiences with stories rooted in the perspectives of the Other.” We are committed to developing, producing, and delivering stories in a variety of mediums that impact the hearts and minds of audiences, while maximizing private investment through strategic packaging, government-based incentives, and innovative storytelling practices. Loosely defined under the categories of LGBTQ+, people of color, women, and differently-abled people, the Other encompasses a community of storytellers and audiences that have been wholly underserved in the motion picture industry, and one that we seek to have a strong and integral relationship with. The company’s strategy for employing its model has three key tenets that have been culled through experience in a disruptive and innovative media environment: 1. Engaging stories – Invest a majority of Fae Pictures’ capital into the curatorial and selective development, production, and exploitation of a lucrative catalogue of high-quality original stories; 2. Engaging audiences – Find the most effective and innovative means and medium of telling each story that not only reaches audiences, but keeps them actively invested as opposed to passively interested; 3. Engaging the Other – Work with under-represented talent and audiences domestically and internationally in marginalized spaces including the LGBTQ, people of color, women, and people who are differently-abled communities. -
Three ,Modest Prop Canadian Film "In by John Harkness
Three ,Modest Prop Canadian Film "In by John Harkness After looking at it for a long time, I've decided that Canadian Cinema is just fine. We make excep- tional films like Jesus de Montreal, Dead Ringers and Thirty-two Short Films About Glenn Gould. We • make interesting films like Masala. We make deadly dull films like The Lotus Eaters and The Burning Season. In the long run, it doesn't matter much what anyone says about the film industry, which will continue to lumber slowly along, much as it has for the past decade or so. Instead, I've decided to offer a series of proposals that I think would do the film business and the Canadian soul a world of good. They will no doubt be ignored. I prefer to think of myself as being ahead of my time. CLOSE ALL FILM SCHOOLS FOR AT LEAST FIVE YEARS We have more filmmakers than we have projects for them to make, yet our film schools keep churning out little baby directors. Jean Renoir, Kenji Mizoguchi, David Lean, John Ford, Howard Hawks, Orson Welles, Steven Spielberg, Federico Fellini, Billy Wilder, David Cronenberg - none of these people went to film school. More great films have been made by people who never saw the inside of a film school than by people with graduate degrees in filmmaking. I also have considerable doubts about what they are being taught. A few years ago, a friend of mine was working for the Academy of Canadian Cinema on their director-observer program that took young filmmaking students and put them on the sets of actual, in-production films. -
Nikola Stepic
RELIGION & CULTURE Volume 26, no. 2 The JRC would like to acknowledge the support of sponsors from within the Concordia University community: Dean of Students (Concordia Council on Student Life Special Projects Committee) Department of Religion Research & Graduate Studies Faculty of Arts & Sciences Office of the Vice-President Services We would also like to offer our special thanks to: Lynda Clarke, our very supportive department Chair; Tina Montandon and Munit Merid, administrators extraordinaire; The executive staff of the CRSA, for letting us drop by all their wine and cheese events; all of our referees, readers and everyone else who gave their time to the publication of this journal. A Canadian Graduate Student Journal 2016 Volume 26, no. 1 & 2 Journal Committee Executive Committee Alexander Nachaj Editor-in-Chief Elyse MacLeod Article Editor Joseph E. Brito Publication Editor Georgia Carter Book Review Editor Editorial Board Faculty Advisors Anthony Easton Marc P. Lalonde Laurel Andrew Marcel Parent Dalia Ramirez Cote Steven Lapidus Carly Daniel-Hughes André Gagné Jean-Michel Roessli The Journal of Religion and Culture is produced by the Graduate Students of the Department of Religion at Concordia University. © 2016 Journal of Religion and Culture, Concordia University, Montreal, Quebec. ISSN 1198-6395 Journal of Religion and Culture Volume 26, no. 1 & 2 (2015/2016) All rights reserved. No part of this journal may be used or reproduced in any matter without the express written permission of the editors except in the case of brief quotations embedded in critical articles and reviews. For information: Journal of Religion and Culture, Department of Religion (FA-101) Concordia University 1455 de Maisonneuve O., Montreal, Quebec H3G 1M8 JRC logo designed: Christopher Burkart Book design: Joseph E. -
Download Guide
TEACHER RESOURCE GUIDE FOR GRADES 5–12 LEARN ABOUT MODERN CANADIAN LANDSCAPES & THE GROUP OF SEVEN through the art of TOM THOMSON Click the right corner to MODERN CANADIAN LANDSCAPES & THE GROUP OF SEVEN TOM THOMSON through the art of return to table of contents TABLE OF CONTENTS PAGE 1 PAGE 2 PAGE 3 RESOURCE WHO WAS TIMELINE OF OVERVIEW TOM THOMSON? HISTORICAL EVENTS & ARTIST’S LIFE PAGE 4 PAGE 9 PAGE 12 LEARNING CULMINATING HOW TOM THOMSON ACTIVITIES TASK MADE ART: STYLE & TECHNIQUE PAGE 13 READ ONLINE DOWNLOAD ADDITIONAL TOM THOMSON: TOM THOMSON RESOURCES LIFE & WORK IMAGE FILE BY DAVID P. SILCOX EDUCATIONAL RESOURCE MODERN CANADIAN LANDSCAPES & THE GROUP OF SEVEN through the art of TOM THOMSON RESOURCE OVERVIEW This teacher resource guide has been designed to complement the Art Canada Institute online art book Tom Thomson: Life & Work by David P. Silcox. The artworks within this guide and images required for the learning activities and culminating task can be found in the Tom Thomson Image File provided. Tom Thomson (1877–1917) is one of Canada’s most famous artists: his landscape paintings of northern Ontario have become iconic artworks, well-known throughout the country and a critical touchstone for Canadian artists. Thomson was passionate about the outdoors, and he was committed to experimenting with new ways to paint landscape. He had several friends who shared these interests, such as A.Y. Jackson (1882–1974), Lawren Harris (1885–1970), and J.E.H. MacDonald (1873–1932); a few years after his premature death, these friends helped establish the Group of Seven, a collection of artists often credited with transforming Canadian art by creating modern depictions of national landscapes. -
Elements & Principles of Design
CANADIAN ART: The Late 1800’s Canadian artists working in the late 1800’s and early 1900’s painted landscapes in a fairly realistic style. They painted what they saw without expressing any feeling or emotions. This style of painting landscapes with a soft, quiet, tame, and inviting appearance originated in Europe. These landscapes were full of realistic details and natural colours, but they lacked personal expression. Homer Watson John A. Fraser September Afternoon, Eastern At the Rogers Pass, Summit of the Townships 1873 Selkirk Range, B.C. 1886 CANADIAN ART: THE GROUP OF SEVEN The Group of Seven was founded in 1920 to develop a new style of Canadian painting with a distinct Canadian identity. These artists painted what they saw, but added imagination and feeling. They were especially interested in expressing the wild, untamed spirit of the Canadian wilderness in their paintings. The artists often travelled into the wilderness to make sketches in the open air. They wanted to capture the atmosphere, the effects of light, and the spirituality and ruggedness of the northern Canadian landscape. In order to accomplish this, their style was also rugged, expressive, and powerful. THE GROUP OF SEVEN PAINTING STYLE a)Colours: bold and vibrant or bold and dark/dull high contrast between lights and darks b) Shapes/Forms: simplified with few details almost 2 dimensional abstract c) Brushstrokes: thick paint application (impasto) often visible (not blended) Franklin Carmichael Lake Wabagishik 1928 Mirror Lake 1929 Arthur Lismer A September Gale, Georgian Bay 1921 Bright Land 1938 J.E.H. MacDonald The Solemn Land 1921 Mist Fantasy 1922 F.H.