Zoya Cherkassky
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Women's Israel Trip ITINERARY
ITINERARY The Cohen Camps’ Women’s Trip to Israel Led by Adina Cohen April 10-22, 2018 Tuesday April 10 DEPARTURE Departure from Boston (own arrangements) Wednesday April 11 BRUCHIM HABA’AIM-WELCOME TO ISRAEL! . Rendezvous at Ben Gurion airport at 14:10 (or at hotel in Tel Aviv) . Opening Program at the Port of Jaffa, where pilgrims and olim entered the Holy Land for centuries. Welcome Dinner at Café Yafo . Check-in at hotel Overnight: Carlton, Tel Aviv Thursday April 12 A LIGHT UNTO THE NATIONS . Torah Yoga Session . Visit Save a Child’s Heart-a project of Wolfston Hospital, in which Israeli pediatric surgeons provide pro-bono cardiac surery for children from all over Africa and the Middle East. “Shuk Bites” lunch in the Old Jaffa Flea Market . Visit “The Women’s Courtyard” – a designer outlet empowering Arab and Jewish local women . Israeli Folk Dancing interactive program- Follow the beat of Israeli women throughout history and culture and experience Israel’s transformation through dance. Enjoy dinner at the “Liliot” Restaurant, which employs youth at risk. Overnight: Carlton, Tel Aviv Friday April 13 COSMOPOLITAN TEL AVIV . Interactive movement & drum circle workshop with Batya . “Shuk & Cook” program with lunch at the Carmel Market . Stroll through the Nahalat Binyamin weekly arts & crafts fair . Time at leisure to prepare for Shabbat . Candle lighting Cohen Camps Women’s Trip to Israel 2018 Revised 22 Aug 17 Page 1 of 4 . Join Israelis for a unique, musical “Kabbalat Shabbat” with Bet Tefilah Hayisraeli, a liberal, independent, and egalitarian community in Tel Aviv, which is committed to Jewish spirit, culture, and social action. -
The Dead Sea Scrolls and Gabriel Revelation Stone from the Israel
FOR IMMEDIATE RELEASE Two of the World’s Greatest Archeological Finds – The Dead Sea Scrolls and Gabriel Revelation Stone from the Israel Museum, Jerusalem – go on display for the first time in Hong Kong from tomorrow at the Asia Society Hong Kong Center Hong Kong, November 3, 2014 – Two of the world’s greatest archeological finds – the Gabriel Revelation Stone often called the ‘stone scroll’ and a replica of the Scroll of Isaiah, the only almost complete version of any biblical book among the Dead Sea Scrolls, goes on display in Hong Kong and China for the first time at the Asia Society Hong Kong Center from tomorrow till January 25, 2015, along with some 50 key artefacts from the Israel Museum, Jerusalem. In Temple, Scrolls and Divine Messengers: Archeology of the Land of Israel in Roman Times, the exhibition unravels the secrets and meanings behind the Gabriel Stone and Isaiah Scroll and through them, explores the significance of Jerusalem in the Second Temple Period between the 1st century BCE and the 1st century CE. Through films and by examining the various stone, glass, and pottery vessels on display, the exhibition also looks at the life and times of the city’s inhabitants and the importance of rituals and customs that govern their everyday lives. The lead sponsor of the exhibition is MetLife Foundation. The exhibition opens to the public tomorrow for a strictly limited 11 week season, closing on January 25, 2015. A public and educational program comprising workshops and lectures runs alongside the exhibition. Speaking at today’s opening, Ms. -
When You Join IFIM, You Will Enjoy a Wide Range of Benefits, Depending on the Membership Option You Choose
When you join IFIM, you will enjoy a wide range of benefits, depending on the membership option you choose All options include the following Membership categories: benefits: Four Association membership cards Friend (annual donation of NIS 1,500; valid for a year from day of payment, 80% tax deductible) granting free admission to the Israel All of the benefits listed at left Museum, Shrine of the Book, Rockefeller Archaeological Museum, Israeli Patron (annual donation of NIS and Ticho House 4,000; 90% tax deductible) All of the above benefits, plus listing Invitation to curator-led guided tours in the internationally distributed Israel of new exhibitions after regular Museum Journal Museum hours – for members only Invitation to special cultural trips International Patron (annual donation abroad, including viewings of private of NIS 12,000; 95% tax deductible) collections (supplementary fee) All of the above benefits, plus listing Group visits to private collections in the internationally distributed Israel and museums in Israel Museum Journal. International Patrons also receive a Guggenheim Art Pass Meetings with Israeli artists granting free admission for two to Invitation to the Museum’s several major museums abroad. International Council (supplementary fee) Guardian (annual donation of NIS 30,000; 100% tax deductible) Discounts for performances, lectures, Guardians sponsor a week in honor of and other cultural events at the the person or occasion of their choice. Museum Their contribution subsidizes admission Discounts at Museum shops, cafés, fees for children, students, soldiers, and restaurants, including Anna the disabled, and senior citizens. The Italian Café at Ticho House Guardian’s name appears on a plaque in the Museum’s Entrance Pavilion for Invitations to exhibition openings the duration of the sponsored week, Use of the Israel Museum Art Library as well as in the Israel Museum Journal. -
Programme of the Seminar
Seminar and Workshop Announcement and Invitation Professional Certification for Israeli Conservators cA ollaboration of the key Israeli heritage stakeholders Organised by The Society for the Conservation and Preservation of Israeli Cultural Property, The Israel Antiquities Authority and UNESCO‐Israel sponsored by Israel Ministry of Culture and Sport ‐Museums Dept; Israel Foreign Ministry : Haifa University; ICOMOS‐ Israel; Society for Preservation of Israel Heritage Sites; Israel Nature and Parks Authority; ICOM‐Israel; Israel Museum, Jerusalem; Eretz Israel Museum; Israel Archives and Information Association; Israeli Society of United Architects, Hosted by the Tel Aviv Museum of Art Monday August 2nd 2010 10:00 – 15:00 8:30: Registration 9:30 Welcoming speeches 10:00‐12:00 Morning session‐ Chaired by James Snyder, Director of the Israel Museum, Jerusalem • Dr. Stan Lester ‐ Specialist in professional accreditation, chief designer of the ICON accreditation scheme, Director Stan Lester Developments Education and Training Sytems – Becoming a qualifying profession • Prof. Amos Notea – Head of Quality and Reliability Engineering in Electronics Program, Kinneret College, expert in certification systems in industry. Establishment and management of a professional certification system in Israel • Mr. Ingval Maxwell OBE –Consultant in Architectural Conservation Pan‐professional Accreditation in UK Building Conservation ‐ Background, Development and Operation • Mrs. Susan Bradshaw ACR ‐ ICON Accreditation Manager Operating PACR Accreditation in the UK 12:00 Break 13:00 – 15:00 Afternoon Session – Chaired by Prof. Amos Notea , Kinneret College • Dr. Chris Woods ACR‐ Chairman, ICON Professional Standards Committee, Director, Conservation Ltd ʹWhy Accredit Conservators? ‐ assessing the impact of accreditation and registration in the UK • Panel Session – chaired by Gideon Koren Adv. -
Yael Bartana 1970 Born in Kfar Yehezkel, Israel Currently Lives and Works in Amsterdam and Berlin
Yael Bartana 1970 born in Kfar Yehezkel, Israel currently lives and works in Amsterdam and Berlin Education 2000–01 Rijksakademie van Beeldende Kunsten, Amsterdam, NL 1999 MFA studies, School of Visual Arts, New York, US 1992–96 BFA, The Bezalel Academy of Arts and Design, Jerusalem, IL Prizes 2010 Artes Mundi 4, Wales, UK Principal Prize by the International Jury and the Prize of the Ecumenical Jury at the Oberhausen Short Film Festival, DE Häagendaismo, Madrid, ES 2009 Prix Dazibao, Montreal, CAN 2007 Gottesdiener Foundation Israeli Art Prize 2006, IL 2006 Recipient of the 2006 Ministry of Science, Culture and Sport Prize, Israel, IL 2005 Dorothea von Stetten-Kunstpreis, Kunstmuseum Bonn, DE Prix de Rome, 2nd award winner, Rijksakademie, Amsterdam, NL 2003 Anselm Kiefer Prize, The Wolf Foundation, IL 1996 The Samuel Prize, for the video / sound installation ‘Ant-Bulb, Bezalel Academy of Art and Design, Jerusalem, IL Residencies / Fellowships / Stipends 2009 Center for Curatorial Studies, Bard Collage, Annandale-on-Hudson, NY, US 2007 Fonds BKVB, Amsterdam, NL 2006 Foksal Gallery Foundation, Warsaw, PL 2005 Platform Garanti, Istanbul, TR 2003 Rooseum – Center for Contemporary Art, Malmo, SE 2002 Jerusalem Center for Visual Arts (JCVA), Jerusalem, IL 2001 NUFFIC, NL Rijksakademie van beeldende kunsten / Dutch Ministry of Education, Culture and Science, NL 2000 Stichting Schürmann-Krant, NL Stichting Trustfonds Rijksakademie, Amsterdam, NL Gallery representations Annet Gelink Gallery, Amsterdam, NL Sommer Contemporary Art, Tel Aviv, IL -
Symbolism of the Ibex Motif in Negev Rock Art
Supplementary Information SI Fig. 1. Male ibex on the cliffs of the Ramon Crater, central Negev highlands (Photograph by U. Avner, 2012). SI Fig. 2. Ibex hunting scenes in neighboring deserts: A. Sakaka, Sa‘udi ‘Arabia (‘Abdul Nayeem 2002:202), B. Najran, Sa‘udi ‘Arabia (courtesy of Christian Robin), C. Wadi Abu-Qwei, Eastern desert, Egypt, late Predynastic (Redford & Redford 1989:13, c.f. Morrow et al. 2010:218), D. Wadi Abu-Wasil, Eastern desert, Egypt (Morrow et al. 2010:189). SI Fig. 3. Ibex with dogs and hunters in Near Eastern art: A. Susa, Iran ca. 4000 BC. (Clark 2001:69), B. Iran, ca. 800 BC (Kist et al. 2003: Fig. 11), C. Saqqara, Egypt, ca. 2320 BC. (Malek 2001:83), D. Hierakonopolis, Egypt, ca. 2990 BC, lower part of palette (Malek 2001:32, Ashmolean E.3924). SI Fig. 4. Saving the ibex: A. Achaemenid seal impression, Persepolis, ca. 600 BC (Root 2002:182), B. Mesopotamian seal impression, ca. 4th millennium BC (Amiet 1961: No. 698). C. Dilmun, Ba rain (Højland et al. 2005: Fig. 17). ḥ SI Fig. 5. Seal impressions with ibex up and down: A. Akkad, ca.1800 BC, (Hartner 1965: Fig. 25), B-D. Cyprus, ca.1600 BC (Kenna 1967: Figs. 15, 28, 29). SI Fig. 6. Metal object from Nabataean temple at Jebel Serbal, Sinai, 1st century BC-3rd century AD (Avner in press: Fig. 13). SI Fig. 7. Susa, Iranian bowl, ca. 3400 BC (Pope & Ackerman 1938: Pl. 3c). SI Fig. 8. Ibex with celestial symbols: A. Ramat Matred, central Negev Highlands, B. -
The Jack, Joseph, and Morton Mandel Wing for Jewish Art and Life, the Israel Museum, Jerusalem
reviews 107 The Jack, Joseph, and Morton Mandel Wing for Jewish Art and Life, the Israel Museum, Jerusalem. All Roads Lead to Jerusalem entire Jewish heritage, as it portrays all aspects of life, and does not exclude the books as merely an The renewed Jack, Joseph, and Morton Mandel Wing artifact. for Jewish Art and Life at the Israel Museum opens The exhibition Holidays and Days of Remembrance with a circular motif symbolizing three stages of displays two short videos, screened back to back, life. The permanent exhibition, set inside a round, one relating to Memorial Day and the second to enclosed glass cabin, is titled The Rhythm of Life: Birth, Independence Day. Since the eve of Independence Marriage, Death. The objects on display relate to these Day is celebrated just minutes after Memorial Day life stages: baby clothing, a circumcision knife, ritual is over, the videos’ display is very symbolic. They are wedding jewelry, and a glass for a burial society’s physically and visually connected, as are these days annual banquet. In order to see the whole exhibi- in the Israeli consciousness. Visible to the visitor, tion, the visitor must enter the glass cabin, which without the need to enter a specific room in order provides a quick glance into these three aspects of to view the film, Yael Bartana’s movie is projected, life, common not only to Jews, but to all human entitled “Trembling Time” dedicated to Memorial cultures. While observing an object from one stage Days. On the other side of the wall, the movie of life, the visitor may simultaneously see, on the “Sacrifice”, made by Doron Solomons in 2010, other side, objects from another stage of life. -
UNIT TWO: Rise and Walk Th E Land קו ו התהל באר
UNIT TWO: Rise and Walk th e Land קום ו התהלך בארץ Student Workbook A curriculum for Israel Engagement Written by Belrose Maram In collaboration with Gila Ansell Brauner Elisheva Kupferman, Chief Editor Esti-Moskovitz-Kalman, Director of Education UNIT 2 Student Workbook Lesson 1: Geographic Uniqueness Part 1. Maps Israel has both a unique as well as strategic location. To help understand this, we are going to explore 3 different maps. A. Map of the Middle East/Mediterranean Israel ©W123, http://www.knittingliberally.com • Israel is situated between 3 continents: Which continents are they? 1. _____________________________ 2. _____________________________ 3. _____________________________ ? • What is the name of the sea to the West of Israel? __________________ 1 UNIT 2 Student Workbook • Israel's position: Taking into account what you have learned, why do you think Israel's geographic position has been strategically important throughout history? ________________________________________________________________________ ? ________________________________________________________________________ B. Israel/Canaan during the C. Map of Israel Today Reign of King David * The orange and the yellow areas belonged to David's Kingdom. *The light beige areas, combined with the West Bank and Gaza, make up Israel since 1967. From The Penguin Atlas of World History Volume One, 1974 http://www.mideastweb.org/palearly.htm 2 UNIT 2 Student Workbook Study and compare these two maps. The one on the left is a map of Israel during King's David period and the map -
Places to Visit in Tel Aviv
Places to visit in Tel Aviv Tel Aviv – North The Yitzhak Rabin Center The Yitzhak Rabin Center is the national institute established by the Knesset in 1997 that advances the legacy of the late Israeli Prime Minister Yitzhak Rabin, a path-breaking, visionary leader whose life was cut short in a devastating assassination. The Center presents Yitzhak Rabin’s remarkable life and tragic death, pivotal elements of the history of Israel, whose impact must not be ignored or forgotten lest risk the recurrence of such shattering events. The Center’s mission is to ensure that the vital lessons from this story are actively remembered and used to shape an Israeli society and leadership dedicated to open dialogue, democratic value, Zionism and social cohesion. The Center promotes activities and programs that inspire cultured, engaged and civil exchanges among the different sectors that make up the complex mosaic of Israeli society. The Israeli Museum at the Yitzhak Rabin Center is the first and only museum in Israel to explore the development of the State of Israel as a young democracy. Built in a downward spiral, the Museum presents two parallel stories: the history of the State and Israeli society, and the biography of Yitzhak Rabin. The Museum’s content was determined by an academic team headed by Israeli historian, Professor Anita Shapira. We recommend allocating from an hour and thirty minutes to two hours for a visit. The Museum experience utilizes audio devices that allow visitors to tour the Museum at their own pace. They are available in Hebrew, English and Arabic. -
Locating Digital Art Using the Test Case of Israeli Digital Artists
Susan Hazan Curator of New Media The Israel Museum, Jerusalem November 2004 [email protected] http://www.imj.org.il Locating [Israeli] digital art - artists think global and act local Introduction The Israel Museum, Jerusalem Global Versus Local Barriers of Language Online Beyond the Physical Museum and the National Anchor Simply denoted online Introduction This paper focuses on the problem of locating digital art using the test case of Israeli digital artists. Acting either globally or locally depends on three factors. The first would be concerned with affixing the national label, (such as Israeli artist), which would mean that at least the artist, if not the art work, could be actually located in a specific country. Through the Israeli case study it is apparent that many Israeli artists are not actually located in Israel and even if they are, they often reside and exhibit abroad. The second factor that determines how artistic [digital] work is disseminated and consumed globally or locally is a matter of artistic content. One of the ways that digital art becomes localised is through language, and through the incorporation of the Hebrew language into their palette, Israeli artists effectively limit their global reach. Of course this is not only a problem for Israeli artists but for all artists who draw on the written word as a crucial element of their digital creativity. The third issue this paper explores is concerned with locating digital art. When artists choose to exhibit their works online discarding both the physical museum and often their own national affiliation, the provenance of netart as a result becomes somewhat obscure. -
Report- the Large Cities at a Glance- Compendium of Maps, ICBS
Table of Contents Israeli Association for Cartography and Geographic Information Systems • About……………………………………………………………………………………….………….. 1 • Activities in Israel…………………………………………………………………..………..…….2 • Participation in ICA events……………………………………………………………..………5 Governmental Agencies • The Survey of Israel……………………………………………………………………..………..8 • Central Bureau of Statistics………………………………………………………..………..18 Map Libraries and Private Collectors National Library • Eran Laor Cartographic Collection- National Library of Israel………………..23 Academic Collections • Bloomfield Library for the Humanities and Social Sciences -Hebrew University in Jerusalem- Map Library and Geography Department……...25 • Tel Aviv University Geography Library………………………………………………….28 • Tel Hai Historical Map Archive- Tel Hai Academic College…………………...30 • Yad Izhak Ben-Zvi Map Archive………………………………………………………..…..31 • Younes & Soraya Nazarian Library- Map Collection, University of Haifa.33 Private Collectors • Bar Stav Collection of Ancient Maps of the Holy Land………………………….34 Private Sector • Ad-Or- Mapping the Old City of Jerusalem………………………………………….35 • Amud Anan Online Geo-Encyclopedia………………………………………………….36 • Avigdor Orgad Maps…………………………………………………………………………….37 • Blushtein Mapot Veod L.T.D. ……………………………………………………………….38 • Bonus-Yavne Publishing …………………………………………………………………….39 • GeoCartography Knowledge Group………………………………………………………40 • Israel Hiking and Biking Map ……………………………………………………………….42 • Mapa ………………………………………………………………………………………………..43 • Mind the Map ……………………………………………………………………………………..46 • Soffer -
Nohra Haime Gallery
NOHRA HAIME GALLERY MENASHE KADISHMAN (1932-2015) 1932 Born in Tel Aviv, Israel 1950-53 Works as a shepherd in Kibbutz Ma'ayan Baruch and Kibbutz Yizreel 1959 Moves to London 1972 Moves back to Tel Aviv EDUCATION 1947-50 Studies with sculptor Moshe Sternschuss, Avni Institute, Tel Aviv 1954 Studies with sculptor Rudi Lehman, Jerusalem 1959-61 St. Martin's School of Art, London 1961-62 Slade School of Art, University of London PRIZES AND AWARDS 1960 America-Israel Cultural Foundation Scholarship 1961 Sainsbury Scholarship, London 1967 First Prize for Sculpture, 5th Paris Biennale 1978 Sandberg Prize, The Israel Museum, Jerusalem 1981 The Eugen Kolb Prize, The Tel Aviv Museum Prize of the Jury, Norwegian International Print Biennale, Fredrickstad 1984 The Pundik Prize, The Tel Aviv Museum 1989 King Solomon Award, America-Israel Foundation, New York ONE-PERSON EXHIBITIONS 1965 Grosvenor Gallery, London, England Harlow Arts Festival, Harlow, England 1967 Dunkelman Gallery, Toronto, Canada 1968 Goldberg Gallery, Edinburgh, Scotland 1970 The Jewish Museum, New York 1971 J.L. Hudson Gallery, Detroit, MI 1972 Museum Haus Lange, Krefeld, West Germany 1975 Israel Museum, Jerusalem, Israel Julie M. Gallery, Tel Aviv 1976 Rina Gallery, New York 1977 Unikorn Gallery, Copenhagen, Denmark 1978 Venice Biennale, Venice 1979 Israel Museum, Jerusalem: The Kadishman Connection Sari Levi Gallery, Tel Aviv 1981 Argaman Gallery, Tel Aviv University of Haifa Art Gallery, Haifa, Israel Sara Gilat Gallery, Jerusalem Goldman Gallery, Haifa Tel Aviv Museum, Tel Aviv 1982 Julie M. Gallery, Tel Aviv 500 WEST 21ST STREET, NEW YORK, NY 10011 212-888-3550 f: 212-888-7869 [email protected] nohrahaimegallery.com Sara Gilat Gallery, Jerusalem Art 13, Goldman Gallery, Basel, Switzerland 1983 Muhlenberg College, Allentown, PA CIAE, Goldman Gallery, Chicago, IL 1984 Julie M.