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Measurement and Modeling of a Resonator Guitar
ISMA 2019 Measurement and modeling of a resonator guitar Mark Rau(1)∗, Julius O. Smith III(1) (1)Center for Computer Research in Music and Acoustics, Stanford University, USA Abstract Resonator guitars are acoustic instruments which have one or more spun metal cones embedded in the top plate, with strings driving the cone directly through a bridge. They were originally designed to be louder than traditional acoustic guitars and are often played with a metal slide. The vibrational characteristics of resonator guitars having a single inverted-cone are studied as the basis for a synthesis model. The small-signal input admittance is obtained using an impact hammer and laser Doppler vibrometer. As well, sinusoidal sweeps are made using a modal shaker at various driving amplitude levels. The shaker measurements show that some of the modes exhibit nonlinear characteristics. These measurements are used to design body resonator filters with time-varying resonant modes for a digital waveguide model of the resonator guitar. Keywords: Guitar, Measurement, Modeling 1 INTRODUCTION During the early twentieth century, the playing levels of American bands were increasing due to the use of brass instruments and percussion. Conventional stringed instruments were not loud enough to compete, leading to the invention of “resophonic” or “resonator” instruments. Resonator instruments have similar construction to their traditional counterparts, with the addition of one or more spun metal cones replacing the majority of the top plates. With the introduction of electronically amplified musical instruments, the need for louder acoustic instruments was reduced, but by this time, resophonic instruments had already become part of the canon of American music such as blues and traditional music. -
Competition Rules and Regulations (Updated September 2019)
Competition Rules and Regulations (Updated September 2019) Category Guidelines: YOUTH - 15 and under ADULT - 16 and up Youth are open to perform in adult categories. Adults not permitted, other than as an accompanist, in youth categories. Categories include Fiddle, Banjo, Flatpick Guitar, Mandolin, Band, and Miscellaneous Instrumental Guidelines: 1. Fiddle - Contest is for traditional four string (five string is acceptable but not ideal), acoustic fiddles only. Standards such as “Listen to the Mockingbird,” “Orange Blossom Special,” or “Black Mountain Rag” are strongly discouraged. 2. Banjo - 4 and/or 5 string acoustic banjos okay. Standards such as “Foggy Mountain Breakdown,” “John Hardy,” and “Dueling Banjos” are strongly discouraged. 3. Guitar - Acoustic Steel String Guitars only 4. Mandolin - Acoustic Mandolins 5. Bass - Acoustic and/or electric basses allowed 6. Band - Must consist of a minimum 3 members. Band contestants are only allowed to compete in ONE band. Same song restrictions apply. 7. Miscellaneous - Any instrument not covered above, that is a part of the “bluegrass/old-time music family” - such as resonator guitar, finger-style guitar, spoons, jaw harp, mandola, bouzouki, accordion, other stringed instruments such as cello and viola. NO DRUMS NO SIX-STRING BANJO/GUITJOS Registration Guidelines 1. Contestants MUST sign in upon arrival at the judges table. 2. No contestant is allowed to register after a category is completed. 3. Judges are not permitted to enter or perform in any category. 4. Contestants must be ready and available to perform when their category is called. Failure to do so may result in disqualification. 5. Tuning, warm-up, rehearsal, or any other audible actions MUST be done away from the stage, active competitor, and convention audience. -
Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
International Home of the Legends Thumbpicking Weekend by Scott Taylor
Fall 2015 Issue 92 Volume 23 Number 4 International Home of the Legends Thumbpicking Weekend by Scott Taylor Those of us who made it down to Moseley and friends. Paul got a laid back easy going demeanor when Muhlenberg County for the last little help from several pickers he plays. weekend in September were treated including his cousin Larry Stone and The Hall of Fame inductions with a full 3 days of guitar picking include recognizing pickers, events. Friday night was the Hall of supporting musicians, supporting Fame induction ceremonies where we fans, recording of the year and a few added some great pickers to the Hall special presidential awards. See the and recognized others for their sidebar for the complete list of thumbpicking support and awards and inductions on page 3. promotion. The annual Home of the The inductions were followed by Legends Thumbpicking Guitar a special premiere showing of a new Contest was held on Saturday KET produced special entitled followed by an evening concert. "Merle Travis: Guitar Man". KET Finally, Sunday was planned to be had helped set up the Travis Center "Pickin in the Park" but the weather with a huge screen covering most of was "iffy" and it was moved indoors the stage back for its viewing and to the Merle Travis Music Center. Michael Moseley, the Travis Center That's a busy weekend. And I had to soundman, had it run through the carve out a few hours on Saturday to house system for a great sound. The slip into a class reunion luncheon. -
Voice Box Page 2 from Labbs Chairman
The magazine of the Ladies Association of British Barbershop Singers www.labbs.org.uk June 2008 IN THIS ISSUE: HAVOC GET THEIR SEVEN GO TO SEA LEGS CONVENTION Our current Champions on a nautical visit p. 16 Barbershop from the rookie perspective, continued p.5 QUARTET WORKING IN HARMONY CLUBS CORNER Catch up with Noted, After Hours p.11 Green Street Blues Brunel Harmony Cheshire Chord Company Capital Connection MUSIC The White Rosettes The IVY League Singing Category Advice Signature p.4 Welwyn Harmony Music Resources Update p.14 p.6-10 Selling Ourselves the Jt. Marketing Workshop p.8-9 VALENTINE S DAY LABBS NEWS ROUND-UP Message from the Chairman, the Mentoring Pro- Capital Connection gramme, Prelims results and Convention draw have been forging p.1-3 their very own special relationship with the U.S.A. AND THE REST Find out more inside. All the usual Letters to the Editor, Notices, and Ads p.13 Capital Connection at the U.S. Embassy p.6 JUN E 2008 VOICE BOX PAGE 2 FROM LABBS CHAIRMAN Hello everyone It seems only yesterday that I became Chairman I cannot believe how quickly the year has gone. It has been a hectic but most interesting and rewarding one. I have managed to visit a number of clubs and have further visits planned. Please forgive me if I do not get to your club but to visit all 48 would mean a visit every two weeks over my two year tenure and that is just impossible. Jacqui Edwards The Executive Committee was once again delighted with the attendance at the AGM 39 out of 48 clubs were represented and thank you to everyone who attended. -
GIGS I VISUAL ARTS I Eventss I FOOD on Worcestershirewhatson.Co.Uk PARTOF WHAT’S on MEDIA GROUP Inside
Worcestershire Cover January 2018.qxp_Worcestershire Cover 15/12/2017 13:26 Page 1 CLAIRE SWEENEY AT Your FREE essential entertainment guide for the Midlands MALVERN THEATRES WORCESTERSHIRE WHAT’S ON JANUARY 2018 ON JANUARY WHAT’S WORCESTERSHIRE Worcestershire ISSUE 385 JANUARY 2018 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On worcestershirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide FromANTON Broadway AND to HollywoodERIN at Symphony Hall TWITTER: @WHATSONWORCS @WHATSONWORCS TWITTER: WelshMARTYN singer-songwriter JOSEPH plays Huntingdon Hall FACEBOOK: @WHATSONWORCESTERSHIRE non-stopARENACROSS white-knuckle ride WORCESTERSHIREWHATSON.CO.UK at Genting Arena Sold Out F/P Artric Fire Jan 18.qxp_Layout 1 15/12/2017 12:56 Page 1 Contents January Warwicks_Worcs.qxp_Layout 1 15/12/2017 14:52 Page 2 January 2018 Contents A slice of Pie - political satirist Tom Walker talks about his cult creation, Jonathan Pie - feature page 24 Gautier Capuçon Guz Khan Shrek’s back in town the list explores the musical landscapes former school teacher sees the award-winning musical returns Your 16-page of Dvorak at Warwick Arts... funny side in Coventry to the region week-by-week listings guide page 17 page 26 feature page 36 page 55 inside: 4. First Word 11. Food 13. Music 26. Comedy 30. Theatre 43. Film 48. Visual Arts 51. Events fb.com/whatsonwarwickshire fb.com/whatsonworcestershire @whatsonwarwicks @whatsonworcs Warwickshire What’s On Magazine -
Clawhammer Illuminations What Would THESE Guys Do? Five High-Profile Progressive Clawhammer Artists Answer
Clawhammer Illuminations What would THESE guys do? Five high-profile progressive clawhammer artists answer common questions concerning the banjo Clawhammer Illuminations What would THESE guys do? Five high-profile progressive clawhammer artists answer common questions concerning the banjo Online banjo forums are filled with all sorts of questions from players interested in instrument choices, banjo set up, personal playing styles, technique, etc. As valuable as these forums might be, they can also be confusing for players trying to navigate advice posted from banjoists who's playing experience might range from a few weeks to literally decades. It was these forum discussions that started me thinking about how nice it would to have access to a collection of banjo related questions that were answered by some of the most respected "progressive" clawhammer banjoists performing today. I am very excited about this project as I don't believe any comprehensive collection of this nature has been published before… Mike Iverson 1 © 2013 by Mikel D. Iverson Background Information: Can you describe what it is about your personal style of play that sets you apart from other clawhammer banjoists? What recording have you made that best showcases this difference? Michael Miles: As musicians, I believe we are the sum of what he have heard. So the more you listen, the richer you get. My personal musical style on the banjo is in great part rooted in Doc Watson and JS Bach. Through Doc Watson, I learned about the phrasing of traditional music. Through Bach, I learned the majesty and reach of all music. -
Pure Acoustic
A TAYLOR GUITARS QUARTERLY PUBLICATION • VOLUME 47 • WINTER 2006 pure acoustic THE GS SERIES TAKES SHAPE I’m a 30-year-old mother and wife who Jorma Kaukonen, Bert Jansch, Leo Kottke, 1959 Harmony Sovereign to a collector, loves to play guitar. I currently own two Reverend Gary Davis, and others, and my I will buy that Taylor 110, or even a 200 Letters Fenders. But after seeing you recognize listeners tell me I am better than before series model, which are priced right. my kind of player, my next guitar will be the “incident”. That’s a long story about John-Hans Melcher a Taylor (keeping my fingers crossed for a great guitar saving my hand, my music, (former percussionist for Christmas). Thanks for thinking of me. and my job. Thanks for building your Elvis Presley and Ann-Margret) Via e-mail Bonnie Manning product like I build mine — with pride Via e-mail and quality materials. By the way, I saw Artie Traum conduct After many years of searching and try- Aloha, Mahalo Nui a workshop here in Wakefield and it was ing all manner of quality instruments in Loa, A Hui Hou a very good time. Artie is a fine musician order to improve on the sound and feel Aloha from Maui! I met David Hosler, and a real down-to-earth guy — my kind of, would you believe, a 1966 Harmony Rob Magargal, and David Kaye at Bounty of people. Sovereign, I’ve done it! It’s called a Taylor Music on Maui last August, and I hope Bob “Slice” Crawford 710ce-L9. -
Senate Disputes Board
Survey Indicates Enthusiasm For Campus Radio Broadcasts their first choice in area stations. Danbury is studying the popular donations from dormitory dues, an all student tax and commercial studying the financial problems of acampus-widestation.The com Students overwhelmingly support the idea of a campus-wide radio mittee w ill report to the Student Board Tuesday. station, Jim Tanck, Waterford, Wls., senior, Associated Studentsof ity of existing stations. advertising. Advertising seems least likely, Tanck said, because of an ad Students in the survey were asked how much they would be w ill MSU (ASMSU) cabinet president, said. "If students don’t support Brody and Shaw radio, would they sup port an all-university station?” Tanck asked. ministration policy against commercial advertising on student op ing to pay each term to support the station. The largest single cate Engineering problems and financing are two problems yet to be erated stations. Local stations would probably provide strongcom- gory, 30.5 per cent, favored paying $1, the highest price listed. Enthusiasm for the proposal was revealed last spring in a survey discussed, he said. petition. Danbury said a per term rate of $1 would be accepted by the ma of 4 2 9 dormitory students taken by Thomas Danbury, research co A blanket student tax would tax students not in dormitories who jority of students If they were aware of services offered by the new ordinator of the Communications Dept., and student volunteers« B efore engineering a campus-wide station, problem s with the ex would not receive the benefits of the campus radio, Tanck said. -
Mel Bay Presents Chris Thile-Stealing Second CD Ebooks for Free Note-For-Note Transcriptions of Mandolin Sensation Chris Thile's Popular Sugar Hill CD Stealing Second
Mel Bay Presents Chris Thile-Stealing Second CD Ebooks For Free Note-for-note transcriptions of mandolin sensation Chris Thile's popular Sugar Hill CD Stealing Second. Contains 13 original Thile mandolin solos in notation and tablature. Audio CD Publisher: Sugar Hill (June 27, 2000) Language: English ISBN-10: 078663538X ISBN-13: 978-0786635382 Product Dimensions: 6.4 x 5.9 x 0.4 inches Shipping Weight: 3.2 ounces Average Customer Review: 4.6 out of 5 stars 22 customer reviews Best Sellers Rank: #6,879,557 in Books (See Top 100 in Books) #63 in Books > Arts & Photography > Music > Musical Genres > Bluegrass #2339 in Books > Books on CD > Music #11809 in Books > Books on CD > General After surviving my own personal intoxication with Thile's masterwork, "Not all who wander are lost" (probably 150 listens), I needed a new addiction. And while I had listened to "Stealing Second" before, I now turned my full attention to it. To my delight, both Stuart Duncan (fiddle) and Jerry Douglas (dobro) are here to accompany the great mando playing of Chris Thile. As others have commented, his composing skills are as sublime as his playing. This record has variety, beauty and a lot of just plain fun. Plenty of reels, airs and harmonies from some of the best players on the planet! In the midst of a "music theme" that rewards lackluster talent such as Kid Rock and Jonas Brothers, it's truly a blessing to be reminded of the power of sheer mastery.I first heard Chris with Nickel Creek, and though I was impressed, I had no idea that he possessed the incredible musical depth presented here.Building on the foundation laid by Bill Monroe, Sam Bush and the myriad players from the deep and rich bluegrass tradition, Chris takes the mandolin to a whole new level.High points? EVERY CUT IS A HIGH POINT!!! Personal favorites? Bittersweet Reel and Kneel Before Him.A quick recommendation of another mandolin artist you'll want to hear - Sierra Hull.One last thing... -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Brazilian Nationalistic Elements in the Brasilianas of Osvaldo Lacerda
Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2006 Brazilian nationalistic elements in the Brasilianas of Osvaldo Lacerda Maria Jose Bernardes Di Cavalcanti Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Di Cavalcanti, Maria Jose Bernardes, "Brazilian nationalistic elements in the Brasilianas of Osvaldo Lacerda" (2006). LSU Major Papers. 39. https://digitalcommons.lsu.edu/gradschool_majorpapers/39 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. BRAZILIAN NATIONALISTIC ELEMENTS IN THE BRASILIANAS OF OSVALDO LACERDA A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the Degree of Doctor of Musical Arts in The School of Music by Maria José Bernardes Di Cavalcanti B.M., Universidade Estadual do Ceará (Brazil), 1987 M.M., Louisiana State University, 2002 December 2006 © Copyright 2006 Maria José Bernardes Di Cavalcanti All Rights Reserved ii DEDICATION This monograph is dedicated to my husband Liduino José Pitombeira de Oliveira, for being my inspiration and for encouraging me during these years