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No Roots, More Fun
# 2020/03 dschungel https://jungle.world/artikel/2020/03/no-roots-more-fun Der Roman »Oreo« über eine schwarze Jüdin No roots, more fun Von Jonas Engelmann Als Tochter einer Schwarzen und eines Juden wächst Christine als doppelte Außenseiterin in Philadelphia auf: Fran Ross schildert in ihrem 1974 erschienenen Roman »Oreo« den spielerischen Umgang mit Identitäten. »Oj gewalt, was ’n das für ’ne verfickte Scheiße?« Sprachlich bewegt sich Christine Clark schon seit ihrer Kindheit zwischen den Kulturen. Jiddische Schimpfwörter zählt die in Philadelphia lebende junge Frau ebenso zu ihrem Vokabular wie den schwarzen Straßenjargon und den Südstaatenakzent ihrer Großmutter Louise Clark, der zäh »wie Maisgrütze« war. Wegen ihrer jüdisch-afroamerikanischen Herkunft wird Christine nach dem dunklen Keks mit der hellen Cremefüllung »Oreo« genannt; es ist eine Bezeichnung für Schwarze, die »weiß« geworden sind, die ihre Herkunft hinter sich gelassen haben und zum weißen Establishment gezählt werden. Der Roman »Oreo«, der 2015 in den USA wiederentdeckt wurde, sprengt mit seinem überbordenden Stil sämtliche Lesegewohnheiten. Christine beziehungsweise Oreo ist die Protagonistin von Fran Ross’ Debütroman, der 1974 in den USA erschien, allerdings kurz darauf schon wieder vergessen war. Niemand interessierte sich Mitte der Siebziger für eine junge Frau, die mühelos die jüdischen und die afroamerikanischen Traditionen verbinden beziehungsweise überwinden konnte, die mit Sarkasmus Identitätskonzepte zerlegte und sich über afroamerikanische Klischees von Männlichkeit ebenso lustig machte wie über Stereotype jüdischer Kultur. Nachdem der Roman von der Presse wie vom Publikum ignoriert worden war, verfasste die 1935 in Philadelphia geborene, 1985 in New York City verstorbene Autorin keinen weiteren. Mit ihrer Protagonistin hatte sie die Herkunft aus einer jüdisch-afroamerikanischen Familie sowie den Umzug von Philadelphia nach New York gemein. -
Spring / Summer 2015
ND SPRING / SUMMER 2015 -I- WINTER 2015 MAY JUNE JULY CONTENT`S Carson, Anne Antigonick ......................... 3 Hoffmann, Yoel Moods ............................. 5 Keene, John Counternarratives .................... 1 Lispector, Clarice The Complete Stories ............... 11 Mackey, Nathaniel AUGUST Blue Fasa .......................... 2 Ross, Fran Oreo .............................. 8 Tanizaki, Junichiro A Cat, a Man & Two Women ......... 13 Vila-Matas, Enrique A Brief History of Portable Literature .... 7 The Illogic of Kassel ................. 6 West, Nathanael The Day of the Locust ................ 4 Yousufi, Mushtaq Ahmed Mirages of the Mind . 9 John Keene Counternarratives • African-American Literature • Author Appearances Conjuring slavery and witchcraft, and with bewitch- ing powers all its own, Counternarratives continu- ally spins history—and storytelling—on its head Ranging from the 17th century to the present and crossing multiple continents, Counternarratives’ novellas and stories draw upon memoirs, newspaper ac- CLOTH counts, detective stories, interrogation transcripts, and speculative fiction to create new and strange perspectives on our past and present. In “Rivers,” a FICTION MAY free Jim meets up decades later with his former raftmate Huckleberry Finn; “An Outtake” chronicles an escaped slave’s fate in the American Revolution; “On 5" X 8" 320pp Brazil, or Dénouement” burrows deep into slavery and sorcery in early colonial South America; and in “Blues” the great poets Langston Hughes and Xavier ISBN 978-0-8112-2434-5 Villaurrutia meet in Depression-era New York and share more than secrets. EBK 978-0-8112-2435-2 PRAISE FOR ANNOTATIONS 24 CQ TERRITORY A “Genius—brilliant, polished and of considerable depth.” —ISHMAEL REED US $24.95 CAN $27.95 “A masterpiece.” —JEANNIE VANASCO, TIN HOUSE “Annotations is worthy of the highest recommendation. -
The Pennsylvania State University the Graduate School College of the Liberal Arts
The Pennsylvania State University The Graduate School College of the Liberal Arts PASSING, PASSAGES, AND PASSKEYS: POST-CIVIL RIGHTS SATIRISTS UNLOCK THE MASTER’S HOUSE A Dissertation in English By Mahpiua-Luta Deas © 2012 Mahpiua-Luta Deas Submitted in Partial Fulfillment Of the Requirements For the Degree of Doctor of Philosophy December 2012 ii The dissertation of Mahpiua-Luta Deas was reviewed and approved by the following: Aldon L. Nielsen The George and Barbara Kelly Professor of American Literature Dissertation Adviser Chair of Committee Linda F. Selzer Associate Professor of English Shirley Moody Assistant Professor of English Lovalerie King Associate Professor of English Director of the Africana Research Center Garrett A. Sullivan Professor of English Director of Graduate Studies, English *Signatures are on file in the Graduate School. iii ABSTRACT In the post-civil rights era, which is marked by the eradication of legalized racial boundaries, racial passing should be unnecessary and obsolete. Yet contemporary satirists have found satiric portrayals of racial passing to be productive on two levels. On a plot-level, they use passing to interrogate contemporary racial subjectivity and to both explore racial advances and to critique persistent racial inequities. On a structural level, they write fiction that challenges the prescriptive and restrictive aesthetic criteria that they believe African American fiction is required to meet. Ultimately, this fiction offers dynamic critiques of contemporary racial identity and textual production. These authors use satire to examine how the fictional depiction of racial identities/bodies informs, depends on, and dictates the textual body and vice versa. The purpose of the study is to draw on two parallel contemporary literary theories, racial passing and satire, in order to analyze the works of five of the most important and recognized contemporary satiric writers of the post-civil rights generation: Percival Everett, Paul Beatty, Mat Johnson, Trey Ellis, and Adam Mansbach. -
Not Black, Not Black Enough and Both Satirical Investigations of Race in Percival Everett’S Novels
Not Black, Not Black Enough and Both Satirical Investigations of Race in Percival Everett’s Novels Dissertation zur Erlangung des Grades eines Doktors der Philosophie am Fachbereich Philosophie und Geisteswissenschaften vorgelegt von Johannes Kohrs Berlin, 2020 Erstgutachterin: Prof. Dr. Ulla Haselstein Zweitgutachter: Prof. Dr. Florian Sedlmeier Tag der Disputation: 19. Dezember 2018 Acknowledgements I dedicate this work to my wife Laura for her loving support throughout the tumultuous experience of writing this book. I would like to thank my family, my mom for introducing me to the world of music and art and my dad for putting a Baldwin in my hands when I was seventeen or so. This work would not have been possible without the critical feedback and generous encouragement of Ulla Haselstein. My sincere gratitude goes to her, Florian Sedlmeier and Anthony Stewart. Among those, who have profoundly contributed to this work with their critical comments and suggestions, I would like to thank Christa Buschendorf, Marie Moeller, Joe Weixlmann and Ramon Saldivar. Special thanks are due to Nic Lindenberg and Katharina Metz. Finally: a shout-out to the “radical cohort.” Six years ago, a friend of mine told me about a hysterical satire titled erasure that I really should read. I would like to thank Marlon Lieber, with whom this whole thing started, and Percival Everett, whose friendship is much more than a footnote in this critical endeavor. TABLE OF CONTENTS Introduction Race, Cultural Difference and Percival Everett’s Post-Millennial 4 Novels -
Ralph Ellison and Colson Whitehead
The exclusive license for this PDF is limited to personal website use only. No part of this digital document may be reproduced, stored in a retrieval system or transmitted commercially in any form or by any means. The publisher has taken reasonable care in the preparation of this digital document, but makes no expressed or implied warranty of any kind and assumes no responsibility for any errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of information contained herein. This digital document is sold with the clear understanding that the publisher is not engaged in rendering legal, medical or any other professional services. Chapter 5 AN INTERVIEW WITH DIANA SHEETS: TWO AUTHORS IN SEARCH OF THE BLACK EXPERIENCE: RALPH ELLISON AND COLSON WHITEHEAD Keywords: Baldwin, Cane, doubling, Ellison, Hughes, Invisible Man, Native Son, The Intuitionist, Toomer, Whitehead, Wright MFS: Dr. Sheets, let’s begin by talking about the black experience and the Harlem Renaissance. Why do we need these themes as “backdrops” so to speak? DS: The trauma of slavery and its repercussions permeate the black experience in our country. Slavery began in the United States in the 17th century during the colonial era and extended through the Civil War. During Reconstruction and its aftermath, many repressive social and economic conditions continued by means of Jim Crow—institutional segregation that extended broadly to encompass schools, hotels, restaurants, commercial businesses, public facilities, and potentially every aspect of public life. Indeed, the influence of Jim Crow extended into the North and throughout many parts of the country. -
Annotated Bibliophilia, by Davu Seru
Annotated Bibliophilia, by Davu Seru An exhibit from the Archie Givens Sr., Collection of African American Literature February 2 – 28, 2013 Presented at the Hennepin County Government Center Annotated Bibliophilia, by Davu Seru 1. Golden Legacy: Illustrated History Magazine Dix Hills, NY: Fitzgerald Publishing, 1966-1972 According to its publisher, the sixteen volume Golden Legacy collection is not a comic book collection. It is “a new approach to the study of history,” designed for young people, with contributing writers such as the esteemed Pan-Africanist historian John Henrik Clarke. The editions include features on Harriet Tubman, Black inventors, Afro-Russian poet Alexander Pushkin, arctic explorer Matthew Henson, and ancient African kingdoms. Sara Roberson Collection 2. Poems on Various Subjects Religious and Moral, by Phillis Wheatley London: Archibald Bell, 1773 First edition This volume by Phillis Wheatley is the first book of poems published by an African American and the first book to be published by an African American woman. Born in the West African country of Senegambia (in either modern day Senegal or Gambia), Wheatley was captured as a young child and, after making the middle passage across the Atlantic on the slave ship Phillis, was sold into the hands of the Boston-based Wheatleys who would teach her to read and write. Written primarily in a highly refined neo-classical mode, the book has been the subject of much debate. In his Notes on the State of Virginia, Thomas Jefferson would regard Wheatley’s poetic achievements